Attack on Titan Season 2

Unless you’ve been living under a rock for the past 4 years, then you’ll know that Shingeki no Kyojin (Attack on Titan) has been renewed for a second season. And with that, the show returns in full force. Remember the titans that terrorized humanity when they made their appearance from season one? Or when Eren transformed into a Titan himself and played a pivotal role to help humanity? How about the time when Eren and his friends realized that one of their comrades is also their greatest enemy? Shingeki no Kyojin wastes no time in giving the fans what they want and that’s a sequelto talk about for years to come. Make no mistake. The second season jumps right into the meat of the show like a bullet train. It doesn’t rely on boring narratives to recap dialogues but instead presents them through events. The first few episodes reintroduces the main characters such as Eren, Mikasa, Armin, Reiner, Bertolt, Sasha, Hange, etc. Time hasn’t passed long either since the defeat of the Female Titan. However, we are introduced to new enemies and conflicts. One of the more noticeable fans will notice is perhaps from the trailer – a beast-like Titan covered with fur. Other conflicts in the second season includes the evolving mystery of certain characters. The secrets they hold close gets more and more complicated as the story progresses and we learn their motivations. Furthermore, the second season builds more into the character relationships outside of the main cast. To say the least, Season 2 isn’t just about the war against Titans but how certain characters’ roles can impact the entire world. Snk Season 2 attempts to do a lot of things. At times, it feels like a fantasy war-drama while other times, it feels like a mystery story. When you mix a lot of genres together, the show can be interpreted from many angles. Mystery will no doubt be one of the key factors that keeps the story engaging for the viewers. From this season, we’ll discover revelations about certain characters and what influences them to become what they are. These are often told through flashbacks and is done effectively through insightful storytelling. It shows rather than tell about events. Furthermore, it makes us understand the characters better. Now for some fans, this could be a sign that the show will fall victim to “slow pacing”. It’s slightly true as I do wish some episodes to pick up the pace more. It can hold the show back for fans especially if it’s a character that they don’t care about. However, it’s also important since SnK doesn’t toss away characters in favor of just the main cast. Major supporting characters such as Sasha, Ymir, and Krista gets more characterization that was not seen from the previous season. In addition, the series still spends time to get viewers to understand more about the trio of our main cast – Eren, Mikasa, and Armin. Unfortunately with just 12 episodes, don’t expect the second season to give all the characters their chance to shine. If you’re a fan of Levi, then I’m afraid I got some bad news. Despite the engaging story, season 2’s mystery elements aren’t exactly difficult to decipher. It’s actually quite easy to piece certain pieces together. Every episode builds more and more into the story but some hints will be much more obvious than others. It leaves open to some predictable outcomes. However, I would also argue that season 2 succeeds at building up the suspense regardless how the outcome comes out to be. It injects psychology into the show through effective usage of narrative, dialogues, body language, and character interactions. In some of the later episodes, we can see how certain characters show their true selves in ways that will be very memorable. It’s made even more effective through the timing of certain scenes. Directing a show like Shingeki no Kyojin requires a creative mind to connect the script and I have to say, it did that pretty damn well. Finally, I am satisfied by the faithfulness of the adaptation as it adapts many manga chapters that I had anticipated. In fact, some episodes are actually adapted even better than the manga thanks to the cleverly timings of key events. To sum up the production quality of the show, it’s pretty easy to say that Shingeki no Kyojin Season 2 is a firm example of how dark fantasy should look like. I actually had some complaints regarding the first season’s quality but those are pretty much are nonexistent in this sequel. Every episode looks fluid ranging from the intense action, character expressions, and choreography. To an extent, even the CG is done well and that’s no easy accomplishment for many shows. Character expressions highlight characters personality as it gets the fans more excited about them. Season 2 pulls that off flawlessly with characters such as Eren, Mikasa, Reiner, and Ymir. I can also safely say that the Titans in this season look just as intimidating as fans can remember, if not more. Known for its high level production quality, season 2’s soundtrack doesn’t come far off either. Theme songs sounds familiar compared to the previous season but has more symbolism and scenes poured into showcase its story. Like most fans of the show, expectations for the OST should be high as Hiroyuki Sawano returns with his craft. It lives up to those expectations especially in some of the key moments that will leave you in awe. Finally, character voice mannerism just works wonderfully as the cast fits right into the shoes of their roles especially for characters like Reiner and Ymir. As I mentioned before, there’s a good amount of psychology that season 2 brings and some characters’ voices really brings to a level that’s larger than life. Once again, Shingeki no Kyojin gives what the fan want ever since the first season ended in 2013. It’s been 4 years but upon watching the first few episodes, it felt like yesterday. It does its job at selling its story with its variety of genres mixed in together. With such a colorful cast of characters, it gets the fans excited to see what their roles will be. With a studio like Production IG, it’s safe to say that the quality remains in good hands. Now, I am slightly bothered by the length of the sequel. It’s half of what season 1 turned out to be and after all the waiting, it felt like a slap in the face for fans. Still, I’d say that the wait is worth it as time didn’t do its damage and it deserves a pat on the back.

