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144
16
Finished
Mar 4, 2020 to May 24, 2023
7.4/10
Average Review Score
80%
Recommend It
5
Reviews Worldwide
Make no mistakeâKanojo mo Kanojo is a series thatâll deter oneâs number of brain cells the more he or she consumes content of it (be it the series itself, a shitpost, or even a review). I suppose that itâs simply inevitable that any critical thought on the series would state a fair amount of flaws. Really, itâs a dumpster fire. However, it is also a series that is not meant to be consumed seriously overall. Thus, even if not constructive, I shall spout âfireâ about Kanojo mo Kanojo, as it is a manga that I adore to the core. Kanojo mo Kanojo is quite theeccentric series thematically; its characters are schizophrenicâespecially the main girlsâand the many ridiculously immense stupid happenings within the plot blow quite the whiplash. This only accumulates as the manga progresses; most of the time such is executed comically, but sometimes itâs also done in a slightly much more serious tone in (obviously) more significant scenes that could alter the storyâs trajectory. I donât exactly consider this as a bad aspect of Kanojo mo Kanojo, as I wouldnât even assess it seriously in its entirety, since I think it's much more proficient in its comedy than its drama, though such is a trait I often expect whenever consuming a comedy or harem anime or manga. Anyhow, in turn, youâll either love or hate (most likely individually) the characters. Each one of the characters in this series acts in varying degrees of impulsivity, the most tantamount to the summits of such being the main character, Naoya, whose defining trait is that heâs insanely straightforward and, as stated by his first girlfriend SakiSaki, someone who âsomehow always gets what he wants.â Heâs also the character who yells the most, which I suppose could cause a bundle of readers to tune out or even loathe his character. But, surprisingly (not!), every other character in this series is just as brain dead as Sir Straightforward, and they all worsen in intelligence as the series progresses. As I wrote a paragraph ago, the most schizophrenic elements are found in the main girls: SakiSakiâs temper and ambiguousness, Nagisaâs tenderness and consideration, Mirikaâs fiery determination, and Shinoâs (Kinoâs) shrewdness all amalgamate to tropey brain damageâonly that this time it exceeds in such. Yet, Kanojo mo Kanojo endlessly entertains me with its absurdity founded in its inability to hardly take itself seriously. The characters are so immensely hysterical in most of what they do that itâs hard to ever catch any substance of rationality. Itâs a sense of the castâs chemistry that utterly engages me, and it continuously drives its momentum to sheer entertainment, resulting in nothing but my succumb to it. The humor in Kanojo mo Kanojo never disappoints in consistency. It mainly constitutes overboard surreal, slapstick comedy (who wouldâve guessed that it had such a unique comedic structure, huh) that heavily exaggerates itself. Comedy (in this case being surreal) is a highly subjective genre, and slapstick is quite hit-or-miss. A great handful of the comedy in Kanojo mo Kanojo consists of the charactersâ degeneracy as they slowly lose any faint sound thought throughout their spiral of adapting or opposing to the polygamous relationship instigated by Sir Straightforward. A characterâs intrinsic nature engulfs their sanity, and then they proceed to follow just that, causing the many antics the reader will experience and possibly be amused or dismayed by. Frankly, Iâm of the former. Itâs pure delirium, regardless of however formulaic, that continuously bewilders me each panel. Even if a scene doesnât exactly make me laugh, Iâd be lying if I ever said I was never stimulated by it. Itâs genuinely nonsensical and electrifying in that sense, and Iâd gladly take it. To amplify such lunacy, Hiroyuki (the mangaka) incorporates a fair amount of simplistic dynamic effects (e.g., âspeed lines'' most noticeable whenever SakiSaki punches Naoya) to evoke the sheer momentum within the most comical scenes in the story, while soft additions (e.g., "love bubbles" in romantic scenes) are employed in delicate scenes so as to illustrate a characterâs warmth. All of this is standard practice in manga technicalities, but Hiroyuki utilizes such at just the right number of doses when most relevant or appropriate. I also think that Hiroyuki showcases his best character designs in Kanojo mo Kanojo, as each one of them sufficiently expresses the defining qualities of the character. Sometimes the background of Kanojo mo Kanojo, especially in the two-page spreads, arouse jarring juxtapositions between it and the sceneâs subjects, though such isnât executed so horrendously that it would make me dislike it. I actually like it and find it endearing. The art of Kanojo mo Kanojo isnât anything fresh or the like, but it is outstanding in what it attempts to achieve, and such is perfectly suitable for its narrative. Moreover, lying under the multi-layered comedic structure is the seriesâ baffling tackling of polygamy. While Naoya simply wishes to sustain a satisfying polygamous relationship with his girlfriends, the rest of his harem feel conflicted in various ways. Such an unorthodox concept in romance fiction isnât addressed the best here, noticeable as the charactersâ approach to such is hardly constant nor concrete. However, something I think it tackles adequately is the character dynamics, often questioning how each one of them feels about their relationships with others. The author understands that this varies between each character and often uses it within the plot. Romance is a topic that simply isnât exclusive to a single variety. Itâs diverse, and, despite it being comically displayed here, can concoct a delightful narrative. The absurdities within the spectrum of infatuation and love conceived aflutter in each one of their arbitrary minds, so fragile yet firm, so instantaneous yet gradual, so ambivalent yet acute. Nonetheless, Kanojo mo Kanojo seems oblivious in one or two aspects, but I, at the very least, enjoyed reading it. One could perhaps say that Iâm simply overshadowing a value over another, but Kanojo mo Kanojo is a story that I believe hardly offers anything notably valuable thematically. Rather, its greatest strength is its direction for amusement. If even something substandard can unironically pleasure, whether guiltily or not, its consumer, it at least deserves commendation for such. Thus, once again, I indulge myself in escapism, and I find it charming. Schizo Kino Kiryuu/10.
