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赤色エレジー
13
1
Finished
Nov 22, 1969 to Nov 24, 1970
10.0/10
Average Review Score
100%
Recommend It
2
Reviews Worldwide
Red Colored Elegy is surprisingly thoughtful, engaging and a hell of a lot of fun. Going in I knew very little about the book but it doesn't take long to appreciate Hayashi's paneling and stylized art and his simple yet poignant messages. Given the context of the creation of this manga along with the passing of 50 years since its publication it is nothing short of fantastic. The intricate detail of certain scenes juxtaposed with characters pushing to the edge of the iconic combined with an array of interesting panel transitions makes the dated and amateurish art so awesome. I can understand others disliking thelook of the manga, after all it is certainly not up to par in terms of detail to many of the more popular works we have nowadays. However, for me, the minimalism and the emphasis on the iconic characters creates a world which feels authentic and more easy to identify with. There is no "story" as you generally think. No great quest, no search for deeper meaning, no mystery murderer. We simply observe two young lovers trying to find their way in the changing landscape of 1970s Japan. There isn't much of a conclusion either, life goes on. Despite this work being heavily rooted in contemporary Japanese culture the themes are universal. There will always be societal shakeups. There will always be times of political movements. The youth will struggle to find their place. This to me is what makes this manga so wonderful and so fulfilling to read. It is bold in its artistic choices and in its narrative. Not because it is gratuitous but because it is simple. It doesn't try to force a message on you, it doesn't try to awe you with a gold coating, it is an honest presentation of our universal experience. And because of that, I couldn't help falling in love with it.
Seiichi Hayashi produced Sekishoku Elegy between 1969 and 1970, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichirou and Sachiko hope for something better, but they're no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichirou attempts to make a living from his comics, Sachiko's parents are eager to arrange a marriage for her, but Ichirou doesn't seem interested. Both in their relationship and at work, Ichirou and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. (Source: Drawn and Quaterly)
Red Colored Elegy is a manga of its own. It tells a simple love story with little text and art sometimes bordering the abstract. Compared to most manga it seeks less to entertain and instead often gives reason to pause and ponder. Although it has its quirky moments this work is best engaged in the way one would engage a painting. The artstyle contrasts itself in a way that amplifies the expressiveness of emotion. While usually bland the art becomes detailed and stylized where it matters. Backgrounds are used as a tool to convey emotion and meaning. Even a student of japanology will probably have troublefully understanding every nuance of this manga. However its tragic story of mutual love not developing in its own favor due to problems not in control for the couple resonates well at all times. Red Colored Elegy's story can thus be understood quite well by everyone regardless of their knowledge of japanese history and culture of the times.
