Heaven Official's Blessing

Chinese animation is on the rise. With anime enjoying an explosive surge of popularity in China over the past decade, it’s a bit of a surprise as to why higher budget, domestically produced works tailored to an older audience have taken so long to appear. Nevertheless, donghua has finally begun to make its mark on the wider anime community, most notably with The King’s Avatar in 2017 and Mo Dao Zu Shi in 2018. Tian Guan Ci Fu is the first donghua that I’ve watched in its entirety - like many others, I was intrigued by its placement in the top airing list, alongside the eagerrecommendations of novel readers. Unfortunately, thanks to a horrifically executed second arc, almost non-existent character development, and some of the worst editing I’ve ever seen, Tian Guan Ci Fu is a resounding disappointment. Two major arcs occur throughout the course of this series. The first, taking place over the course of a brisk three episodes, is the better of the two. In order to pay off a massive debt caused by his third ascension to Heaven, our main character Xie Lien travels to the mortal world as a Heavenly Official to solve the mystery of the ghost groom at Mount Yujun, accompanied by the hot-headed Nan Feng and Fu Yao. On most accounts, Tian Guan Ci Fu actually does really well with this first arc. The mystery is well crafted – the suspense is built just right, and with some nice action sequences sprinkled into the mix, it does a good job with drawing in the viewer. Much of this introductory arc’s success hinges on a couple of key points. Hardly any of the world’s mechanics are explained: the ascension/banishment process, magic formations, and what actually goes on in Heaven are some of the many details that are barely elaborated on. Character development takes place - mostly on Xie Lien - but is minimal, although this is pretty forgivable since most of the focus is on the mystery. And the resolution of the mystery itself is lacklustre – the rationale behind the apparition’s actions had more or less been deduced by Xie Lien, but for some reason the writers decided it was necessary to have a convoluted flashback backstory written out, something that added little to the overall experience for the amount of screen time it took (kind of difficult to make a character morally ambiguous after they’ve murdered seventeen innocent brides). Addressing these issues was key if any initial momentum was to be kept. Tian Guan Ci Fu doesn’t just ignore the issues, but flat out magnifies them to the point where later episodes are legitimately painful to go through. Recurring characters get ZERO development, and I’m not exaggerating when I say this. Apart from basic character traits established by superficial interactions, we really don’t learn anything about the personalities of any of the characters. The biggest offenders of this would be Nan Feng and Fu Yao. Their sole defining traits are that they have temper problems and that they dislike each other. As a result, they’re also the main source of comic relief, but their antics get old very quickly, and the constant yelling does not help. The world building is awful, with constantly shifting, unconnected settings that largely remain unexplored – a real shame, because the world itself is really intriguing. There’s a critical lack of cohesion here, and everything feels more like an arbitrary chain of incidents stringed together than a natural progression of events. A major reason for all of these problems stems from Tian Guan Ci Fu’s boring and flat-out wasteful dialogue. The second arc is extremely heavy on dialogue, but it’s dialogue of the worst kind: sloppy exposition dumping. So much of the show is spent on a character explaining really minor plot points in intricate detail, usually accompanied by a flashback of some sort. Any time there’s a “twist” or a character feels the need to explain their actions? Flashback. Not only does this feel clunky and unsubtle at times, but it also eats up runtime that would have benefited way more on character or setting development, and it’s also just a mind-numbingly tedious thing to go through. So it’s a double blow of sorts: lazy, boring exposition that has no right to take as much time as it does. The second arc in general is a bizarre change in direction and I’m struggling to understand why this