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335
17
Finished
Jul 19, 2000 to May 17, 2006
8.7/10
Average Review Score
100%
Recommend It
3
Reviews Worldwide
Story - 9 Like any slice of life/school oriented manga there is not exactly a continuous story. Each short "arc" introduces new characters and scenarios that keep the manga new and exciting. Overall every new chapter is funny and gripping and will make you want to keep reading. Art - 10 In any gag manga the artwork of the characters and their expressions is one of the biggest factors. Cromartie is not exception. The unique way in which Eiji draws faces is a huge contribution to the hilarity of the series.Enjoyment - 10 A gag manga as hilarious as this that always has something new in every chapter is very enjoyable. From running jokes to new ones this gag manga is one of the best around. Overall - 9.5 Not much to say besides this manga is hilarious and definitely worth reading.
Welcome to Cromartie Highāa melting pot of underachievers and overzealous bullies, where the fist rules and the student body has the combined I.Q. of a rusty nail. After a whole lot of bad judgment and a little bad luck, Takashi Kamiyama is now attending this academy of dunces. Here, his only homework will be defending himself against the foul-mouthed robots, semi-intelligent apes and masked villains that roam the halls of Cromartie High School! (Source: ADV)
Cromartie High remains as one of my favorite manga/anime of all time, top 5 material easily. Though Iām surely not breaking any new ground by saying that. You can travel across the web, or attend any anime convention and find plenty of others with that same opinion. As I always say with my write ups, namely when itās for my personal favorites since they tend to be comedy/shounen/motivational series, āComedy is subjectiveā! If someone has a sense of humor that doesnāt align with a series, then their mileage will inevitably vary. This too isnāt a groundbreaking takeeither, however I bring all this up because I find it absolutely preposterous that despite the anime getting the acclimation across the world that it rightfully deserves, the manga does not nearly get the same amount of appraisal. So Iām here today to convince you that, although you canāt go wrong in either way you decide to engage with the series, the manga is infinitely the superior option. For itās a funnier and much more complete package than its anime adaptation. And hell, Iāll even toss in a personal side-quest just for you toots, to also answer why this STILL manages to be one of my personal all time favorite series ever all these years later. Okay, Iāll be honest I went a little harder than I intended to with that introduction. Not in regards to my love for the series, for Iāll get into that later. But in regards to how well others, aside from myself, treat the source material. Letās not beat around the bush though, the manga itself is far from unpopular. According to stats taken from various sources it had a whopping ā4.5 million copies in circulation, won the 26th Kodansha Manga Award for the shÅnen category in 2002, and it was one of the Jury Recommended Works in the Manga Division at the 7th Japan Media Arts Festival in 2003.ā- (Kodansha Manga Award, n.d.). So yeah, saying that this manga doesnāt get the praise it deserves is pretty frickin far-fetched now that I think about it. Especially given everything itās spawned in its wake such as both an anime and live action adaptation of it exists. But what exactly does it excel in so well that made it so beloved and why do I consider the manga the superior format? Wow, maybe that shouldāve been my opening paragraph instead. Definitely a more substantive thesis if you ask me. Anyways, firstly a brief synopsis, even though it really doesnāt need one at this point. A smart boy named Kamiyama finds himself enlisted āno no trust me, this word is much more appropriate than āenrolledā.ā in the most badass school of delinquents and hijinks ensues. Given that this is source material, weāre given more of what makes the series so good. And thatās the main reason I decided to pick up the manga in the first place, with a measly yet golden assortment of only ten episodes I thought it was absolutely criminal how short it was. So thank god the manga has 338.3 chapters plus a short lived official spin-off focusing on the teachers, to make up for the adaptionās short length. And as expected it has everything that itās anime counterpart has in spades but it also contains aspects worth praising that are unique to the manga alone such as the art, the use of multimedia, the amount of unpredictable plots/situations, the genius paneling that lends itself exceptionally perfect to its comedic timing, lore, plenty of insight into Nonaka himself, and the vast array of characters that are unforgettable. Iāll be touching upon each of these in my write-up. The artwork lends itself exquisitely to the jokes and situations characters find themselves. Initially though not as concrete, the characters have a broad build, a stoic face, eccentric features across their face/head, and have the super angular yet thick character outlines that gets even more refined as the series progresses. Not only that, but many of the characters share the same ācopy & pasteā tough guy sort of face, EVEN Maedaās own mom! Nightmares from her aside, I found the illustrations themselves to not only enhance the jokes and hilarity of the situations themselves, but gorgeous to look at as well, especially in pages dedicated to a character portrait. I specifically remember a chapter introductory page with Kamiyama on it, poised by a motorbike-erized mechazawa ādonāt askā that I was enamored by. Not only did I feel like I was looking at a poster for a Dean Martin film, but it was then that I got the feeling that Nonaka was heavily inspired by 1950ās western pop-art and comics. As the series goes on, the individual characters begin to lose the same face look and develop concrete visual designs. Itās as if Nonaka saw the cover of GTA: Chinatown wars and went, ālol, thatād make for a funny chapterā and base the look off of that going forward. Anyways, I often feel as if the art-style is the most overlooked aspect of the manga, for not only do I find it aesthetically pleasing, but also extremely varied. This varied artstyle not only comes from the āless human charactersā like freddie, mechazawa, banchou-chan, ara-chan, and masked-takenouchi, but from the volume covers themselves. Seriously, these are all gorgeous and uniquely stylized. Volume one looking like a communist propaganda poster with an eye-grabbing color contrast of red, white and yellow. Volume 4 and 5 are unabashedly influenced/parodying warholās style with the former being a blue freddie shredding a guitar with nonaka like hair, and the latter literally being a can of soup, oops I mean soup can-erized mechazawa ādonāt askā. Hell the cover of volume 13 being a human masked takenouchi taking porky pigās spot at the end of a melody melodies āthatās all folksā closing card is what inspired me