There are anime that truly leave a monumental impact. Not just on the industry, but for each individual viewer. Shows that are so addicting that you just can’t seem to stop watching them. Shows that combine many pivotal elements of storytelling together to create something that is genuinely incredibly well produced. Anime that make you wholeheartedly pleased to have become a part of the anime community. For me, Attack on Titan is one of these anime. Which essentially means that the four year gap between seasons felt like an EXCRUCIATINGLY long time… However in all seriousness, I perfectly understand why it took so long to produce thesecond season of Attack on Titan (AOT). A few anime sequels that I’ve seen have felt rushed and poorly put together. The plot lines becomes less cohesive, characters become more dull, and the animation quality either remains the same or dips in quality. These sequels are usually made within a year or two of the original’s initial airing date. Now while I’m sure that AOT fans would have much preferred an earlier release date for their beloved show, I respect the creators for realizing that they would have received far more backlash for releasing a swiftly produced anime that didn’t live up to the hype of its predecessor as opposed to putting a lot of time and effort into a sequel that matches the caliber of the original. In fact, we should all be rejoicing that WIT studio spent time making AOT season 2 as great as it could be instead of releasing a half-assed sequel just to make a quick buck. And you KNOW they would have profited off the sequel no matter how abysmal it might have been. Its Attack on Titan after all, you know, the most popular anime in existence? Since you probably already know the premise of this show, I won’t bother writing a lengthly (and boring) summary of it. AOT season 2 starts out directly after the last episode of season 1 and dives right into the story. While the first season focused on world building and brought about many mysteries, the second season begins unraveling some of them while revealing even bigger twists then the first season. Even though it was only 12 episodes, half the amount of season 1, I felt like the pacing was, for the most part, rather good. Action scenes weren’t too short or too long, and there were enough of them to keep me entertained while leaving enough time to properly develop the story. Flashbacks were used to further develop the characters, though I question the amount used in the anime, since it is only 12 episodes long. I just love the setting of AOT. There really is nothing quite like it. Well, I guess that knock-off show involving trains has a similar setting, but that doesn’t count. The interesting and well thought out setting along with the anime’s precise execution really gets the viewers invested in the story, and I constantly kept wondering things like “What exactly are the titans?” and “What’s in Eren’s basement?” Ok, that last one sounds really lame on paper, but its a legitimate question that I’m sure many viewers are curious about. Luckily the anime answers some of these mysteries (which I can’t talk about because of SPOILERS!), but in explaining things, even more questions are posed that make me want to go to my local bookstore and buy the entire Attack on Titan manga just to find out what the heck is going on. The most mediocre aspect of the first season for me was the characters. None of them really stuck out to me except for Mikasa, who is pretty awesome, but somewhat lacking in the personality department. Eren always felt a bit one dimensional to me and Armin only got a modicum of screen time, so I never really felt a connection with either of them. In the second season, we see even less of the main trio, but I actually agreed with this approach since it allowed for something that the first season desperately needed; developed side characters. Season two dedicates a lot of time in developing the side characters, particularly Reiner, Bertolt, Krista and Ymir. This really helped to flesh out these characters which caused me to start to feel a bit of a connection with them. I respect an anime that takes the time to fully evolve its side characters instead of having a bunch of generic wastes of space that no one cares about whatsoever. This development also provides many new perspectives on the AOT world instead of having us simply see Eren’s somewhat narrow minded “I GOTTA GET STRONG AND KILL EVERY LAST ONE OF THOSE DAMN TITANS!” perspective, which was quite refreshing. Linked Horizon returns to preform the opening theme song for Attack on Titan. I initially wasn’t all that impressed with the piece (it needed a bit more YEAGAR!), however as I continued to listen to it, the song really started to grow on me. Behind the anime’s masterful soundtrack is Hiroyuki Sawano. He has consecutively produced many brilliant compositions for other anime, including the first season of AOT, and the quality of his music is no different here. AOT’s soundtrack boasts many powerful orchestral pieces that help to amplify the atmosphere for many situations presented in the anime. The music is so good that I found myself on multiple occasions being captivated by the power and beauty of a few of the compositions present in the show. The sheer emphasis on detail for some of the animated scenes in the anime (primarily when nothing was moving so that it looked like something taken straight out of a manga) is breathtakingly good. The overall visual presentation of the show is, to me, far superior to that of the other spring 2017 seasonal anime. However the animation is not without flaws. Probably the biggest problem that I’ve heard from the anime community regarding the visuals is a general dissatisfaction with the CGI colossal titan. I unfortunately have to concur, since I