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384
16
Finished
Dec 10, 2015 to Jan 8, 2022
7.2/10
Average Review Score
50%
Recommend It
6
Reviews Worldwide
Do you know the saying "It's not about the destination, it's about the journey"? I do, and I've become well aware of it... especially after I've spent 15 hours modding Skyrim for 30 mere minutes of gameplay. Anyways, we're getting offtrack here. So I'm A Spider, So What has a fairly interesting premise, in which a female (!) MC gets reborn as an average monster (!) and has to survive by any means necessary. I mean, the Isekai genre is already so overused, there must be plenty of stories similar to this one, according to the Infinite Monkey Theorem... but hey, you don't see a femalehuman-to-monster reincarnation every day. There are two things that made this novel a delight for me to read. (at least... at first!) 1) Our dear spider wasn't exactly the most social youngster back in her original world. As a result of her somewhat self-centered, socially awkward personality, her POV is written using an interesting narrative mode I've yet to see elsewhere. Each action is described using her thoughts and her perspective, and only that... as if you were listening to her adventures instead of viewing them through her eyes directly. While it does give off a feeling of distance, I found it quite enjoyable. 2) There are two POV's shown one after the other (spider/human). You'll notice very quickly that these two don't match up at all... It takes some brainwork to try and understand how these two are connected, and it's a very enjoyable task, too. HOWEVER.... Remember my opening statement? Yes, this saying ABSOLUTELY applies to this novel. While it has its flaws, the plot is fairly entertaining. Each character is written in a way that makes you grow fond of them, especially our enthusiastic, greedy, power-hungry little spider. And while worldbuilding isn't pushed as far as other series (*cough* Overlord, especially its glorious unofficial story *cough* Valkyrie's Shadow *cough* *cough*), it is appreciated. Until volumes 15-16 throw all of that out of the window. A severe case of writer's fatigue, and an incomprehensible deadline of 2 months for another volume, led our dear Okina Baba to publish one of the most DISASTROUS ending of all times. Character consistency? Plot relevancy? NO. All the efforts made by the characters, all of their sacrifices are in VAIN. "Oh, you did this, you did that, you got this legendary item that can even [Redacted-due-to-spoilers]? Haha, too bad it WON'T WORK. Hold up, let me pull a fucking deus ex machina off my ass to end this garbage of a story". Do you know what's the worst of all things? For all the time, all the years the main cast worked towards achieving its goals, what do we get right after this anticlimactic episode? Two lines, for each significant character involved in the story. TWO LINES EACH. Yes, we've spent 16 volumes hyping up for this. No, a ton of plot elements are left to be dealt with. What do you mean a refund, good sir? It IS also, at least a TINY bit, about the destination. If the One Piece ended up being "the friends they made along the way", millions of books would be burnt. A bad ending can, and WILL spoil (as in, "rot" or "decay") the entire story. And unfortunately, So I'm A Spider, So What had such a GARBAGE ending, it kicked the whole journey off my mind... all that remains is this disaster of a Volume 16, like the godawful taste of JĂ€germeister after drinking too much of it. TL;DR. Good story, good characters. Ending SO BAD it will make you wish a refund for all the time wasted reading this...
The last thing that a high school girl remembers is a strange explosion ripping through her classroom. In the aftermath of the tragedy, she finds herself reborn as a lowly spider hatchling, one amongst thousands in a vast cave. Furthermore, the world she is reincarnated into is a point-based skill system, prompting her to level up as quickly as possible if she is to survive the treacherous environment and persevere in the face of insurmountable odds. Thus begins a little spider's journey of clawing, biting, and plotting her way to the top. Forced to confront the powerful beings that reign over the Great Elroe Labyrinth and beyond, she will gradually uncover the truth behind the mysterious fantasy world and the explosion that sent her there. [Written by MAL Rewrite]
I loved the first few volumes of this light novel. The world building, the characters, the slow buildup of the mysteries of how the world works, the strategies of the fights, they're all great. However, at some point the later volumes just start to feel tedious and filled with filler, and this gets worse as you get closer to the end. And then perhaps because the author wasted so much time on meaningless filler, the end feels incredibly rushed, anti-climactic, and pulled out of the author's ass. Nothing in volume 16 makes any kind of sense in terms of logical actions that real people would take,and the characters constantly contradict themselves just to make the plot work. Like, "I'm going to destroy half of humanity." Half a volume later, "No, I wasn't actually going to destroy half of humanity. I just said that to troll." It's ridiculous. My score for the early volumes was a 9, but the end brings it down to a 6.
