Tokyo Godfathers

What else can I say... This movie had a great storyline, a huge unexpected twist near the ending, held mystery from the very beginning, had very witty humor (I caught myself laughing out loud many times), characters were well introduced, it was rather heartwarming as well, family-focused, gives definition to what life truly is, pacing and story progression was really good, art was outstanding, I really have to say that I enjoyed this movie A LOT. Made me remember the Ghosts of Christmas Past, Present and Future but twisted it up a bit. This was a remarkable movie. I recommend it to everyone. I addedthis to my list of favorite movie animation, this is currently ranked #3 for me. (1. Toki Wo Kakero Shoujo 2. Spirited Away)

From the creator of Perfect Blue comes Tokyo Godfathers. Story: This story is about 3 homeless people (a washed-up father/husband, a homo, and a runaway teen) during the Christmas Holidays. The story gets going when they find an abandoned baby at a dump site. Even though one of them wants to raise the baby himself, they knew that they couldn't, so they go on a search for the baby's parents. As this search goes on, they start to learn about each others past's and we see how it ties into the present. While it may seem like a pretty straight forward concept, Kon Satoshi manages to fullyutilize it by putting all these twists and turn that keeps the movie exciting. What makes the story so special is how Satoshi manages to portray the homeless urban hood and how he cleverly ties everyone's pasts together. So if a funny, compelling, heart-filled story is what you're searching for, then look no further than this. Animation: For a movie made in 2003, the animation is very solid. Style-wise, there is nothing spectacular about it. It doesn't differentiate itself from other anime like Mind Game or Dead Leaves does, however, what makes it so appealing is all the detail it has when presenting urban Tokyo. A lot of work must have been done to try to represent the homeless. Sound: There really isn't much to say about this. There weren't really anything that gave a huge impression; however, all I can say is that the music really fit the movie. Its one of the reason why movie stayed exciting Character: Probably the best aspect of the movie was the characters. The first thing I want to point out is the realism. While they may be "weird" characters, their situations are really similar to society today. I can see a teenager running away from home. I can see a washed-up husband/father becoming homeless. Another fascinating thing about the characters is the growth that they go through. Because of this baby, we see the subtle growth of each character and the bonds between them becoming tighter. Overall: This was a surprisingly good movie. It is a great addition to a Christmas holiday collection. I haven't been glued to a movie like this in a while. Now I am definitely looking forward to his latest work Paprika.

I watch Tokyo Godfathers every Christmas. It's a fantastic Christmas movie, but it's not just a Christmas movie. It's also a fantastic family movie and a fantastic auteur film. It's Satoshi Kon's greatest movie, out of the few films he was able to make in his lifetime. The main characters are Gin, Hana and Miyuki. All of them are hobos and all have contrasting personalities. Gin is an alcoholic who doesn't want to face reality, so he makes up stories and lies a lot. He wants to shift the blame of his failures onto someone else instead of changing for the better. Hana is an okama,which is the Japanese version of a crossdresser, but is associated with homosexuality. Okamas are seen as weirdos in Japan and are not accepted by the mainstream. Miyuki is a bratty young girl who wants to be left alone, but also wants to be cared for. She is short-tempered and gets frustrated by Hana and Gin when they start arguing. The "colourful" personalities each bring something relevant to the story. Gin is practical but has no self awareness, Hana drives the trio forward but is very dramatic and Miyuki brings the other two back to reality when she's not being a pain in the ass. The characters are forced to work together in order to return the missing baby to its parents, which results in a lot of entertaining conflicts. Family plays a big role in Tokyo Godfathers. Each of the three homeless protagonists has their own character arc revolving around their family, covering the issues faced by the family that lead to it breaking up, and resolving the family matters in a cathartic and believable way. The three protagonists also have a familial bond between each other, which is noticed more and more as they look after the baby. The story is fundamentally family-based because it revolves around finding the baby's mother and returning it to its home. In Christmas season, watching a family movie can put you in the right mindset for when you see all your family on Christmas Day, or over the New Year. Tokyo Godfathers doesn't just vaguely relate to Christmas using the holiday season as a front for Christmas; there are biblical roots to the story. After a church service, the homeless trio find a baby in a garbage-manger with no parents, representing the Virgin Birth, and embark on a journey to keep the child safe. Gin, Hana and Miyuki could represent the Three Wise Men, or perhaps Gin and Hana could be Joseph and Mary. The amusing implications of two men being Joseph and Mary aside, the biblical foundations of the story are clear. A major theme in Tokyo Godfathers is coincidence. The movie begins with three homeless individuals finding a baby abandoned in the trash. Along their journey to try and find the baby's mother, the homeless trio coincidentally run in to just the right people at just the right locations, find members of their family just when they needed to see them most, and happen to save the day in the nick of time in an absurdly unlikely way. An example of a common coincidence is Hana narrowly avoiding being hit by a skidding motorbike. It's quite coincidental that so many characters happen to be named Kiyoko. All of these small coincidences show that coincidence is integral to the narrative. These coincidences don't work against the film's narrative and are never used as a convenient "out" in the circumstance of the script reaching a dead end. There were no dead ends, no mistakes requiring asspulls to fix and none of the coincidences undermined the family and Christmas messages of the film. The coincidences make for a far more interesting movie than if it was perfectly realistic. A realistic movie would result in the baby being given to the authorities immediately and the homeless people staying unhappy, filthy and poor. All good movies use some form of convenience and coincidence to make the story more interesting. The reason it's possible to focus so much on the themes, roots and narrative of this film is that the presentation is excellent. It would require a great deal of effort to find any technical flaws. The animation is as good as you can find, the backgrounds and character design are detailed enough to look real, the voice acting is of a much higher caliber than your usual anime so it sounds like people, not mediocre voice actors, and the soundtrack is appropriate for the scenes, working well to set the right tone. Satoshi Kon was primarily a visual storyteller and he always excelled at making beautiful films. This is a must watch any time of the year, but especially during Christmas season. Have a Merry Christmas.

