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空ろの箱と零のマリア
40
7
Finished
Jan 10, 2009 to Jun 10, 2015
8.2/10
Average Review Score
80%
Recommend It
20
Reviews Worldwide
Plainly put, this is garbage. This is the type of story writing and story telling that is killing the writing industry. It's a story disguised as a complex one, but at the core, it is simple beyond belief. The twists and turns of the plot are simply there to briefly trick you even though you've already known the outcome of a certain event. All its "complexity" just seems like the author getting new ideas and then cramming that idea into the story, realizing it doesn't end in a favorable outcome, and then finding ridiculous ways to explain why the favorable outcome was achieved. This is just over-hyped beyond belief.--An update-- I never imagined my review would get top. I've had countless angry fans raid my inbox and comments. Most want to just berate me, but some do want more information. For those few people, I will add some more: The interaction and dialogue between characters seems off. To me, they do not communicate like a normal person. I know they are meant to be odd people, but the writing made it difficult to understand or even become interested in what they had to say. The best way I could describe it is if aliens came to Earth and only studied humans via anime. And then they tried to write a story based around two awkward anime characters, that's what this felt like. Some people have pointed out that it is due to bad translation. My first language is Japanese, I read all Japanese literature untranslated. As stated before, the "complexity" is just a mess. The many "rules" of the world are not defined, but this seems to be very intentional, but not to provide "mystery" or "twists". It seems as though the author made it so they can add or modify rules for their needs. The "twists" only seek to surprise us without adding any value to the plot. Situations in the novel change, drastically at times, for no apparent reason but only to meet the author's objective. This is a classic blunder by bad writers. They have a beginning and an end, but they don't know how to write the middle to tie the two. "the man fell off the cliff...but didn't die because a dragon saved him! and the dragon never comes back into the story" Hope this helps
Kazuki Hoshino values his everyday life above all else. He spends the days carefree with his friends at school, until the uneventful bliss suddenly comes to a halt with the transfer of the aloof beauty Aya Otonashi into his class and her cold, dramatic statement to him immediately upon arrival: "I'm here to break you. This is the 13,118th time I've transferred. After so many occasions, I have to say that this is all starting to grate on me, which is why this time I'm spicing things up with a proper declaration of war." And with those puzzling words, the ordinary days that Kazuki loved so dearly become a cycle of turmoil and fear—Aya's sudden appearance signals the unraveling of unseen mysteries surrounding Kazuki's seemingly normal friends, including the discovery of mysterious devices known as "boxes." [Written by MAL Rewrite]
After an excruciatingly long time of waiting, at long last the seventh volume of Utsuro no Hako to Zero no Maria (more commonly referred to as HakoMari) has now been released, and with that it's finally time to close the lid on one of the greatest works of literature to have ever originated from Japan, and the overall best light novel I've ever had the pleasure of reading. HakoMari's story is... *unique* to say the least. It can be classified as fantasy, mystery and psychological above all else, but it really touches upon just about every genre imaginable during the course of its progression. It startsout seemingly ordinary with a typical high-school boy named Hoshino Kazuki who is extremely fond of the idea of having a so-called "normal, everyday life". But when a mysterious girl called Otonashi Aya one day joins his class, announces that it's her 13,118th school transfer and that she's here to "break him", Kazuki's life immediately becomes as far from normal as humanly possible. The plot progression of HakoMari is very difficult to explain to anyone who hasn't read it, because it's unbelievably complex and also very niche. It primarily revolves around a wish-granting device called a "box". The "boxes" are given to various people and function in different ways depending on the characters' personalities, what they wish for and also how much they truly believe in the concept of granting wishes to begin with. But either way a box can be considered a space like a fictional world which people can be trapped inside, and