Ghost in the Shell: Stand Alone Complex

The relationship between man and machine is one often fantasized by artistes in diverse mediums. It’s a subject matter that fully intrigues and it's not hard to deduce why: it parallels heavily with our own society. The unwavering quench to advance collective technologies and the relative dependency on machines has drastically grown with the ages. Authors, artists, social critics, and scholars from all walks of life have adopted this framework and produced some of the most imaginative works that not only entertain, but step beyond the fictional realm to perhaps foreshadow a similar tomorrow not too far away… One such examination is the Ghost in theShell: Stand Alone Complex (GitS) series. Revitalizing the cyberpunk genre and honing in on various veins of society, GitS is a series that revamps the boundaries of typical sci-fi/cyberpunk story-telling. Set in the future, the first installment of the Stand Alone series trails the respective missions and cases dealt with by an independent, elite unit established by the government titled Section 9. The manner in which the story is structured is peculiarly fascinating: the show is divided up by stand-alone episodes and "dividual"/complex or simply the pivotal episodes that deal with the central case of the laughing man. Therefore, GitS can be considered largely episodic. That by no means indicates a lapse in quality as those stand-alone episodes fulfill many functions; one being, to present an encompassing view of the society depicted and the individuals that compose it, especially the leading cast. It is especially effective because a large part in appreciating this narrative is understanding the intricacies of the world it offers. To put it simply: nothing is done in vain. With that being said, this is a tale that unfolds slowly. Although, it is a crime-centric series which would imply a certain degree of action, it is smartly and properly utilized. This is a multi-layered show and each layer is carefully peeled and explored. Composed of exceptional writing, intuitive expositions, and an extensive setting, GitS manages to create a consistent flow without relying on an array of shock values or incessant action fillers . Furthermore, the action isn't used superficially or gratuitously, but as an auxiliary measure to provide a worthwhile experience. This isn't the series to go to for fast-paced and continual action; it has long tenures of recurring dialogue and expositions, which can be detractingly slow for some. Regardless, the pacing is well-seasoned; allowing for a more effective and comprehensive outlook of its society. The GitS society is composed of cyborgs, humans, A.I, and other mechanically-altered beings/machines. Consequently, one can imagine that certain inquiries are bound to rise up. From ontological speculation to political turmoil ; from corporate debauchery to ethical breaches; the series inherently sets up a plethora of topics for the audience to ruminate upon. The core of GitS is embedded in its concepts of “ghost” and “shell” which are extrapolated further to craft the philosophy of the series. Created truly in an ineffable manner, it borrows from a handful of philosophical narratives and works of literature to construct a hyper-“cyberized” realm which draws upon the aforesaid concepts and generates the Stand Alone Complex; yet it is also able to simultaneously maintain an air of authenticity. Even though the dominant focus is on macro/social-constructs, there are some other very interesting nuances. For example, the disillusionment that accompanies “upgrading” one’s body is subtly depicted by various events such as cyborgs not being able to indulge in their favorite foods because their new bodies have no need for savory sustenance. The perpetual paradox of clinging to one’s humanity by physically losing it is wonderfully crafted. One can't help but ponder upon where the attributes of "human-ness" start and end. Additionally, that paradox is juxtaposed quite ingeniously by the addition of the innocently intuitive Tachikomas (A.I -robots), who throughout the show, question concepts such as individuality, free will, fate, freedom, life, and death which are essentially synonymous with the history of human thought. Where there is humanity lost, elsewhere it is “found”. GitS shows us that it’s precisely where we least expect it, by “our own” design, can it resurface. What GitS must be endlessly praised for is its uncanny ability to combine various disciplines such as: literature, ethics, philosophy (to name a few), and incorporate them in a relevant and meaningful way. There is both insight and context to almost every concept, reference, and quote that was used in the show. All of this is swiftly integrated and explicitly reflected through the laughing man case. Furthermore, literary devices such as motifs, allusions, and references are implemented elegantly within the narrative, rather than as a detached component. A recurring flaw that occurs in similar works is the constant abuse of irrelevant references, quote dropping, and other superfluous insertions that serve no purpose whatsoever other than to give the false impression of depth or intelligence. This series manages to avoid that and instead, provide