Paradise Kiss

As someone who has engaged with Ai Yazawa’s works like NANA, Tenshi Nanka ja Nai (I’m Not an Angel), and Kagen no Tsuki (Last Quarter), I am very familiar with what she is capable of. Ai Yazawa has the power to write characters who are flawed but you still feel for them and want them to be well, even if you don’t agree with all their decisions. Characters who you look forward to seeing how their journey ahead will be like. Characters who aren’t pretentious and are truly doing their best at what they strive towards. So after about eight weeks of waiting to borrowthe 20th edition omnibus of Paradise Kiss from my local library, I was shocked by how unenjoyable this manga was for me. So, what happened? If I were to put it simply, Paradise Kiss felt like a blend between Neighborhood Story (Gokinjo Monogatari; prequel) and NANA that did not mix well. Now, you certainly do not need to read or watch the adaptations of Ai Yazawa’s other stories to understand Paradise Kiss. I’ll explore what did and didn’t work below: Story & Characters: I usually write my reviews where the story and characters are discussed separately. But Paradise Kiss is an exception, since the characters are the story. Yukari: When one thinks of a protagonist, they should typically be likeable. Being likeable can mean different things to different people, such as whether they’re relatable, if we think we would ever be friends with someone like them, or maybe they have qualities we like. Quite simply, we just like seeing them on our screen, including the moments where they grow. If none of that applies to the protagonist, at least they’re tolerable and they don’t destroy our enjoyment. Yukari unfortunately did not fulfill the basic requirements of a protagonist. Yukari grew up being tailored to study without hobbies, and that showed when she got carried away (harassed) by a group of fashionistas who went to a different school than her. Yukari was exposed to an industry that was foreign to her and yielded to it on the pretense of “broadening [her] horizons” and “experiencing new things.” She wasn’t genuinely interested in modelling at the time, as she was mesmerized by this flashy society where she let others doll her up. It was okay for her to see what it was like with the Paradise Kiss crew, but she went along with being a model without doing any research or practice on her own! Throughout the series, Yukari felt like that one crayon who doesn't fit in the case at all. There are all these unique colours in that case, but she's just not part of that society and that's okay. Yukari was a baggage to the people around her, wanting them to show love in ways she didn’t vocalize or being reckless where people covered up for her. Yukari lacked confidence, and she was a coward whenever she blamed others for situations she did not walk away from or even when people shared their genuine concern. She’s the type of person who would yell at you and want you to comfort her. Sure, she apologizes later (sometimes) after an outburst, but there was no growth in genuinely improving her interactions with others like thinking of other people’s feelings before she opened her mouth. Or at least observing people before putting them on the spot, which saves her the effort of later apologizing. In short, Yukari was a selfish and immature person who was clingy and lacked communication skills. George: This man is a mess. He is a hypocrite for imposing his ideals, without ever seeing how he could fulfill Yukari’s needs. George does not know how to compromise in love, it’s him in his own world. Maybe there is an exception if you are his mother Yukino who is incapable of caring for herself. But besides Yukino who he doesn’t have a fulfilling relationship with emotionally, it’s obvious he prioritizes himself and his crafts. He will forget about you when it comes to work and not apologize about it, just like how his father Joichi treats Yukino. He is truly not your type of human who will emotionally support you. He goes at the beat of his own drum, and you either submit to him or you don’t. Even being friends with this dude would require extra effort because he leaves his phone off or doesn’t always have the habit of picking up, so it’s better to go to his home and hope he doesn’t have someone sleeping over. George is seen as mysterious. Yet, what’s really in his heart? What is he thinking? When he says he likes you, to what extent is that? Is he serious about you? Or are you just a toy to him? Yukari danced around this man without settling their issues, and she can’t say with confidence what it is that drew him to her. To be honest, George was the first man who flirted with the then-inexperienced Yukari, and she grabbed the opportunity. George admitted before that he doesn’t resist when people come to him, so he didn’t try to at least present himself as the faithful dude anyone would prefer. Yet, Yukari continued going back to George even though he has been hurtful to her and they don’t even share the same preference sexually. Arashi: Where do I begin with this trash? For those of you who are familiar with Neighborhood Story, I’m sorry to inform you