Gintama

Gintama? Gintama. Hmmm, Gintama... Gintama or not Gintama, that is the question. Now this is a show I've wrestled with for a long time. Many of my friends pledged almost fanatically this is the best anime in existence. I watched the first episode. So this is it? I was not impressed. As a person who found pleasure in the darkest and most gloomy kinds of settings, I would almost immediately say that this was not for me. Everything was just so weird and appeared to be arbitrarily glued together. I was so naïve. At some point I picked Gintama up again, I’m one of the people who arenot easily moved to laughter but still, there had to be something to this… Let me tell you this, Gintama is a journey, a pilgrimage. You will not appreciate it after two or three episodes, even twenty may not be enough. It took me sixty whole episodes when I was finally thoroughly entertained but it was then that I realized: Gintama is like a snowball rolling down a mountain. It’s barely recognizable at first but the next time you turn your gaze in its direction, it will have turned into an avalanche. Story: 9/10 Sooo… yeah, this is actually hard. Gintama is composed of a series of mini arcs that have no real connection to each other. You can’t call it a consistent storyline but it’s also not really episodic, there are also fillers organically weaved into the style and pace of the anime. A strange kind of hybrid, that still works somehow. We have different little events like the Benizakura, Yoshiwara or Popularity Poll arc, which all are amazingly done. Action, drama and most of all comedy, Gintama’s got them all and none of them are bad. Also, because I can’t find a better place to do this, let may tell you a few things about the often overlooked setting. The pseudo-medieval, post war Japanese capital Edo with modern technology, invaded by a multitude of alien races called Amanto. Sounds utterly random right? Wrong. It is my firm believe that this setting is actually the backbone of Gintama. Why you ask? Because it allows for the greatest number of possible scenarios, different people and places. You can have a samurai, a rebel leader, an alien and a penguin costume guy added to the cast and nobody bats an eye, because it still feels natural. Never forget the setting, it makes this anime what it is. Art: 10/10 It’s strange, when I started watching I thought to myself ‘This looks somehow generic’ but at the same time ‘This looks somehow unique’. It’s hard to explain but that’s the feeling I get from Gintama. Visual quality may not be top notch here but it gets progressively better, a fact that is especially apparent in latter battle sequences. I would leave it at nine points but there’s another thing… facial expressions. They are beyond hilarious, I won’t say too much about it but you will understand once you have seen a few exemplary episodes. Sound: 10/10 There are a few very iconic and memorable tracks on the Gintama OST, that’s probably due to the fact that they are used so frequently but that doesn’t mean that I ever got sick of them. Audio is mostly bright and uplifting, fitting to the animes focus on comedy. Opening and ending themes are also pleasing, notably Donten and Stairway Generation. This would also be a eight or nine if it wasn’t for the seiyuus. These guys are BRILLIANT! Every voice fits its character and Sugita Tomokazu is probably the most unique voice I have ever heard in anime. He’s now the voice of Gintoki for me, forever. Kugumiya Rie is a rather well-known name, revered for her roles as your run of the mill tsundere girls. Kagura was a kind of character that was probably new to her but she still did an excellent job. There are a dozen other examples but I’m not going into debt on all of them, only thing you have to know is that the voiceover job is amazing. Characters: 9/10 Alright, so this is the deciding factor that makes this anime awesome. Here we have some amazingly thought out characters and not just for comedy purposes, most of them have a backstory, even the vilest of antagonists are not just pure embodied malice. This is also what causes the anime to take time to get going, you have to get to know the characters. A naked random guy is very much different to a naked Isao Kondo. Almost all of them are likeable, memorable and most of all funny. We have no focus on development here but such progression would do more harm than anything else. It takes time to get to know them and that process is very important, changing a well-established character after that process is complete doesn’t strike me as a good idea. Enjoyment: 10/10 It takes time, 60 episodes to get it rolling, 140 episodes to have me almost dying of laughter but it was well worth it. Gintama maintains a consistent, no, increasing level of entertainment over the course of its 201 episodes. It’s already hilarious and would have been even better if I was capable of understanding the Japanese language without subtitles or if I’d seen more anime to understand all the parodies going on. Knowledge of basic Shounen Jump, Ghibli Movies, NGE, Doraemon or Gundam widely enhances the spectrum of jokes you can laugh about. Even without that and as part of a western audience, I found myself crying out in laughter over a majority of the jokes, there are just so many of them, no way you can miss everything. Result: 10/10 So are all these people right, is Gintama the best anime of all time? I dare not to pass judgment unto that, simply because Gintama is so unique and unconventional that I feel it falls into a category of its own. There is no competition for this anime in its specific category because it’s the only one that ever made it there. This is not the best of all anime, this is just Gintama, don’t lump it together with all the others! Even if they’re brilliant, if they’re entrancing, if they’re masterpieces, don’t make that mistake. I myself who is speaking so highly of this anime have other favorites; this is simply Gintama, no need for comparison. If you plan on taking a shot at Gintama and you’re not completely hooked after the first few episodes, bring a lot of patience, it will pay off.

