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恐怖伝説 怪奇!フランケンシュタイン
1
TV Special
Finished Airing
Jul 27, 1981
Airing on TV Asahi in 1981, with a running time of 111 minutes, Frankenstein is a reasonably standard retelling of the classic book by Mary Shelley. In a foreboding castle scientist Dr. Victor Frankenstein performs a hideous experiment which he hopes will bring the dead back to life. With the help of his assistant he is successful in reanimating a man recreated from parts gathered from corpses but the creature is unpredictable and horrifying. The doctor flees back to his home in Switzerland leaving his assistant in charge of destroying the monster. But Dr. Frankenstein soon finds that he cannot hide from his shameful secret forever as mysterious murders are committed around him forcing him to question if his creation really is dead and gone...
6.3/10
Average Review Score
38%
Recommend It
8
Reviews Worldwide
Someplace, lies in the recess of collective psyche a piece of Austrian Switzerland, a craggy network of mounts and valleys of which the Liechtenstein represents most vividly its expression. Indeed, disheveled minds would be prompt to populate the Schloss Vaduz's walls with the figure of doctor Victor Frankenstein. The mythopoeic representation of a Swiss Prometheus trying to vainquish Death can only excite reveries amidst the somewhat monotonous landscape of the Alps. However, one has to wonder what led Toei animation to produce a TV Special around the Monster of Frankenstein by mid 1981. Up to this year, Mary Shelley's myth had been seriously dented bya vague of terribly executed movies commissioned by the decaying studios of the Hammer. Although the powerful performance of Boris Karloff had shouldered this bumbling grind for a while, beholder's lassitude quickly reared its ugly head. Does this animated movie turn it round and update the franchise? Or does it act as classicist gateway to the novel? Is it successful at either of these aims? Before replying these questions, let us venture into an overview of the title at hand. In a daring narrative stance, "Kyoufu Densetsu Kaiki! Frankenstein" opens to the iconic sequence of the monster's revival. Of course, the doctor is firmly convinced of the righteousness of his scientific approach. Not so much for Zuckel, his assistant, who fears the experiment's outcome. What is the forceful is how the presented protagonists look so different from the rest of the length. Victor Frankenstein is a stern man, his assistant acts as the removed voice of the reason whereas the monster looks genuinely baleful. After the disposal of the threat, the ensuing ellipsis resets characterization. It is as if the exposition and its following were directed by different persons. For instance, the gothic background art of the beginning leaves place to a more serene setting reminiscent of a series like "Heidi, girl of the Alps". The focus on Emily, the doctor's daughter, further embodies this tonal shift. This esthetic change, albeit harmed by an off-character Zuckel, is an interesting choice to catch viewership off guard. Nevertheless, it fails to deliver as the first half of the story unfolds in an unsatisfactory way. The violent crimes, arisen to trouble spectator's lethargy, serve more to foreshadow Zuckel's shenanigans than the reappearance of the monster. It is highly detrimental to the atmosphere as the spectator is more keen on guessing Franken's creeping presence than some mundane blackmail. Thankfully, after the resolution of this tedious intrigue Franken develops into what is this TV special highlight. Poignant as a self loathing creature, tugged between anger and disarray, he delivers some powerfully moving scenes. It is unfortunately spoiled by the contrived twists of fate, turning an already disappointing tale into an inconsistent misery fest. These will not be revealed to you, reader, to keep your viewing experience intact in case you decide to still give the movie a try. Be only advised that the erratic quality of the storyline must be approached carefully. We have seen together most of the characters. Little more emphasis ought to be put on inspector Belbo and the grandfather. The former, a hilarious lookalike of the inspector Kojak, serves sadly little purpose to the story other than to show that police exists and does decent work. As for the grandfather, his impaired sight, could have made for plot worthy misunderstandings. It is not exploited so that elder figure ends to take on the shirt of the stereotypical wise blind. In terms of production value, this movie looks like a slightly darker episode of "Heidi" in tone. There is nothing to write home about it. Same applies for the standard drama soundtrack delivered by Haneda Kentarou. I do not know if it is specific to the western versions, but the highly anticlimatic music as Franken approaches the grandfather's shack sabotages what could have been another memorable scene. If Emily sings and her grandfather plays the guitar, why not letting us listen it instead? All in all, it is easy to tell why "Kyoufu Densetsu Kaiki! Frankenstein" has been so obscure. It does nothing noteworthy to dust the franchise off. If you need an instance of a successful production with the updated concept look no further than Robert K. Weiss' "Weird Science". As for Japanese animation, "Kyoufu Densetsu Kaiki! Frankenstein" remains an unique case. Toei despised stylistic risks in favor of a more accurate approach as any self-respecting entry from the World Masterpiece Theater. This effort, not completely laying to waste, is commendable. However, its lack of mastery in doing so signs its ultimate demise. Actually, it fails to touch significantly an audience niche because of the introduction of sappy scenes in discordance with far too dark thematics. Too carefully calibrated to win over the deviant cult who jeered at Dracula eating a Whopper in "Yami no Teio: Kyuuketsuki Dracula" and not polished enough to compel the respect of purists, the Frankenstein myth lays dormant in the limbo of its former luster. In a way, this production is not unlike its eponymous character, a stitched up attempt to channel disparate elements back to life... Praise be unto Sacred Geometry~ ..