decision was made. Because there’s so much exposition, not much actually takes place over the course of the second arc, and everything moves at a snail’s pace. The majority of the exposition is delivered by San Lang, a mysterious young man who seemingly knows about everything. Well-written dialogue can convey both information and the personality of whoever’s delivering it in a concise manner, but the laziness of the script means that San Lang joins the list of flavourless characters. Apparently there’s supposed to be some romance going on between San Lang and Xie Lien, but when characters with the personalities of wet flannels flirt with each other for no clearly established reason, it’s hard to get invested. Good editing can often save scenes that would otherwise be a slog to get through. But Tian Guan Ci Fu’s editing is just horrible. The editor has this really weird obsession with fade to black transitions when switching between scenes. Due to taking significantly longer than something like a cut, fade transitions have a major slowing effect on pacing. This isn’t the greatest choice, because if an episode spends half of its runtime on information dumping, the last thing you need is something that makes things even more slow paced than they already are. Some conversations and interactions awkward too, with characters regularly reacting in unnatural time intervals. Then there’s the completely inexplicable errors: in episode 6, there’s a shot involving a botched looped animation of Xie Lien walking that has a frame with his mouth open, which cycles for about ten whole seconds. In the same shot, Xie Lien’s mouth movements stop prematurely, and then San Lang’s mouth starts moving while the audio of Xie Lien talking still plays! Speaking of which, the show has a consistent issue in lip flap and audio sync problems, but this segment is the worst offender by far. I also need to mention how this shot happens to involve one of San Lang’s many exposition dumps, so the fact that the shot lasts over ten seconds in the first place is another big no-no. In episode 10, there’s a shot involving a girl dancing to the beat of Xie Lien’s clapping and a person playing the tambourine… except that Xie Lien's clapping very clearly does not match up with the tambourine player. And in certain episodes, the VAs for Nan Feng and Fu Yao stand way too close to the mic, because whenever they yell (which happens a lot), you can hear this annoying distortion effect on their voices. These are really basic errors and the fact that all of them went unnoticed by the editor is mind-boggling. At times the result can be funny, but more crucially it's distracting to a fault. I honestly don’t remember the last time I got this distracted by bad editing. I raise these examples at the risk of coming off as nitpicky, but these are just the ones I can think of from the top of my head. I don’t mind the occasional mistake, but when it happens consistently like this, it just completely takes you out of it. That being said, it’s not like Tian Guan Ci Fu does everything wrong. It has a decent, well-produced soundtrack. The voice actors do a serviceable performance. And, as mentioned earlier, the first arc was great. In fact, earlier episodes in general were fairly enjoyable, benefiting greatly from gorgeous backdrops, fluid animation and well-choreographed fight scenes – qualities that degraded as the episodes progressed but nonetheless remained at a reasonable level. It’s clear that some serious time, money and effort was put into producing this, which makes it all the more confusing why they couldn’t hire a better editor, or director for that matter. Tian Guan Ci Fu’s novel is widely lauded by readers for its masterful storytelling. This quality does not seem to have translated to its donghua adaptation. It really is quite frustrating because it had all of the tools needed for something special: a possible fate hinted by an encouraging introductory arc. Unfortunately, the show fails to maintain its initial high and spirals lower and lower into the abyss as the episodes go on, before crashing in a heap by the end. Because of how uninteresting I found the second arc to be, I have to say that Tian Guan Ci Fu has overall been an unenjoyable experience. Unless watching beautiful men flirt with each other is your thing, stay clear from this one.

