Gurren Lagann

Perhaps no other show I have viewed have I gone into with higher expectations and hype than with Tengen Toppa Gurren Lagann. Practically everyone I know has told me about how awesome it is, how its epic ending is the best thing since the invention of the internal combustion engine. Looking back I suppose that made it inevitable for me to be let down and disappointed. A message to the rabid fanboys probably is in order. If you are incapable of accepting anyone’s opinion that differs from your own then you might as well stop reading this right now. What follows isa critical and perhaps a bit harsh analysis of a series that at its best was one of the best things I have ever seen, but at its worst made me want to punch a hole in my television. I certainly did not hate TTGL. I can clearly recognize its achievements and its place in anime history and its influence. But it also has some unforgivable warts that many of which were unnecessary. It's typical of a GAINAX project which always seems to be high on presentation and build up and piss poor at conclusions. There is nothing remarkable about the story in TTGL. It borrows from familiar themes and unfolds in a pretty predictable and formulaic manner. It’s the presentation of the storyline that makes it so unique from most anime of this type. TTGL is really two anime in one. The series is divided into two major story arcs. Both are full of balls out macho testosterone filled awesomeness. The scale of the story grows exponentially as each battle and each Gurren Lagann transformation becomes more and more epic. Taken at that, TTGL succeeds at an unrivaled level. The first arc has a perfect mix of comedy, tragedy, drama, and GAR. I loved it. It totally worked at every level. Until... Where things start to come undone is in the second arc which starts at episode 16 and is set seven years after those events. The feeling is totally different. First you’re trying to get used to characters that have grown up, at least physically, and a setting that is completely alien to the apocalyptic wastelands of the first half of the series. But where things unravel is that it starts to get away from what made the early parts of the series so successful. It begins more of a romance arc, which you expected given the way things went in the first part and frankly I would have been disappointed if this hadn’t developed. However it’s so ridiculous that all it does it make you think the characters are completely retarded. I mean seriously, how can you be in a relationship with someone for seven fucking years and never kissed that person? Really? You expect me to take this seriously or actually care? The second is the addition of a political drama that does about as much for the story as the unrealistic romance elements. All it does it take a cast that was almost entirely likeable from the first half and make half of them asshats and douche bags. Eventually though things get back on track with what made the show so completely awesome before. The problem is by time they do will you be so angry and pissed off that you even care anymore? That was the situation I found myself in. As much as I wanted to be angry at it the feelings I had for it do start to pop up again. The battles are even more epic and literally galaxy shattering. It’s so totally masculine that I am surprised I didn’t grow a pair of balls myself. But... it seems I always have to say that, just as it manages to redeem itself and make me swoon with delight; GAINAX delivers their final fuck you to the audience and frankly, it is unforgivable. Sadly it completely ruined any enjoyment I had for it. TTGL characters are pretty much what you would expect from shounen anime. However it manages to carve out a few legendary ones. Pretty much anyone who is a fan of anime knows who Simon, Kamina, and Yoko are. I can say that they aren’t overrated by the fandom either. Kamina is pure awesomeness. A man’s man and a woman’s dream. His single minded determination and love for his comrades makes him the kind of friend that any man would want. While he may not be "husband material" to us girls every one of us would want to put our arm in his and be protected by him. He’s the kind of guy that can really only survive in a world of conflict. A true hero for the ages. Simon has many of Kamina's traits. As the main protagonist in the series he does well to overcome the obstacles in front of him. I loved him, as a boy. It was after the time skip that he has grown up that he becomes less interesting as a character. He evolves into something he’s not, a virtual clone of Kamina that they are almost indistinguishable from one another. The weaknesses and more reserved nature of the younger Simon which made him for me a much more real and interesting character disappear. Instead of the thoughtful and cowardly boy we have a guy who is as reckless as Kamina ever was and goes into everything with all guns blazing and damn the torpedoes! Its so uncharacteristic of him that it takes away from his character. The final events of the story in particular are needless cruel and unnecessary and a further example of how out of character he has become. By the end he is Kamina, complete with the ending you would have expected of him and all traces of the likeable kid all but erased. Yoko is the ship that launched a million wet dreams from boys and probably a few grown men alike. You might think that a character with eye popping measurements that spends the majority of the series in a bathing suit would be simply a tool for exploitive fan service. But that’s not the case, as she really shines on her own and manages to be