Urusei Yatsura Movie 2: Beautiful Dreamer

"Things are a mess for Yusojusunku, time and space are objective things. Fact is, time is simply a creation of your human consciousness. Now, what if there ain't no human beings anywhere in the world? Wouldn't clocks and calendars be a waste? Maybe there ain't no such thing as time that flows in one direction..." Ah, the Urusei Yatsura series--one of the flagstones of the 'Rumik' empire, and probably Takahashi's very first legitimate hit series. The last thing someone would expect to go well with Rumiko Takahashi's slapstick wild style of character writing and gag jokes would be Mamoru Oshii, the man best known for directingGhost in the Shell. But here, in the second Urusei Yatsura movie, it was decided that the film should be helmed by Oshii himself. It results in a fun, wild, surreal journey of the mind that never fails to enchant. Story: 8 This is a very simple storyline under a very complex guise. You ever see the movie Groundhog Day? That's the basic idea of how the movie starts out--the same day seems to be repeating itself over and over again, that is, the last day of preparation before the school festival. But as the days repeat, the world itself seems to see some impact of this 'Groundhog Day' as the people around them start to disappear and the world itself seems to crumble into decay. That is, aside from specific places needed to cater to the needs and desires of those trapped within. All in all there are technically a lot of unneeded scenes that are just there for the surreality factor but in all honesty it all comes out looking pretty good story-wise. The viewer does understand by the end exactly what is going on in this strange situation. The only part that I personally didn't get is why Ataru seems to be getting blamed for it, when it seems more like the creation of this world is the fault of Lum. But this was the 70s, I suppose, and blaming pretty girls wasn't in vogue at the time. Art: 7 This is a difficult one because, well, to be fair...the animation has a lot of fun stylistic choices and tends towards being very inventively surreal. But I won't lie: this isn't exactly high budget animation. It seems like a lot of money was cut out of the character animation to make absolute sure that the more trippy scenes hit harder, resulting in some pretty inconsistent character faces and movements. It's worth watching for those surreal scenes (I'm particularly fond of their flyover of the Tomobiki turtle), but the rest of the animation is mostly just serviceable at best. This is Takahashi in her earliest days so the actual style itself is still kinda goofy. It isn't yet the more refined style of Inuyasha, nor the goofy-but-consistent style of Ranma 1/2 in its earlier runs. If that isn't your thing, especially in combination with surreality, then this may not be your kind of movie. To me I feel that the stylistic choices mix together surprisingly well. Sound: 6 Let's start out with the music--it's a combination of atmospheric creepy tones and 80s synth. And lemme tell you, the 80s synth gets really hilarious really quickly. Its hard to contain your chuckles when the movie goes from a serious moment of contemplating the situation...to what looks like an 80s music video for a resort. It mostly all balances out, and I suppose the 80s synth fits the scenes in their own chuckle-worthy way, but it can still get a bit intrusive. It probably seemed less so when the movie was actually released. Now on to the dub. The voice work here is fairly over-the-top to match the exaggerated personalities of the characters, and for the most part I feel like a lot of the voices DO fit in their own ridiculous way. But it is hard to call this a 'good' dub as it falls into almost every classic pitfall of a bad dub job: mispronouncing names (Mendo as MenDOW, Sakura as the classic SaKOOra), switching character genders (an overall issue of the Urusei Yatsura dub is that Ten, Lum's little brother, is referred to as female for some reason), and flapping lips that don't quite line up with what's being said (though to be fair, this may just be the animation). Most laughable of all is the voice actor for Mujaki--this guy cannot act. He has an opening appearance with a lot of promise in its foreboding tone but it immediately gets shot to hell the second he reappears. None of his lines seem to match up with his lip movements or even the emotion he's trying to display. I personally feel nostalgic value for the dub, but otherwise, I'm not sure if it would sit well with your average viewer. Character: 9 Rumiko Takahashi wackiness at its best. Ataru the thoughtless lecher (probably one of the few anime perverts who DOES deserve what's coming to him), the serious Miss Sakura, the naive and childish (but aggressive) Lum, the uptight and 'sophisticated' (read: up his own ass) Mendo, and the four off-beat but somehow charming friends of Ataru....all of them are inherently flawed as people because its just funnier that way, and it tends towards making most of them likeable. Even Lum, who fills a character slot I don't usually like, is charming in her naivety and childish views on the world. In a situation where she would normally seem selfish and vain for what is going on, she instead comes off as more of a well intentioned but misguided individual. Even the person acting on her whims, Mujeki, again comes off as simply well intentioned but misguided. They're all pleasant to watch for the most part, because while they're overexaggerations of personality traits there is a certain realness to how they react. Accompanied by silly Takahashi facial expressions, of course. Enjoyment: 10 Now I may have talked down to a few elements of this story, but the fact is that a whole group of simply okay aspects can come together to make a solid and enjoyable movie. Beautiful Dreamer does just that. The characters never keep you in a state of being uninvested, and the story has a certain weight to it that truly lends itself to some of the heavier dialogue. Despite some obvious cutting corners in the animation, a good amount of it actually does keep the viewer attention with some of the more elaborate and surreal scenes. I personally enjoy this film every time I sit down and watch it, flawed or not. So my personal enjoyment for this just happens to be very high. Your buck may vary, I suppose, but I would have to say that it is something of a visual classic that is definitely worth a watch if you have the time. Overall: 9/10