felt the the CGI was sort of choppy and didn’t fit in with the rest of the animation. My friend was even more disappointed, and he said that the CGI took away from the big armored and colossal titan reveal. Luckily the use of the CGI is very limited in the anime, and it started to look better to me anyway as the show progressed. Where AOT really shines is its entertainment value. This anime is the most exciting thing that I’ve seen in awhile. Part of this is due to the cliffhangers that appear at the end of literally every episode that left me constantly craving more. Whether it was developing the story, presenting a crazy plot twist, or showcasing an epic battle between titans, AOT never failed to keep my attention, a feat that very few things have ever been able to accomplish for me, so for that I give AOT major props. I love Attack on Titan. Even with all of its flaws, it still manages to be an incredible viewing experience. Even if the anime doesn’t quite suit your tastes, I almost guarantee that anyone who watches it will be thrilled by AOT’s exhilarating presentation. Its not one of the most popular anime of all time for no reason you know. If you decide to watch this anime or have already done so, I hope that you are as captivated by it as I am.

Anticipation. Blistered, sunburnt skin adorns them, the lumbering thud of footsteps echoes louder with each passing second, their eyes set on a village lying dormant up ahead. Exposed flesh shifting between the woods, no expressed interest for the plant life or animals grazing at their feet. Warped facial expressions, a thousand-yard stare, distorted features, twisted limbs; an ungodly creature, a true force of nature. Deformed giants with one thing in mind. Beady eyes stare back at the impending danger, irises frantically shifting from each other to the threat slowly approaching with each step, the military cradled behind stone walls planning their first strike. In the dead ofsilence, every sound amplified. Every second longer than the last. A cacophonous mixture of bated breath, the clanking of metal harnesses strapped to their bodies, housing blades and gas canisters that will eventually propel them towards the enemy. Cold sweat rolls down their cheek, hanging off the chin with nervous anticipation. Faces to the left and right, the unspoken acknowledgment made by brothers-in-arms that this will probably be their final resting place. Too late to back down, too late to think about it. The giants draw near, young scouts fall into dead silence, the slightest whimper exposing their position, sweaty palms firmly gripping their weaponry's handles, blades erected waiting for the signal to go. The longest minute of their lives. Action. The signal is given, piston-propelled grappling-hooks pierces its way through a firm surface, a loud unified roar ushering them into battle — "Attack!" — Humanity's final defense catapulting through the sky, wings of freedom crest embroid on their backs, as they stare down the mass collection of imposing figures. The battle begins, blades being embedded into the necks of targets as they fall to their knees. Men carelessly swinging into the jaws of another, blindsided in the fray as the Titan crunches down, blood confetti sprays out, showering the field with the unholy reality of the situation at hand. Human debris piles up next to the simmering sounds of corroding titan flesh. Steam billowing out bloated corpses as it blankets the field, men and Titan alike stuck in the disarray of a free-for-all. Fear and adrenaline push men forward where their bodies refuse to budge, while others cower in defeat, accepting the grim outcome of their faith. An insatiable desire to consume keep Titans swarming where an absence of "self" resides. The fight rages on. There's no chess game at play here. No battle of wits. No war cry to rally any remaining fighting spirit. All that's left in the midst of chaos is an animalistic drive to kill or be killed. Men swinging their blades frantically, bodies jettisoned by wire towards the unknown hidden behind plumes of smoke. Uncaring giants solely driven by a gluttonous appetite, grabbing at any signs of human life, unfazed by the burning ash of their reduced numbers laid to waste by the prey they feast on. All concerns are eclipsed, all formalities discarded, idealism abandoned, time holds still, the nightmare stretches on endlessly... until there's no one left to keep it alive. Aftermath. Scattered limbs litter the ground with no owners to claim them. The earth soaks up the battered dregs of human remains, leaving only remnants to be discovered by those unfortunate enough to stumble upon it. Regurgitated balls of bodily fluids perched on top fallen victims, disfigured men trapped inside, destined to stay nameless. Steam gently ascends to the sky, departing from the mass graveyard positioned below. Men on horseback approach the sorrowful sight, disgusted but desensitized to what's become far too common of an occurrence in their day to day lives. A ghoulish figure hunched over, tearing into the flesh of a nameless scout, unconcerned with the men gathering around it. Quickly being dispatched by them, they see no triumph in their action, only another hopeless notch under humanity's belt. Their time for peace has long departed, leaving it its place a constant dread of the unknown. From the sporadic home invasions of Titans to even the secrets concerning the walls themselves. Things that were once thought of as reassurances now only add to the anxiety pending up with each violent encounter. When your home turf is compromised, where else can you turn? When your overseers keep potentially harmful secrets from you, who can you trust? The mystery compounded, the fights more brutal, and the stakes set higher than ever. This is the kind of world Attack on