| Colophon |.. This section is dedicated to content indication in order to inform audience in a practical way. On the next paragraph, the buzzwords offer hints about the title's strong suits and drawbacks. Violence meter: Graphically, this appears to be a family friendly production. Yet, the grimness of certain scenes makes this innapropriate for most children. A slain dog and a decapitated horse head among other things should dissuade anyone to screen it to younger audience. Reserve it for the +13. xXx meter: Among the jarring elements of this TV special, ecchi fanservice does not stick out like a sore thumb. Blessed be to retro animation! Fishing scene(s): So, Emily teaches Franken to make bread but not even fish in the nearby river? What a letdown. POSITIVE aspects: + A serious literature classic adaptation + An interesting time capsule + Good character development when it comes to the anti-hero + Undeniable dramatic intensity in certain scenes + Some potential in terms of atmosphere NEGATIVE aspects: - Lack of visibility - Lack of consistence - Erratic pace in storytelling - Some contrived drama for the sake of tragedy - Dated art (even for the era)
I watched Kyoufu Kaiki! Frankenstein (also known as Monster of Frankenstein and Frankenstein Legend of Terror). An Anime movie from 1981 based on Frankenstein. I watched the Dub that was made in 1984, so one of the older Dubs out there. Most of the voice cast seems to not be VAs I’m used to, but Emily sounds like Nunnally from Code Geass. The movie was enjoyable, but flawed. For the first half it seemed like they were dropping the usually sympathetic depiction of the Monster. When it does come into play, it makes the first half feel poorly executed. It’s clearly amainly Universal films inspired project. Somehow they got away with even using the look for the Monster (who gets named Franken here) that Universal owns the Copyright to. Though evidence the writers had read the book exists maybe in that this is a rare film where like the novel Victor Frankenstein rejects his creation immediately. There is a take on the Blind man who’s nice to the Monster, taken from The Novel but mostly made famous by Bride of Frankenstein. The movie gives Victor and Elizabeth a daughter, named Emily. While that is new, Emily seems inspired by the girl who gets thrown into the pond in the 1931 James Whale film, they don’t recreate that scene, but numerous hints tell me that is the case. Of course you could also compare her to the little girl from Ghost of Frankenstein. She also shows that Moe in Anime is nothing new. Inspector Belbo seems very Columbo inspired, how popular was that show in Japan?
This thing goes on way longer than it needs to, but I watched this at x1.5 speed for most of the runtime, so I was fine with it lol. This is a remixed version of Frankenstein turned into some weirdo quasi-sequel where Frankenstein's son complete's his dad's research and then the monster escapes and wreaks havoc on his hometown, where everyone hates him and he learns to accept being hated, because humanity isn't good enough for him. Dr. Frankenstein's descent into madness as a result of targeted tormenting, Frankenstein's monster having fun baking bread with the little girl and then later punching out a fucking bear, thebadass bald detective guy who is too smart for the case and nonetheless still gets consumed by the inevitable mob against the monster... there's a lot of good B-movie stuff wrapped in this really silly story. The part of the movie that makes me give it 3 stars? The monster, knowing that crosses are holy, goes to a church and prays before an icon of Jesus, hoping that he'll be saved, and then getting shot at by Dr. Frankenstein, who shouts, "There's no sanctuary for you here!" Powerful stuff for a B-movie anime OVA. That, and old pre-90s anime dubbing where everyone talks at motorspeed because they want to fit every bit of dialogue possible into each mouth flap. That stuff's funny.
Overall an 8. seen via eng dub note: you may see a time issue. you may be watching the 88 minute version not the longer one listed here. Some say the 88 version is incomplete because of this but they are wrong. The difference is the commercials. yes, that is the reason behind the difference. So, with that said in mind the person who is wrong are those claiming the longer version 150 or so minutes. Pros and cons Pros - very touching piece - artwork was decent -voice work matched the lipsCons -not please really on the ending. Would have like a nicer way because i felt bad for the innocent monster. Blame not the victim but the creator. alas, thinking more on this matter would a happier ending made it better? upon further pondering given the ending message and how the intro went i think the way they chose to end this was the only way.
this movie i feel is a bit over looked i watched the subbed version base on other reviews the different dubbed versions might have lower quality if comparing it to the original american frankstein this builds on its ideas in many ways for characters the assistant has more of a character frankenstein himself is much more build up and is while not a complete villain it clearly shows him to be a very flawed person the monster also was built up more doing a very good job in showing a greater depth of him and more time focused on those aspects then the classic moviethis also gave everything better structure by giving frankenstein a family this allows more drama and giving frankenstein relatable concerns with what he did for the animation it was not very good i would give it a 5 it does enough to do what its meant to but no scene looked notably impressive the sound does a bit better with music help setting things up and doing a decent job of it and while the japenese voice acting was not great there are enough moments were the it does a decent job in properly giving the intended emotions the there are times it is a bit flat but older anime movies had this problem so i feel this put a little more more effort then average over all if you seen and liked the original american frankestein this build on the themes of it while adding things to increase the depth that is why i gave this a 8 as it did many things you would want with a frankenstein movie