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36
9
Finished
Mar 7, 2012 to Sep 7, 2015
6.0/10
Average Review Score
25%
Recommend It
4
Reviews Worldwide
WARNING: No explicit spoilers, but details hint at the vibe and cohesion of the plot. Aku no Kyouten appears unique at first, but all-too-familiar, as well. The drama is built up steadily, and as the pieces start to come together and characters are developed and expanded upon, you really start to feel like the stakes could hardly be any higher. Unfortunately, the conclusion is anything but satisfactory, or earned. All wildcards built throughout the story are abandoned, all loose ends are dealt with in a flurry of rushed violence that gradually blends together and makes you wonder why you stuck around for 9 volumes. The art forthis manga is very pleasant. Eiji Karasuyama's art walks the line between pleasant and eerie at times, and it suits the story well - at first, anyway. The characterization is also built well enough, and the core characters the story seems to revolve around are given the building blocks for good development, though not enough work was actually put in beyond that. Overall, this manga is suffering from an identity crisis. It doesn't know if it wants to be a nail-biting psychological drama or a gratuitous slasher, and unfortunately the compensation between the two is a plain division in the middle of the plot, right when things start to heat up. The escalation feels rushed and unearned, as if the mangaka wasn't sure how to end the story. Don't get into this book if you're looking for a thriller that delivers, OR a slasher that gets to the point in any reasonable amount of time.
In the hallowed halls of Shinkou Academy Machida High, no one is more capable and beloved than the charismatic and handsome teacher Seiji Hasumi, who is always willing to go the extra mile for his students. But beneath his charming facade lies a psychopath who manipulates people and events around him so that everything goes his way. From dealing with troublesome parents and bullies to unruly delinquents, no problem is too big for Hasumi, as he orchestrates events at the school and even murders people in order to build it into his own perfect kingdom. [Written by MAL Rewrite]
tl;dr: A story about a psychopath teacher acting like a psychopath and... thatās it. This manga starts off feeling a bit like a story about a teacher that uses irregular means in order to help his students but truly does have the goal of helping his students, kind of like a darker version of GTO. However, it quickly becomes obvious that isnāt the case at all and that the teacher is simply a horrible person that only cares about himself and only manipulates things for his own pleasure. To a degree thereās at least something kind of interesting there in that the manipulations do have somethought put behind them and do proceed in a pretty intelligent manner. However, at some point things jump the shark and the teacher simply resolves everything through murder, at which point it's revealed that heās already killed quite a few people before where the manga began. Once this happens thereās very little thought to most anything. Thereās some manipulation and intrigue, but itās pretty weak and really not enough to hold up the manga. Itās basically just a B-movie horror flick. Such stories do have value, but here with the killer being just as focused on as the victims the whole dynamic didnāt really work and largely it felt like there was supposed to be something more but just wasnāt. I guess to a degree the narrative tries to develop the teacherās character as well as some of the students characters, but in the end none of them felt like they had enough to them. The teacher is a killer so heās a terrible person and thus hateable to a degree, and the students didnāt do anything wrong and are hence pitiable and hence likable to a degree, but beyond that there wasnāt much and hence investment in characters wasnāt enough to hold up the manga either. The attempts at fleshing out the teacher felt especially pointless as he basically just comes out to be a standard psycopathic serial killer without any more to him. In terms of the ending, it wasnāt satisfying, but really what type of ending could be satisfying. After they've done a certain amount of damage, whether they get caught or not, does it really matter? The entire things felt like a pointless mess.
Not to be confused with GTO! Lesson of the Evil had everything to please the seinen fans with a dark and bloody story and yet⦠A promising start The manga starts well even very well. The main character - Seiji Hasumi - is a competent English teacher. He takes care of a difficult class like in GTO but do not be fooled! Hasumi has nothing to do with the famous Onizuka. Annihilate whatever the method is! Behind his appearance as a kind, talented and attentive teacher hides a real psychopath. Thus in the first volumes, we witness a strategic fight to bring down all those who would stand in hisway. Its goal: annihilate each individual and for that all means are good: manipulation, treason, murder... Killing for pleasure and only for pleasure The strategic aspect was the strength of the manga but, unfortunately, this aspect was diminished with each volume. The rhythm accelerated during the last volumes illustrating perhaps the madness of the character but I think it made lose the thread and the interest of the manga: the strategy and the manipulation. Not convinced... Watch the movie! Adapted from Yusuke Kishi's novel which strongly inspired the manga, the film was released in Japan in 2012. You certainly tell yourself that this film is not worth watching like most adaptations and yet... The film sums up the manga well. If the story quickly turns into a massacre, the performance of the main actor - Hideaki Ito - is worth to watch. His dark humor and charisma make him the perfect psychopath. In summary Lesson of the Evil is a short manga since it includes a total of 9 volumes. If the potential was here thanks to the beautiful drawings, the dark universe and the charismatic and detestable main character, the manga changes it dynamics towards half of the story. As a result: manipulation is replaced by massacre, there are no other words... Too bad.