Titan gives birth to. A place dictated by stonefaced laws of Darwinism in every regard. A place that's adored the world over by the audiences that flock to it. Reception. Attack on Titan left big shoes to fill since its 2013 debut. Almost overnight, it became one of the most popular anime titles of all time, effectively surpassing the glass ceiling set over the medium at large to become a noticeable player in the stratosphere of everyday pop culture. Even if that success was to a lesser degree when compared to the likes of "the big 3" and the Dragon Ball franchise that made its way out as well, its impact was still noticeable, both domestically and overseas. This, alongside works like Sword Art Online, has positioned it as one of the poster-child images of what "anime" is to non-anime fans of the 2010s. Occupying shelf space in your local Hot Topic, being mentioned in passing by those oblivious to the entire culture at large, a conversation starter to introduce others to an active community that bubbles on the surface but never making enough big waves to become acknowledged on a mainstream level. The show's relevance in recent years cannot be understated. It's a new footnote that continues the narrative, helping push the medium and partakers of it a step closer to accessibility in other avenues of a broader mainstream culture. Because of its exposure, for many, Attack on Titan became their initial gateway title into the anime medium. And as such, a milestone entry when searching for that same thrill that it offered up on its initial encounter. For better or for worse, AoT shaped the landscape of future anime entries, many of which seeking to retain the newfound fanbases that sprouted because of it. And while there was a sleuth of cheap knock-offs offered up to keep the flame burning since then, nothing was capable of whetting the appetite in the same way it did. 4-years and many cheap imitations later, AoT has reemerged once again! But the question is, is it 4-years too late? 4-years may not seem like a long time in the grand scheme of things, but for media, it's practically a millennium. A lot could happen in 4-years. New emerging trends develop, talented figures could make their debut appearance, a shift in the landscape in favor of real-world sociopolitical events could occur, and most importantly, the demands of people can evolve as they foster different tastes and interests. You don't have to look far to see these occurrences happening. In the movie industry, more specifically, tentpole blockbusters, superhero films have effectively become the new age westerns, to the point where watching them becomes a ritualistic event shared by a mass majority, making those that don't participate outsiders to watercooler conversations. In music, the new "wave" in the past few years has been trap-inspired production and dancehall-influenced rhythms, a transition that's proven to be so successful that even megastars that dominate the pop charts are flocking to get in on the action. Even in our own backyard, in the world of anime, creating "subversions" or reimaginings of established formulas, from the likes of MMO-inspired premises to superhero stories, is the popular thing to do at the moment, with many recent hits owing their success, to some degree or another, to that directional push. Media is a beast that's constantly shifting in order to appease the masses, unless the pedigree of the product in question is of a high caliber, expecting it to stay still until your return is foolhardy, and from a marketing standpoint, a huge risk to take. So, did Attack on Titan's gamble pay off? Well, it all depends on where you stand as a viewer. Fortunately for Attack on Titan, the efforts of its bottom-rung imitators served a purpose. Like the MMO and superhero shows that dominate the current landscape in anime, post-apocalyptic stories are still in high demand as well. The manner in which it is received, however, is a completely separate issue. You see, within that 4-year period, those rose-colored lenses that many fans may have had during its initial run may no longer be there, or at the very least, those "lenses" have since been washed out to something closer to transparency, as it usually does when someone grows older and become accustomed to certain things. Where they could have been hoodwinked with a few plot twists and shocking moments before, the chances of that level of susceptibility dwindles as time passes. With every encounter made with something employing the same general gimmick, the magic is now met with a response succumbed to apathy. Each time something that appears novel makes itself known, the next encounter of the same content slowly morphs into a future cliche in the making. It's the gift and the curse that comes with transitioning oneself towards a more seasoned mindset. There still may be an eager audience waiting to see the story unfold but that's usually accompanied with a higher level of skepticism, making the work of any follow-up season that much harder to live up to the initial "hype" that came with its debut. It's for that reason that the infamy of the "sophomore slump" exists, and to no one's surprise, Attack on Titan's 2nd season is met with a divisive mixture of applauds and woes. So, reader, do you gawk at the attempts made by the 2nd season to employ the same bag of tricks, or do you approach in a way that many veteran viewers do when watching something as flamboyant as Attack on Titan? If you're reading this review, I'm going to make the assumption that you're not comprised of the mass majority that doesn't care either way. As far as your viewpoint goes when discussing AoT after finishing this review, I leave that bit of trivializing up for you to decide. Everything moving forward is just me pleading my case and my stance on the