Satougashi no Dangan wa Uchinukenai: A Lollypop or A Bullet

Yeah, this is really a 8-10 material, no attack of fanboys/fangirls here. Unexpected, but true. And no shoujo-ai, seriously. I think there’re two main topics among the more serious manga – the fear of loneliness vs. fear of opening up and the fight against the world. This falls more in the second category, but from my pov it stands out a lot, because of its total lack of self-indulgence and the down to the ground mood. You won’t tell from the description, but here the peter pan syndrome plays out as it usually does in life – very badly. As you can see most of the otherreviews are very long – that’s because this manga is thematically rich, and the themes are used well. It deals with: painful bonding of people (family love, love, friendship), growing up, poverty, psychology, society, abuse, bullying, death. Not a happy list, eh? This is this kind of story, yet the best part of it is that it is not too long and it is told without too much pathos – I think the story goes overboard only once or twice, and even then not terribly. Some aspects of the outcome’ll surprise you. Actually you’ll be surprised by some parts of the ride too – there’s a lot of rarely brought up topics. Like dealing with a hikikomori member of family, wish to join the army, physical impairments, self-pity as driving force. Frankly, after completing the story I have some questions left, but the ride was good, I went through catharsis, and the feeling of closure is present. The art is fine too. Thankfully, it holds the tone well, and there’s no cutesy stuff or chibi-characters. I don’t dig the spiky hair, that are supposed to be “beautiful”, but that’s it. Other than that I have only respect and admiration for the artwork – the flaw of frames, the designs, the backgrounds are nicely done. The art even carries well such complex things as suspense, feeling of vulnerability and alienation. All in all, it’s a work deserving of bigger attention that I see it getting now. It’s a manga of the Punpun and Aku no Hana breed and level, but with its own distinctive voice and story to tell. Do read it, if you’re interested in a dark, mature, more or less realistic story.

Ok, so let's start from that that the "Cynd" in my nickname is a shortcut from Cyndaquil and I am actually a pokemon. Just like Team Rocket's Meowth I managed to learn human speech and now I'm sitting beside my pc and writing this review. What? You don't believe me? You think I'm joking? You say pokemon don't exist? Of course they do. You think the Game Freak games were based on pure fiction? Even armies worldwide hire pokemon trainers to fight as mercenaries against foreign trainers. You say it's not possible? That PETA wouldn't approve of having pokemon fight? That conventional weapons are way more effectivethan semi-magical creatures? But hey, we, pokemon can be easily healed after the battles. Also, don't you think that a world where people only fight using these semi-magical creatures, where no one dies during the wars, a world where everything can be solved that easily is a much better place to live? But it is still not real? Too good to be real? But 'real' world isn't worse on its own. It's worse, because people made it like that. People without imagination, who accepted its bad side without thinking of any better one. Why would you want to be one of these people? So, if you managed to read this prolonged introduction you probably get the idea what this manga is about. Let's proceed to the actual review then, shall we? Story: First things first, as you can read in the description, we have a heavy-grounded person, who ends up in the same time and place with girl whose words and actions are completely illogical and seems to be living in her own world created by her quirky imagination. "Oh, come on, just how many times did we see that?" Chuunibyou demo Koi ga Shitai, Aura: Maryuuinkouga Saigo no Tatakai, Arakawa under the Bridge, Denpa Onna to Seishun Otoko and, to a lesser extent, True Tears as well as many more. But hey, even though this is already becoming an another cliched scheme among many, if you think about it, the aforementioned titles are neither bad nor unoriginal. Indeed, achieving perfect originality is quite impossible feat nowadays and it is better not to expect it. It is way better to think about 'unoriginal' series as a new approach to an existent topic. And, of course, don't let yourself judge book by the cover. Alright, but I should explain why exactly A Lollipop or a Bullet isn't like others. Let's start with the story. The pacing is slow, almost slice-of-life-ish, but with quite a lot of huge, sudden plot twists. Much more than one would expect from 2 volume long psychological manga. Oh, and I used the key word - "psychological" is one of best ways to describe this title. It goes very deep into the problems of character, their