You and I both know when going into a manga like this that itās going to be stupid edgy, stupid trashy, that a lot of murders will be stupid to up the headcount. These are not reasons to shame. You donāt go to a nightclub and complain about naked bodies. But is āLesson of Evilā (oh my god, the naming) stupid overall, as youād expect from a story about a sexy serial killer? It is unrealistic, sure, it is corny, maybe campy, occasionally cringy, but stupid? I think no. I even gained new ideas and cultural knowledge out of reading it, which both confounds andamuses me to a great degree. You shouldnāt read this if you have a strong emotional response to the topic of school shootings though, as the main issue of this work may be its gratuitous violence in later chapters. I dropped Aku no Kyouten once. The thing I overlooked then was that it is not episodic, bullshitting its way from one magazine issue to another, as I thought, it is based on a book (which was also adapted into a movie). Thus it has a finished story with a proper composition: two distinct halves and a lot of broken reader expectations. Because of the latter it is not humanly possible to explain what this manga is without some spoilers, and itād be better if you went in blind⦠but if you wish to read this further, I promise to reveal things gradually at the very least. The manga starts with a sympathetic handsome English teacher Hasumi Seiji, nicknamed Hasumin, getting a whole class of troubled schoolkids under his black wings. The children have so many issues, so their sensei and counselor tries to help. It just so happens he is able to murder without remorse, and uses this to resolve the gravest of woes. During the first few chapters I fully expected this to be a school version of Dexter, with a psychopath solving peopleās problems because he tries to redeem himself and/or contribute. I stopped reading when Hasumin acted rashly to get one of his students into bed. There were other issues too: unevenness of the art, which falls off model periodically, deeply stuck in the uncanny valley between godly and ugly; overdramatization of the school setting; Hasumin doing silly ācoolā stuff like breakdancing⦠Based on my experience with overwhelmingly poor writing in psycho killer manga I fully expected the love subplot to be shoehorned purely for titillation and didnāt like an astute character acting stupid. And now I wonder why. Why did I expect an unhinged murderous psychopath to be sacrificial for the sake of a higher goal? I guess popular fiction has us trained to expect high levels of reason from psychopaths in the main cast, if not outright protectiveness towards neurotypicals. But why? Why would someone with a diagnosis that indicates total egoism, recklessness, lack of fear, and sensation seeking strive for anything other than self-gratification? A psychopath cares about him/herself, seeks pleasure for him/herself. So itās actually logical that Hasumin takes a risk to get some. He simply wants the sexu, and he wants to show off, because he is vain. This is good writing, not bad one. He shits where he eats too, sure, cause he doesnāt care, is overconfident. Aku no Kyoten plays with this a lot. Hasumin is attractive and charismatic, loved by people around him. His opposition is ugly, stupid, lame, hated, has a bad personality. Hasumin pays attention to his students, teaches well. Most importantly, we follow him. You constantly expect good things from him against the logic. The manga teases the readers with his past: an understanding mentor, some human-looking connections, righteous revenge. You excuse and excuse. Hasumi is clever and bold, successful in his endeavors. As the time goes by, he indulges a bit too much though, the lies accumulate. Just when you start to think that Hasumin is a perfect machine, his ā technical ā humanity catches up somewhat. The school setting reminds him of his formative years, wakes up memories. His mind shows subtle cracks. Plus the kids constantly get under his feet, little shits just canāt shut up and stay away from places they shouldnāt go to. One very unfortunate day Hasumi slips and snaps. The poor guy gets a big problem on his hands. And Hasumin deals by his favorite method. I returned to Aku no Kyouten knowing only that the second half is ādepressingā, according to internet commenters. I am thankful for this. But the main turn definitely needs a content warning, and it changes a lot in the manga, so further I will spoil the general plot progression again. Hasumin has a lot of work after that, but he is super, so he manages. He drinks some