Outstanding, beginning to end. A pity that the end came so soon!, i seriously hope we get more seasons on this. When i started watching this, i did not realise that it was from MXTX, the same author as another of my favourite donhuas MDZS - shame on me!. I had not read the novel prior, but i have now, and cannot wait for more of this beautiful animation to come back. And really looking forward to the extra episode in February. I have not watched near as much Chinese animation as Japanese, but recently, they have nothing to envy the other. This is anexample of one such wonders. The story grabs your interest from episode 1, i’m a sucker for historical and supernatural, and this one also focuses on the lore of the gods and the three realms, with a twist, where not all gods and ghosts are what they seem like. It starts introducing the characters that certainly have quite the story behind, cannot help but to be captivated by every single one of them, from the main to the supporting, you just want to continue to get to know more about them. The animation, the voice acting, the expression on their faces, is just great. The action scenes, with an exception on one that uses too much cgi, are excellent. Pleasing to the eyes and ..the ears!! the soundtrack is something else. I love animes that bring sound into the equation, and this one did it beautifully, i have quickly downloaded the ost for further enjoyment. Sure, it is meant to be a BL story, and there are some tiny hints of it on these first episodes, so if you dislike it, be warned. The story is absolutely awesome, being BL or ‘brotherhood’ or whatever you wish. And having read the novel now, because i could not wait to know what happens next!, this is, without a doubt the best love story i ever read, nothing comes near. The story just keeps getting more interesting, action pack, mystery, is just awesome, definitely recommended. I have thoroughly enjoyed watching TGCF, every scene, every detail has been crafted so beautifully and brought to life with such care. Is it deserving the rave? absolutely! There is no doubt in my mind as to this is going to be the first to be dubbed in english next year It may not have been the best year, but thank you 2020 for bringing this jewel to us! xxxx

Coming here to review the donghua after completing all 11 episodes. Preface: I am stating beforehand that I have not read the novel of Tian Guan Ci Fu, thus, all my opinions are based on whatever the show depicted. Despite being familiar with the main characters for a very long time (since knowing about MDZS about 2 years back), I didn't have much ideas about the plot of TGCF. All I had been hearing about it is that it has angst and a very emotional setting. STORY As the genres suggest, TGCF features cultivation, martial arts (xianxia) and romance (danmei).The show kicks off with our protagonist, XieLan, ascending to the heavenly realm for the third time! Considered a failure for being banished from heaven twice, the reasons behind it are mysteriously unknown. While working to build up his own shrine and reputation in the living realm, he meets a young man named "San Lang", who well, has secrets of his own. Together with San Lang and two subordinates, Xie Lan solves mysteries surrounding spirits and the heavenly realm itself. 8/10 ART The art is beautiful. The backgrounds and the color palettes used are visually pleasing. The art in the opening is perhaps one of the best I have ever seen in all of animated media. The character designs are commendable, but my only problem is that they aren't uniquely distinguishable. Basically, if you swap Xie Lan's hair and outfit with San Lang's, you won't be able to tell the difference at first glance. Unique facial features, in my opinion, are lacking. 9/10 SOUND The voice acting is well done. The voices suit the characters perfectly. I love traditional Chinese music so the opening and the two endings were like a treat to my ears. Apart from that, the background score also blends in gracefully with the visuals. 9/10 CHARACTER There are a heck ton of characters, but the story focusses mainly on the dynamic between the two main characters, Xie Lan and San Lang, who are both very interesting and likable. Supporting characters like Fu Yao and Nan Feng are also uniquely characterized. 9/10 ENJOYMENT I thoroughly enjoyed TGCF. I was always looking forward to Saturdays in anticipation of the next episode. I don't know how the novel readers feel but I felt that the pacing was decent and every episode was satisfactorily executed, keeping the viewers engaged. 8/10 OVERALL 8/10 I loved watching the show and I am very much excited for the second season, which I hear has already been announced. The plot is very promising and I am very excited to see the development in interactions and dynamics between all the characters. The first season raised many questions and there are many past mysteries yet to be resolved. With the next season (seasons?), I hope we'll get clarity and I'd be able to appreciate the series more.

