Umineko When They Cry Episode 2: Turn of the Golden Witch

“From now on when I speak of the truth, I will use red.” Story: (9) After the incident of EP1, Battler accepts Beatrice’s challenge in the meta world. To deny the existence of the Golden Witch, he must once again solve the mysterious murders on Rokkenjima which somehow has completely different events and outcomes. In EP2, the murders occur around half way of the story. The first half focuses on some of the characters relationships, their feelings towards each other. Also some events prior to the family conference have been revealed which are important tips. Some may see the romance parts sort of unnecessary but do keep inmind everything in Umineko has a purpose and meaning. A major difference in “Turn” compared to EP1 is it tilts towards a fantasy story than a formal mystery, resembling Beatrice making her turn of actions. There are magical battles, a corpse controlled by magic and appearances of magical beings. Readers must decide whether to accept the witch’s illusions or not. That being said, there are still bizarre deaths and locked room murders that seem impossible. Some I found even more challenging than the ones in EP1. In my opinion, the highlight of EP2 is the debates between Battler and Beatrice in the meta world. They formed a rival relationship and begin their endless torture. During their debate, Beatrice created a new rule: that when the truth is spoken, it will be in red. I’m really glad they kept this from the Visual Novel, not only is it a creative idea, it gives a degree of fairness to readers. With the Red Truth, readers could gather important tips more easily and challenge the witch’s game side-by-side with Battler. Characters: (8) As the first half of the story focuses on the character’s relationships, some of them received an amount of character development. Shannon’s struggle to be with George and also Jessica’s puppy love feeling’s towards Kanon. We could understand their feelings and beliefs through the events. Beatrice is the most complicated and memorable antagonist I have ever seen. Though she is cruel and childish at times, she believes her duel with Battler is noble and the rules must be followed. The moment when she is involved is always fun to read. Art: (7) First I have to point out that the artist of EP1 and EP2 are different. Battler’s face is more simply drawn and his hair style looks sort of different. Personally I like his facial designs in EP1 better but that’s just my preference, others might like the new designs more. Beatrice’s expressions are drawn really well, especially when she laughs and when she becomes twisted. Similar to EP1 the corpses are drawn very detailed. There is a certain “Halloween” scene filled with bloody corpses which is even gorier than the ones in the previous episode. Again, I treat it as tips; such as “could the culprit have decorated the exaggerated scene by himself/ herself in such a short period of time?” Enjoyment: (8) I had a fun time trying to hunt down the culprit just like in EP1. However with the interference of Beatrice and her magic tricks, the difficulty of EP2 raised a bit. The locked room murders and the master key debates are also challenging. The Battler and Beatrice debating scenes are really entertaining to read, just when he believes he found the correct solution, Beatrice destroys his theories with the Red Truth. Red Truth is a great addition to the story; it acts as reliable tips making the mysteries more solvable. Overall: (8) For those who enjoyed EP1, you are in for a treat. Turn of the Golden Witch provides more complicated locked rooms, disappearing corpse and other surprises. Though you are challenged by the Golden Witch Beatrice herself and resisting her magic tricks seems futile, never stop reasoning. Believe me; becoming the witch’s furniture is not pleasant...