coffee, stretches a bit, and then goes to do exactly 10 chapters of extreme manslaughter, during which he muses about his supper, plans how he can get sex afterwards, and makes a ton of English-Japanese puns. We mostly follow his victims though, as the manga turns into a full-scale survival. The violence is indulgent, thereās no way around it. Thatās why the movie was heavily criticized, especially because of its similarity to real life scenarios. But in manga we are freer and have seen worse. One thing I love about this part, besides the whole suspenseful hunting game, is that Hasumin gets hit in the face, and swelling robs him of his deceptive handsomeness. It immediately changes the way you perceive the character, which is so saddening and telling. Aku no Kyoten begins with the flashy lyrics of Mackie the Knife the main character likes to whistle. It takes you aback how straightforward it is for a murderer and for a manga about murderer. But as the plot progresses you notice it follows the song somehow. As Wikipedia puts it, Aku no Kyoten has a lot of references to āGerman cultureā. It often cites The Threepenny Opera, to be precise. The Threepenny Opera, apparently, has an interesting history: born as a revolutionary play in Germany, it had to move overseas and soften to reach its modern popularity, or maybe even stay relevant. At one point characters in the manga notice and tell Hasumin that he whistles Moritat, but he says he whistles Mack the Knife, the jazzy Broadway version. Hasumin may prefer the version popular in the US because he teaches English and loves the US culture, but it is also melodic and pleasant, as following the footsteps of Macky is fun to the character. The word āmoritatā makes you think about Brechtās music drama, which was a dirtier angrier political critique. This manga is fun to read through, with its showy main character, sex, gleeful murder, and nonsensical scheming, itās a pop grindhouse flick through and through. But it also works as a cautionary tale, because for all its absurdity, people like Hasumi get away with worse things all the time, and the society allows them to thrive through its cowardice, vice and petty squabbles. There are positive characters in Aku no Kyouten, but the world is immoral and hilariously broken, so they arenāt doing great, the evil triumphs just like in The Threepenny finale, sorta. Most importantly, I like how this manga breaks the image of a cool reasonable psychopath weāre dangerously overfed with. Speaking about cinema, the art here evokes complex feelings too. Iāve checked several other works by the artist ā and they are much simpler, lighter in linework. He sure went all out with the level of realism and the heavy lighting for Aku no Kyouten. Itās hards to tell the girl characters apart, the anatomy suffers as much as Hasuminās victims from time to time, but the backgrounds reach a very high level by the end, and Hasumin is always easy on the eye, but stimulatingly creepy. When I wondered whether Aku no Kyoten was exploitative with its depiction of violence, I looked through types of exploitation movies, and giallo felt similar in feeling to the art here, though the panelwork in this manga is rather bland. It offers spectacular pleasant art nonetheless. I canāt say Aku no Kyouten is for everybody. I was likely in a unique position to enjoy it. I expected the worst, I was on board with suspending my disbelief AND disgust for the sake of slightly unhealthy entertainment. I was ready for something pandering, discordant, and controversial. I am fairly forgiving towards B-grade stuff. I ended up with a fascinating meta-commentary, a self-reflection sĆ©ance, a bad boy, a couple of sweet kids, and a lot of murder, which to me feels like a catch. The author of the original wrote Shinsekai Yori, by the way, so thereās hope I am not fully projecting. Aku no Kyoten is not high art, it is a shock content school slasher with a handsome scheming killer dude ā itās not something you enter in a suit with a bow. But it has richer sides to it, it laughs at you if you try to be fully mindless when reading. Itās also a music show by its heritage. The main character whistles Mack the Knife when heās happy, a song called Karn Evil 9 is introduced at the turning point of the story (oh my god, the naming). But if youāre a dirty pleb like me you can also put Pumped up Kicks by Foster the People on your speakers, take your metaphorical pants off (or real, ffs), grin as madly as you can, and dive in the fun, the awfulness, the theatrics, the thematic face slaps, and the thrill of this work.