Spidersekai is a compelling paragon of story progression and character traits, in not just the isekai genre but entire fiction. What Okina Baba has given to us is a web woven by multiple spiders, all of whom are characters in the story. The web gets bigger with time, and complex as the lives of these characters get intertwined. What makes this work stand out? đ· After an entire class gets reincarnated in a fantasy world, the classmates don't stand on the same side. My favorite aspect from Kumo Desu, it clears the delusion of being classmates, that is, being classmates does not equal to being friends.On the other hand, neither does this mean being enemies. Self-preservation, yourself before the other. đ· Factions, this element is played perfectly by the author. Humans, elves, demons, monsters... it all flares up the world building. Betrayals and schemes, cooperation and vengeance. Along with the students, their homeroom teacher gets reincarnated as well. She is portrayed as someone who tries to gather and protect them, doing anything to avoid watching them fight each other. đ· Main Character. Shiraori definitely has the hots for me to rank her high on her design. That's not it, the beginning arcs are entertained by the lively dialogue between Kumoko and herself. I adore her. She will remain somewhat mysterious as the books loosen up the focus on her. The author's literature is flawless, and official translations are worth spending for. Tsukasa Kiryuu's colorful art adds flavor to the read. Character designs and lore remain two of the finest elements. Although the world building isn't the most unique I enjoy the geographical relationships between various societies. The spidersekai fanbase is a good commmunity.
Up untill the very end of the series it was an absolute 10/10 to me. I liked the way the story was structured, how complex it got with time without turning boring. In my opinion, characters were nicely written, had their actual personalities rather than being common tropes that can be named with one word. I can absolutely recommend this book to everybody who likes this genre. Ending however was really bad. For some reason everything happened faster than usual by the end of the series, it felt rushed a bit. Also I'm really dissatisfied with epilogue. It was really simple, to the point oflacking minimum required details to give a sense of closure. Sure I'd love to see some short stories later down the line, but with ending like this this it will be necessary to get an actual conclusion to this beautiful mess of a story.
I adore Kumo desu ga, Nani ka? (KumoDesu), though itâs hard to pinpoint exactly why I enjoy it so much. At the start, it was the inhuman protagonist struggling to survive that kept me going. Then you learn that thereâs more to the world than meets the eye, and that the weird things that are happening are there for good reasons. Then the story shifts, and itâs the diverse cast of characters with interesting interpersonal relationships and conflicts that drove my engagement. In this way and others, there are multiple disparate arcs in KumoDesu that naturally lead into each other, and that might be thething I enjoy most about this story. I also enjoy the characters and the worldbuilding, and most of the story. Read more about those below! KumoDesu has a large, diverse cast of interesting, multi-faceted characters. And if youâve read the synopsis, that may come as a surprise. But itâs true! One of the coolest things about the story is how many chapters are told from alternate perspectives, which all give different insights into the world and the people in it. On top of that, thereâs a wide variety of character interactions throughout the story, from funny to serious to slice-of-life. These people feel realistic and grounded despite the fantasy setting, although it would be misleading to imply that the setting isnât also realistic and grounded. Because it is both of those things. Not that magic is at all realistic or anything; just that everything about the setting makes sense, given the initial assumption that magic exists. You probably wonât believe me when you start reading. The initial arc has âLitRPGâ written all over it, after all. But some of the best parts of the story for me were when things clicked together, and I was like, âholy crap that makes sense!â This happened a lot, and I loved it. I'd be happy to provide concrete examples here, but almost anything I could provide would spoil a lot; you'll just have to trust me. KumoDesuâs world is thought-through and carefully put together, and thatâs great. The story, as it happens, is similarly well-constructed, despite a few pitfalls. The plot is driven largely by the world and the characters, and as such, events feel natural when they unfold. Because part of the plot is a world mystery, some of this is not evident until later, and this is compounded by the fact that some side stories are set at different points in time. I enjoy the story greatly despite and often because of this. However, some story beats wonât tickle everyoneâs fancyâthey differ wildly in the long run. If youâre only in it for the action-packed first arc, some of the later bits wonât satisfy; and if you donât care for that first bit, you arenât even going to know about the very different later arcs. An even bigger pain point might be the abrupt ending. The web novel's ending was revised a bit in the light novel to make it more palatable, but this also increased the pace of the already brisk finale. I like a good denouement, so this was disappointing, but at least there is an epilogue. Everything so far has been mostly praise, so letâs take a minute to talk about the prose. While grammar throughout KumoDesu is nearly impeccable, the style doesnât always come across very flatteringly. From reading the WN, I understood that the main character has a habit of repeating things in a more incredulous tone. Something like, âOh, Iâm screwed. [two line-breaks] Iâm screwed!â In the LN, it doesnât always come across this way, and will sometimes manifest as a second paragraph simply rephrasing the previous paragraph. This does make some sense, because the main character is also a very careful thinker, and doesnât make important decisions lightly. But it can give some portions of writing a slower feel than they perhaps should have. There are a few other quirks, which Iâm certain are artifacts of translation from Japanese to English, and itâs hard to fault them for this. A lot of the translation is very good, and itâs not very noticeable at all except for the character names, some bits of culture, and pop-culture references being obviously Japanese. I only found a few translation errors, and only for minor skill names getting mixed up or translated differently in different spots. The cast and world are great, the story is good, and the writing is ok. What else even is there in a book? The illustrations? Theyâre lovely! I highly recommend checking out some version of Kumo desu ga, Nani ka? if it sounds at all interesting. The LN is good, the WN is free, the manga has more pictures, and the anime has color and sound. (Maybe donât watch the anime unless you are allergic to paper or something, though. If you need music, my soundtrack for KumoDesu is Neighborhoods by Blink-182.)