matter, so take from it what you will. The reception I have for AoT's 2nd season is pretty straightforward, I love every minute of it! It's just as nutty, over-the-top and gratuitously violent as I remembered. It's a show that brings me back to a simpler time in my life, where excessive violence and theatrics were the only things that stimulated my viewing habits. A time in my life where movies like The Matrix and Equilibrium were as coveted as holy scripture and any verbal disapproval of it was treated like sacrilegious acts. Attack on Titan 2nd season is just awesome! Schlocky, cumbersome, inconsistent, poorly-written, overacted, exploitative, childish, melodramatic, hammy, riddled with plotting and tonal issues... BUT still fucking awesome! And while I do love it wholeheartedly, those issues I mentioned don't just magically go away, and seeing that this is a review and not a drunken get-together with friends where we scream "FUCK YEAH!!!" at the top of our lungs, as we view the poor inhabitants of AoT being chomped in half by giant nake people, I will judge it accordingly. Fidelity. What a pleasant surprise. I think I express the sentiments of many when I say that I approach most sequels with a great deal of apprehension. More often than not, sequels tend to disappoint and for understandable reasons when examined. If it follows the 1st installment verbatim, it's simply seen as a rehash, if it veers off course too much then it runs the risk of not capturing the essence that made the 1st great. It's that old adage expressed by many “You’ve got your whole life to write your first record, and only a few years to write the second.” So when I sat down to be immediately met with the familiarity of AoT's flare for the dramatic still intact, I was more than pleased. Even after the first season, where I felt that the show may have exhausted every possible gruesome fatality or creative action scene in its arsenal, this follow-up season somehow managed to ratchet up the stakes and tension, while keeping the locations and bloodbath battles fresh and exciting. The spirit of AoT was carried over seamlessly and with its usual offering of plot twists and shock factor moments being placed center-stage, there was never an episode that passed where I wasn't enjoying myself. This consistency stood true for the art and animation as well. With new locations and settings being introduced, the expansion that was already given from season one is further complimented here. Employing the same European-like building structures and familiar environments, marathoning both seasons would yield very little in the way of distracting changes. It's fresh but familiar. Changing things up when necessary but never to the point of alienation. Although, there was an issue present that might turn some people off. The usage of CGI is far more prevalent this time around, and admittedly, lazily implemented at times as well. For example, there are scenes of men on horseback at some point, during which, when the camera pulled back for an aerial shot, you could see them galloping above the surface of the ground, giving this look of a 3D rendered image being dragged across a landscape in post-production. This hovering effect is amateurish for a studio that's usually praised for doing above average in the visual department. Where it set the standard in season one, in season two, it's barely maintaining it. The CGI used for the giant titan was also distracting. Not for the actual look of the Titan itself but for the framerate, which wasn't succinct with the animated shots of characters around it. Other than the issues found with the CGI, the rest of the production was very appealing. I am slightly disappointed though, knowing that with 4-years given to create a stellar product, Wit Studio ended up shortchanging themselves. And it's not like they had to touch up on their skills in this department, they've already proven that they're capable of meshing CGI with 2D animation just fine with their bootleg Titan show, Kabaneri, of last year. So to give their main cash-cow second-class treatment seemed like a huge disservice. Whatever the reason behind the copout service may be, here's hoping it doesn't continue with future installments. Thankfully, everything else was up to snuff, making those blemishes far more palatable than it would have been otherwise. Content. The story continues off with the discovery of new mysterious events that slowly makes itself known to the viewer. Everything has been called into question, as the Titan face exposed from within the wall at the end of season one plunges everyone into deeper secrets surrounding the church and the following occurrences that led up to the aftermath of Annie's capture. Tensions rise, as paranoia slowly seeps into the Scout regiments. No one could be fully trusted. With Annie being a Titan, the possibility of more traitors in the mix becomes a high possibility. The war has shifted on both sides now, with Titans moving in headfirst and the fear of more enemies hidden within the ranks just lurking out of focus. And the rest of the story effectively follows a barrage of plot twists one after the other, of which, any type of hints would effectively spoil the surprise, so I'll leave that bit of discovery up for you to witness yourself. AoT does what it's best known for, delivering on nail-biting cliffhanger moments one after another. There's never a shortage of reveals being discovered here. Some that's a bit obvious for those paying attention and others that are completely left-field if the anime is your only exposure to the material at hand. Accompanying men into battle, we're given a fantastic musical backing, with thunderous drums, booming brass sections, and blood-curdling violin chords, all being wrapped up and carried off by the unified echo