sexy without feeling like she’s just a prop. Yoko is one of the few characters in the story to actually grow up. She takes on responsibility as opposed to the rest of the cast who seem intend on riding the coattails of their past glories instead of contributing something to society. Overall though she's treated poorly by the story and while she is very important to the first part of the series it’s almost like she became just another face in the crowd later on. Being a big fan of hers I found that to be particularly disappointing. The rest of the main and supporting cast is a bit of a mixed bag. The reason my score of them as a total suffers is that the vast majority of them are very static and unchanging. Most of them are not all that interesting and are more like the background. With few exceptions when one of them dies in the story's epic death count you are left with little emotional reaction because you didn’t feel anything for them when they were alive. The time jump also affected my enjoyment of them as I mentioned many of them had total personality changes that really had no justification. Some initially charming and interesting characters such as Nia I found myself just despising or becoming apathetic towards. One thing that TTGL does not fail to deliver though is heart pounding and eye-popping visual effects and artwork. This series is truly a masterful work of art. Everything about it screams epic goodness. GAINAX always has a bit of a unique and cartoony art style. But what I really love is the bright colors and quirky designs. It totally works for this series perhaps like no other ever has. This is truly an achievement that I can find absolutely no flaws with. Not to be outdone, the musical score and voice acting is just as exceptional. The actors manage to bring out all the macho characters and the often screaming dialogue and make it all work. The music is some of the best I have heard in an anime. The OP/EN themes rock hardcore and will have you moving your feet and singing out loud. So did I like TTGL? The answer is yes. Did I enjoy it? Not really. Because of that it just can’t go down as one of my favorite series as it really should have thanks to that retardation at the end. I know I am going to be in the minority here. The story is not meant to be taken seriously and for the most part I didn’t. However I was expecting more and I didn’t get it. Chances are if you’re male, and under the age of 30 you just might watch this and think it’s the best thing ever. For us girls your experience may vary. It’s definitely worth the viewing but beware the trap of unrealistic expectations and hype.

The show that turns boys into men. Gurren Lagann was breathtaking. An endlessly thrilling ride from the most humble beginnings to the most fantastic of ends. Absolutely inspiring and a must-watch. There are so many memorable moments in this series, and lines and ideas that it imprints into your very soul. I will admit this is one of the first anime I had ever watched, except Miyazaki films. And its ridiculousness shocked me as a newcomer. Even so, I was enraptured, drawn by the infectious energy and the constant adrenaline rush from this show. Because it was unique. It was so very unique. Tengen Toppa, whileit does have an amazing story, is not about the story. It's not about a logical progression, strategy, conflicts of interests, world building, exploring the sci-fi or the other ideas in it. In fact, it is about the deconstruction of all those things. I usually like smart anime. But Tengen Toppa is unique, managing to be good without trying to be smart. Because it isn't about being smart. Its about feeling. Everything else is just a plot device. Its abstract almost, like a legend or an epic. You don't need to believe it. TTGL takes your ideas and your expectations and says fuck you. The only one idea that matters is feeling and spirit. It delivers on an emotional level. A primal instinct; willpower, that adrenaline rush and madness that overcomes you as you resolve to beat an impossible challenge in pursuit of what you want. Every aspect of the show work to arouse and reinforce this zeal in the viewer. Its art, with a clever use of angles, bold lines, exaggerated designs and at times simplified drawings personify its brazen self-confidence and panache. Its soundtrack oozes fearless charisma with a liberal use of energetic horns, drums, opera, rap(!), violin ensembles, and forceful sound effects... all the while also reserving a soft, passionately delicate side for its emotional moments. Its vibrant characters(especially one of the manliest leads in anime I know, Kamina) are among the most unforgettable I've ever encountered, and how far they come by the end, and indeed how much they grow on you is amazing to behold. Every single one of them, in the span of 27 episodes(yes, TTGL hates norms, even season counts), manages to surprise you and show you the many faces of human nature. In a way, they are perfectly chosen to represent the show's central theme of the struggle between human "spirit" against the abyss of "despair". I like to think of Gurren Lagann now as at least in part, as a light hearted jab at various overused tropes in anime(such as copious amounts of fanservice, plot arcs that escalates from small to unbelievably huge and so so many more). Gurren Lagann takes every cliche trope there is and ramps it up to 11, in a way that it feels strangely new and enjoyable again. If I could describe this show in one word, it'd be "ridiculous"... and I don't mean that in a bad way in the slightest. The blatant and ridiculous sexual innuendos everywhere(the Di-gurren has