worldviews and philosophies. Speaking of philosophy, it contains a lot of unusual and allegoric reflections made by main character who is also the narrator of the story. Unlike most (all?) of the titles I mentioned two paragraphs before A Lollipop or a Bullet doesn't focus mainly on romance, what actually turns out to be good as far as characterization and psychological part of storyline is concerned. And finally, probably best thing about the plot in this manga: every single thing happens for a reason. It may not seem like this, but there is no scene or even a fragment of dialogue, which doesn't matter to the story. Everything not important at the moment turns out to be a Chekhov's gun later. This makes you want to read the manga again just to find out how everything is actually a part of a whole. The same principle applies to characters as well, but let's talk about this a little bit later. Charaters: The characters are basically the best side of this manga. As I said before, the plot is mainly focused on their psychologies, beliefs, opinions. They are both original and well-developed. Even Umino, who seems like an another cliched daydreamer at first turns out to be quite deep, multilayered, original and to some extent really likeable in the end. However, if I were to choose the best-made character it would be the protagonist, Nagisa. No matter how less original than Umino may she seem, she the one most of viewers can identify with. She has distance to her friend's (?) delusions, she is the one who sees the world as it is. Or rather I should say that she does not accept the imaginary, better world that will never come to existence however much Umino would like it to. It may sound as if I was saying she is an exaggerating realist, but it is actually Umino whose every word lack every little bit of credibility it could have. If you met a person like her in real world you wouldn't even give her imaginary world a chance. But back to the point - when I was writing about readers identifying themselves with Nagisa I hardy meant her attitude towards Umino. For the most of manga Nagisa plays the role of an actual observer - the situations may affect her personally a lot, but until very end of the manga she hardly takes any actual part in what is happening around her. Her point of view actually feels similar to the reader's. And her being the narrator only strengthens this feeling. Moving to side characters, as stated before, everyone having as many as two lines of their own will appear or at least be mentioned later in the manga. Moreover, since the protagonist is quite passive (and is like that for a reason as well!) they seem to be moving the story forward the most. Usually they also tend to have more knowledge that Nagisa, from whose point we see the story. This way A Lollipop or a Bullet not only makes us see how useless Nagisa feels, but also how she feels when she is discovering the truth (?) behind Umino's words. Art: As far as art is concerned, this manga is not in the top tier, but still far from weak. Character designs are pretty normal. Backgrounds, while really well-drawn aren't that good among other slice of life manga, which overall tend to have better backgrounds than in other genres. The only thing that seems to be really well is the amount of details. Plain looking backgrounds, items or characters do look much better when the amount of details, such as checked pattern on skirt being hand-drawn and thus following the folding instead being just filled with raster, is quite extraordinary. This may not show artist's talent, but does imply their hard work, which should be appreciated. Oh, and the animals look really realistic. Enjoyment: A Lollipop or a Bullet is that kind of manga you read in one go. Or maybe even twice in one go. Despite being slow-paced there is quite a lot going on all the time, what keeps you from getting bored. The story is quite short but gives that feeling of satisfaction - it covers everything it could and completes every part of the plot. Nothing feels missing or needless. If anything would make this not enjoyable for you it would have been either Umino, if you consider her more annoying than you should, or the ending, which well... makes all the dreams painfully collide with the harsh reality? Finally, it'd would be nice to add that amount of non-manga references and overall trivia in this manga is pretty high. Final Thoughts: To sum everything up, A Lollipop or a Bullet is a well-thought story, Chekhov would be proud of. Characters are realistic and quite likeable. Overall, it is more addicting than it would seem at the first sight. In the end, you are just left with the question: Should imaginary perfect world in one's mind, a vision of a better place to live really be thrown away, just because it is not 'real'? Just because the sugar bullets you can dream of can't pierce anything unlike the real ones?

