Aria the Natural

This is the first time that I have ever felt an anime deserves full marks in all categories. Aria the Natural had everything I could want in an anime. Here\'s the breakdown... Story: The reason why the plot is so good is that each episode has a unique story and it never gets tiring despite not having a running story. Neo-Venezia is a place meant to be explored and that is what we get thorugh the series as Akari and Co. meat new people and grow. Watching something like this is relaxig and just puts a smile on your face. Animation: The world of Aria is absolutelybeautiful. The town of Neo-Venezia is presented in such detail that it makes me wish that I was there. And the sceneries are a sight to see and in an anime like Aria, we get to see them in many aspects, whether it is in the morning, evening, night etc. The only thing i wish for is a HD version of Aria, but still gets full marks none the less. Sound: OP, ED, BGM, it\'s absolutely incredible. The music fits in so well and is something that just relaxes you. Words alone cant describe how much i love this kind of music. It\'s pure bliss~ Character: This is perhaps the best aspect of Aria. Each character is not only unique but is extremely likable. There is a wide range of personalities yet they go so well together. And their chibi face form is hilarious. Each have there own style and goes well with their personality. Overall, to me, not only is this the best slice of life, it is the best anime out there. It is just perfect. While this type of anime is not for everyone, Aria the Natural was everything i could ask for. Hopefully you can see the magic of Aria like I did if you ever check this out and become a fan too.

One expression: "Embodiment of relaxing happiness". Welcome back to yet another season of Aria. Never heard of this anime before? To put it bluntly: this whole series marks the pinnacle of entrancing anime Slice of Life. To follow the anime chronologically, please watch "Natural" only after you’ve finished "Animation", otherwise you might miss out on proper character and world introduction. Note: Alongside the actual review you will come across some diary entries written by our protagonist Akari in her usual cheerful way. Let them accompany you during your personal gondola travel throughout Neo Venezia as you read this humble examination. ~~~~~ "Dear Diary, how have you been sofar? You grew quite big, but that's not bizarre, since I experienced a WORLD last season. You know, so many tourists have come here to see Neo Venezia, it would appear the colonization of Mars had a bountiful reason. My own task hasn't changed during this time... and it isn't only to make this rhyme! I guide my gondola over the streams of water flowing through this peaceful place and relishing the friendly people, the slower pace. This life is more natural than your dearest dreams." ~~~~~ "Natural" continues from where "Animation" has ended, and the premise appears as simple as ever: a bunch of cute girls rowing gondolas over the watery planet of Aqua (formerly known as Mars), experiencing countless everyday adventures. As one probably assumes: the plot stays calm and action-less, which may not appeal to everyone. Aria doesn't try to implement fast-paced scenes like all-in gondola races or natural catastrophes. Honestly though: this is by far the best possible outcome. So be prepared to indulge into pure relaxation... ~~~~~ "Ha-hi, I've become sleepy as of late - what can I do against this moony state? Maybe we've overdone the star-gazing a bit. So today I let Alice and Aika do the rowing and meanwhile watched the floating islands glowing and dreamed of a yummy banana split. Especially the three great Water Fairies Akira, Athena and Alicia know what carries our beloved Aqua below its top surface. So even I learn about the deeper meaning of flowers, or how to spend the most memorable hours. Together we preserve the peace in grace." ~~~~~ Every remarkable anime needs an interesting and unforgettable cast of characters, and Aria definitely delivers. The plot focuses on three apprentice undines (undine is an equivalent of gondola tour guide) and their respective masters (widely known as the "Three Water Fairies"), belonging to three competing companies. Yes, although they're competitors on paper, you forget that this is Aria, so they train and even celebrate together, not letting any hostile thoughts build up during the entire show. The tendency for names to begin with "A" is quite obvious, and one might think that this will result in challenges distinguishing them from one another. Fortunately, these difficulties are immediately scotched because of diversified traits all of these young women have, both in appearance and manner of speaking. One's for certain: You will never forget their key expressions and special faces, so what else would you need for characters to become memorable? ~~~~~ "Today reminded me of all my reliable friends: Alicia as my mentor doesn't miss a time and lends me her firm arm; oh this makes me so proud (: The practises together with Aika and Alice are by far the best method to maintain my inner peace. "Embarrassing remarks aren't allowed!"