
Links go to search results. Availability varies by region.
フツーに聞いてくれ
1
—
Finished
Jul 4, 2022
7.1/10
Average Review Score
78%
Recommend It
9
Reviews Worldwide
This mangaka is too meta for me. The story of this one-shot is about two things: 1. People overinterpreting intentions into works that were never intended by the creator 2. The creator failing to meet expectations with the next work because all the interpretations were bullshit to begin with Basically, it's just a meh one-shot in which the protagonist passively watches the view count of a youtube video grow. However, since my abilities to do mental gymnastics are just as large as the ones of the people in the story, I will do exactly what Fujimoto wants me to do and overinterpret the crap out of this 20 pageone-shot just to completely miss the point. My assumption is that he intentionally made a completely meh one-shot to troll his fans and make them overinterpret the crap out of it similar to how the people in the story overinterpret the crap out of the love song. However, by wanting his audience to interpret unintentional meaning into this simple one-shot, it also becomes intentional, meaning the intentions of the author to produce a work without intentions so the audience can overinterpret intentions into the unintentional intentions intentions intentions jdöahduüahoihol Anyway, what I'm trying to say is, Fujimoto has too much power, and he knows it. He can produce a piece of crap and I will overinterpret it and write a review about it saying how meta it is.
A student presents his crush with a love song that he wrote, recorded himself performing, and uploaded to YouTube, and he tells her to watch it before giving him a reply. When he returns to school the next day, he finds that the girl has shown the video to the entire class over LINE. Amid the jeering of his classmates, she snidely apologizes to him and explains that his video was hilarious enough to warrant sharing. However, his decision to remove the upload is curbed after a ghost is spotted within the video, and a classmate advises against its deletion. His YouTube post eventually gains popularity as the growing audience discovers more anomalies, all intent on deciphering the hidden messages that its very uploader had not even intended. [Written by MAL Rewrite]
New Fujimoto oneshot is out, you know what that means. It was fantastic. It really felt like something he'd write years ago before CSM. It was funny and nonsensical and just HIM. The pacing was as fast as his works usually are, but it didn't feel as though it was crammed. It flowed from start to finish and left off on a sweet note. A bit of an open ending like he tends to write, but not as vague as before. i will say that it could've used a few more pages. Maybe I'm just spoiled from Look Back and Goodbye, Eri, but it would've beengreat to see more of the world. I would've loved to see some of the things that were only talked about. Maybe had a longer flashback to build the characters more. I figured that as time would go on and Fujimoto's style would be refined, he would choose to make his works longer and longer by default but I guess I was wrong. This feels straight out of the Fire Punch era in the best way possible. i wouldn't be surprised if he penned this years and years ago when that series was starting to take off. I guess this story is his way of responding to people analyzing his works too much. There were a lot of people who were analyzing his previous works who maybe took it too far. An example I recall was people pointing out condoms and leftover bread in the garbage scene from the first chapter of Chainsaw Man, likening it to Denji's dreams to have sex and eat well. Or the constant discussion regarding the second half of Fire Punch. Hell, even Goodbye, Eri from a couple months ago might've been blown out of proportion by me and others in the community. Maybe he just thought it would be a cool thing to make and didn't think much of it. Who knows with this guy, really. Then there's the art. I'm not as familiar with Tooda as I am with Fujimoto or his other assistants, so I'm not sure what I expected. I suppose rough outlines and a lot of negative space was all that I thought of, and I was right. It's shocking how similar their artstyles are. It completely makes you forget you're looking at drawings from a different person at times. The only time the artwork will ground me back down and remind me that this is a different artist altogether is when a female character is on screen. Tooda and Fujimoto draw men very similarly, but not women. Other examples of similar styles is the men, the scenery, and the way the panels are laid out. Obviously there's a lot more to the art than just comparisons and I don't want to undermine Tooda's talent by comparing them to Fujimoto but it's definitely the biggest detail about the art. As such, a lot of the same things that can be said for Fujimoto can be said for Tooda. The expressions say a lot, especially during quiet scenes. The panels are arranged neatly with only the bare necessities in the backgrounds as to give them room to breathe. Hell, even the title card drops in very neatly. Just big enough to catch your attention. Overall, this is a fantastic read. Just very funny and entertaining. As always I'm convinced that Fujimoto can't do anything wrong even if he tried. I have got to check out Tooda's other works after this as well.
I think this one-shot was mainly a reflection on Fujimoto as a writer with how much power he currently holds. He knows how much people overanalyse his media and to pump out a small one-shot that reflects that was his intention. There will always over analyzation in our consumption of media. And there will always be people who will interpret Fujimoto’s stories as one of the greatest things ever and constantly overanalyse ever detail in his work. While this one shot wasn’t great, I think that was Fujimoto’s intention as a writer and it really reflected on him. There was a set up introduced witha spirit person that went nowhere, but that was intentional I believe. I think he wanted this one shot to covey these themes of overanalysing and misinterpreting as a warning for Chainsaw Man Part 2, to lower our expectations and not always overanalyse – just to appreciate the thing for as it is, not what it could be.
TL;DR: It's literally not even 20 pages long, you should read it regardless of anything! Fujimoto's collection of Infinity Stones just got expanded with yet another one-shot hit. Props to Tooda too, who drew the one-shot. And the funny thing is... you might consider this whole review to be very ironic, if you disagree with me on what this one-shot wanted to tell us. The art of overanalyzing, and seeing things that aren't there. You've definitely seen it at some point in your life. The earliest example of this that I remember was in elementary school: the literature teachers. You know how literature teachers loooooove to dissect anyand all of the sentences that exist in a story...looking for some astonishing, profound meaning behind them? It's not unusual that they end up with something that is possibly much more complex than what the writers themselves thought of when they wrote those exact sentences. And sadly, more often than not, we never find out whether the author meant to express what the fans deduced. Did by any chance some anime/manga/videogame/tvshow/movie fandom cross your mind when you read this? I know I could name a few. Today, overanalyzing like this makes people set their expectations way too high for the authors, which almost always undoubtedly ends with the fans being disappointed. The same way everyone was disappointed with the MC's second song. Of course, there's a possibility that Fujimoto is throwing shade at his own fans too. When he was writing "Fire Punch", "Chainsaw Man", "Look Back", "Goodbye Eri"... he might've never thought of the things that the fans "realized" from their analysis of his work. He might've just been writing stories that he considered to be solely engaging to read. Based Fujimoto I say. This one-shot is not carried by it's plot, nor it's art, nor it's characters. It is carried by it's unique main message. And, well, I'd say that it manages to present the message very well in it's mere 18 pages. JUST LISTEN TO THE DAMN SONG. IT'S NOT THAT DEEP.
This is unironically one of the greatest one shots written. The presentation, the art and the story is incredibly smart and well executed. The irony in the story and the anthithesis between the message and the essense of the message itself proves once more Tatsuki Fujimoto's geniusness. I highly recommend this comic both because its a collaboration between two great artists, but because its also an amazing anc captivating short story. Mal is asking me to enrich my review but this is a one shot so like i cant really analyse much the way characters act etc because its like a 20 pages story. Though I'dsay that for what it is, a one shot, the story and characters are very memorable, this is a prominent feature in Fujimotos work, and its really noticeable here. I think this is not a comic for everyone, but if you have enjoyed other works of the author, especially his other one shots, this one will definetly hit a sweet spot.