of a haunting studio choir; all of this crashing headfirst with electrifying musical underpinnings, creating a futuristic orchestric sound. And in the heat of battle, this soundtrack does an amazing job at giving everything a vintage feel while positioning it firmly in the 21st century. It's a clash of classical meets new that's unified under the sound of constant dread and ascension. This makes it one of AoT's best highlights. Despite the shortcomings of the show's characters and storytelling, this aspect remains a spotless feature, something destined to age incredibly well for years to come. And since I just mentioned it, and there's only so long that I could dance around the subject matter before pointing at obvious pressing issues, time to discuss the aspects that constantly keeps AoT from reaching the ambitious heights that its universe desperately attempts to cling to. Sloppy. First and foremost, Attack on Titan's screenplay is written as if the Caps Lock key was left on the entire time. If this review was written in the way the characters were made to emote, EVERYTHING WOULD JUST BE WRITTEN IN ALL CAPS JUST LIKE THIS SENTENCE. And I'm sure I don't need to express just how distracting or ridiculous that could get for those wanting something a bit more serious. Couple that constant barking with some overexaggerated facial expressions, where the characters are given their best "rape face" expressions, and you will be none the wiser had you just seen a clip and thought you were looking at an anime parody of shounens. Truth be told, part of the reason why I enjoy AoT has to do with this very feature. That schmaltzy level of overacting has always been something I found amusing, but unfortunately, that's not the show's intent, as it displays no comedic bone in its body for any of these exaggerated scenes. This isn't Jojo's Bizarre Adventure where everything hints towards a tinge of comedic self-awareness—no, in Attack on Titan, everything is played seriously, causing it to come off like a circus performance where everyone is dressed in all leather. This can make some dramatic moments hard to invest into. And it's for that reason that I ask how you're consuming Attack on Titan. Because if your approach demands no room for levity or laughter, chances are, many scenes here may make you want to gouge your eyes out. Anyone that could view an armless Eren beating the living snot out of someone with his arm stumps, while foaming at the mouth like a rabid animal, rapey-face set to maximum, and STILL take it seriously, despite all this, has my admiration. I keel over in laughter seeing moments like that. It's a show that can't escape the innate hilarity of some of its content. For me, part of the fun of AoT is seeing that constant struggle to capture authenticity and seriousness, despite the content suggesting otherwise. Viewing it in this way may not be the original intent of the staff and creators, but it's entertainment at the end of the day, how I choose to enjoy it is entirely up to me. Which brings me to the other issue that the show can't shake: poorly written characters. Armin is the only character in all of Attack on Titan with a proper character arc. There's no arguing this, no IFs ANDs or BUTs, this is just a fact. Out of everyone presented, he remains the only member of AoT's cast that was given any sort malleable personality, an internal reflection, and eventual growth that STAYED that way. For everyone else, Eren included, there's only a phantom resemblance of a character arc, but in reality, their constant dominating character traits actually cause them to have the adverse effect. Instead of showing character development, they end up going through character regression instead. For the easiest example, let's take a look at Eren. In the 1st season, they made it a point to show that he's a hardheaded young man who's willing to throw himself into the heat of battle whenever someone or something agitates him. Constantly short-tempered and outspoken, he's made out to be a very unlikable person to many around him. His hostile behavior usually led to him getting into physical brawls with older authority figures and even his fellow peers. Understandably, at first, he only had a few friends that took to his side, those being Mikasa and Armin respectively. And even then, it could be argued that during that time, those two friends were only earned due to certain circumstances. Because of Eren's pivotal role in Mikasa's past when they first met, she felt a sense of obligation and appreciation for his actions, which eventually led to an appreciation for him as a person as a result. And after being placed under the same roof, it was easy to nurture a relationship, given that they got time to know each other on a day-to-day basis. In Armin's case, Eren represented the bravery he lacked in himself, as he constantly stood up for him when he couldn't bring himself to do anything but cower at any bully that enters his space. He basically saw him as the big brother he never had. In both cases, Eren's pigheaded resilience and loyalty to those he cares for were what won them over. And so, a rebellious character trait was quickly established. One that led to positive outcomes in very limited situations. Later on, as the series progressed, he was placed in circumstances where that very personality was used as a catalyst for his growth, more specifically, when he was placed in situations where his pigheaded attitude endangered the lives of people around him. The biggest highlight of this comes with the time he spent under Levi's camp, as well as his transformational moments as a Titan. long story short, his outbursts began to affect more than just his pride, it caused several irreversible incidents where his actions were directly connected to the issue at hand. This