a gigantic dick for a hull for just one example), the in-your-face approach to fan service, the seemingly boundless main plot arc, the battles, the set pieces, those outrageous VILLAINS, Nia and her moeblob eyes, the cheesy dialogue(it actually seems to work quite well in TTGL for some reason although it wouldn't anywhere else), the over-the-top speeches and declarations, the attack names... the list goes on and on. It presents these obviously un-serious things in the most serious and cocksure way possible. And somehow... manages to be convincing. It shocks you and grabs your attention with nothing else other than its unique spirit and confidence. TTGL feels like its taking an adult and making him play pretend, dragging him about in a crazed rush, and learn again what its like to be mad with drive and child-like passion for your dreams. For deus ex machinas, there were so many in Tengen Toppa Gurren Lagann I couldn't count them all. But it played into the show's theme "Kick logic out and do the impossible" perfectly. I didn't get the impression from the rest of the narrative that the show was taking itself very seriously at all(viewed as a parody, TTGL is pretty damn good), so they actually felt natural and strangely uplifting, instead of disappointing. Tengen Toppa is also excellent at emotionally moving you. They even state in the anime itself, "kick logic out... it's all about spirit!" And it delivers. It will move you, fire you up, make you cry, laugh. But it will most definitely not intrigue you, or make you race the characters in deductive reasoning like in other shows. But it will leave you exhilarated regardless. And maybe... just maybe... etch itself into your memory for a long time to come. EDIT: Now, as much as I know it is strange to say now, right at the end, especially after(rightly!) emphasizing the ridiculousness so much, I think it is dishonest to give the impression that this is just a mindless show intended to make you scream. Believe it or not, how epic it manages to be despite the absurdity is actually the result of very clever writing, brilliant implementation and noticeably passionate production values and attention to detail. In fact, I would even say this is one of most subtly intricate and thoughtful series to come out in recent years. This doesn't take the form of philosophical debates and pretentious sci-fi however. In true TTGL(and Gainax) style, it defies expectations. Everything thats silly is in your face, and whats clever is hidden for those who care to look. It takes the form of exquisite symbolism, subliminal homo-erotic rap, intricately interwoven themes which the show doesn't always spell out for you(as just one slightly spoilerific example; think about the mistakes of humanity. Think about the Elder in the Face-God Village or the Chief of Jiha village and compare population-control Rossiu and the Anti-Spirals to them... they all are driven by the same thing), the bitter contrasts of war and how they seem to fade once you actually understand the sides, how infectious and inspiring spirit is when it truly refuses to give in to cynicism... hell, when you've finished I actually encourage you to read this: http://wtf.animeblogger.net/?p=140 For now, the rest of you: watch this show.

Only on the rarest of occasions does an anime come along that truly grabs me and elevates itself above mere entertainment and into the realms of gripping television. Gurren Lagann did this with frightening ease, not with complexity or depth of its storyline, nor with its technical excellence, or innovation, but with its boldness, energy, sense of humour, and heart. Some people may be put off with the degree of silliness the show never ceases to deliver, or at least be deterred from becoming deeply invested in the plot or its characters, but being the sucker for just this kind of shameless splendour and over-the-toptheatrics, I took to it with enthusiasm, and came out of it with a strong sense of appreciation for the fun that the show delivered from week to week. Gurren Lagann is the kind of series that you may scoff at while you’re watching it, or laugh at its unapologetically ridiculous antics, but which still leaves you craving the next episode. I became so swept up in the show’s passion and heavy-handed charm that I quickly learned to turn my brain off and just go along with the ride. And this is how Gurren Lagann is best enjoyed, with an open-mind and a desire to sit back and enjoy yourself; if you can’t refrain from cynicism or pretentiousness, you likely won’t enjoy the show. I also recommend that the series is not watched as marathon fodder, in fact I’m not sure you can truly capture the same experience if you missed out on watching it on a week-by-week basis. But the show is not just for action junkies and comedy fanatics; it may have more than its share of explosion-riddled skies, sexual innuendo and galaxy-sized mecha, but more than that the show is somehow able to endear the viewer to its characters through all the furore and anarchy of the plot - and it is not afraid to cash in on that either. The characters are all really fun to watch, each of them flamboyant and charismatic in their own peculiar way, and on top of that, the series weaves in a good amount of sincere character development almost without the viewer noticing. Kamina, in particular is instantly likeable and memorable as the unstoppable and inspired leader of the group that the show revolves around. His unquenchable determination and guts are what really caught me into the series to begin with - one cannot help but stand alongside the other characters in the show with their reverence