perceptive commentary without breaking immersion, while also resonating deeply with the viewer as it frequently serves as a reflecting mirror of the reality in more than one way(s). In a society where machines are questioning their existence, humans are questioning their humanity, and amidst it all, the marriage between man and machine is eternalized; GitS takes a very neutral stance and just reports, rather than preach. This is a notable technique because it abandons the didactic tone and allows room for personal introspection/interpretation, rather than force-feeding a subscribed ideology. Embracing its thematic heart, GitS offers a level of unmatched profundity. The characters of GitS are equally fascinating-- not as glamorized mouth-pieces-- but as integral entities that provided a kaleidoscopic view; one seeped in many colors. “One-woman army” Major Motoko Kusanagi is undoubtedly the driving force of the series. Her attributes aren’t necessarily unique, but convincing given her role. She serves as a concrete pillar for her team and as an intriguing lead for the series. The rest of the characters are also well-maintained and created with care and purpose. A point of true admiration is how the show expands on the collective struggle of the team in accordance with the prevalent themes and ideological undercurrents. Furthermore, the dynamics between the characters are assiduously constructed and are focal to the characterization aspect of the show. There is a surprising amount of depth in the dialogues between the members of Section 9 and those they pursue, which often times is the only portal into understanding the respective character’s persona. Though the characters remain somewhat innately enigmatic, they serve a pivotal role in providing different views on other characters and the world that they occupy. One caveat that lightly burdens the series is the lack of [balanced] development of the characters on an individual level. There were some members that were rarely elaborated upon even though they were essential to the team. Some characters changed while many remained the same—which isn’t necessarily a fault--but the series could have taken it step further to add a deeper element of empathy. Sporadic and detailed snapshots were provided for certain characters which were a delight, but tantalizing nonetheless, for they often incited the urge to want more. The characters were generally solid, but alas, there was a lingering emptiness—a feeling of something “lacking”. The connection that is often forged between the audience and the characters they watch or read is important but due to the “dehumanized” nature of the series, GitS was underwhelming in that aspect. Although, it can be easily argued that it remained true to its ambitions and what it was trying to achieve, the overall experience could have slightly improved if individual characterization was given more weight. Despite that, the characters were all interesting and maintained the allure of the GitS world with grace. Aesthetically, the series does not disappoint. GitS has this precocious ability to show and tell, which allows it to manifest into an unforgettable audio-visual-sensory experience. The art and animation are commendable not just because of fluidity and style but because of well it intertwined with overall atmosphere. The visuals and sound work hand-in-hand to provide a front-and-center view for the audience, thus producing a remarkable atmosphere. For example, the urban metropolis, sprawling with celestial skyscrapers and engulfed in a sea of endless lights-- is often infused with a continual dark and destitute tone-- that is partly depicted by off-setting the vibrancy with shifts in darker colors and shades. One can feel the alienation dripping off the atmosphere and embrace it as if it were their own. Truly, the animation and art style provides a very visceral experience. Further complementing the atmosphere is the sublime soundtrack of GitS. This doesn't come as a surprise to many considering Yoko Kanno is the woman behind it all. From the OP to the overall background music, GitS provides a euphonious journey for one’s ears. The meshing of various dialects and fusing distinct styles-- such as jazz, classical, and electronica-rock-- all are combined to assemble one of the most spectacular soundtracks that will surely find a place on one’s playlist. In essence, Ghost in the Shell: Stand Alone Complex is truly a gem that paints a very interesting picture of not just a potential future, but also of one that parallels the present. As humanity continues to leap towards a rapidly changing future and form a holy liaison with its pursuit of technological advancement, many of us can’t help but ponder upon where all these efforts will take us, and more importantly, whether they will be worth it. Until then, astute creators and artists will continue to prophesize and fulfill their roles as latent harbingers. To exploit that imagination and satisfy one’s curiosity comes the GitS: SAC narrative that should be experienced by all those who are interested in such a reverie. Graced with the wisdom of a sage and the creative curiosity of youth, Stand Alone Complex is a tale that can be thoroughly relished on various planes of cognition and enjoyment.