... Ehhhhhhhhhhhhhh? And then there's my companion for everywhere: President Aria, the cuddly cat, takes utmost care of me during my adventures, in every case. Dear Ai-chan is mailing with me everyday. That's important since the postman tends to say that any letter can overcome time and space." ~~~~~ Concerning the other inhabitants of Neo Venezia, a special mention has to be given to the cats. Not only do they provide even more heart-warming moments by constantly being around as "presidents" of their respective company, but they also maintain certain traditions to add to the mystery aspect of the world. Being Slice of Life, it's only natural for our undines to interact with all kinds of people during their daily work. Everyone tells their own story and fits perfectly into the whole setting. As soon as the viewer identifies themselves with the general mood, watching the characters is an utmost bliss. As trivial as some of the stories may seem, they all carry a deeper meaning, and overall, help to eternally carve the world of Aqua into one's memory. ~~~~~ "Gliding Canal Grande under Rialto Bridge today, we met Akatsuki-san gathering roses for Boccolo day. He wants to see Alicia go "ara ara" again. Rumours say there's a woman in a black dress, connected to San Michele Island more or less. Yep, so much unfathomable wisdom there is to gain. Have you ever heard of Redentore before? The Wedding to the Sea or the golden oar? Maybe I should ask wise Grandma about all of them. Even the cats are keeping their traditions with mystic Cait Sith improving their conditions. Another detail in this as our world carved aquamarine gem." ~~~~~ Even if it's episodic, Aria's ability to tell profound and humane stories is virtually unmatched, especially concerning the Slice of Life genre. "Aria the Natural" succeeds both in surpassing its prequel through the sheer power of empathy and the preservation of its initial premise, yet always being special every episode. Admittedly, the style of the story telling may appear boring to anyone not accustomed to this kind of anime. Watching more than two episodes per day is not recommended, otherwise it will really be too much/too less for the viewer to consume. Neo Venezia and Aqua are generally places that should be frequented in short visits instead of long ones in order to completely admire their wonderful beauty. ~~~~~ "In the morning we trained outside of town inside some quaint landscapes of high renown; you even could see Hope Hill from there. Every minute we practise is to master the water with its clear and calm nature, it's like a daughter I need to console and for whom I must care. Oh, this place's life is certainly unique. Everyone's moving so smoothly I tend to speak with them a lot about the city's style. The buildings, while modestly tinted, stand just short enough to see the sky so grand and let us sense a light sea breeze awhile." ~~~~~ Natural’s art and animation unquestionably serve their purpose. The architecture of Neo Venezia with its detailed Italian touch and generally colourful drawing style make the town's visit aesthetically pleasing to the eyes. Being Aria, the overall manner of art isn't flashy but rather quaint, although special moments with spectacular light effects or noticeable water reflections aren't left out either. ~~~~~ "Today I couldn't concentrate myself too much on discovering another unique Venezia touch. It was because my ears were dancing... dancing after hearing Athena-san's heavenly voice and feeling Makino Yui on San Marco Square rejoice. Music assists and quiets me down before advancing. After noon we three indulged in delicious coffee while bearing the sun looking like a giant toffee. I hope the heat won't cause any illusion. So we sat listening to some musicians playing their plucked instruments under arduous conditions - music-less this world would fall into seclusion." ~~~~~ Music-wise the general mood stays the same as in every other category: calm and relaxing, but always soulful. Smooth tones brought to our ears by plucked instruments with occasional mystical chants and lyrical insert songs. One aspect in which "Aria the Natural" surpasses other anime is the everlasting vigour of the opening with its song "Euforia" performed by Yui Makino. I'm not exaggerating: This opening is the only one in all anime that I haven’t ever skipped; the impact is simply amazing. The seiyuus perform their assigned roles splendidly, and because of the previously mentioned main characters' impressionable manner of speaking, they have a high chance of staying in the viewer’s mind. ~~~~~ "The evening is wrapped by red warm tones which gently heal our hearts, our soul, our bones. I lie down on bed and take off my glove - this glove that isn't just protecting my hand, but also reminding me I have to understand: as Prima Undine I need more special traits I love. As a child I wanted to be a fairy flying around and make everyone merry; I reached this goal, without caring for a penny. All of these encounters here are the planet's bliss so in the end I thank you all, and 'may this town's kindness reach the hearts of many'." ~~~~~ A picture is worth a thousand words, as the old proverb says. If you're already familiar with the prequel "Animation", this sequel includes everything required to top your previous experience. To everyone who's new to Aria: This review is coming to an end, but your journey has just started and I hope that you have the necessary tools now to decide whether or not to give this outstanding anime a chance. Not to mention that its sequel "Aria the Origination" finishes the whole series in one of the most emotional ways I've ever encountered in anime or any other medium before. Aria had captured my heart in no time... so why not yours too?