I’m sure a lot of readers could relate to Nagisa at the beginning of the story. She’s matured enough to see that she needs to start living in this world and thinking of her future despite what her classmates are doing around her. In other words, she’s the typical pre-teen who’s starting to get a grasp of reality. Then, in drops this freaky transfer student who’s captivated everyone because she’s the daughter of a famous singer and has a pretty face. That’s not as relatable, but it’s quite typical to manga of the school genre: a new kid comes and changes the protagonist’s life. Despite thatlittle cliché, the story carries on with that borderline intrigued attitude that Nagisa has in regard to the newbie, especially since she’s so strange. First of all, she begins her spiel about being a mermaid after downing almost a whole bottle of a certain branded beverage, and on her way to her seat she trips and reveals a few bruises when her skirt rides up her legs. Whose interest wouldn’t be piqued after such circumstances? Of course, the sensible thing to do would be to ignore this girl. Nagisa knows to mind her own business, especially since Mokuzu seems a little wacko. The problem is, she insists on following Nagisa around after school and even throws her water bottle at Nagisa’s head to get her attention! When Nagisa gives in and hangs out with Mokuzu, she begins to discover things about her that erase her previous impressions. While Mokuzu can indeed be a silly girl, she also has some adult-like insights. As everyone knew from the beginning, she isn’t normal. A big driving point of the story is figuring out Mokuzo’s character. Is she lying or telling the truth? (I was a little bit ecstatic about whether or not she was a mermaid—I love mermaids.) If she’s lying, why is she lying, and what is the truth? Mystery surrounds Mokuzo’s intentions and beliefs, and I ate them all up. Even if she was lying, it was fun to think of what she really meant to say and why she came to choose the words that she did. Not to mention, the actions she chose were just as strange. I always wonder why she decided throwing a bottle at Nagisa’s head would be the best way to get her attention. Nagisa herself is a pretty great character. She’s very practical and isn’t bothered by being by herself most of the time because she simply doesn’t care about them. That’s not to say that she hates everyone else, though, and she definitely does take interest in Mokuzu when she aims to clear up the difference between her lies and truths. I’d say she has a good head on her shoulders and can do the right thing when the time comes. She can be a bit put off by Mokuzu and reply with brusque comments, but she really isn’t a mean person. I always feel that her feelings are valid because I can relate to them so much. While Mokuzu is still someone I’m trying to figure out, a lot of this manga revolved around her. It’s hard to say whether she’s a good character or not because she’s still a bit of an enigma at the end, though Nagisa does find out a lot about her. I suppose what’s good is that she brings light to the story in her odd mannerisms and words. As I found out more about her, I also found that she was deeper than how she appeared, and there was always more to discover. The artwork for this manga is really quite nice. I thought it could pass for a shoujo, but the girls’ eyes are not as detailed. Bruises are depicted with a certain smeary shading that makes it easy to identify them as bruises rather than scratched up skin. The artist has a knack for drawing hard expressions that look off into the distance. Backgrounds are quite detailed and the scenes where the characters have lost hope are clearly portrayed through body language and downcast eyes. Even though the artist and the author are not one and the same, I think the artist managed to capture almost all of what the original author had written. This was a pretty good read, I have to admit. It wasn’t something I had to finish in one sitting, but I think I preferred it that way to give me time to think about the psychology that was brought up in the story. The artwork is good and the plot is also. It’s the kind of manga that begs to be considered for more than the paper it’s printed on. In addition to touching topics that plague the minds of those who don’t want to grow up and face reality, it deals with people who are stuck believing in things that are unreal in order to escape. But in the end, life stops for no one; we must always go forward.

This one is a simple, straightforward drama. A well-crafted one at that. There is no fluff, no wasted space; everything serves a purpose. The writing is polished, the characters are solid, and the story holds together decently. That said, I couldn't help but feel underwhelmed. I went in expecting more. Not in terms of plot twists or spectacle, but something that would resonate on a deeper level. Maybe I missed the point. Maybe I'm too jaded. I even browsed through other reviews to see if I'd overlooked something major, but I still don't see the profound value that so many others seem to find here. Inthe end, it just made me feel sad. Which, to be fair, means the story accomplished what it set out to do. Still, I don't enjoy being sad unless there's some insight or revelation to go with it. This didn't give me that. My other minor complain is the art. Some of the character designs fell into my personal uncanny valley. Nothing technically wrong, just something about them felt off to me. All in all, this manga is fine. If your life feels a bit too cheerful and you're craving a touch of melancholy for its own sake, then by all means, give it a try. Otherwise, I’m not sure it'll offer much beyond the well-executed sadness. That said, judging by the review scores, you might find something in it that I didn't.