Gintama is an ongoing manga by Sorachi Hideaki. From 2006 to 2010, Sunrise, the same studio behind the Gundam franchise, did an anime adaptation which lasted for just over 200 episodes. So, does the anime manage to stay entertaining for that long, or even be entertaining at all? Let’s take a peek and find out. Story: There isn’t a single cohesive narrative to Gintama. There are some loosely connected arcs, and a whole lot of episodes that have nothing to do with those arcs, but there is no single narrative. The basic setup is that the world has been conquered by aliens, referred to in Gintama as“Amanto” and the government is still subservient to them. Samurai are no longer allowed to carry swords except for a few who work for the government or who have wealth and connections. In this world a samurai named Gintoki works by, in theory, doing odd jobs. Although that largely consists of him doing nothing. His crew consists of a youngster named Shinpachi, an Amanto girl named Kagura who possesses super strength and is highly vulnerable to sunlight, and a giant dog named Sadaharu, our cute character who requires ear scritches and belly rubs. Hijinks ensue as this group and the people around them get into shenanigans. Let’s begin by looking at the problems with the series, shall we? By far the biggest issue is that the writing aesthetic is horribly inconsistent. Most of the episodes are highly random and intended for humour but when they get to the more story heavy arcs things take a huge shift into serious territory, sometimes including really heavy topics like sex trafficking, and it creates a huge tonal clash between episodes. You can’t segue from jokes about testicles and bloody rectums into a story about an underground city where children are sold to be raised as sex slaves. There is quite literally no way to make that transition so that it isn’t painfully awkward and completely disrespectful to the serious issue. It’s worse than that Captain Planet episode that dealt with AIDS. Sure, that was way over the series’ head too, but there wasn’t such a radical tonal problem. The tone isn’t the only thing that has problems with consistency, there’s also the continuity. There are three basic ways to do continuity. The first is having a strict, coherent continuity where everything matters. The second is to have a basic progression from one episode to the next but the details aren’t that important. The third is to toss continuity out the window completely, like Galaxy Angel. The problem with Gintama is that it does all three. Some episodes deal very much with continuity as being super important, others follow the more fast and loose route where there’s a progression but the details aren’t important and there are other episodes that don’t fit into any kind of continuity and will never be mentioned again after they’re over. Now that we’ve been over that, let’s talk a bit about the comedy in this series that is, mostly, comedic. A lot of it is pretty puerile humour where someone defecates in their pants, or someone’s anus bleeds or where the punchline is something involving testicles. There are also a lot of bits where the characters will make loud references to some other piece of media and there are some other random bits of humour. The trouble is, a lot of it really isn’t funny. For example, there’s a running gag about one of the characters eating too much mayonnaise which is funny because… if he ate that much mayo in reality he’d weigh two hundred kilos and have to get around with a motorised scooter? There are two characters who pretty much exist for stalker jokes and there’s another running joke about Katsura getting annoyed by people calling him the wrong thing. There are times when the randomness can work and there are some points where they parody something competently instead of just making reference to it but they’re few and far between. I will give the series full credit for having some surprisingly clever deconstructions here and there, particularly when it comes to its treatment of trans-gendered characters. Characters: Gintama has a large cast of reoccurring characters, but very little in terms of complex ones. Most of them are used for one or two jokes and that’s pretty much it. I will say that there’s nothing wrong with that for a comedic work. You can have a bunch of fairly one-note characters as long as they have dynamics that provide good comedic possibilities and you can take advantage of that. The problem is the more serious episodes. This cast would be perfectly passable if the series didn’t have those largely serious story arcs but when you take a bunch of relatively shallow comedic characters and try to do something fairly serious with them it just quickly loses any sense of tension and the characters come across as heavily under-developed, if not as completely out of place. Art: The artwork and animation are pretty decent. There are some cases where they recycle footage or show a background with nothing happening, which they will almost always lampshade, but it’s competently done. The action sequences can be pretty strong, both when they’re doing something largely serious and when they’re doing a jokey action scene. Sound: The actors are pretty capable and no one does badly. However, the level of over-exaggeration in the series is really high and you might very well find yourself growing weary of listening to people shouting. The music varies. Sometimes it’s pretty good, sometimes it’s kind of annoying. Mostly, it’s just kind of bland. Ho-yay: There’s some in the series. There’s an openly lesbian character who shows up on a semi-regular basis and there’s a guy who is heavily implied to have romantic feelings for Sougo who shows up for a couple of episodes late in the series. There’s no reciprocation for their feelings, but they also aren’t used for jokes based on their sexuality. Some of the other characters act like asses about it at points, but the series itself doesn’t treat it as an issue. So, I’ll give Gintama some credit for treating its gay characters no differently than it does its straight characters. It is pretty refreshing, especially when you have “comedies” like Baka to Test that have to be as mean-spirited as possible about things like that. Final Thoughts: Gintama has a real problem with consistency. Its tone is wildly inconsistent which can lead to some really awkward and stilted moments. It’s inconsistent with what it wants to do with its continuity. If you like humour that’s more than a little puerile and pretty random then you might still enjoy the series in spite of that and there are some things it does pretty decently but it’s honestly not my cup of tea in that regard. I just don’t find ninety percent of the attempts at humour to be amusing. As such, I have to give the series a 4/10. Next week we’ll have this year’s film festival. Starting with Kara no Kyoukai 6 on Sunday. Because I’ve looked at that franchise first during the last two years and I might as well do it this time as well.