(This has been adapted from my reddit thread) It's strange to think about everything that has gone on in one's life to get to this specific moment. The people one has seen, the events one has experienced, and the magical moments one has witnessed all culminate into a single, solitary point in time. These various encounters seem miniscule and largely unrelated. But if one looks at the bigger picture, it's easy to see that these tiny dots form quite the beautiful image. Such is the case with Aria the Natural and most of what it has to offer. STORY Aria the Natural begins where its previous season, Ariathe Animation, left off. Akari, Aika, and Alice are still aspiring Undines, experiencing everything that Neo-Venezia, Aqua, and life throws their way. Aria the Natural follows quite well in its predecessor's wake. Calmness oozes from every corner of the show, and the girls' escapades are mostly aimed at teaching and learning lessons that someone needs in order to become a well-rounded person. However, the mood actually deviates from this path on a semi-regular basis. It takes on creepy scenarios that test Akari's resolve, romantic scenes that expand Aika's emotions, and angry situations that reflect Alice's inner turmoil. Now, the changes in mood are not grand; they're as small as a gondola's displacement while rocking silently on the sea. But being able to see the show literally leave its comfort zone provided it with both interesting and unique outlooks. These outlooks aren't just standalone, though. The themes are, once again, quite general and applicable to most people. Meaning there is a lost sense of worth attached to many of them. Individually, these themes are simple, but hearkening back to the introduction, it's the entire scope that matters. For Aria the Natural, it kicks off with the idea of "encounters" and never lets up. Without fail, each episode binds its personal message with this over-arching motif. For countless examples: it's best not knowing everything in order to encounter new things, some encounters are better left alone, an encounter may last a lifetime or not at all, particular encounters can happen vicariously, etc. What it does incredibly well is getting across the notion that encounters are indescribable. There are so many variations, so many definitions, that it just isn't possible to sum up succinctly what one encounter entails. In Akari's words, an encounter is simply "wonderful." It's best to think of Aria the Natural's themes as one of the buildings that populates Neo-Venezia. The foundation and pillars are the general ideas presented. While alone they just "sit" there, they fully support the roof, or overall theme, that rests atop them. And what one is left with is a structure that, no matter the season, remains steadfast and strong. Aria the Natual also continues the tradition of placing heavy emphasis on the world of Aqua. The exploration of the underground, information on Pair graduation, and the Redentore Festival are apt instances that further promote how rich and detailed the environment really is. And just like the mood and themes before it, Aria the Natural goes above and beyond once more by providing better balance. Aqua and Neo-Venezia remain a focal point, but more attention is given to the cast -- both main and side -- and to the fantastical nature of the setting itself. Going into the intricacies, the story still follows Akari, but actually gives the other characters a chance to "strut their stuff." Aika and Alice get their own tales, and some of the side characters -- such as the mailman, Akatsuki, and even the townspeople -- get their own chance in the spotlight, providing the show with even more diversity. At the same time, Aria the Natural incorporates more of the supernatural. That is, among the realistic adventures being had are the dream-like ones. The "fox's wedding," the looping canal, and the appearance of the spirit of the gondola boosts both the city's and the show's feeling of being otherworldly, something that is constantly alluded to. In short, by spreading out the story, and not strictly revolving it around Akari, this newfound balance elevates the anime that much further. ANIMATION Aria the Natural, as already discussed, loves to talk about its world. And if there is anything that it does more than describe it is show it to the audience. Once again, the art captivates: the beautiful scenery on the oceanfront, the Venetian statues and towers, the plazas and alleys; at this point, it feels less like the Italian version and more like the Aquan. On top of all this, the comedic faces for the whole gang are also back in full-force. The character designs, likewise, maintain their past-yet-future look. The girls, at certain points, do don more domestic drab, which was a nice change of pace. There are two notable occurrences of vastly different style changes, however. The lesser of the two is during the filler story, where the cast has their gender's swapped. The goal of making it seem unsettling worked, due in part to everyone's uncharacteristic male and female looks. The greater, and obviously most important, is Aika's hair. This will be talked about further ahead. The animation sees a bit of an increase this time around, if only because of the length of the season and because of the actions the characters take. In other words, Akari, Aika, and Alice do a lot more this time around besides sitting