it operates under its own rules. In this way, effectively anything is possibly in HakoMari because all laws of normality are completely thrown out the window. I think HakoMari can be classified as "Chaos Theory". It's completely erratic, yet very systematic. It's completely irrational, yet makes absolutely perfect sense. It's abstract, yet completely logical. It messes with your head like nothing else from essentially the first sentence of the first volume and it never ever stops, but neither does it stop fascinating you with what it's capable of. The plot twists are so incredibly difficult to predict, but they always make you feel like the answer was so obvious all along once the truth is revealed. It's just that well-written, and as a result it never fails to make you smile and impress you. Almost every single volume is very different from the rest since every box operates under its own set of rules, but they still always maintain the same dark, cryptic yet incredibly captivating atmosphere. This is all possible because the writing and narration is simply superb. The author makes the readers dance to his tune like puppets with his almost cult-like writing style, and when all is said and done it's probably the main reason why HakoMari is so interesting to read. It's like trying to lay a three-dimensional puzzle in the dark, except the author is helping you by guiding your hands for you. In that way it feels like you're being presented an overall storyline that reasonably shouldn't be possible to write, except somehow it actually works out. But it's something that cannot really be explained in words alone, you have to read it for yourself. Another interesting aspect is that HakoMari has multiple protagonists. It constantly changes perspective. Each and every character is thus provided incredible depth, much more so than you would ever expect from a novel only seven volumes long in total. Furthermore, given the abnormal nature of the story itself, the different perspectives give you vastly different impressions of the flow of events. Overall, what you have is a light novel which is unlike anything else on the market, has some of the best writing I've ever seen and never ceases to amaze you with its unbelievable twists and turns. It makes you care about the characters something tremendously due to how captivating it is from the very beginning, and presents you with a storyline which is as about as close to flawless as you can possibly get. I don't think I've ever talked to anyone who's read HakoMari and didn't like it, which is something I don't think I've experienced with any other series, regardless of medium. As it is though, HakoMari is only hyped in the west, but it's basically unknown in Japan. Thus the chances of HakoMari ever getting an anime adaptation are probably rather slim, even now after the novels have finished publishing. However, I do not believe it is humanly possible to make an adaptation of HakoMari that would do the novels justice anyway, so maybe that's for the best. Either way, I'm more than happy with what we got, because it is my all-time favorite light novel and quite simply one of the overall best reads I've ever had in my life. Highly recommended to essentially everyone.
"Do you have a wish?" I don't think myself able to write an objective critic to HakoMari, not while the last volume is still so vivid in my mind. As such, this is not a review, but a love letter to this wonderful novel. HakoMari is, in a nutshell, a wild ride. A crazy, reckless and downright cruel wild ride. The story, while thought out really well, is really just a container. It's the playbox where all the characters are thrown into while being told "Now do what you want". And the characters are really what makes this series so worthwhile and unforgettable. Characters who love each other butend up hurting each other. Characters who hate each other but end up realizing how much they resemble each other. All of them, unmistakably broken. HakoMari is not supposed to be a "feel-good" novel. It has the wonderful gift of being able to present characters who are hurt, broken and in despair without looking edgy or try-hard. Because at its core HakoMari is a story about many different things. A story about regrets. A story about envy. As tory about boredom. A story about misunderstandings. A story about loneliness. And a story about "love" They all wander clumsily through the story, while searching for their real value, their real self, their real "wish". And you are there with them, watching as they laugh, cry, and get hurt. And, before even realizing it, you too have a "wish". That at the end of their struggles, some kind of "good end" will await them...
