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海辺のエトランゼ
4
1
Finished
Apr 25, 2013 to Apr 25, 2014
7.9/10
Average Review Score
78%
Recommend It
9
Reviews Worldwide
(Minor Spoilers in this review) I'm not sure why there hasn't been a review for this series yet, but I decided I would go ahead and be the first to do so. (It's been a while since I've reviewed anything in depth, so bear with me!) Umibe no Etranger (or Seaside Stranger) is not one of those yaoi stories where they fall in love immediately and then it's just sex, something happens, then more sex. Umibe no Etranger maturely covers issues such as loss, loneliness, and isolation while still managing to be pretty light-hearted and beautiful (seriously, the art is gorgeous). Story (7/10): While the story isn'tentirely original, it isn't bad. I gave it a 7 because it wasn't outstanding or mindblowing, but it was good enough to pique my interest and keep me engaged. It never got boring and that's what I appreciate about it. The sensual scenes are brief and I wasn't bothered by them at all like I am in some yaoi (because some yaoi tend to be borderline rape). They happen at the right times and the relationship develops at a realistic pace, even though there are only 4 chapters. Character (8/10): Now I think this is one of the parts of this story that stands out the most. The story is mostly supported by our two main characters: lonely, pretty boy, Mio, and disinherited gay novelist, Shun. I'm gonna say this now, but Shun struggles with his homosexuality, something that's hard to find in many yaoi or shounen ai manga. Mio, on the other hand, is not gay and says a few times that he's into girls. But he ends up falling for Shun anyway because of who he is. I was really touched by their relationship, which didn't begin immediately. They're both a bit shy and Shun even seems a bit reluctant to be with Mio at first. But otherwise, these two characters and their interactions are touching, heartfelt, real, and endearing. Art (10/10): There is absolutely nothing wrong with the art in this. It may be awkward at some points, but that's what brings character to this story. So that's why I gave a 10. Art isn't always what we want it to be, but if it works, that's what matters. I was overwhelmed by the beauty of the art in this story. The character designs are clean and adorable and you can definitely tell who everyone is in this story. The backgrounds are on point and really bring a warm, calm feeling to the story. In fact, the art for the sequel, Harukaze no Etranger, is almost better. (Have you seen the cover art? So good.) Enjoyment (9/10): I just loved the characters so much that I read this all in one sitting. It was very enjoyable, short, yet left a good impression. Overall (9/10): I recommend this to anyone looking for a realistic, maybe a little cliche but nevertheless adorable, romance. If you're not into yaoi, I still recommend it because it's that good. Don't be turned off by that. I also recommend the sequel, Harukaze no Etranger, because it goes into great detail when dealing with unconventional topics. I hope this review was helpful. If you have problems with my review, I appreciate any constructive criticisms as I haven't written a lot of reviews. Thanks!