eventually culminated, to what looked at the time, like Eren turning a new chapter in his life. He's now more calm, even mindful of the ones around him. He understood that his behavior isn't doing anyone any good. And as his bandaged body sat upright in bed with Mikasa staying by his side comforting him, Eren's journey in the first season came to a reasonable point of conclusion. Fast forward to the second season and all of that was immediately flushed down the toilet for an instant character reset. Any semblance of growth shown was immediately replaced back with the same hot-blooded behavior and hammy overacting he was notoriously known for. This form of character regression isn't excused as someone stuck in their old ways, it's the act of behind-the-scene creators understanding Eren's marketability as an angry youth. People are weary of any kind of change and so Eren was forced to remain two-dimensional, regardless of any personal revelations he may have had. And before there's confusion on what qualifies as growth, no, receiving a backstory isn't it. A backstory only helps when the character in question grows further from the present day acquaintance with which we first encountered them. The rest of the characters can effectively be boxed into neurotic personality traits or future cannon fodder. It's the type of show that relies on the ensemble cast to carry the personality that any given individual may lack. Think of it like colors in a rainbow, everyone involved is basically an individual color, making them basic when alone but exciting when placed together. It's a common trick to use when there are too many characters involved and not enough time dedicated to any of them. And speaking of the narrative, possibly the biggest complaint launched at Attack on Titan ties into this. Honestly speaking, AoT has very little in the way of a well-written story. It's a show that's overly reliant on over-the-top plot twists, mystifying everything as to appear purposeful, and a gratuitous about of shocking deaths and revelations made at the drop of a hat to keep audience attentiveness. And as it is in the case of the overacting, this too is something I enjoy about the show. It's like a constant wack at a visual piñata, with each hit revealing something unknown inside. To me, that's the reason AoT is such an entertaining piece of media, it's its ability to constantly unveil new, and often ridiculous, plot revelations. Each time you return, it has something new to offer, regardless of how familiar it may get to other moments prior. But again, that's just the way I choose to consume and enjoy the show. As for the pedigree of writing on display, it's absolutely abysmal. It's a show that's reliant on your acceptance to a myriad of plotting inconsistencies, excessive mental gymnastics in regards to many of its plot twists, and a high suspension of disbelief for the mechanics of its universe. If you're an astute viewer, there would be many times when you're forced to call into question the validity of the events playing out. And if you choose to take the show seriously and hate it as a result, you would completely be entitled to do just that. Contention. I usually distance myself from the community and their consensus in regards to any show when I'm working on a think-piece about it, but with Attack on Titan, that's proven to be virtually impossible, especially for someone like myself that's made it a habit to publicly airing out my opinions. Several people approached me with their thoughts on the show and after awhile, I began to notice the thread of a narrative taking form, which admittedly, affected the way I approached this review as a result. And for the sake of bringing clarity to what I think has become a misinformed argument that's been generated towards this second season, I will address that general complaint here and now. If you felt like the quality of this season has significantly dipped since the debut of the 1st, please rest assured that it haven't, it's you as a viewer who's grown beyond the content at hand. All these complaints launched at the show now are just as applicable to what was given from the very beginning in 2013. Season one had just as much diluted plotting, expository verbal dumps, long periods of substance-less content and character victimizing. It's only now that you're older does those issues become more apparent. 4-years is a long time, and in that time, you're bound to grow up as a viewer, even if you still find yourself indulging in the same kind of content. Your awareness of it has simply matured since then. Quality-wise, both seasons of Attack on Titan are on the same level. The only difference found are minor and not worth elevating the first installment leagues ahead of this follow-up. And with that being addressed, it's time I wrap this review up. Conclusion. If you were to ask me what my favorite anime viewing experiences were based solely off of entertainment value and absolutely nothing else, Attack on Titan would easily rank up there with Death Note and Kaiji. As an overblown piece of media, the show is a constant roller coaster ride of violence and plot twists, all beautifully set to a great soundtrack and nice visuals. Content-wise, it has very little to offer, and honestly, without the constant barrage of bloody fatalities and sensationalized violence, I would probably get bored with it. But as it stands, this anime represents "hype-inducing" content for me in the truest sense of the term. It's a hammy, grindhouse-inspired work of artistically shot ultraviolence. Like a big lovable oaf, a show oblivious to just how ridiculous every situation presented is. It's pure spectacle, plain and simple. It's one of my favorite pieces of schlock of all time and a show I will revisit many times to come because of that.