The Ursei Yatsura franchise & TV series is an insane, wacky, hyperactive, frantic, comedy show with most of its humour rooted in Japanese culture and in general it's not really my cup of tea. However the director, Mamoru Oshii of Ghost in the Shell fame, whilst using the characters and setting of the TV show tones down the madcap slapstick nonsense a notch or two and instead creates a trippy, surreal, philosophical film concerning dreams and how they interact with reality. It's still a comedy but this has got miles more depth than anything seen in the TV series. Without any knowledge of the TV seriesthis film will probably baffle newcomers with its strange cast of weird characters and its odd and unreal universe. However if you can get past that obstacle then there's a really clever and well made film underneath that explores themes and ideas concerning the nature of dreams and what we percieve as reality, territory that Oshii would return to and expand upon in his later films, whilst reamining an enjoyable and light hearted comedy. A quick briefing on the Japanese folktale of Urashima Tarō and Zhuangzi's butterfly dream may also aid understanding of the plot if needed!

(Check out my profile for a link to my site containing more up-to-date reviews and bonus media!) This is one of Mamoru Oshii‘s earliest directed movies, and like many things he’s touched it has a cult following that simply goes nuts for it. What makes Urusei Yatsura 2: Beautiful Dreamer an outlier, however, is that it’s created using a previously existing setting and cast of characters that weren’t originally created by Oshii. The legendary Rumiko Takahashi takes credit for the original concept here, about a high school boy who accidentally convinces an alien girl named Lum that they’re now married. Thus, hijinks ensue. The original serieshas had an incredible impact on Japanese culture, but is relatively esoteric for a Takahashi work due to its comedy placing a heavy emphasis on referencing the country’s own culture. This movie has persisted with a considerably large audience due both in part to Oshii’s attachment as well as it being an understandable, accessible story to those not familiar with Urusei Yatsura. But this isn’t simply considered a solid Urusei Yatsura tale, but rather an early example of Oshii’s storytelling ambitions with a focus on disorienting dreams and fittingly surreal animation. The usual cast of Urusei Yatsura are preparing for the upcoming school festival day and night, but it slowly dawns on them that they’ve been trapped in the same repeating day. As things continue to become stranger and stranger at random, the group eventually need to find a way to return things to normal. The summary sounds rudimentary, but that’s because it’s ultimately a rudimentary story. A lot of the praise and discussion of Beautiful Dreamer seems a bit hyperbolic, perhaps relatively contextualizing itself to the time it was made and released. It’s an early Oshii movie, so it’s fine that it’s not as ambitious as his later works. It was an early English-dubbed anime movie, so naturally it would have a profound impact on people not accustomed to the eccentricities of much anime. From that perspective, it may pack quite a punch. Though in a broader view, the bulk of Beautiful Dreamer is left in the past, as much of it is the now that passe slapstick romantic comedy that defined the original series. The lecherous main character and his idiot friends goof about without a care in this dream world, often getting into antics that don’t take advantage of the dream concept. Even when strange things are happening around the group they’re always so spaced out and mostly downright mundane. The city gets abandoned and filled with water at a moment, and everyone goes for a swim. But it’s otherwise a generic beach scene, even though the reason for it coming into play is bizarre. So much of Urusei Yatsura is stuck in that mundanity despite a different context around it and it’s difficult to sell any event as “strange” in a series that’s inherently fantastical and exaggerated. The creative visuals and transitions are in an extreme minority throughout this slapstick fest. A ten-minute climax where things start to get as trippy as billed doesn’t really cut it in the face of all the bland, frivolous, fooling around earlier, and this turns out to be all Urusei Yatsura has to offer for people looking outside of the original series. Even the fundamental theme of reality and dreams being indistinguishable isn’t taken to any conclusion. This observation is made, no detailed philosophy is attached to either side, and then the story’s resolved. Sadly, Beautiful Dreamer ends up being a movie with little to say and without many creative ways to say it. As a historical document for hardcore Oshii fans it may show some of his progression as a director, but for typical fans there isn’t enough of him to grasp onto here. Urusei Yatsura fans may greatly enjoy this fresh concept pairing with the usual style of humor and characters they enjoy, but as for everyone else this isn’t a very relevant movie. It’s a thoroughly pleasant experience, but for a movie about journeying through dreams, its feet are kept mostly on the ground.

In my early days of anime fandom, Rumiko Takahashi was probably the first mangaka whose works I was heavily into. My favourite of her manga series? Maison Ikkoku. When it comes to anime adaptations though, Urusei Yatsura would top my list. It says something about Mamoru Oshii as a director, that he is able to achieve something like making this film and not compromise on the humour and tone that run through UY as a whole. All the elements that this film introduces just astounded me upon first viewing, as most hollywood films similar to this weren't to come along for 9 years (groundhog day beingthe key example here). The quality of artwork is quite a leap from the tv series and also the first UY film. For a film made in 1984, it holds up surprisingly well. All in all, this film will make you wonder where its story is going, what's going to happen next, etc. As i close, i have to ask, isn't that what all the best fiction does?