Science Fiction has come a long way from stories involving the unknown reaches of space by the works of Jules Verne and H.G. Wells to stories that draw social implications of our society from famed authors George Orwell and Phillip K. Dick. There is little doubt that anime productions have tackled a lot beneath the limits of the genre ranging from Space Opera to Cyberpunk. One series that is often considered one of the most popular in the anime Sci-fi genre is Ghost in the Shell. After the movie's success, directed by celebrated director Mamoru Oshii, we now have Ghost in the Shell: Stand AloneComplex, but this time without Mamoru Oshii involved with the production. Considering how well Oshii directed Ghost in the Shell, people were skeptical about whether Stand Alone Complex could get the best out of the movie in quality storytelling and animation. Long story short, it did almost every aspect correctly. The way the story sets up isn't just following one main story: the Laughing Man plot arc. Instead, it follows a formulaic style that makes us support the Section 9 team going after various cases worldwide. An argument against the show's credit is that the Stand Alone episodes deviate from the main focus of the Complex episodes that chronicle the Laughing Man plot arc. I would argue that the Stand Alone episodes are essential to deal with a considerable amount of character development for our main characters. Some of the episodes offer memorable story arcs that aren't important to the overall narrative. Still, they continuously show how immensely well crafted the writing is in not only the dialogue but of how well put together the world is in the show. What's so great about the world of Stand Alone Complex is the writers' subtle details in the account, such as the political and social plateau of how the world works that genuinely make it a living, breathing world and not a superficial one. As character development goes, Stand Alone Complex stands out because it gives a lot of time to put forth plenty of depth with each on-screen character. It doesn't just apply to the main characters. Many of the side characters in each episode that we come across have a deep level of characterization to where they aren't just these one-sided antagonists who do evil. They're just ordinary people who are in this situation because of the society they're living in. Each specific main character has their own uniquely written personality that shows their presence in the show. Handled with great care and precision, they all play out so well with each other that they make you care so much for their struggles and relationships as coworkers trying to handle any given situation they meet. Chemistry is crucial in tying together a well-rounded cast of characters and Stand Alone Complex hits the nail on that part exquisitely. Batou and Kusanagi are especially two of the best characters, only by how well the chemistry is between the two from their interactions and personalities. Many consider the most poignant Ghost in the Shell saga is its music. Outcomes to famed composer Yoko Kanno producing all the music in Stand Alone Complex and providing a profoundly layered texture to the overall atmosphere in the show. Shows typically set in a futuristic setting rely heavily on electronic-sounding orchestration mixed in to feel more natural within the landscape of the environment. While there are indeed a lot of that to experience through the ears, Yoko's brilliant blend of Jazz, Electronica, and Classical musicianship combine each other amazingly well to give the soundtrack its unique style that she is widely known for. I find Kenji Kawai's score in the Ghost in the Shell movie left more of a profound impact on me in how it incorporates a lot of dark ambiance into the atmosphere. However, there is no denying the creativity that Yoko put into the score, and ignoring it would be insane when discussing the show. Usually, anime movies have the upper hand as having stellar animation and art, while TV anime have a limited capacity in the level of budget that film studios have. There are, of course, exceptions to this, and Stand Alone Complex is one of them. Sure the animation isn't as fluid as the movie. Still, how the art's quality perfectly compliments the ascetic vision that the artists were going for it's a real accomplishment to experience. How the city looked, the characters all having a distinct look that makes them recognizable the moment we see them, and how the 3D models of the machines flow with the 2D animation of the characters work with each other sublimely. It is haphazard to call Ghost in the Shell an action show since it relies heavily on Noir aspects of tone and pacing, unlike in your typical action show, where the pacing is more fast-paced. However, once it does delve into action territory, that is where the animation and sound take it to the next level of technical genius. The fluid motions involving characters fighting each other still hold more to this day than many other action anime in terms of animated fighting sequences and gunfights. The sound effects of machines and gunfire feel authentic and genuine, which puts you on the edge of your seat as you're transported into the scene. So yeah, as I said, the show on the technical level is surprisingly still amazing to look at as it once was ten years ago. One other aspect of Ghost in the Shell that is often noted when discussing the series is its profound philosophical themes. The movie delved into the ideas of consciousness and ethics of A.I. At the same time, Stand Alone Complex is mainly centered on political corruption and conspiracy theories that involve the book "The Catcher in the Rye." The one part where it does delve deeper into is when we follow the Tachikomas and how they describe the "Ghost" in each machine through their A.I. Oddly enough, it works even though these childlike voiced machines seem