Season 2 has come and gone and this three month was really enjoyable, but do not fear, season 3 is already announced for 2018! Now on to the review. Story 10/10: Snk season 2 picks up right where season 1 left off, and it give the viewers a bit more insight about the titans in the walls. The thing with snk is that its story is slowly unravelling for both the characters and the viewers, we learn of the ape titan that can speak and that titans obey his orders, we also learn that without a doubt titans are humans, we learn that Ymir who is nowknown as a titan shifter knows a lot of secrets that she is hiding and that she is over 60 years old. We also got the reveal of the arrmored and the iconic collosal titan which are characters that we saw from the very first season, this really should be the turning point for many persons that this series is not just about humans fighting titans/ It's way more than that and as the story progresses the plot gets more complicated, what really shines for this series is how well it foreshadows or give hints to the viewers of future plot event, and imo the series gets more enjoyable when you learn more things in future plot and then rewatch an earlier season and you will see how the author cleverly hinted at certain things, like for eg, the identity of all three of the titan shifters, if you go and rewatch the first season you will realise all those hints were being drop, overall just rewatch the first season and you will see how well put together the story is, the best way to explain snk story is that it is a like a puzzle that is slowly being put together, and sometimes you the viewers if you pay more attention to it can fill in some of the blanks with the info you got so far, because this series doesn't leave viewers in the dark without giving the readers hints. It also makes you question what is going on or the motive behind the titan shifters, why do they want to kill everyone inside the walls? What is their motive? What we did find out at the end of the episode is that Eren can control titans, and that is the reason why the Annie, Reiner and Bertholdt wanted to capture Eren. I always like series that makes you question yourself and makes ponder about certain things. Art 8/10: I thought the art was solid overall, there is some bad shots that I've seen throughout the series, but I've notice that when it doesn't look good is when the characters are not close up, also the Cgi was not to my liking it puts me off in some scenes, but overall it didn't affect my enjoyment much since most of the cgi was use on horse scenes, which lasted just for a few seconds, but what really annoyed me was the collosal titan cgi, it looks horrible! Though sometimes it doesn't look bad, but overall I will like them to scrap that and make the collosal titan fully hand drawn like the first season. Overall art and animation was solid imo and not much complaint. Sound 9/10: The soundtracks in season 2 is great, and I'm glad that they didn't completely got rid of the old soundtracks, because that would might make us loose the snk feel to it, What Sawano did was smart, he remix some of the old soundtrack and also added new soundtracks in this season, the only disapppointment is that we didn't get enough new soundtrack imo, now the reason could be is that this season is 12 episode instead of 25, so less soundtrack, but overall I was please with the soundtracks in this season. Characters 8/10: Imo, I feel this season really flesh out more of the side characters and give more focus to them, the main cast for this season got little screen time for the entire first half of season 2, but this was actually a good thing, we got a lot of character development and characterization for all these characters in this season, though a flaw that I saw in this season is that there were too many flashback, which is a method also use to develop a character and also the anime staff added fillers in the flashback to extend it a bit more, this is a flaw when it comes to adapting a source material, they want the season to end at a certain point, and so the anime staff pad out the flashback with stuff the viewers already know of and this is really annoying imo, this is a legit critcism that I agree with. Enjoyment 10/10: For me, what really made me enjoy this season is because, me being a manga reader already know what happens in future events, and thus watching season 2 is like rereading the series but instead with soundtrack and animation etc, and as I said before seeing all the foreshadowing and understanding the vague discussion going on between certain characters just makes me appreciate this series more and that is why I really enjoy it so much. This is where the series starts to shift in tone and I can see why some persons may not like this season as much as the first and vice versa, and in the next season it will be taking another shit in the story as well, really interested to see anime only reaction to season 3. Overall 10/10: This series is a masterpiece despite its flaws, a masterpiece doesn't mean it has to be a perfect series, because the truth is, there is no perfect series. This series is very ambitious in where the overall story is going, and I know not everyone will appreciate this series like me, because opinion, but I am very happy a series like this exist, it is what made me become a hardcore anime fan, and I hope when this series is complete persons will appreciate what the author was going for and not what they wanted it to be, 2018 can't come any sooner. Thanks for reading. ;)