for him. More than being a likeable gang, the characters are used to great dramatic effect; the show has a number of dramatic peaks over its course that won’t easily fade from my memory. Simon’s transformation from a cowardly underling of Kamina, to an empowered and confident hero is also a key part of the story, and it is handled acceptably, though not quite believably. For that type of theme, I defer to Eureka 7’s development of its protagonist, Renton. Furthermore, the story itself, while inarguably simplistic, revolves around a strong moral core, with themes that are challenging at times and rousing at others. The use of metaphor is vastly overdone, but revelations further into the show made me appreciate the central “drill” metaphor a bit more. My actual interest in the plot varied throughout the series, starting off quite high with the intrigue of the mysterious new world and the immediate threat of the Beastmen, and cooling off until the post-timeskip story kicked in, which introduced a more serious and challenging feel to the series and hence boosted my interests once again. The pacing is probably my biggest complaint for the show, as the constant action, ironically, became tedious at times, particularly in the build-up to the climactic episode 15. The show may always have a sense of fun, but it is inconsistently gripping. The animation, episode 4 aside (whose director was later fired - although that’s another story), is brimming with vigour and vitality; it is not always consistent, and rarely very detailed, but it seems to adjust itself to the mood of the show in a very unsubtle but fitting manner. There were a number of blatant shortcuts that were used during many of the battle sequences that I couldn’t help but notice, but given the ‘epic’ nature of the show, it is difficult to expect top-class animation right the way through. At times, the art and animation are genuinely amazing, and there is no denying that this was an ambitious and costly undertaking by the usually self-preservational GAINAX. An extra boost of cel detail would have welcome but probably impractical from a budgetary perspective. The music for the show is much like the show itself, in that it’s hard to take seriously, but it is unavoidably engaging. Rather than cinematic type of score work, the show is packed with insert songs and a handful of key piece of theme music. I am appreciative of the way the music was distributed throughout the series, with new music being added to the mix right up until the end. This prevented it from stagnating. A few of the tracks are stand-out pieces of music, and are used in the show to give it a genuine boost of captivation and emotion. In particular, the main heroic theme of the show never fails to rouse me into a high-spirited love for the series. At times powerful, almost always senselessly fun, and with a strong moral core top its themes and story, Gurren Lagann is the highlight of 2007, and an anime worthy of anyone’s viewing. Far from flawless, yet somehow rarely flawed, this anime series is inexplicably lovable for those who are easily hooked in by unsubtle fun. Gurren Lagann has something for everyone, and as such I recommend it to everyone. However, I think it appeals more directly to a male audience with its badassery and male hero role models.

Gainax is easily one of the most well known anime studio, especially with titles like, Neon Genesis Evangelion, KareKano, and Wings of Honneamise. However, as of late many fans claim that the quality of Gainax has dropped down significantly and that their golden age is over, well that was until Gurren Lagann. Without a doubt Gurren Lagann took both Japanese and western fandom by storm. This coupled with the fact that there was very little hype before hand thus, making the extreme popularity even more impressive. For me what was more impressive was the fact that people that normally don’t likethis sort of thing (ie prefer more serious, dramatic works) enjoy it immensely. This was what drove me to watch Gurren Lagann and write this review afterwards. Gurren Lagann reminds me of another Gainax title, Gunbuster especially the last third. GaoGaiGar was another anime as both GaoGaiGar and Gunbuster are unabashedly over-the-top and cheesy. Not only that, it thrives in its cheesiness and over-the-top nature. Also, one cannot claim that Gurren Lagann half-asses anything, it does everything with the same vigor and intensity. At the same time this is what makes or breaks Gurren Lagann for most viewers. Its cheesiness or over-the-top nature will strike a chord in you or (as some people put it) appeal to something more primal inside else you’ll end up like me, facepalming. This is something I cannot understand for the life of me. Perhaps this is due to the fact that Gurren Lagann can be seen as a throw back to super robots/”manly” series of the seventies a direct contrast to the proliferation of so called “sissy” anime as of late. However, it fails to achieve any more than that, a mindless, over-the-top mecha/action series. Now whether or not that’s a bad thing is up to you. The story and structure was distinctly shounen thus, suffering from a high degree of predictability. First, you have a powerful opponent yet against all odds the protagonists defeat them. Then another more powerful opponent pops up and yet again against all odds the protagonists defeat them, usually by some kind of power up. Keep on repeating till there are no more enemies left. Many of the characters are also the embodiment of your typical shounen protagonist, energetic idiots that keep running forward destroying every obstacle in their way. This