to cosplay as him. This is also far from the only time Cromartie high utilizes real life images, as it also uses it as a means to open up or close a volume with a hilarious scenario. What Iām trying to get at is that the visual component of this series is often pigeon-holed as āstoic and stiffā and while that rings some truth in the anime, aside from the di-gi-charat cameo, in contrast the manga is actually so much more. Which is golden since this is a book weāre talking about. Each volume is uniquely illustrated, most of which exhibit a unique artistic technique or style that I find mesmerizing to look at, with the final volume and thirteen being my personal favorites, but you canāt go wrong with any of them. Another aspect that the manga dunks over the anime is the insight on Nonaka himself. Throughout the series weāre given an insight into the man that Iām sure Iām not the only one who related to, who created this very series. These ābonusā chapters are not only hilarious on their own, but also gives insight into the environment and work behind maintaining relevance on such a popular series. All the glitter is not gold however, as funny as they are they also paint the manga-industry in a realistic, stressful light. However Nonaka demonstrates not only in these chapters, but by creating Cromartie as a whole that even when hard times come your way itās not only important to see these as experiences to learn and grow from, but also to look on the brightside. We often fixate on the negatives in times of distress, however itās at those times that we should look on the positives and make the most out of our time in these circumstances. This theme is mostly at play in these Nonaka centric bonus chapters. As Iām certain, getting the news that his series wasnāt hitting high marks with readers, or that it was getting canned were not all sunshine and roses. But despite that, he turned those very scenarios into some of my favorite chapters, in which despite the darkness he was still able to find a light at the end of the tunnel and humor throughout. So all I can say is, despite the odds being stacked against him and his creation, he still managed to come out on top. Anyways enough wanking off Nonaka, as Iām sure thatās something heād dismiss entirely. The last aspects Iād like to focus on are the vast amount of characters, situations, and lore exempt from the anime. Listen, Iāve said it 100 times and Iāll say it 100 more, comedy is subjective. And ultimately, Cromartieās sense of humor just so happens to tick all my boxes. Situations such as Takenouchiās time in America, Kamiyamaās backstory, the Sumo-Club, Planet of the frickn Apes, and even a bunch a chapters where weāre actually introduced into the staff at cromartie! And thatās not even including the spin-off written by Nonaka that came out in 2018 (which is also something I canāt recommend enough). Basically, if you loved the sense of humor of the show and were curious about the lore (or if you didnāt give a crap about the lore for a comedy series until reading this) than youāre slapping yourself in the face by not reading it. I literally could not stop myself from putting down the series because of how much fun I was having reading each chapter. And Iām aware that some people may need a break every now and then with gag humor, but I am not that person. The more obtuse, ridiculous, and nonsensical the better, so I never tired of this series' gags. Thereās also so many chapters that I can choose any page at random and instantly make my day 10x better just by having a hearty laugh reading it, itās the pinnacle of timeless. Whether itās a unique spin on the boke-tsukkomi routine, juxtaposition between character designs and actions, the utter insanity of the predicaments they find themselves in, a running gag, deadpan humor, or even introducing a new character who feels like theyāve been with us the whole time, this manga nails every comedic style in comes in contact with. In my opinion, (well duh). Cromartie High remains as one of my favorite manga/anime of all time, top 5 material easily. Though Iām surely not breaking any new ground by saying that. But what exactly does it excel in so well that made it so beloved and why do I consider the manga the superior format? Well instead of summarizing everything Iāve gushed about up until now, simply put, itās funny! And is much more layered than people give the series credit for, or hell, how it may seem on the surface to others who equally enjoy the series as much as me. I dunno about that though, for I have mechazawa on my bboy sweats, a plush mechazawa, and a HUGE cromartie high poster on my wall, anyways Iām not autistic I swear, I just have a very childish sense of humor and a deep appreciation for media that can make me feel warm at any given moment, I promise!
Despite this being a comedy manga about really dumb badasses partaking in nonsensical jokes, written by someone whose music tastes would probably make him friends with Araki, I couldn't help but being occasionally reminded of Blue Spring while reading it. It starts off really well with a lot of unexplained hilarious incidents, things like the school having a mute Freddie (Mercury) character, but that sentiment wears off along the way as, at 17 volumes, Cromartie just missed its chance to end. Over-repetition of jokes, more and more additions to the cast, plot points that are completely forgotten (whatever happened to the sumo club guys?), there waseven an entire volume dedicated to a planet of the apes rip-off! I really commend the author for managing to make 17 fucking volumes of gags in a setting with absolutely no plot and no sense of GETTING ANYWHERE. That shit's hard. But at the same time, there was a lot of boring stuff (lol) along the way. When I was in the first half of this series I wrote "The wide cast of characters in tandem with the nonsensical nature of this manga allows for some good joke variety. I mean, I can read almost a full volume of this in a row and not get tired, unlike other comedy series which, no matter how good they are, keep repeating the same jokes with only a handful of different characters." I suppose I was thinking of The Way Of The Househusband as a comparison. In truth I generally am not a big fan of comedy. But the thing is, while that was true at the beginning, I'm not so sure it held up towards the end. It did start to feel like the same jokes were repeating over and over again, especially when it came to Fujimoto. Somehow the mascot trick still worked even at that point and Banchou-san was a delight, but it didn't save the series. Overall, I quite enjoyed the uniqueness of Cromartie High School. The occasional jokes that left you wondering "hold up, is this meant to be a comment at the series itself?", and other meta moments were great (loved the story about the second masked guy showing up!). The decision to completely ditch the main plot in the first handful of chapters was very powerful. And the chapters about the author himself always brought a fun change of setting. I'd say it's worth checking out!