After harboring an unrequited love for years, Naoya Mukai finally gets to date his childhood friend, Saki Saki. However, just as he tries to commit himself to this relationship, he receives an abrupt confession from Nagisa Minase. At first, Naoya tries to reject her but is soon overcome by feelings of not wanting to hurt Nagisa. Trying to avoid betraying his girlfriend's trust in him, Naoya thinks up a "solution" to make both girls happyâtwo-timing. Naturally, Saki rebuffs this idea, but through Naoya's and Nagisa's persistence, she reluctantly submits. With this, a three-way affair begins between Naoya, his girlfriend, and his "other" girlfriend, as they develop a relationship that deviates from the social norm. [Written by MAL Rewrite]
In the realm of romantic comedies, Kanojo mo Kanojo, also known as Girlfriend, Girlfriend, stands out as a unique and entertaining gem. With its blend of hilarious antics, charming characters, and a touch of absurdity, this manga has captivated the hearts of many readers. Art and Storyline: A Perfect Harmony The manga's artwork is a visual delight, with its crisp lines, expressive characters, and dynamic backgrounds. Hiroyuki's artistic style perfectly captures the essence of the story, infusing it with a sense of humor and energy that leaps off the page. The storyline, while seemingly simple, is woven together with clever twists and turns that keep the reader engagedthroughout. The characters' relationships are explored with genuine depth and emotion, creating a narrative that is both entertaining and thought-provoking. The Loudmouth Protagonist: A Source of Frustration and Laughter Naoya, the male protagonist, is a character that polarizes readers. His loud, boisterous personality often borders on annoying, and his tendency to shout his thoughts across the room can be grating. However, it is this very trait that also makes him a source of endless amusement. Naoya's exaggerated reactions and clueless demeanor provide a constant stream of comedic relief, making him an integral part of the manga's charm. His interactions with the female characters, particularly Saki, often lead to hilarious misunderstandings and slapstick moments. Jealousy: A Fuel for Comedy and Drama The intense jealousy between the four female characters is a driving force behind the manga's humor. Their reactions to Naoya's affections, ranging from petty squabbles to elaborate schemes, provide a constant source of laughter and entertainment. Despite their competitive nature, the female characters also have moments of genuine camaraderie and support for one another. This dynamic adds depth to their relationships and makes them more relatable to the reader. Creative Mixture of Expressions and Dialogues The manga is filled with creative expressions and dialogues that add to the overall hilarity. The characters' facial expressions are exaggerated and often accompanied by comical sound effects, further emphasizing the humor of the situations. The dialogues are also witty and well-crafted, showcasing the characters' personalities and adding to the overall charm of the story. The combination of these elements creates a unique and engaging experience for the reader. Overall Impression: A Joyful Ride Kanojo mo Kanojo is a manga that will undoubtedly leave a lasting impression on its readers. Its unique blend of humor, romance, and absurdity makes it a refreshing and enjoyable read. Whether you're a seasoned manga enthusiast or a newcomer to the genre, Kanojo mo Kanojo is sure to bring a smile to your face and leave you wanting more. Despite Naoya's loud voice, which can be grating at times, his overall character arc is one of growth and self-awareness. He learns to be more considerate of others and to express his feelings in a more mature way. The manga's conclusion is satisfying and ties up all loose ends. It leaves the reader with a sense of hope and optimism for the future of Naoya and his girlfriends. Overall, Kanojo mo Kanojo is a hilarious and heartwarming romantic comedy that is sure to please readers of all ages. Its unique characters, engaging storyline, and abundance of humor make it a must-read for fans of the genre, and its creative expressions and dialogues add an extra layer of enjoyment to the reading experience.