as though they were there for comic relief. The political themes thrown into the plot don't have nearly as much impact as the writers thought they would have. The way it's told through a conventional storytelling style does not try to seem as though they wanted to make a big political statement. That's not the same as saying that it's a significant knock on the show, but it's something that I felt would've been much stronger. Whatever the case, Ghost in the Shell: Stand Alone Complex will surely leave a strong impression on people on what makes a story stand-out as one of the most well-crafted entries in writing great characters and a large detailed world. It is by no means a show that you can like for the action or the great animation because that is only one-third of what makes Stand Alone Complex so deep in its overall philosophy and story. Well-written character progression, great world-building, and fantastic animation all combined into one glorious experience that will inspire anyone who wants to get into writing stories for years to come. Grade: A

The 'Ghost in the Shell' movie was already a ground-breaking anime, inspiring such works as 'The Matrix' and 'Animatrix'; the TV series just takes it one step further. Unlike the movie, the TV series focuses on Section 9 and their exploits rather than the deep philosophical quandaries presented in the movie. The over-arching storyline of "The Laughing Man" leaves you flabbergasted as it unfolds like a cherry blossom. Conspiracy and intrigue are the main strengths of the story where nothing is quite as it seems. Perhaps the only flaw are some of the convoluted dialogue that might put off someone who'slooking for a typical no questions asked, "wham bam, thank you ma'am" kind of action anime. GiTS will make you think and recollect the minutest of details. The anime demands your full concentration and attention and makes you appreciate the complexity of the plot. Coupled with some superb action sequences with synchronous heart thumping music by Yoko Kanno, GiTS delivers a great experience. The animation is as good as it gets, nothing less is expected from Studio I.G. It's a great improvement from the movie (then again the movie was made in 1995, almost 6 years before the TV series). The first series neglects to really look at any of the characters in depth, except for "The Major" - the deus ex machina of the series. They remedy this in the second season (see my review for GiTS: SAC 2nd Gig). Unlike the Major in the movie or manga, this Major suffers neither from constant self doubt nor erratic behaviour. However, a little more character development for the other players would have been nice. Don't put off this series because you didn't like the movie, this is a whole new ball game, as the cliche goes. Then again some of the more hardcore fans of the first movie believe that the TV series diluted the core philosophical issues and rather gunned for a audio-visual spectacle. There's nothing wrong with that I say, this is still one of the most captivating anime series I've seen. Highly recommended.

I haven't written any reviews for any anime so this may be a bit rocky. -.- Story: Stand Alone Complex is definetly not your normal anime. Just the name should give away the fact that this is a different kind of anime. What i have to say about the story of Ghost in the Shell is that it is really confusing. If you are looking for an anime that you can sleep through then keep looking because even if you are able to read the subs (i like to watch only subbed anime =) then there is still a high possibility that you won't get what's goingon. The reason I didn't give GITS a high score in the story category was mainly because the plot wasn't steady as it should have been. I actually didn't even know what the plot was until the very end of the show. Instead what i got was a bunch of random episodes that mostly didn't correspond with each other. Its just not that enjoyable... Art: Hmm...what do I say about art? Art these days usually doesn't have the major mistakes it used to back in the old days. I gave art a 7 because although it didn't have anything wrong with it, I still didn't like it. The art in this show is more realistic than that of others (as in if you see an old guy you also see every wrinkle on that old guy...). The thing is I just couldn't fully accept the style of this anime's animation. Sound: If by sound does that mean sound effects, voices, or music? In any case I would still give it a 8. I didn't notice much in sound effects besides what would sound normal in reality (guns, footsteps, ect). As for voices for the characters, I thought all suited the characters exceptionally well. The main reason I gave this category a 8 was because of the music and background music. The main theme song turned out to be one of the best anime songs I have heard. It also really set the mood for what this show was trying to be. Character: The characters in this show did not do much of a job in any development. Mostly they were just there and none of them had much of a story. What I look for in a character is a sense of attachment which is exactly what i didn't get in GITS. Instead I felt like I didn't care what happened to any of them and actually felt like the show would be better without some. One character I did like was Tachikoma, but that was only because it was a giant fighting robot with machine guns and rocket launchers that had the personality of a child (who doesn't find that funny?) Enjoyment: Well this series did have its ups and downs (mostly downs) and i ended up feeling like it would have been better if i didn't waste my time. The fact is I couldn't get into this show because there was no character development, little plot, and it made cyborgs sound boring and useless. If your looking for a show where you can't wait for the next episode to begin then i suggest that you don't watch this show...