Eh, to be honest, it isn't that great. Don't get me wrong, it's good, but not gonna lie here, it's not that great, at least not as great as everyone is raving about. I was never a huge fan of the original novel, but some of the problems of the original are exemplified even more here. Let's start with the good stuff: the animation is really pretty. Sometimes there are mistakes, but most of the time, it's amazing. I love the art style, and the animation is super smooth and the subtle clues included in the animation is enough to make these kinda bland charactersfeel a lot more 3 dimensional. Sometimes the CG is pretty shaky and worryingly bad, but at other times it's included almost as well as MDZS is. The music and soundtrack is also impeccable. The songs are all beautiful in their own right, and the vocals and instrumentals haunt my dreams. There's not a huge variety, as most of the songs are romance songs, but they're all so good that I can ignore it. Some characters and plot points I love a ton. The lady in green and black that show up in episode 7 and 8 are mysterious and may lead to some great character development. Nan Feng and Fu Yao are amazing support characters, as well as being funny, cute, and integral to the plot as well. The monsters are really well animated, and some of the themes of this novel also run through the donghua too quite well, arguably better than the original because the original really didn't flesh out the themes that much. Sometimes, I really do like Xie Lian and San Lang. They're cute at times, charming even, and sometimes the things they say and their actions have genuine emotional impact. I really don't care for their characters most of the time, but at some points, the jokes they make or the sequences they do really hit me Now onto the stuff I don't like. First of all, the story is very "monster of the week." In MDZS, the story has a natural flow and progresses in a natural way, but that can't be said for Heaven Official's Blessing. In between arcs, we get these really fan service and pointless scenes of XL and SL at Puqi Shrine essentially doing nothing. It's like they go on a mission, solve a random mystery, fight some monsters, and then they return to XL's home/shrine and everything returns to the status quo. It doesn't have that same tension and flow as MDZS, because we kind of already know that XL is going to get out of the situation and return back to his shrine for more domestic fan service and trash collecting. Now, because I’ve read the novel, I know everything that is going on, but for those that have not read the novel, the storytelling would be atrocious. None of the xianxia/fantasy elements are explored or explained. The settings are hardly developed on after the arc is over, and the character development is pretty much nonexistent. Although I loved Nan Feng and Fu Yao from the novel, and still enjoy them here, their constant use as comic relief and only that gets really grating pretty quickly. XL and San Lang have some character development, but not enough to convince me worthy of an entire 1st season. And info dumps everywhere. I usually don’t have as much of a problem with info dumps, but this anime/donghua does it ALL THE TIME. Explanation needed? Flashback/exposition dialogue info dump. Backstory needed? Flashback/exposition dialogue info dump. Literally the only way this show knows how to explain is by flashback info dumping, which is what the novel does too, and it gets kinda annoying. There's a lot of fan service in this anime/donghua. It's not as rampant as the novel, but it really is there. There are fans out there that don't mind it, but it really serves to show how much this donghua puts romance over plot and characters, at points neglecting the plot for more fan service, which feels really jarring to me. MDZS had some hugging and implicit fan service, but at the same time, those are sort of afterthoughts from the main plot. In Heaven Official's Blessing, the romance is the main plot, and considering how much I don't care for the main pair, is an issue for me. Others may not have that issue though And also I have a ton of issues with the main pair. San Lang is probably the worst out of the two, as he is not only shallow and one dimensional, but also a Mary Sue. His entire life revolves around XL, and besides loving XL and being a total asshole, he has no other character traits. No other character traits besides being a Mary Sue. He is all knowing, all powerful, and good at literally everything but handwriting. This really deflates the tension as you know he'll have the answers to everything, and he's also capable of scaring ghosts away with just a single glance, and you really just begin to wonder "why are we going on these missions anyways if San Lang can just beat everyone up and that's it?" Also, he falls in love with XL enough to live 800 years for him, despite only being caught by him once and barely ever interacting. The logic feels kinda shaky to me... Xie Lian is slightly better. He has some character depth, but none of the forms of media have made me convinced that he loathes himself and he's really that deep. I enjoy his inner conflict about putting himself in danger, but he again feels like a Mary Sue. He has no weaknesses besides being "too nice" and "not valuing himself enough." He has this solve all problems pet ribbon, Ruoye, and is also very smart, strong, and kind. He is literally a flawless human being and besides being "kinda insecure", he has no moral wrongs. I wish we got more internal dialogue/monologue of him thinking about how he deserved to be alone for 800 years and the self loathing the novel really wants you to believe, but it really isn't there most of the time. Let's end on a positive note though, the side characters are super endearing. The emotional arcs that truly hit the hardest are still yet to come (no I'm not talking about book 4, I'm talking about Qingxuan's arc), and more and more amazing characters will continue to be introduced. While I didn't like the original novel, I think the donghua has potential, and I hope it realizes that potential by toning down the fan service from the novel and using better characterization.