Saint Seiya: The Lost Canvas 2

The second season of Saint Seiya Lost Canvas just finished and I believe it's high time I took both series into consideration and shared my thoughts about them. Forgive me for collapsing the two into a single entity, but once the whole show is completed most reviewers will actually do the same. For starters, it's worth mentioning, that although the series has been up as an OVA for more than 2 years now, we are still only half-way through. This is because at the time the first episode was aired, the manga was still ongoing and only recently came to a spectacular end (at least forthose we have no experience with SS franchise), therefore the animators took their time to polish Lost Canvas OVA instead of come up with poinstless fillers, like most people would do. Thank you dearly for that. I believe that it's a good thing, that the series is split into 13-episode-long seasons which end at crucial moments in the series. By doing so, the studio managed to pace the title just exaclty right and omit adding extra content or re-cap episodes just to buy some time for the manga to gain the distance. However, now that the manga is finished I'm sincerely hoping that the two final seasons will be delivered sooner than the previous ones. Otherwise those will be really painfull 4 or so years... The story may appear a bit cliched with straightforward shounen backtracks at the first glance, but if one looks just a little bit deeper it may appear that the initial thoughts are somewhat invalid or distorted by the fact, that shounen series these days offer very little and in consequence blunt our-the viewers' hopes for new franchise(s). The grieveness of this idea is multiplied by the sincere lack of anything that would only little go beyond the accepted cliches of good guys fighting against bad guys. In Lost Canvas this small glimpse is represented not so much by the plot but by the characters and their overlapping development over the course of events. The authors are not scared by the fact that they have to deal with so many people (if we only consider the Golds it's 12 people already!!) and this accounts for supreme control over the content which appears on the screen. Every character gets his or her 5 minutes (the leads of course more), most motivations are solidly backgrounded and although some situations may apper too 'captain-obvious'-like, it's still refreshing to see the characters struggle not so much to defeat the enemy, but rather to survive in the end. Of course, this appears to be rather difficult in the rough SS world (sorry for the abbreviation, it's Saint Seiya obviously :] ) and people really die when they are killed, but it's for the best: we can move with the plot and grieve for all those who lost their lives, not necessarily reminiscenting about them every moment possible in every flashback possible (Hello there Naruto bozoos!). The characters' strength lies in their difference. Even among the Saints or the Specters you will rarely find the two alike characters. Sure, the Golds are obsessed with fighting (you can tell just by their spiky hairstyles though :> ) and the Specters are obsessed with killing the Golds (this, well, you can tell just by looking at them :] ). Both the teams fight for their own leaders though, and although I do understand why 12 men wearing gold pants are into a lovely 18-year-old goddess from the Age of Myth, I still find it difficult to accept the other side of the fence admiring a dark-haired boy who loves to lick blood from the floor or play with his puppy-of-a-cerberus. I also like the main character - the Pegasus Saint Tenma. He's a much better folly then his 20th century counterpart - Seiya, more decisive, less annoying and definitely more intelligent. He also appears to be slightly more talented than Seiya, which comes across as being crucial in some of the battles and saves his life on occasion. As we will learn from the upcoming seasons his background is also more solid than Seiya's and includes much more twists and wicked characters. Through the 90s' series Seiya appeared to be more of an 'accident' of a Saint, than a fated warrior whose destiny is to aid Athena in her final battle against Hades. Tenma is..., well exactly this definition with the small add-on: 'Oh Gods, I carry a torch both for Sasha and her brother Alone, who, erm, happen to be the Athena and the Hades'. Aside of that, he's a perfect protagonist. He shows up occasionally, isn't omnipotent and is far from being strong, even by the end of the series. He also understands, that since he cannot bring Alone back, he will have to take him down eventually. The other characters are also a far better counterparts to their younger brothers and sisters from Saint Seiya the original. That may be, because we live with these people and most of them serve as not only mentors for Tenma, but also a rather eloquent battle subjects. The original was, at this particular point really scarce. At least half of the Sanctuary warriors died in the initial battles against the Bronze, only to be later revived by Hades - thus we know very little about them in general. Another kudos should belong to two other protagonists: Sasha aka Athena and Alone aka Hades. They both play their roles splendidly, while introducing a more complex twists into the plot. Although you may find Sasha to be a bit too kind and extraverted at first, her 'alter ego' - Alone, is exactly the opposite. Cruel, decisive and a bit emotional version of one of the darkest and most well-known villains in the Mythology and yet you nearly believe in the world he's pointing at: without wars, killing and cruelty. The only problem is, this also means the world without humans. Graphically and soundwise the production nearly reaches perfection. Of course, it's an OVA, anything lower than perfection is unacceptable, but the studio put so much care and heart into making this beatifully drawn manga into something of this quality, that it cannot remain untold. Every aspect of it, starting from extra smooth animation, detailed drawings and beautiful backgrounds to nearly non-existent CGI is a work of art. There is not a single episode of a less format than it should be, and that's good. It's the kind of enjoyment many of us have been waiting for for nearly a decade. The graphics also prove, that making the series into OVA rather than regular TV show was a much better solution. By doing so, the animators could retain the original concepts and beauty of the manga without rush and with more money to spend. Action scenes are really good and some could easily become a good show-off for all those, who aim at superb quality but end up doing rubbish instead. Special attention is required when we want to discuss the way the Cloths (armors) look. It's a completely different level from the ones availbile in the old series. Although I do like the old designs, the new cloths, while retaining the spirit of the originals, are far better looking, slicker and more modern. The music is composed by Kaworu Wada, who made the entire OST for D-Gray man. Back in that show, I loved his creations and Lost Canvas is no different. The music is for most part fantastic, climatic and well suited with the tone of the series and the development of the characters. For some scenes you don't really notice it's there but for others it's crucial and without it the moment wouldn't be even half that good. A separate paragraph should also follow the opening and ending sequences - those are fabulous. At first, I didn't quite like them as I'm not a fan of the Japanese artists singing English lyrics. This time around, however, what I usually assume to be something weak turned out to be so good, that I tend use my utter singing abilities to perform it occasionally in bath :] (a joke). The Realm of Athena, obviously, is a living proof of the Japanese using English consciously and nearly flawlessly - and for only that, you should check it. The ending is also good, but it gets old pretty fast, on the contrary, The Realm of Athena is a neverending feat that, when pops up on my playlist, reminds me of this great series instantly. Voice acting is definitely the weakest part of the OVA, and although the studio hired pretty well-known people to do their work as seiyuus (Hirano Aya, Hiro Shimono, Tetsuya Kakihara) some parts just don't go too well with the epicness of the scenes. I tend to like Aya-san which voices Sasha and Tetsuya-san as Tenma, though. These two seiyuus really did their best to input as many emotions into their animated characters as possible and it paid off. It's really difficult to credit something which is still on-going, but I'll try to pass the final verdict. Lost Canvas is a v.good OVA series, mainly because it follows the manga consequently and consistently leaving aside no room for fillers or recap episodes. Therefore it borrows all the good and bad parts of the manga, while retaining the general idea intact. For a shounen it sure is refreshing, to see the series which ends in 200-- chapters rather than a thousand or so, but I still can't get this odd feeling off, that it's a sheer rip-off from the original series. Although you do get a lot of new characters, a more developed protagonists (Saoru from Kurumada's manga was very very weak) and a better development of the other Saints beside the Pegasus and his henchmen it still is a good old Saint Seiya show. Thus, if you have nothing against battles that end in one-two attacks, overpowered and shiny armors and are into beautiful animation, epic ost and memorable characters - the series is for you!