If you have a box that grants any wish, would you use it? Can you actually believe that something like really could exist? Actually not, isn't it? SPOILER FREE! I assume that I was really anxious to see the end of this novel to know it and write a review. As far as I can concern, The Empty Box and Zeroth Maria (Utsuro no Hako to Zero no Maria a.k.a HakoMari) is one of the Japanese Novels that touched me most. There is the Japanese masterpiece for 21th century. Often people who follow something want a STORY to enjoy, or for enjoyable presentation, at least. Instead of deliver it, HakoMariworks with epiphanies, metaphors, examples and human questions inside several somewhat big monologues. Actually they are not exactly "funny", but amazingly INTERESTING and good to make you reflect, think about yourself and people around you. The monologues are so fantastic that it can be "simple" but complex. Immature but mature. Irrational but rational. They can fit in most kinds of tastes, however it goes deeper and deeper and author isn't afraid to show the weirdest side of world. Obviously there is a story. However, this is not the most important thing. The "messages beneath the surface" are the most important thing here. Think and look forward to see it! Moreover, suspense on this is great and VERY hard to predict. It will always trick with your mind! Twists are not forced and they are very coherent, and had with little flaws (especially in last volume, as I expected). Characters are good too! They are humans. They are natural and believable! Every single character have their own personalities and thoughts, except for singular cases here and there that are minor characters. Also the side cast has their space to think, act, appear as main characters sometimes. You can love or hate someone from beginning, but your perspective could change bit a bit as you read. As someone said, "when you know someone, this person couldn't be your enemy anymore". HakoMari works with this line regarding characters and readers. Furthermore, their reactions, thoughts twists and trouble treats are the center of attention for those novels. It could help to understand better how human heads work. Illustrations are good, sometimes help to clarify some things, especially the characters physical features, but they are not so amazing and there are few pictures as many other light novels... I think it's a good point, though, since it depends heavily on words and readers imagination, so images aren't that needed at all. Because of these elements, my grade is seven for it. Well, I love it and recommend to all people who want to know more about human beings and enjoy to learn about at same time. It's interesting without any boring parts... Oh, except for second volume. If you would like to give up because of it, forget this stupid idea. Second volume is the major flaw on the series in my opinion, but once you overcome it, you can access the whole potential of this novel. YOU MUST READ IT! XD Oh, yes. Settings are somehow different too. Situations and plot are somewhat innovative. "Nothing is priceless" is remembered in whole novel, so you have to expect that it can be interesting with almost flawless formula. Finally I can say that this work of fiction is the prove of that depression can be productive.
As, of now, one of the top 5 light novel series on MAL, and as someone whose only read a few light novels, I thought it would be fair to take a dip into this series to get me more into the medium. With countless reviews praising it as genius, and some spouting it as a masterpiece, I thought I would also be rating this a 10 in the end along with the many others. However, as you can see by my score, HakoMaria is by all means not what its all cut out to be. When I finished this series, because of thelittle light novel exposure I had, I thought it would be best not to treat it as just a light novel and compare to light novels, but as a book series. With this perspective in mind, let me tell why I don't think this is a super great book series. I think one of the main problems with this story are two things: complexity and characters. To begin, if we strip away all the fluff from the conflicts, if we actually look at the stories without all the dressing, we get some pretty overused clichés and concepts. Now, I am not saying these clichés and concepts are a bad thing, I am just saying there is nothing original about it. The author tries to add these complex tidbits as a way to, in a sense, "distract" the reader from what is going on, but for a person like myself, I already new what was going to happen next. Not only that, he extrapolates those idea and draws them out as long as possible. It gets to the point were the worst arc takes up an entire two novels! I forced myself to get through. In other words, the author tries to add complexity to predictable story plots which in some cases, makes reading such a drag. And then there is volume 7, something, in comparison to the rest, is actually pretty good. So does having a good ending mean all the rest is good as well? That is up to debate, but I will allow you to make the choice for yourself. Another problem with this story is the characters, in particular, those stereotypes. You got your pretty stereotypical protagonist, that bossy girl, that pretty girl, that smart girl, that smart evil guy, the cool guy, that quite girl, and then might as well throw in a villain that really doesn't have a reason for doing anything except add to the plot. If this work was a masterpiece, I need more realistic characters please. Now, I am not saying I don't like the characters, I particularly enjoyed Oomine the most, but I just need better character development and something that can really relate me to them, not just some protagonist whose like "oh, I want to maintain my normal life" and that is it. And then, suddenly, he starts doing some mad #### to protect this philosophy. Even though the character's thoughts and psyche are explored, that does not entail realism or relatability. Overall, do I hate this series? No. I enjoyed reading it, and I enjoyed the entire concept, and I thought it was cool. I don't want to hate upon the series, I do think its good, the ending was great, but in my opinion, this series by no means deserves masterpiece status. Anyway, I'll leave the rest up to you. Take a dip.