Kanojo mo Kanojo succeeds as a romcom as it consistently delivers laughter in almost every chapter. The series works due to the interactions of the main characters with each other and the absurd situations they find themselves in, and the underlying tension that lurks beneath every harem story. The whole thing starts because the main character, Naoya, is straightforward and sincere to the point that an ICBM has less impact when it hits a wall. After confessing to his childhood friend Saki every month for the last ten years, he has finally gotten her (always was going to be given but she felt shy) consent toa relationship. Then the first wrench is thrown in when Nagisa confesses to Naoya, revealing how dedicated she was to that moment. Being a sucker for hard work and sincerity, Naoya falls for her, and rather than engage in infidelity or secrecy, goes directly to Saki and asks for her permission to two-time her. He gets punched in the face, but Naoya manages to overcome her objection via that same straightforward sincerity that made Saki and Nagisa fall for him in the first place. Does it end at two-timing? ....no. The whole thing is over the top comedy, and it being limited to just two would limit the quantity of jokes, which follow a fairly reliable formula. Under the thick layer of comedy, the manga is surprisingly considerate of the characters and their feelings. Saki is, both in her eyes and those of Naoya and the others, the "legal wife" here: this entire situation continues at her say-so and hers alone. She can at any time terminate it and a handful of time threatens it to force the other girls to work harder for the benefit of the entire harem. Nagisa, the first girl added, is so considerate and tender that despite the situation, Saki instantly befriends her. Really, if Nagisa had not been the first girl, the whole situation may never have occurred. The other two, Rika and Shino, have competing goals: Rika wants to destroy the harem and dethrone Saki, taking Naoya for herself alone, while Saki's best friend Shino wants to either destroy the harem for the mutual benefit of Saki and herself or (and only with Saki's express permission and blessing) join as Naoya's third girlfriend. With these contradictory motives, there also comes the problem of not being someone's number one. Late in the manga, the frustration the girls have quietly expressed is thrust out into the open, as the problem in a harem is that time is not infinite, each one has a limited amount of time to be Naoya's focus of attention, and the girls must sit on the sidelines when someone else is the focus of all Naoya's attention and not inconsiderable affection. Counter-intuitively, the girls develop friendships and relationships outside of the one they form revolving around Naoya - while he is the center spoke, they all connect to each other as well, so the entire relationship also means being thoughtful and considerate of your friends who happen to share your boyfriend. Make no mistake, this is first and foremost a romcom. It's about the humor, but there are moments of tension and drama to prevent it from becoming rote. I recommend reading it, as it's a fun way to enjoy yourself with a silly read.
Story - 5 If the story of this manga was entirely focused on the antics of our main character and his harem and the hilarity that comes with that. I would probably give this a 7. The drama within is purposeful and does exist for a good cause, but it drags on for too long and it takes away from what drew me to the manga in the first place. Coupled with the fact that the manga ended shortly after the last big drama arc, I would say that the story as a whole is ruined by drama. This manga deserved a few more chaptersor probably a spin-off one shot manga that occurs afterwards in a similar vein to Aho Girl, written and illustrated by the same author, which had an abrupt ending but got a small doujinshi that was mostly there for fanservice (though it tied up a loose end). Characters - 10 The main characters are a bunch of lovable dorks. Naoya, the main character is straight forward and honest to a fault. If you've read the authors other work, Aho girl, He is aho girl copy pasted, but as a guy, slightly more intelligent, and extremely committed to making his girlfriend(s) happy while remaining true to his heart. He does like bananas though. This character doesn't have a lot of depth or insecurities and is static throughout the series though it's not really a problem since his personality works so well with the other girls. Saki Saki is a character so good you say her name twice. She is Naoya's first girlfriend and like Naoya, she is unafraid to speak her mind and... is also a bit of an idiot. She and Naoya have such good chemistry and the manga could have just have been these two characters doing stupid things. I think she has the most growth out of any character in the series and I think it's a very valid argument to say that this manga is HER story about Naoya collecting girls for HER harem. Nagisa is the first addition to Sa- I mean - Naoya's harem. She is the moe girl in the series. She has a meek personality, is generally clumsy and incompetent, but on the surface appears to be relatively intelligent. Appears to be. Not is. I won't say anymore to avoid spoilers, but she is great. She is very similar to another character in Aho girl, Sakaya, but she has a bit more of a backbone. Rika is honestly the only girl I didn't really like. She is a girl that wants to fully capture Naoya's heart and be the only one for him, thereby breaking Naoya's idyllic polygamous life. I don't think her character has a ton of depth but she also brings drama and levity at the same time since she fills the rich girl that does crazy things archetype. She has good moments and she has great interactions with Shino in particular, but I also think that she didn't need to be a main girl. I probably don't like her very much since her direct involvement in the last arc has a ton of drama in it and just isn't funny or heartwarming and kinda makes the ending a lot weaker overall. Shino is Saki Saki's best friend. She has a functioning brain and recognizes the absolute absurdity of the situation and is against Sa- Naoya's polygamous ways. Unfortunately she is way in over her head. She is great. I believe that the story could have probably had one more girl or a guy that Naoya could bro it up with if I were to write this story, but that is neither here nor there. Saki Saki > Shino > Nagisa>>> Rika. Art -10 The art is cute and expressive. I really appreciate characters wearing all sorts of cloth since a lot of the action is in a more casual setting as opposed to school and I think the author has a great taste in fashion. It never tries to do something particularly unique nor does it need too. I do think the talents of the author-artist are best shown in Aho Girl and I do think the author-artist could do a lot more, but that's also neither here nor there.