On a sleepy island, aspiring novelist Shun Hashimoto lives out each passing day in the same dreamlike haze, having broken off ties with his family for being gay. He now soaks in the scorching heat and picturesque ocean view, but one day, a lone figure on the beach catches his interest. Mio Chibana is a recently bereaved orphan who spends his free time gazing into the endless expanse of sea. The unlikely pair begin to forge a bond, but before they know it, Mio must leave to study in the city. As Mio boards the ferry, he promises to call and asks only one thing of Shun: to wait for him. Three years later with no call, Mio returns, declaring his romantic feelings for Shun—but why is Shun so hesitant? [Written by MAL Rewrite]
[Contains Minor Spoilers] I went into this with high expectations, thinking it seemed like a promising Shounen Ai story that would actually focus on a realistic depiction of a intimate relationship between two fairly ordinary boys. My disappointment may have been partially the fault of my own high expectations, but nevertheless, "Umibe no Étranger" turned out to be a surprisingly frustrating read. I will try to give a good amount of objective criticism, but I will also be including subjective opinion in the "Enjoyment" section. Story (4/10) Despite having a rather simplistic concept, it actually seemed somewhat promising at the start. It initially felt like the story wasgoing to be focusing on the complex developing feelings of the characters in-depth, based on the simplistic yet sentimental feel of the overall concept and setting. It's clear that the story does attempt to do this, but the events that occurred throughout the story to aid in this exploration of the characters' feelings were sometimes nonsensical and felt far from being realistic. One major flaw of "Umibe no Étranger" is its enormous lack of actual development for Shun and Mio's relationship and feelings towards each other. It goes from them being complete strangers to apparent lovers in less than a blink of an eye, missing a lot of important developments in their overall relationship. There is a huge empty gap between the point where Shun and Mio have just met and gotten acquainted and the point where they seem to be deeply romantically interested in each other. This major flaw is what makes the story feel detached and unrealistic, since there is barely any content to slowly and meaningfully develop the origination and growth of these significant feelings of Shun and Mio, making their relationship feel strangely forced and therefore not as meaningful. The point at which Shun and Mio's romantic relationship officially begins is not made clear either, and when it is, it is done in a trifling manner, causing this important establishment to lose its significance and meaning. The story starts out just fine, but it is near the end of the first chapter that the storytelling begins to take a questionable turn. Character (4/10) The characters also seemed promising at first, also feeling as if they would be relatively realistic depictions of real people, but even this turned out otherwise. Some aspects of the characters were done well; the focus on the characters' personal life problems gave them more depth, but this wasn't handled so well in the end either, since there were certain issues that weren't properly addressed and simply brushed off. Shun and Mio are supposed to be around 20 for most of the story, but they behave disproportionately childlike and feel a lot more like a couple of awkward, developing teenagers rather than actual adults. The strange behaviour of the characters is further emphasized when Sakurako comes into play. Not only is Sakurako's behaviour questionable, but the things Mio ends up doing during that part of the story are even more unrealistic and disorienting. The characters ended up feeling very disconnected from reality and unfortunately did not serve to depict anything close to real people or the way real people behave. Art (9/10) I think the art actually helps to draw the attention of the reader away from the rather lackluster writing, making the work feel much more emotionally engaging. The art has a warm, organic feel to it, and resembles the art style of KyoAni works while also giving off a slight Ghibli vibe. It's especially expressive and does a good job at evoking various emotions in the reader, which is why readers may miss major flaws and many little shortcomings of the story. If the writing was as good as the art, "Umibe no Étranger" could have been almost a masterpiece. Enjoyment (3/10) I finished this in one setting, and experienced a headache-inducing emotional rollercoaster as I did, but not for the right reasons. There were times I was genuinely immersed in the story's events and the characters' actions, but other times I was just so thrown off by unwarranted and out-of-place behaviours of characters and events that I was stuck in an awkward place of frustration, bewilderment, and disappointment. I was really excited to get into it at first, since it looked so promising, but I guess this only ended up fuelling my disappointment in the end. The thing is that it wasn't completely bad throughout, which is what confused and emotionally frustrated me. After I'd finished the whole thing, I just felt plain bothered. I put a question mark in the rating for this section because I'm really not sure how I feel about it; I know that I experienced various emotions reading this but afterwards it just felt disappointing and a little frustrating. Overall (4/10) I wouldn't really recommend "Umibe no Étranger" to readers who tend to focus more on the technical aspects of story writing, but I wouldn't discourage a casual reader from checking it out. I would, however, recommend it to "yaoi" fans who are mainly exposed to fetishized, unrealistic depictions of gay men in extremely unrealistic situations revolving around almost nothing but sex, since the characters and setting of "Umibe no Étranger" are relatively more realistic and meaningful. "Umibe no Étranger" may have lackluster writing and may not have done a very good job at realistically depicting LGBT+ people (or people at all, really), but it is refreshing to see that it at least made a genuine effort to convey a somewhat authentic and heartwarming story, because not many works focusing on same-sex couples do (as seen with countless "yaoi" and even "yuri" works). This review is for "Umibe no Étranger," I have yet to read the sequel "Harukaze no Étranger," but I will do so as soon as I can. I was left with a feeling of not just disappointment, but dissatisfaction, after "Umibe no Étranger," and strangely enough, I kind of really want to read "Harukaze no Étranger," to see how Kanna Kii handles the sequel and if the story writing possibly ends up changing for the better. Thank you for reading!
