Monster

"Look at me! Look at me! The monster inside of me has grown this big!". Is the righteous path always the right path to take? Is it possible to regret doing the right thing and standing for justice? Is a righteous choice with a bad effect a good choice or a bad choice? How far is anyone prepared to go to correct what wasn't wrong in the first place? In these questions we find the basic premise of Monster. Monster is a brilliant piece. A thriller with a story so unified, steady, complex and without plot holes that puts 99% of all thrillers (be them books, moviesor TV shows) to shame easily. It is very well thought out by its creator and manages to keep you interested even in its most calm scenes. I do have to say I haven't watched the anime, so I won't be making any comparisons, nor will I tell you which one you should watch. I decided to review this after seeing that it had just a few reviews, which surprised me since it ranks 4th. [Story] - 10 - The best thing of this manga, in my opinion. First of all let's talk about the style of the narration and story-telling in general. For those familiar with Naoki Urasawa, you are probably aware of his particular style of story-telling, which isn't anything short of amazing. He moves the story along at his own pace, slowly introducing more and more characters, more plot points, which answer some previous questions by providing additional questions and mysteries. He also makes a great use of the manipulation of time, adding a lot of flashbacks and time leaps all the way through the story. Those flashbacks are like small puzzle pieces that slowly build a bigger picture that enable you to understand certain situations and certain actions of the main antagonist. This author’s style meets its peak in Monster, in my opinion. The flashbacks complement each other wonderfully in a way that leaves nothing unexplained. A lot of complex stories fail when they try to set up more mysteries than what they can handle, thus not giving a satisfying solution to some or even most of those mysteries, that is highly frustrating. But Monster doesn't have any of that. Even though it feels like the story takes epic proportions with more and more stuff being thrown together, slowly but surely everything comes to make sense. The perfect metaphor for Monster is definitely a puzzle. A very complex puzzle with a big number pieces to use. In the beginning you can't really tell anything of the picture, you merely see the outlines and get a general idea of it by looking at the scattered pieces. But slowly, as you piece one upon the other, everything seems to fall into place. There are no pieces missing and in the end you look over the picture as a whole and see that you have an extremely concise, completed puzzle. But I have to say there are a few extra pieces. Monster has some arcs that aren't completely vital to the main storyline and end up being used merely to build up the characters and their experiences. That is good and bad. It's good because it makes for a more complete and filled story, but bad since it takes a bit of a toll on the overall pace of the series. Another thing that is very good about the story is the way the author managed to wonderfully present the story in several different angles. Even though Tenma is the main character, we don't always see things through his point of view. This helps us envision the situation as a whole by understanding the several sides and forces colliding here. Some of the most interesting scenes for me were the scenes with Lunge as he pursues Tenma. Those really gave us an overlook of Tenma's situation in a whole different perspective. To sum it up, the story is great and manages to be complex without plot holes, also presenting us several characters’ points of view which only build up the reach of the story itself. [Art] - 8 - The art is good. It's not amazing, but still good. Not much to say here. It portrayed the emotions of the characters in a subtle but clear enough way which was nice. Also, the characters actually aged and changed throughout the years, which was a nice touch. [Characters] - 9 - Like I said before, the story isn't limited to Tenma's POV, but actually shows several other characters' too. This actually helped the character development of those characters significantly. The characters change a bit throughout the story and their goals and actions are constantly changing with the new information they're uncovering. Johan, the main antagonist, is a very interesting and quite intriguing character. In fact he's one of the best villains I've seen, managing not to fall in any of the villain stereotypes, creating a unique character that expresses so much. As we get to know him better our idea of him slightly changes, but it also becomes more and more intriguing and by the end I think that out of five different people you'd get five different descriptions of him. That just goes to show how complex he is and how well he was developed throughout the story. [Enjoyment] - 9 - Before I started reading I honestly thought it'd be a boring manga. You know the type. Those mangas that are very well done, they have lots of details, but all in all, you just can't have fun reading them, they're just not alluring enough. Well thankfully Monster isn't one of those. As I read in a review before I started, Monster's a real page-turner. As the mysteries start getting deeper and the plot develops and gets larger and larger, you can't help but get sucked into the story. You have to keep reading because you have to understand what's going on, what lead to this situation and what's going to happen next. Though there are some parts where the pace tones down a bit, most of the manga is a great ride that'll make you want to keep reading all the way until the end. [Overall] - 9 - Overall it's a great read that I can safely recommend to anyone. It's a bit long, but trust me it's worth your time and after a couple of volumes you'll stop worrying about how long it is since you'll start getting into the story for real.