was accomplished with very little thought when it comes to probability, strategy, and even logic. It keeps on this monotonous path until the time skip. Here the cheesiness and its shounen nature are reduced significantly. The characters and setting are also different and quite interesting. However, at the same time I can see the characters mature/grow in that manner. I was pleasantly surprised by this turn of events and for a fleeting moment thought that Gurren Lagann would redeem itself in my eyes. Sadly it was nothing more than that, a fleeting moment, as it went back to its same old self, magnified 10 times, a few episodes later. It is ironic that for the overall review of Gurren Lagann, I lowered the score due to the fact that’s it was out of place. Consistency is very important in my books. If they had kept with the same seriousness until the end, then it would have rated Gurren Lagann higher. If my favorite part was after the time skip then my least favorite part would the very beginning, the first arc (ep 1-8). This arc was easily the silliest and dumbest of Gurren Lagann. I can easily see why so many people dropped it during this arc. Not only was it stupid but slow. It took forever for me to get through these episodes as I couldn’t watch more than one episode at a time. If I had to rate this arc alone it would probably get 3 out of 10. Thankfully, after all the mandatory character introductions it starts to really move. By the 2nd arc (ep 9-16) the episodes seamlessly blended together as the overall flow/pacing was much better. Also, idiotic filler such as the onsen episode were gone and the stupidity in the name of comedy was reduced a little bit. Yes, I still find it stupid and over-the-top but at least it had a fast pace and somewhat enjoyable, because of this I could watch multiple episodes in one sitting. This arc would get a 6 or 7 out of 10 and the 3rd arc would be a 5 out of 10. As for the characters, I mentioned that most of crew are energetic idiots and Kamina was the worst one of them all, as well as being the shallowest (character-wise) of the main characters. All he had was “guts” and confidence that was completely baseless. He said it himself, Simon was the one that saved him countless times, and it was Simon that had the ability, not Kamina. However, not all of characters are like this (shallow I mean), in fact there was a decent amount of characterization and those characters were quite interesting in their own right. Yoko was an awesome side character that was far more than a fanservice character, Simon developed quite nicely throughout the series, Viral was an incredibly sympathetic beastman, etc. I could go on but I think you get the idea. Perhaps this is why I really enjoyed the episodes after the time skip, as there was a lot of focus on the characters themselves and not on the next battle. Sadly, Gurren Lagann didn’t focus enough on the characters. This brings me to my next point, the ending and the epilogue. The ending just didn’t feel right considering the overall tone and feel of the series. Interestingly enough, I actually thought the epilogue hurt the ending. This is considering how much I love epilogues. Spoilerish comments hidden… In particular, Simon being a wanderer and Nia dying are two things I didn’t expect. Nia dying really didn’t make much sense to me and even if there is logic behind it, it still doesn’t feel right considering the series. While I can accept that, what Simon did feels really forced. He’s saying he’s tired/done fighting and left everything to the new generation. I can understand the idea they’re trying to get across. With him leaving everything to the new generation at such an early age, albeit forced, reinforces the idea. If it ended right there then it would be a perfectly good ending. However, with the epilogue I was forced to take his decision more literal. He’s only around 20 years old and he’s already done everything he can in his life!? While I don’t see him leading epic space battles, I don’t see him being a wanderer either. Perhaps a mentor to reinforce the idea of the child surpassing the parent. Since this is an action series, animation is of considerable importance. Gurren Lagann thankfully delivers, and features well animated giant robot action. However, as I stated above I put a lot into consistency and quite often there was be a dip in art/animation after an explosive episode. For example, there was some noticeable weakness in the art in episode 9, which was after the huge battle in episode 8. In general, there were some fluctuations in terms of art/animation throughout the series. As for the art it was unique, but fits with its extreme shounen and silly feel. The only thing that bothers me about the art was the slight lack of detail. However, I really can’t complain too much about the art. Gurren Lagann was over-the-top, silly, and corny mecha anime. However, it did it with so much gusto it can be seen as a plus for some. This is why I think some people that normally like serious/dramatic/intelligent anime also enjoy this. For me it was simply too silly, too corny, too much. Its blatant shounen nature didn’t help either. Thankfully, the characters fared a bit better as not all of them were overly energetic idiots. Those characters received quite a bit of characterization and are fairly likeable. This was what saved Gurren Lagann from being dropped again. Sadly they didn’t spend nearly enough time on those characters and moments like the dream sequence in ep 26 are far and few in-between. In the end it all boils down to whether or not one can accept its over-the-top and extremely corny nature.