Three years ago, Hashimoto Shun, a gay novelist in the making, met Chibana Mio, a very quiet high school student, in Okinawa. Mio had lost both of his two parents and was often seen sitting on a bench until very late, watching the sea, near Shun's house. They slowly grew closer to one another, but Mio suddenly had to leave the island, to pursue his studies... Three years later, Mio returns to Okinawa: "I've been thinking a lot these last three years... Even if he's a man too, I love Shun." Will these two finally be able to take a step forward together? --------- My favorite shounen ai/ yaoimanga after seven days,. so much cuteness and i love how it is not entirely focus about sexual interactions, but also about finding peace in a place or with someone you never thought you would fall in love with,. :) . I love the characters , especially Mio and how he changes from being a gloomy child to a cheerful and carefree adult (age 20 actually). the ART is absolutely a masterpiece , i love it. <3
I watched Umibe before I read the manga. The reason I picked it up afterwards was because I wanted to clarify some events in the story that weren't expressed that well in the movie. (I definitely recommend you read the manga first before you watch the movie, the events and timeline get kind of confusing in the film) The art style was what attracted me the most. I'm someone who enjoys more simplistic and slife-of-life kind of artstyles, so Kii Kanna really delivered! The story does feel a little rushed, so I'm guessing Kanna was initially planning on making Umibe a stand-alone. Still, from beginningto end, I grew to love Shun and Mio, as individuals with their own struggles with the past, and as a couple who are learning from one another. Overall, I do think Umibe does a good job of making you like the characters and hooking you on for the sequel, Harukaze no Etranger. You'll grow to love the characters even more in the sequel, even if that series does feel more like a slice-of-life. I highly recommend reading this manga, watching the movie, then starting the sequel!
Umibe no Étranger - or Seaside Stranger - is one of the rare few boys love mangas that I actually genuinely enjoy and love. Kanna Kii writes a story that, unlike many BL in Japan, whether in manga or anime, doesn't fetishize guys or homosexuality. It displays a simple love story between two guys, the troubles that they face along the way, oh, and lots of cats as well. Set on the island of Okinawa, Japan, gay author Shun Hashimoto meets Mio Chibana, and, although distant at first, the two eventually begin to grow closer to each other. It shows real-life examples of many homosexualcouples, such as Shun's constant rejections and pushing away of Mio's advances, after his parents' reactions to his coming out, and bullying in school. In contrast, Mio doesn't share those kinds of feelings and keeps trying to tell Shun how much he is loved, and that he should be comfortable with his sexuality. The two discuss many subjects of gay relationships, such as sex, the struggles and worries of how others think, and why those ideals exist, as well as upcoming drama from Shun's past that come back to soon haunt him. The art, while in black and white, looks absolutely gorgeous, and really pops with the feeling of the tropical climate of what Okinawa shows. Waters, flowers and plants, and the beach are shown very well even in a black and white counterpart. Characters, however, besides Mio and Shun, don't get as much importance. As it focuses on mostly the two boys, the other characters are shown for maybe a few pages, and that's it. Also, Mio is an incredibly horny guy, I must say that. On its own, the story by itself could be rather shallow. In Japan - and in places here like MAL - it's known as one book, and the next part of the story is its own series, while here in the West, it's all one story. Umibe no Étranger is one book, and Harukaze no Étranger has a book one, two, and so on. In the west, Harukaze no Étranger is book two, and so on. I think on its own, Umibe no Étranger could be rather bland, but if you continue the series, it's a lot more meaningful. It has a very cute story with amazing characters and is one of the best BL stories Japan has to offer.