I've read and seen a lot of critically acclaimed fiction in my life. Some became my favourites, while others were so-so. Monster, however, is the first instance of me coming across a critically acclaimed fiction that turned out to be truly, truly terrible. And I'll be honest, even though I have tried to be as objective as possible, my intense hatred for its completely undeserved reputation is what motivated me to publish this review. It's ironic that my single biggest issue with Monster is what its fans claim to be its greatest asset, the villain Johan Liebert. It's very clear what Naoki Urasawa's motivation was behindcreating him. Johan was supposed to be the embodiment of evil, someone who could commit crimes without the least bit of guilt and remorse. That's all very scary and stuff, but I ask you this, my dear reader. If I raise a person to be a terrorist, and the person turns out to be a terrorist, does that make the person evil? Because without spoiling anything, that is who Johann Liebert is. A person designed to be evil, and therefore not evil at all. Naoki Urasawa failed to comprehend this simple fact that what makes a villain interesting are their own convictions and emotions, born out of an intensely personal birth; not some contrived backstory where every Tom, Dick and Harry would influence the character. But Urasawa's amateurism doesn't stop there. Not only did he make his villain essentially meaningless, he genuinely doesn't believe it's possible for people to turn out to be evil unless someone conditioned them to become as such. We come across many bad guys in his manga, but time and again, we see that the only ones capable of committing crimes in cold-blood are the ones who have been conditioned to be like that; everyone else, be it alcoholics, robbers, murderers or whoever, end up feeling guilty or remorseful. Hell, even the people who made Liebert who he is have become kind and empathetic with age. I’m sorry, but this is an unbelievably juvenile understanding of human psychology. People don’t need to be conditioned into becoming terrible, and more often than not they aren’t. And as far as fiction is concerned, the greatest villains are always the ones who became who they are by their own convictions and ideals; Bondrewd, Griffith, Makishima, just to name a few. Talking about Liebert is incomplete without talking about Tenma. Tenma is the single most archetypal “good guy” that you can imagine. He is very kind and friendly, he always helps everyone out and he thinks all lives are equal. Of course, there’s nothing wrong with all that, but there’s nothing interesting either. On one side, you have a villain who isn’t evil or frankly even interesting, and on the other side, you have the most naïve do-gooder in the history of popular fiction. The result? One hundred and sixty-two chapters of mind-numbing slog, filled to the brim with filler which only serves to show you how much of a good guy the good guy is. I hope this doesn’t count as a spoiler, but the good guy is vindicated in the end. So yeah, the message of Monster is, everyone is equal, everyone is inherently a nice human being, and the only way you can become terrible is if someone turns you into one. Even if you believe in such a comically simple worldview, I’m sure you didn’t need Urasawa to realize it. Thank you for reading.

I loved this Manga, one of my favourites, and the first Naoki Urasawa manga that i've read, and this has definitely made me want to read more of his work! SPOILER FREE STORY: I've spoken with friends who are big fans of 20th century boys (which i've started to read) and i've been told a couple times that the story is a little hard to get into. I do see what they're saying, it starts off a little slow but after the short first chapters of set up the reader is thrown into an adventure and chase that never seems to have a dull moment.Completely worth it. ART: I wasn't too sold on the art at first to be completely honest. But I did warm up to it and eventually learned to appreciate it. I was just being picky I think :) CHARACTER: This is where I found some of my friends had problems with... I was told that some people feel its difficult to relate to a doctor, even more specifically a surgeon. THIS is where I beg to differ. When past those few set up chapters you find this character to most very similar to the 'average joe' we've all had times where we wanted to move up the ladder in a work place or at work, wanting to fix your mistakes or more importantly tying with the theme, choosing between what really is 'right' or 'wrong' and questioning even if there is a correct answer. We've all experienced or will experience these feelings which makes the characters, especially the main one relatable. All supporting characters have full depth and are very human with their actions and motives. ENJOYMENT: I found myself always wanting to know what's going to happen next, once you get through the set up you will find yourself hooked to the end. OVERALL: I'd recommend this, just give it a fighting chance and I don't believe you'll be disappointed.