The holiday season is finally here, and with the holidays always come the festivities. Shopping, spending time with family, decorating the Christmas tree, cuddling with loved ones alongside the soft embers of the fireplace: these are all the ideals of a perfect Christmas. After all, there's nothing more to love about Christmas than the gifts or the food, right? Well, maybe if you're a middle-aged salaryman. To our three protagonists, they'd just be happy if they could find a leftover bottle of booze in Tokyo's garbage dumps. Little did they know that they were setting themselves up for a wild goose chase to find notonly the mother of an abandoned baby, but also to rediscover the homes they thought they had abandoned for good. Tokyo Godfathers tackles the age-old message of the irreplaceable bonds that family members have with each other, no matter how withered they may seem be. It certainly isn't the first film to express this theme, but by no means does this mean that you should ignore this amazing piece. The journey of our runaway, transvestite, and alcoholic protagonists progresses excellently without any scenes that seem drawn out or boring. Each development occurs with great timing that kept me engaged with the story at every single passing moment. However, it is with these exact developments that a flaw of Tokyo Godfathers becomes glaringly apparent. To put it bluntly: the protagonists rely on an astounding amount of convenient "coincidences" during their adventure through Tokyo. There is enough to the point where I wonder if the writers put them in for pure comedic effect, and if this is true, then it sure did work on me. However, these coincidences are not necessarily a mishap on the writers' end. The conveniences are part of the underlying theme of God looking equally favorably upon every single person, whether a high-ranking official or a bum living in the slums of Tokyo. After all the misfortune or mistakes in each protagonist's life, these coincidences are supposed to show them actually getting a lucky break for once in their lives. Yet, some of these coincidences stretched the truth just a bit too far, taking away the sense of reality in an otherwise real-world setting. An unexpected area that stood out the most was the witty humor. This movie is simply excellent in its delivery and timing; I found myself ranging from chuckles to bursts of laughter for a great majority of the film. The comedy never felt forced at all and fit perfectly as small detours along our protagonists' journey. After all, how boring would an adventure be if it were just a straight, smooth road without a little spice? Besides the one gripe I had with its plot, Tokyo Godfather shines brilliantly in every other area. There is a great amount of attention to detail in every single background, which allowed me to immerse myself into every passing moment of our heroes' expedition. Each character has a wide variety of facial expressions that had me cracking up from their reactions alone. The soundtrack streamed in expertly with every critical point of the story, especially in the movie's dramatic moments. The music works as transitions from the film's comedic scenes to the climatic scenes and vice versa, sometimes even breaking the mood to get in another nice chuckle from the viewer. Each protagonist has his or her own background that led to his or her current state as a homeless city bum, and each of these issues are superbly fleshed out and developed alongside the central quest of the story. None of their previous circumstances came as info-dumps; they were integrated very naturally into their adventure, allowing the viewer to learn more about each protagonist while they themselves learn more about the truth behind the baby in their arms. Their interactions feel genuinely realistic with humor mixed in that doesn't come off as forced but rather as part of each person's characterization. As stated before, humor is a huge factor in this movie, not only for pure enjoyment but also for introducing each character. Tokyo Godfathers is the perfect film for those starved for more Christmas-themed anime. If you're like me, you'll grab a couple friends and family and share plenty of laughs under this lovely holiday season.