Kanojo mo Kanojo is another of those romcoms whose main focus is the comedy and every character is a single joke and none of them are funny. But this series is intended to be stupid, right? Well, yes, but the jokes are still terrible, and itâs not like I canât enjoy some dumb comedies, but every time I got to the punchline of a joke in this series I honestly wasnât impressed, nor I was laughing at how bad the joke was, it was a joke that wasnât even funny because of how bad it was, sometimes I could hear the characters scream, maybe becauseI picked the manga time after watching the anime so I already knew how they would say their lines, but these characters are really loud. The show goes about how this bunch of characters are stupid and how much stupid they can get, that is their character growth. I mean, when you have an MC like Naoya who is an idiot who wonât shut up nor stop saying anything no matter how dumb it is because he is so focused in doing anything that is going in his mind, itâs difficult to not find the MC annoying. Across the manga, he easily is the one that growths less, because his dumbness is what gets him through absolutely everything, well, that isnât exactly true because to surpass one of his obstacles he spent a lot of time studying, but he didnât get smarter with his decisions either way, he is straightforwardness itself. I mean, Naoya is definitely someone who will leave you something to think about him if you pay enough attention to the series, you will either admire his boldness, straightforwardness and his way of not thinking through anything, or you will dislike him exactly for those reasons, because he is just so dumb you can only stand him for so much. I mean, just take a look at how the series began, this guy apparently was asking the girl he has liked a bunch of times to be his girlfriend and eventually she accepts, we start at that point, then suddenly a second girl comes out of nowhere, tells him that she wants to be his girlfriend and whatâs his best idea? To go to his girlfriend and ask her if he can date her too, he gets rightfully punched in the face for that but because of peer pressure Saki accepts. Now, harems usually arenât the best place to find a realistic way for someone to fall in love with others, and Iâm conscious of that, but in other series they had this bare minimum of âhe helped her in a time of needâ, which you can just go and credit the suspension bridge experiment or some shit that will make you feel there is a justification, but in fact, these girls literally fall in love with him because the guy fell too strongly for another girl, that is literally the case with both Nagisa and Shino. And I mean, telling you Nagisa is interesting in any possible way you look at her is pretty much wrong, she is the first one to be introduced and is completely devoted to Naoya since the first moment, she is there to be quite perfect in what she does except in having a brain, she goes from this girl that doesnât know what she wants to do to a girl who wants to cook, and I just summarized her whole character across the entire manga, I donât dislike simple characters, but the fact I can barely talk about her despite being the actual reason why the plot existed in the first place comes out as a little sad. Shino is the only one who appears to have a brain, until she is in the same screen as Naoya and falls in some dumb way for fanservice, she is the only girl who gets this treatment and I honestly donât know why, Iâm not even bothered by the fanservice that comes from the dumb falls every harem or ecchi series has, but she is really the only one that gets this treatment. Aside from that, as I said above, she also fell in love with Naoya because he fell in love way too hard for Saki and his determination to be her boyfriend. Itâs not difficult to see why people love her, because she is the shy girl that opens up, she is the girl that everybody seems to like in series of this type. She really starts restricting her love for Naoya because she doesnât want to hurt her friend Saki, but she keeps getting involved more and more with them to the point she cannot take it anymore, and also confesses to Naoya. She goes all the way supporting him even more after feeling free of saying her feelings, even if she wasnât her girlfriend. Saki, whose nickname is also Saki, way too creative I know, is a girl who lacks self-love, and that is the best way for her to accept the relationship because she also gets overwhelmed by the peer pressure she is subject of, she really cannot get around that in any single way. And I know, we need her to accept other girls for the harem and she actually gets to like Nagisa in a way, but she really only accepted her because her boyfriend has his head way up into his own ass alongside Nagisaâs pleads. This girl seriously needs to think by herself, she is seriously overwhelmed by the most minimal petitions if many people tell her to do it, she never overcomes this, which makes sense because she never gets time to work on