I ,quite frankly ,love the Umineko series .I haven't read the VN or watched the anime but I can say that this manga is a great piece of work when looking at how the story pans out .This is a review done after my second read of Episode 2 .I'm going to try and criticize it as much as I can. Story - 8 Strictly speaking ,rating the story of Umineko's episodes individually might be a bit tricky considering that they are all part of one major sequence of events .So by seeing this as a sequel and an episode prior to episodes 3 through 8 Ican say that it does its job quite well .Umineko is not a generic story .It's extremely far from it .A battle between fantasy and reality .I'd like to give it a 9 but considering that I already know of the episodes to come I'll satisfy myself with an 8 this time around . Art - 8 Another aspect I'd like to give a 9 would be the art .It's taken a step up from the first episode .If not for the fact that it gets even better later on I'd rate it higher .The characters' expressions are brilliant and unique when compared to many manga out there .Mocking expresions ,angry expressions ,panicked expressions ,Suzuki Jirou has done a very good job here .Some scenes are good enough for me to actually want as a wallpaper ,not to mention that the way Jirou shifts scenes in this work sometimes has me left in amazement . Characters - 8 The insane and paranoid Umineko cast is here once again .This time with Rosa as its focus .I have no problems here and I like the interactions quite a lot sometimes .Especially when Battler and Rosa had an argument at a point in this episode (It's unrelated to this section but the art in this scene was amazing) .The villain (Beatrice) is not a cringe-worthy antagonist and I can proudly say that she was a pleasure to watch . Enjoyment - 8 A wonderful episode for a wonderful series .I'm quite amazed as to why Umineko isn't spoken of a lot here on MAL .Though the anime has a notorious reputation I have to say that the manga is an amazing experience to read through .I hope that you continue with this series through to the end .

I’ve finished reading the second part of the Umineko manga and will try to express my thoughts on it. As before, I’ll focus primarily on the manga itself—after all, this review is about the manga, not the visual novel. I'll briefly mention, though, that I consider the second arc (Turn of the Golden Witch) to be the weakest in the entire story and my least favorite. Now, let’s talk about the manga. While reading this part, I didn’t encounter the same issues I had with the first volume. Some moments were improved, but overall, the adaptation didn’t impress me. There were many scenes that could havebeen executed better. Emotional moments often felt too rushed, making it difficult to fully immerse myself in them. The biggest disappointment was Maria’s Halloween scene—one of the most memorable moments of this arc. It could have been extended and made more emotional, but it felt too short. The banquet scene also didn’t leave much of an impact; it was too fast-paced, making it hard to fully appreciate. Additionally, I enjoyed the second game’s setup and mystery less than the first. The reasons I believe the first part is far superior to the second are that the intrigue and mystery in the first arc were much stronger. Despite everything I’ve mentioned so far, the first part still carried more emotional depth. The atmosphere of uncertainty, the sense of not knowing anything, and the haunting environment created in the first part all added unforgettable emotional weight. Also, the characters and their relationships felt deeper. I especially liked the interactions and the emotional depth of the family members, particularly Kinzo’s children. The tension was higher, too, in the first part—it had a much more intense atmosphere, and I found it more gripping overall. Now, moving on to what I liked. The beginning of the arc was engaging, and the backstories of the characters were well-presented. Unlike the novel, where reading 3–4 hours of backstory right after the intense first episode could feel a bit tedious, here it didn’t drag as much. Another strong point was the foreshadowing—there are many subtle hints that will pay off later in the story. The reveal of Beatrice was also well-executed; she now takes center stage, and her presence feels much stronger. It might be a short review, but I’m too lazy to write a lot. I’ll write more in detail about the other parts in the next reviews. Final Thoughts The second part of Umineko is weaker than the first and often considered the weakest in the series. Many readers drop the story at this point, but I wouldn’t recommend that—because from the third arc onward, you won’t be able to take your eyes off this incredible story. Even though this arc (especially in the manga adaptation) isn’t my favorite, I still appreciate it. Re-reading it was interesting, and I noticed many small details that I overlooked the first time. An objective rating for this part of the manga would probably be a bit lower, but personally, I’d give it: 8/10