Gintama is a masterclass in comedy writing and variety; a series that grows in originality with each passing episode, so inventive and fresh, dynamic and interesting, it's no wonder it has become one of Sunrises' flagship series, not to mention a mainstay of Shounen Jump. The plot - from the get-go - perfectly encapsulates what Gintama is about: it's absurd. The Gintama universe is limitless; anything can and will happen. This insane nature is perfectly explored through the episode structure. Chiefly, it's an episodic series, with multiple story arcs woven in-between. Each episode will see a new plot, exploring one (or multiple) aspects of this wideand wacky universe, along with the colorful and unpredictable cast. The stories range in genre, from thriller to flat-out comedy, but most have a humorous tone. Each episode is uniquely different from the next; they're brilliantly written, flawlessly executed narratives that fail to tire. The series displays a wonderful range of comedy, from parody to episode-long, painstakingly constructed, carefully executed gags; it's an ever-fresh and vigorous aspect and one of the series' many stand-out elements. The story arcs further explore the world and the characters of Gintama, some in humorous ways, but most in a more dramatic fashion, which adds further variety and heightened drama to the series. The diversity and imagination on display is hugely admirable, especially given the series' length. Gintama doesn't know fatigue; it stays at a consistent, extremely high quality throughout, with fresh new plot devices, scenarios and twists being continually introduced even years after its first broadcast - the writing is incredibly commendable. The animation and art style is ever-impressive; the anime staff seamlessly bring to life such a crazed, hectic and involved world from the pages of Sorachi's manga. The anime has a colorful, visually pleasing style, with flawlessly animated explosive action set pieces, heart-wrenching dramatic beats and eye-watering comedic reveals. The character designs are incredibly diverse and evoke well Sorachi's artwork, with Gintoki becoming an instantly recognisable anime icon. The sound and music is particularly well produced, with a huge amount of vocal talent on display. The score is incredibly elaborate and comprised of a vast variety of tracks, befitting of a series of this length. The backing tracks evoke well a number of different emotions, tones and moods, and blend seamlessly with the visuals, further bringing to life the world of Gintama. There are multiple stand-out compositions which are - above all else - memorable. One of the most appealing aspects of the series is without a doubt the characters. They're imaginative, memorable and varied creations, each unique and appealing in their own different way. The main characters present incredible amounts of enthusiasm and are the real driving force behind Gintama, but certain members of the unbelievably vast supporting cast are almost as integral in their own right. Sorachi's marvellous creativity shines through in the characters, just as it does the story, and it becomes obvious the anime staff have a complete understanding of the source material and an unwavering dedication to bring it to life. Given the gag-based nature of the series, the characters start off rather one dimensional, with little room to explore their background or the depths of their psyche in the episodic ventures, but the story arcs greatly expand on both the main characters and the prime supporting cast, developing their hearts and souls to a substantial, admirable degree. Gintama is a marvel, chock-full with everlasting potential. It's a series as side-splittingly funny as it is deeply heartbreaking. It presents a miscellany of different genres, tones, characters, scenarios, music, emotions and comedy, all blended into one exquisitely written, flawlessly executed, brilliantly produced, intelligent stunner of a series. It's among the utmost best anime has to offer.

Gintama is overrated trash. It has a slow start, corny parodies, lame repetitive gags, no concise plot and has "serious arcs" when it's supposed to be a comedy first and foremost. What a complete mess of a series. Plot: (1/10) The comedic episodes that take up 80% of the series is just there to flesh out the characters, the world and repeat the same jokes over again. It’s unnecessary padding that has no affect on the actual plot, hence why it’s filler. You can skip them, look up the serious arc episodes and watch those and you’d still be caught up with the story. The serious arcsare short, overdramatic, have fake deaths, bland sword fights and are filled with the same overused shounen troupes like: nakama power bullshit or villains giving long cliche monologues. None of the arcs are even better than your average shounen arc, especially the overrated Shogun Assassination arc. The whole structure is a mess. Some episodes are dedicated to the odd jobs, then the shinsengumi, one moment is serious then half way through it’s comedy. 3 episodes would be comedy, then the next 4 would be “mini serious arcs”, the plot’s all over the place! Characters: (1/10) The characters are over the top, unrealistic and have barely any development. Seriously, if you compare the Odd Jobs Trio from the first episodes to the latest episodes in the final season, you’ll see that they’re pretty much exactly the same characters. The worst part is the comedy is terrible. It’s as if it was written for 12 yr old weebs. The constant abusive punches/kicks, repetitive gags, overused references to other shows, cheesy dialogue, childish parodies and poop jokes are shit. Also, there’s so many references to Japanese culture that even the average viewer wouldn’t get the humour. Overall (1/10): Seriously, if you want to watch a episodic comedy series then you might as well watch Spongebob instead because it at least doesn’t take 60+ episodes to “get good” like Gintama.