it as people keep pushing it into her. I honestly feel a little bad for her for this reason, but I guess that stuff usually happens. And I left Mirika left for a specific reason that I will get to in the next paragraph, without a doubt Iâll say she was my favourite, but definitely not from the start. The why is very easy to see, because she has a reason to be with Naoya thatâs not as dumb as the other: because she already wanted to be his girlfriend. Thatâs it. She did it on a whim, and that honestly made me think of her as bad as the others, however as time passed, I was getting more endeared to her. I mean, isnât this girl a bad person? She literally kidnapped the MC 2 times and drugged him once, this girl is crazy, but aside from that stuff, I noticed that whenever she went on a date with Naoya, it seemed like the moments were a bit less comical, in fact, those were maybe the only dates I could take seriously even before getting a fondness towards her. And at this point, Iâm overselling her to you, because she is as dumb as the other characters too and has as much self-love as what you would expect from a girl in a harem series, but hereâs the catch, after she actually fell in love with Naoya for actual reasons, she wanted to monopolize him, she wanted Naoya for herself, which is natural even in this kind of series, but when your competition are these other girls, then maybe being of a regular kind isnât that bad. Up to this point I havenât said anything good about this series, because I really donât think this series was something good, not even over 100 chapters in. But actually, the series proved me wrong in some way, chapter 124 appeared and it was completely focused on why a harem doesnât fucking work if it is made completely out of love, because you wonât be able to love everyone equally, people will get their feeling hurt because they know that sometimes they wonât be the preferred one, this whole speech made by Mirika is honestly what makes me think these over 100 chapters of absolutely nothing but bad jokes happening was worth something. This was finally a completely genuine, competent, non-idiotic, factual dialogue that made perfect sense and said why most harem series are dumb no matter if you enjoy them or not, because what Mirika said in there was true, and I honestly wasnât expecting this from this manga of all things. There are other harem series that I like more that donât have this kind of speech which actually makes sense out of why harem endings are not the norm. And this whole thing came when Saki actually decided to break up the two-timing specifically because she feels bad for it because she sees Naoya loving another girl the same way as her and it hurts her. And let me tell you again, Iâm overselling you this, after that chapter the manga didnât become good, it just became readable in some way I could at the very least pay attention and engage with this, the only thing I can wonder is why did it take over 100 chapters for something that I genuinely enjoyed to happen? I honestly donât know, but if I had dropped this earlier as I had considered, I wouldnât have the appreciation, even if only minimal, that I have for this series now, because this was the best dialogue scene in the entire series. Of course, after this comes the conclusion, which is Saki accepting that Naoya is a shithead that wonât rest until he gets his harem ending, which is in character for him, Nagisa supporting him no matter what because it is in character for her, Shino wanting to be there too because it is in character for her, and Saki accepting by getting overwhelmed by peer pressure because it is in character for her. This whole mess was actually solved in the same way the manga has been going, but I was in fact paying it some kind of actual attention. Of course, the whole thing of Mirika getting rejected goes as well as you would expect, after all, the whole manga was created under the premise of âwhat if I write a story where everyone wins?â, and so after some chapters of drama with Mirika, she also accepts being part of the harem, which feels forced as that is against her whole character across the manga. What? Knowing the harem ending isnât some kind of thing that ruins the story, it is the whole premise that the manga was going about, even said by the author Hiroyuki himself long time ago. Something to note is that in the last chapter, Naoya explains why he is the way he is, why he fell in love with Saki so much, they have a nice little conversation, and I can just wonder why it took so long, it makes me feel as if I could have liked this series if it wasnât dumb shit after dumb shit again and again and again and again. Maybe Iâm not fond of the comedy in any way, I canât promise one day I will open up to the comedy featured in most anime series which I just think is terrible, because comedy has always been a big problem for me in general, so I cannot say this was good in any actual way even if those two dialogues save it from being abysmal. Thank you for reading.