Fruits Basket: Prelude

Considering the excessive amount of love Furuba as a franchise has been receiving, it would almost make me think most people haven’t watched an actual great piece of fiction and especially not one that handles abuse. Which would be a wrong assumption to make, considering HxH and Sangatsu are also in the Top 100 which make a way better case for themselves. To forefront, my feelings towards the franchise have developed negatively. I think it doesn’t present abuse in any nuanced ways, and even goes out of its way to forgive abuse without an attempt of amends from the abuser’s side. Not just only that,but the many couples in the franchise are cursed with a ridiculous age gap, imbalance of power dynamic, or both at the same time but since all the characters are so 2-dimensional, a normal viewer doesn’t seem to be inherently bothered by these issues. This movie is not an exception of that. Aside from 1/3rd of the “film” being just recap of Kyo’s and Tohru’s relationship, the rest is about a middle school girl that has been ostracized from her family as she entered a rebellious gangster phase and persuades a romance with a way older man. It cannot be concluded from the film itself if she was ostracized because she became a gangster or she already was and therefore became a gangster and therefore the ostracization intensified. Either way, she meets Katsuya, 21 years old at the time, as her “teacher” – meaning imbalance of power – and then he grooms her into a relationship. The actual romance between Katsuya and Kyoko isn’t showcasing any abuse, it does actually look healthy as far as it is shown. The characters in Furuba aren’t really that deeply written so we stay at a comfortable sea level. However, that doesn’t mean grooming didn’t occur. If you do some basic math, you can determine that they married when Kyoko was around 15 years old and birthed Tohru when she was around 18. I have my reservations about this. Child brides, huge age gap… We love to see those. It is fairly common in real life for adult men to “rescue” young girls from their toxic households into a “better” life to then later become very controlling abusers themselves. Usually, those men are way older and are making use of their assets like money and housing to keep the relationship in control. And since the original support system of the girl (family) is out of the picture because they are awful people and will not try to reach out and help her, they can do whatever they want. The same pattern occurs here, the difference being Katsuya never becomes a control freak or abuser and is “hot”. This is a very common trope in shoujo unfortunately and showcases the way toxic masculinity is rooted deeply in our society. Adult women will write stories about older men saving way younger girls and gifting them unconditional love. I assume it is the desire for a man that has assets and is accomplished loving you for the way you are, no matter how miserable, completely ignoring the youth, power and innocence aspect he gains from such a kind of relationship. Wish real life was this way, but it isn’t most of the time. It is a really questionable choice for a story, especially considering how often it happened in this franchise. And that is my main concern with this story. They kinda live together, it is happy go lucky, Kyoko has no other emotional support system besides Katsuya until Tohru is born, more or less. Eventually Katsuya dies from a basic cold (that was odd) and Kyoko has an intense mental breakdown. I have to admit that these scenes were rather enjoyable and got to my most basic emotional vulnerabilities. The voice actress also did a decent job delivering the emotions here. She eventually releases herself from her slump because she has Tohru to take care of, and then the film ends with her death again looping back to Kyo and Tohru being happy again. Kyoko’s wish was for someone to make Tohru happy, so she got this, I guess. Overall, the film is mostly filler and presents a one-dimensional romance with heavy problematic undertones. It is audiovisually completely unimpressive and the music, just like in the TV show, is way too loud too many times. Characters were very depthless especially Kyoko’s parent household. I did enjoy the more emotionally heavy scenes. I didn’t hate my time with it necessarily, but it was disappointing just like the rest of the franchise. And we as a society really need to let go of these toxic aspects that have been ingrained in all our souls since birth.