and standing. Walking, running, and jumping happen regularly, since the peaceful nature of the show is shaken up every now and again. CHARACTERS The cast of Aria the Natural begin to shed their one-dimensional status and actually see some proper development over the course of the season. As the youngest of the trio, Alice actually comes off as the most mature. Her stoic demeanor and often quiet way of speaking makes her seem older than she is. While she is most often perceived as an adult, the struggles she faces are entirely childlike in nature. For Alice, she has extreme difficulty establishing relationships with other people. And this is a two-way street: it's giving and receiving the connections. Having the courage to socialize with others and understanding that not everything can be handled alone allowed her to grow into the person she always came off as being. Aika's problem was somewhat different, but still two-fold. As is often evident, she is quite outgoing when it comes to speaking and letting Akari and the gang know how she is feeling. But interestingly, while she uses her emotions, she did not fully comprehend what they entailed. That is, she wasn't able to understand herself. In the game of love, her feelings remained repressed because of her uncharacteristic lack of confidence. But a nighttime meteor shower, a few hair-clips, and a man named Al provided the self-esteem boost she required to see that her genuine love is nothing to be unabashed about. And Aika sees even further improvement in regards to herself. She had always wanted to be Alicia; copy her elegance, mannerisms, and beauty as best as she could. But following an unfortunate accident, she learns an incredibly powerful lesson; that one shouldn't try to replicate anyone else but one's self. It sounds cheesy, but it's true. You are your own person, and that means that the experiences, emotions, and events you encounter cannot be emulated again. Everyone is special, is unique, in their own way, and Aika discovers this in a somber yet heartfelt manner. And though the symbolism of cutting one's hair is common, it fits here perfectly; she transitioned from someone "unknown" to her and into the person that not Akira, not Akari, and even not Alicia could be: herself. Not to be outdone in development, Akari goes more philosophical. Known for her unending kindness and unparalleled optimism, this season tests her beliefs. What does this mean? Once again, there are two sides to investigate: facing both the real and the unreal. For the first time, Akari undergoes situations that aren't "pretty." She senses fear, trepidation, anxiety, longing, seriousness; complete opposites to the personality that she normally boasts. This made her more human, more real, than she has ever been before. But ironically, it's the fake that reaffirms her that the world isn't just filled with these more degenerate feelings. Before, Akari's love toward the city was prominent. Now, it's the city's love toward Akari -- in the form of Cait Sith -- that takes center stage. It protects and guides her, letting her know full well that, despite the hardships that life may contain, her way of thinking and acting is something truly precious. For each girl -- Akari, Aika, and Alice -- they're development can be summarized as maturing. And each goes about it in different ways: Alice becomes an adult, Aika finds herself, and Akari is grounded to reality. This would not have been possible without the helping hand of their respective mentors, namely Alicia, Akira, and Athena. Besides merely complementing the girls, this season sees them being teachers not in the art of the Undine, but in this aforementioned maturity. Athena pushes and grabs Alice at just the right moments; Akira is the unyielding rock that forces Aika's hand; and Alicia acts as a mother, giving Akari the wisdom that only years of life experience could match. Now more than ever, the Three Great Water Fairies are more than just the greatest Primas of their age. They're symbolic gondolas, guiding their apprentices down the canal known as life. SOUND The OP follows in the character designs' footsteps. That is, it embodies both an out-of-reach yet close vibe that makes one at ease whenever it is heard. The beautiful vocals, water-like sound effect, and simple beat in conjunction with the piano and violins really do make the piece euphoric. The ED lends itself well to avoiding the use of lyrics. The plain guitar, piano, and violin work together in a catchy manner, while simultaneously soothing the atmosphere. The piece isn't stellar like the OP or other parts of the OST, but it fits well enough. The soundtrack is, once again, great. Like the ED, the dainty guitar, the soft piano, and varying violin playing meld as one, capturing not only the simple life, but one that fits Neo-Venezia to a tee. Especially so is the track with the slow-and-fast guitar-playing combined with various instruments. It's rising and falling notes create a piece that can be happy or sad to fit whatever situation needed. An issue that persists into this season, though, is the use of lyric-heavy tracks. During certain segments, the soundtrack uses pieces that are filled with vocals. The lyrics themselves are fine, but their use distracts the viewer and lessens the impact of those particular scenes. Voice-acting is above-average across the board. Ryou Hirohashi as Alice with her no-tone way of