that he is Risa’s son. For those who are not familiar with Neighborhood Story, Risa is Mikako’s best friend from high school. And Mikako is the protagonist of Neighborhood Story (prequel) and Miwako’s (Arashi’s girlfriend) older sister. I believe Ai Yazawa should not have even made the Neighborhood Story connection because Risa as a person was attentive to the people around her and always supported her good friends. How did such a good person like Risa raise such a sorry excuse for a human? I cannot fathom this either. Arashi has an inferiority complex and is immature, which shows in how he treats Miwako. Please take note that this man is your example of a toxic partner, where he’s the type to forbid you from talking to a childhood friend and even break your phone by throwing it across the room. Arashi has even forced himself on Miwako, and she goes along with his desires to satisfy him. Arashi wants control in love and he struggles with trusting his partner. Arashi knows he’s a major cause for Miwako’s psychological pain, but after hanging out with her for 18 years, I can’t tell you there is genuine progress. Why do people know they’re horrible and don’t work on improving themselves? I have no idea. However, strangely enough...Arashi does care for Yukari. He’s bad with words, but he pays attention. Maybe he inherited Risa’s observant nature. But he mostly talks without thinking. What Miwako sees in Arashi is beyond me because there are many people in the world who can be kind AND they show it ._____. Miwako: Another mystery to the entire series. Ai Yazawa writing that Miwako’s mother Ruriko is away for work is uncharacteristic. For those of you who are familiar with Neighborhood Story, Ruriko was attentive to Mikako as much as possible, so why wouldn’t she do the same for Miwako? Maybe Ruriko was okay with Mikako spending time with Miwako, but Mikako has her own work and family too. The lack of attention given to Miwako by her parents gives some explanation as to why she doesn’t seem to get guidance regarding her future or even Arashi. It’s also out of character for both Mikako and Risa to be uninvolved when Arashi is such a jerk to Miwako. It’s possible that Miwako keeps Arashi’s dark side to herself, but it’s odd that Mikako at least doesn’t seem to pick up on the bad signals. Despite Miwako being called cute by Yukari, she wasn’t a likeable character to me. I admit Miwako makes the effort to be there for Yukari and she’s responsible for her family whenever she babysits Alice (niece/Mikako and Tsutomu’s daughter). But she really needs to think on her own, like she imitates Mikako without looking at who she herself is. Miwako knew how she felt about Hiroyuki (a childhood friend), yet she stayed and tolerated Arashi. Arashi says his opinion and she goes along with it, even when it’s bluntly unprofessional and unsuitable to the space. Hiroyuki: The character I liked the most who got the short end of the stick. If you’re familiar with Neighborhood Story, he is Hiroaki’s (“Toku-chan”) son. He’s the only character who made sense to me in terms of characterization when Ai Yazawa made her Neighborhood Story connection. Just like Toku-chan who people confided in when he ran the bar, Hiroyuki is your decent man who has your back. He listens without ordering you around and he respects your decisions, even if it’s not what he would do personally. I completed this story thanks to Hiroyuki LOL. Other characters like Isabella and Noriji’s (a friendly and caring superintendent from Neighborhood Story) return were fun. Isabella deserved more attention. Isabella was the reliable ‘mother’ of the Paradise Kiss crew who was observant and had a sense of self. I’m happy that she had a supportive worker at home who accepted her gender identity, without feeling like she had to wear boys’ clothing or call herself by a male name. Noriji continued to be reliable, wanting to be there for others without imposing. It’s too bad he doesn’t appear in NANA. Now...I’m aware several readers are unsatisfied with the ending. I agree that the ending could have been explored. The way the ending was written didn’t make me want to look forward to the characters’ futures, where I felt like Ai Yazawa was just done with them. No character development where we get a timeskip, so we don’t know what happened in-between. Although, Ai Yazawa’s art was pleasant overall. Her designs were all unique and Yukari truly shined on stage. Isabella was always outstanding. Overall, I feel accomplished for completing this story LOL. I didn’t even need to read every text where there were times when I skimmed through, or even skipped pages. I could tell what was happening based on facial expressions, for example I just knew that Yukari would raise her voice and cry or George would make a comment without being committed to working together on what was in front of him. This pair took up so many pages, it’s a shame when the attention could have been better divided to other characters. I feel that the themes were present (e.g. bad parenting, feeling charmed by a hottie and considering giving up your future for them), but the execution just wasn’t it for me.