What makes a great psychological thriller? An intelligent plot? Unpredictable plot twists? Memorable, deep characters? Or is it the overall atmosphere of the series? If you're looking for a manga that can give you all of the above, Naoki Urasawa's got your back. Chances are that you have probably heard of Monster before and was wondering if it's as good as some people make it out to be, and to be quite honest, it deserves every bit of praise it gets and lives up to the hype surrounding it. Securing a position at the top of almost every manga ranking site, Monster is a criticallyacclaimed manga that is often regarded as the manga that came closest to being flawless, whether you want to believe that or not is up to you, but one thing is for sure, it's a gem that shouldn't be missed and a must-read for mystery enthusiasts. Monster's story is the aspect that it excels the most in. it features a long, intellectual and complex story with zero plot holes despite its lengh, and somehow manages to be relatively slow paced yet engaging and captivating. Set in Germany, it's centered around Kenzo Tenma, a brilliant brain surgeon, who -out of his own sense of justice- saves a mysterious kid from certain death, not realizing he had just revived a monster, which leads to a series of events that will forever change his life. He then sets out on a journey to fix the mistake he made and restore his normal life that he lost. The story delves into the characteristics of human nature and explores the origins of evil. The story is told from the point of view of several characters, which helps providing a more in-depth view on the occurring events. The pacing of the story is simply amazing, a slow burn which suits the manga's theme perfectly. Of course, with the pacing being slow and all, this manga isn't really for everyone, but the fact that it can keep you interested all the way is something I can guarantee. There are no real "fillers", most of the backgrounds of the side characters are either related to the story one way or another, or help explain the actions of those characters in an effort to flesh out the characters, they were enjoyable as well and didn't derail the main plot. Plot twists are around every corner, the mysteries are solved in a way that builds the suspense and tension towards the climax. It's like a jigsaw puzzle in the sense that it starts out slow and obscure and in time you start to see the big picture. The end poses lots of questions, most of the answers are there for you to find if you put enough thought into it. Urasawa has demonstrated his solid writing capabilities in other occasions, but for me Monster is his best work. In short, one of the best stories you'll ever find in a manga. It was the complaint of some critics that Monster has a wide cast of characters, but that's not necessarily a bad thing. Unlike what we're used to see, the side characters of Monster aren't just there to push the plot forward. Each of them has a role to play in the main plot, with their own stories and motives, stories that reinforce the message this manga delivers, humans are the real monsters. Most of the characters are fleshed out well-developed too, which is something most manga fail at. I don't think there was a single character that was bland and uninteresting. Urasawa pulling that off with that many characters is an accomplishment on its own. The main character, Tenma, is your good-hearted person who believes all humans are equal and cares deeply for his friends. Although he's a very good character, Tenma is outshined by the rest of the main cast. Johan, the main villain (And my personal pick for the greatest anime/manga villain), is a genius, cold-blooded serial killer and a master manipulator, he's the embodiment of pure evil and the kind of villain who would make Hannibal Lecter look like a little girl in comparison. Johan doesn't need a death note or an eye that can control people, all what he has is his wits and charisma, and his innocent features and calm nature make him even more terrifying. Lunge is a character I liked throughout the series. A smart and very successful detective who's in charge of solving the serial killings case, dedicating himself to that to the point of obsession. One of his most memorable habits is how he taps his finger to memorize all what he hears. As for the art, there isn't much for me to say. It was very good, not the best you could find but still great for a 90s manga. Urasawa's art style is unique, he dishes out simple, yet great, character designs, and his talent at drawing facial expressions is pretty evident. The backgrounds were so beautiful and detailed it feels like the characters were just cropped in there, in a good way. I was surprised at how well-written this manga is, it maintained a constant level of quality throughout the 18 volumes. Whenever I read it I just couldn't stop. Monster's atmosphere and cliff hangers left me at the edge of my seat every time, always leaving me waiting for more, that's how a thriller is supposed to be. All in all, Monster is one of the best psychological dramas in manga history, it sets the standards to all other manga of the same genre. If you haven't read it yet, do give it a shot, it's certainly a worthwhile read.