talking, Junko Minagawa as Akira with her stern yet soft voice, and Chiwa Saito as Aika with her girly and funny way of speaking perform wonderfully. And this applies to every woman involved, too; all-around great job. ENJOYMENT What I always found fascinating was the show's ability to use the same tactics to get a laugh out of me. The first season did this as well, but it still never feels repetitive. In fact, it was a game for me, trying to correctly guess when Aika would shout her famous phrase or when Alicia would softly say those two small words. Alice's "fish-face," combined with the sparkle, always made me smile, as did everyone's minimalist expressions. Also, that meat dance at the barbecue was not only out of nowhere, but pretty hilarious, too. This season also got to me a few times. Not crying, but getting that lump in the throat and the watery eyes. Specifically, it was the student's letter, the "nightshine" chime, and the gondola. Each dealt with saying goodbye, and each time it emotionally resonated with me. Which is really intriguing; they're "just" inanimate objects, but the set-ups, the characters, and the mood made those moments stand out. As a sequel, Aria the Natural improves in many key areas. The story finds more overall worth and the characters become more than just placeholders. Combined with small tweaks to sound and animation, its nearly done all that it can. With one season left, hopefully Akari, Aika, and Alice are given the proper sendoff that this season demonstrated that they deserve. SUMMARY Story: Great, multiple moods, individual and collective themes, nice balance in storytelling Animation: Good, nice art style, appropriate character designs, average actual animation Characters: Good, Akari, Aika, and Alice see nice development, with Alicia, Akira, and Athena guiding them along the way Sound: Good, good OP, good ED, great soundtrack with some distracting pieces, great VA work Enjoyment: Good, usually funny, sometimes emotional, always Aria Final Score: 8/10

If one is lucky, there may come a point in life were you experience a prolonged period of happiness and peace, a seemingly never ending golden age of joy and determination that makes pale all other periods in comparison as the sun does the moon. Everything may not exactly be perfect, quite the contrary it may be a period of struggle and poverty, perfection is in no way a prerequisite, at the time it may not even seem that you are inordinately happy, but upon reflection you realise that those were the best years of your life. The great tragedy of the present is thatwe can never see it for what it is until it becomes the past… To create a series in which one can witness these feeling played out with an almost musical perfection is no small feat and a rare privilege for the viewer indeed. To accurately capture characters with a dream which while still some distance away are working towards it incrementally, getting a little closer each day, not yet bound by nostalgia to the past but grown beyond simply dreaming of the future, opting instead to somnambulate towards it one day at a time, this is Aria the natural's crowning achievement, portraying the present... Aria the natural, so called because the 26 episodes allowed for the show to flow more naturally, is exactly what a sequel should be, an improvement on the original in every way that loses nothing that made the first season so likeable while adding a new beauty to the mix. Expanding on everything from the characters, their lives, the city of Neo-Venezia and its surroundings to its history and its mysterious inhabitants whilst retaining even refining the natural quiet atmosphere that made so many of us fall in love with the show to begin with. The series manages, despite it ostentatious surroundings, to portray the simplicity of the present, to be working towards something you want while doing something you love, its a rare experience but a beautiful one thats very difficult to accurately capture in any medium, but somehow Aria the natural manages to pull it off... The premise of the show is pretty much verbatim the same as the first season, the story continues to follow Akari as she and her close friends continue to chase their dream of becoming Undines (Female Gondoliers) in the beautiful and mysterious city of Neo-Venezia, a brick for brick restoration of the ancient city of Venice now built on Mars (renamed Aqua due to the now abundance of water thanks to terraforming). While the general feel and plot of the show remains like the city itself, timeless, don't be fooled into thinking that this is just season 1 all over again. Only a superficial glance could misled someone to this conclusion, Aria the Natural may retain much of the basic style and structures from Aria the Animation but its outlook and themes are profoundly different. Aria the Animation was basically an intro to the world of Aria, it set up the characters, set the tone and pace but the restrictions on its length prevented it from being able to do much more than simply open the door to this world a smidgen. With the "Natural series" the door is thrown open and we are free to dive fully into everything, be it the city with its history and inhabitants who range from ordinary people who make it tick to the more mysterious creatures that give the city its unique atmosphere. Of even greater importance is the main cast, which are finally given the time