If your like me, you probably like deeper mangas then the ever so cliche tale of a innocent high school girl who falls in love with the nice guy and then falls in love with the guy who she has constantly insults while he is chasing after her. It scares me too how I kind of got the gist of most shojo mangas (Although, I must say that to those kind of stories, Im addicted ^.^). Anyway, Paradise kiss is about this unwelcoming, smart, attractive, and tightly wound girl, yukari, who meets her fate when a student of a fashion school asks her tomodel for them in the next fashion show. When she finally accepts, she meets George a handsome designer and the head of the "Para Kiss" clothing line, Miwako who works with george and wants to start her own fashion line like her sister, Arashi who is miwakos boyfriend and plays in a rock back, Isabella who is the "mother" of the group, and Tokumori Yukaris friend at school. The events that happen are unpredictable, the story is well said, the characters are appealing, and the art is captivating! I really enjoyed this and you might too. (WARNING: THE SLIGHTIEST SLIGHT SLIGHT BIT OF ECCHINESS IS IN HERE! BUT NOT TOO MUCH NOT GRAPHIC AT ALL!)

Paradise Kiss is a josei manga written by the mangaka of the famous Nana. It is apparently a sequel to a previous work of hers, Gokinjo Monogatari, which I wasn't aware about until after I already started reading (oops). This is only my 2nd time reading a josei manga (shoujo reader all the way), but I still found this one quite enjoyable. Yukari is a senior in high school who has known studying all of her life. One day, however, she is kidnapped by a group of fashion designers who believe that she would be the perfect model for the next fashion show. Even though sheis reluctant to participate at first, Yukari becomes interested in these designers, and also intrigued by their leader, George. She eventually becomes immersed into the fashion world and believes that it is her true calling. Is it possible for her to include both fashion and academics in her life, or can she only choose one? And what kind of person is George, really? The art for this manga was very well-done and good at depicting comedy and maturity when needed. It also was very detailed when it comes to fashion, which I love. The characters were so-so for me. I liked Yukari originally, but found that later she seemed impulsive when it came to important decisions she had to make. I think she could've been more sensible. Also, at times her feelings for George were a bit much, and I was unsure about whether she wanted to continue fashion because of passion or because of George. George, on the other hand, I liked even less. He kept a lot to himself and didn't provide Yukari any help when she had problems. I liked the minor characters much more, but I would've liked to learn more about them. Overall, the manga was an enjoyable read. I always like manga where the protagonist is trying to find him or herself. I would also recommend this to those who like realistic manga and romance. The manga is also mainly about fashion so if you like career-oriented manga, you'll probably like this one as well. Also, the ending was superb.

Paradise Kiss is an absolute gem. The characters are flawed but, for the most part, lovable. It's a story of growth and finding one's feet in life. I love how Yukari, the female lead, goes from being listless and unsure of herself to a passionate adult who has found and enjoys her place in life. We get to see the (often painful) beginnings of this change. The ending left me raw but satisfied. This truly is a masterpiece...I had no idea I'd love it so much. Art 9/10 - At first I wasn't so sure about the art style. Upon reading I quickly changed my mind.The proportions can be downright scary at times...however, it actually adds to the charm of the manga. This is an intentional style. The comedic sketches are on point. If the art is holding you back from reading, like it did with me, don't fret...you'll end up enjoying it. Everything else is a solid 10/10! SPOILERS - PLEASE DO NOT CONTINUE READING IF YOU HAVEN'T READ THE MANGA YET!!! SERIOUSLY!! I MEAN IT! c: I normally don't write spoilers...but, there are just some things I'm compelled to address. I've heard people complaining about how Yukari doesn't get with George in the end. But, I think that is the best outcome! He was downright horrible to her. You can tell he had true feelings for her but is too selfish to give her what she really needs. If she got with him she would have given up too much of herself...only following him around the world. She chose to live her life for her - which, is strong and beautiful. He was her stepping stone towards a better life. That is why I think she carried love for him even years later. Not because she wanted to be with him but because she was thankful for the good things he did do for her. And there are the naysayers who might cry, "Then why didn't she just get with Tokumori in the beginning?!" ...isn't it obvious? He was a great guy from the beginning. But, Yukari had a shallow love for him. She wasn't ready for a real relationship and he probably wasn't, either. (Especially considering Miwako) What happened with George, and the other hinted-at relationships over the 10 year gap near the end, gave her the depth and capability to have a meaningful relationship. She got with Tokumori at the perfect time in life. And at the end of the manga you can tell they are going to be truly happy together...with no regrets. It's realistic, meaningful, and a lovely way for the story to end.