“The witch expects a lot from you, and is more than ready to launch an assault right from the start. I also look forward to seeing your strategy.” Those lines belong to the visual novel and correspond to the option of playing Turn of the Golden Witch. Why mention them? Because they summarize well what is being introduced to Umineko’s formula. [1. Let's elaborate with an introduction.] After Legend of the Golden Witch introduced the whodunit mystery element of the narrative, the readers were also barely initiated to two other elements as well: * The fantasy element is connected to the Endless Witch Beatrice herself coming to the spotlight.Unlike her previous ambiguous presence, she confronts Battler flesh-and-bone (or is it) in the “tea party” and poses him an intellectual challenge. And Battler agrees, his goal being to disprove the existence of magic, whereas Beatrice intends to make him accept witchcraft as behind everything. For more, see section [2.b]. * As for the metafictional one: this conflict between Battler and Beatrice takes place to a parallel plane of existence, from which both can observe the events of 4 October 1986 on Rokkenjima, where the serial murders repeat on different circumstances. As such, the island whodunit acts as an embedded story to the one of the parallel plane. I cannot tell more, for some things are best experienced or in our case, deduced. Episode 2 builds upon those foundations, essential in order for the overarching narrative to function as ultimately intended. [2. And on the story...] [2.a] Τhe narrative begins with an extended flashback, before the events of 4th of October and focuses on a romantic subplot, that builds on certain characters' personalities and joint chemistries, and sets a solid foundation for later parts. And gradually, this subplot transits to the 4th of October, involving preparations for the family’s annual meeting at both meta and island level. Retracing to my Episode 1 review, I had mentioned how mothers assume main roles in parts of this story. For the current episode, the torch passes to Ushiromiya Rosa, a little more on section [3]. [2.b] And on to Rokkenjima events, where the highlight is the intrusion of fantasy elements that complicate matters and raise the difficulty bar of the mystery. Retracing to section [1.], Battler must deny the existence of magic while Beatrice aims to making him accepting it. To do so, he needs to debate with her and solve individual mysteries, be it locked rooms, bizarre circumstances, etc. Yet she wastes no time or energy in crushing his reasoning, making resistance seem futile. Those parts are entertaining, to say the least, as well as an exciting mental challenge for the reader/player. Often employed by both opponents is twisted logic, however: as abusing it could lead to stalemates and to an unfair treatment of both Battler and the readers, Beatrice introduces a tool named the Red Truth. When a surefire truth is to be spoken, it is said in red letters. Of course, Beatrice uses that tool in crafty ways, yet nonetheless readers/players can more easily challenge the witch and solve the puzzles. [3. Continuing with characters...] As mentioned in section [2.a], certain characters receive more focus and as such, more needed development. The romantic pairings in particular show elements of potentially star-crossed lovers, their relationships complicated by both intrapersonal and interpersonal factors, as well as the involvement of Beatrice. Ushiromiya Rosa is also among the main cast, her complicated relationship with her atypical daughter and occult savant Maria as well as her own personality being equally important to the narrative’s progression. Needless to say perhaps, the star of the cast is Beatrice. Cruel, whimsical, playful, majestic are only some of the words one can use to describe her. She’s one stellar antagonist, with a larger-than-life presence and highly entertaining dialogues. And this episode is not even the tip of the iceberg for her highly dynamic and multilayered character. As for Battler, he does not falter way too behind. He remains determined and passionate yet also rational and quick-witted, and despite being at a severe disadvantage he is trying to use his reasoning to plow his way through Beatrice’s trolling and games and pin her down, alongside invested readers/players who vouch for his victory. And given the odds, he certainly can stand his ground. I’m obliged to be fair though, and note that not all characters receive development and those who do don’t display too much depth, at this stage the narrative focuses elsewhere. However, there are still interesting and entertaining moments involving even less-developpend ones, and next episodes are going to uncover more layers of characters. [4. And closing with artwork...] I prefer the current artwork to that of Episode 1. Character designs are more polished and there is a bigger ratio of highly memorable scenes (the one below is among my favorites). Expressions remain one of the highlights, especially mocking but also some fiendish ones. And of course, lovely horror scenes. Hey did I mention that this episode fits like a glove with Halloween doubly than the previous one? Won't be hard to find out why. Outside those aspects, the mere presence of Red Truth elevates the artwork, for sentences spoken/written are highlighted in bright red text. One of the drawbacks of artwork are backgrounds though, as many often lack enough detail, being merely functional rather than rich enough. Also, sometimes characters at long distances can miss key details here and then. Nonetheless, the artist more than makes up with portraying poignant scenes with exactly what is required at a given time. Hope you enjoyed my review!