to unfurl and bloom naturally in-keeping with the shows subdued and free flowing pace; a greater focus on the supporting cast also allows the viewer to begin to see this city and its inhabitants as being an actual living city with a shared past and vibrant present, this allows the show to step back and instead of telling us that the city is a magical wonderful place as they did so much in the first season it lets us be witness to it. But what really sets this series part from the previous series and indeed most other shows in general is that it is extremely difficult to categorise or place in any particular genre. The show despite is slow pace and relaxing story telling atmosphere manages to oscillate wildly from slice of life, Sci-fi, fantasy, historical, romance and even a bit of horror, in particular the fantasy element is extremely prevalent here when compared with Aria the Animation or Aria the Origination. Some may find this a little distracting but personally I feel the show manages to balance it all rather well, mostly because it feels natural, with the more fantastical elements being prevalent only when focusing on the ancient city and most important of all only when Akari is alone, it is hinted at many times throughout the show that the spirits are uniquely interested in Akari and that her kind hearted natural curiosity allows her to get much closer than most people could dream of. In other words there is a good deal of separation between the more character based episodes and the episodes which deal exclusively with the city and its spirits, meaning that things never get muddled and we are allowed to enjoy all the different sides to Neo-Venezia, ranging from simple treasure hunts and lounging around in cafes on warm summer afternoons to nearly being spirited away by a ghost and dancing with a cat god. The fact that Aria the natural is able to balance all of this without ever becoming the equivalent of an explosion in a paint factory is a testament to its wonder as a series, it manages to mix science and fantasy, ghosts and slice of life, detailed characters and a episodic storyline together in a way that would sink other series' faster than a ship without a bottom. The glowing vintage of the show is its characters which are given here what the first season could not provide them with, room to breathe. Because there was so much to set up in season 1 combined with its relative briskness there wasn't much time to allow the characters to develop and act naturally, but now with ample time at their finger tips the creators managed to give them the space and more importantly the reasons for them to develop and change as real people do. Driven on by their dream of becoming "primas" they gradually become more skilled as undines but more importantly they learn more about the city they live in and the people and creatures they share it with. It is through these experiences that they are moulded into deeper characters and not just cardboard cutouts gawking at the background and espousing exposition about the city. Even the girls mentors are given a considerably higher class of character than you would expect, each one is completely distinguishable from the other and I'm not talking about hair colours here, their personalities and how they instruct their girls is completely different but strangely in tune with their students and their own characters. This welcome addition creates the real joy of the series, seeing all of these characters and the supporting cast together, its wonderful to see their different personalities conflict and compliment each other, watching them bounce off one another and argue over trivial matters or laugh at nothing really creates the feeling that these are real people and Neo-Venezia is a living city alive and not just a museum or a piece of art. To ultimate, Aria the Natural is a textbook example of a sequel done right, keeping what works and building upon the foundation so strongly laid down in Aria the Animation yet still managing to be a very unique series. At its heart its the same show but its outlook on the world is very different, it no longer feels like its trapped in the past or static. Instead its characters and the world they inhabit are changing and this creates a much more interesting and realistic world that makes the show such a joy to watch, through clever and serene stories we see all the nooks and cranny's of the city, from its canals and ancient buildings to the surrounding countryside and beyond. What really makes this series great is that nothing is rushed or forced, at the risk of sounding like broken record, everything flows naturally, the extra time won by the success of Aria the Animation allowed for this series to take it to the next level creating more than just a pretty looking, utopian fluff fest and instead a realistic story of people. Not at war or fighting each other, not facing death or destruction but instead trying to live and be happy, a rare topic indeed and one that deserves a greater audience than it has. To portray happiness, which is usually the end goal of a series, is harder than you'd think yet Aria the Natural achieves it because it understands that happiness doesn't come from living in perfection having achieved all your goals rather happiness come from doing what you love with people you love and for that to happen time has to be moving and in aria the natural it finally is…