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シャンピニオンの魔女
12
TV
Finished Airing
Jan 9, 2026 to Mar 20, 2026
For as long as the locals can remember, the Champignon Witch, Luna, has lived hidden in her cottage on the outskirts of the kingdom, deep within the Black Forest. Despite her occasional trips into town to deliver medicine, no one dares to come close to her as poisonous mushrooms grow everywhere she goes. Furthermore, as a black witch, Luna must lay low to avoid execution, as the kingdom only acknowledges and accepts white witches. Luna's lonely life turns around when she saves a dying boy named Lize. Upon learning that Lize is destined to become The End of All Things, Luna offers to become his teacher and stray him away from the path of evil. She must overcome her inexperience and create a great magician out of Lize to avoid his execution. [Written by MAL Rewrite]
6.7/10
Average Review Score
38%
Recommend It
16
Reviews Worldwide
A Story That Stands Still — Beautiful Intentions, Frustrating Execution I really wanted to like this anime. The premise has heart, the themes revolve around love and loneliness, and the world has the ingredients for something meaningful. Unfortunately, despite all that potential, the series ends up being one of the most stagnant and repetitive viewing experiences I’ve had in recent memory. I cannot recommend it. The central problem is simple: the plot barely moves. Episodes pass with the illusion of progress, but very little actually changes. Characters spend long stretches reflecting internally rather than interacting with one another, and meaningful developments are constantly delayed or undone. Bythe end of the season, it feels as though we have watched many hours of buildup without receiving a satisfying payoff. Repetition is another major issue. The show relies heavily on internal monologues, especially from Lize, and those monologues often cover the same emotional ground episode after episode. His thoughts circle around the same fears, the same doubts, and the same feelings with minimal variation. Instead of deepening his character, the repetition makes the narrative feel stuck in place. Compounding this problem is the story device surrounding Lize’s memory. He repeatedly loses what he has learned and must start over, which effectively resets his growth on a near-daily basis. Any progress he makes is quickly erased, making it difficult to feel invested in his development. When characters cannot retain their lessons, the story itself cannot advance. Communication — or the lack of it — is another source of frustration. Many of the conflicts in the series seem solvable if characters simply explained themselves clearly. Luna, the main character, spends much of the story helping villagers in secret while remaining largely silent about her intentions. As a result, she is feared and misunderstood. The situation often feels artificially prolonged, as though the plot depends on characters withholding basic information rather than confronting problems directly. Luna herself is written as extremely withdrawn to the point of near-total silence. While this may be intended to emphasize her loneliness, it also makes her feel emotionally inaccessible as a protagonist. She rarely initiates conversations, rarely explains her reasoning, and rarely drives the story forward through her own choices. This lack of communication limits character development and makes it difficult for the audience to connect with her in a dynamic way. In contrast, Lize — despite his repetitive internal dialogue — at least brings some energy and emotional movement to the narrative. That said, there is one aspect of the series that genuinely works: its portrayal of unrequited love. In the final two episodes, the story finally focuses on Lize’s feelings for Luna and the painful realization that her heart belongs elsewhere. For the first time in the series, characters engage in a meaningful conversation rather than endless internal reflection. His interaction with the Wind Magician provides guidance, emotional clarity, and a sense of closure. Because the characters actually speak to one another, the audience is finally able to feel something real. The plot moves, even if only slightly, and the emotional stakes become clear. Those final moments demonstrate what the show could have been — a thoughtful exploration of love, loss, and acceptance. Unfortunately, they arrive too late and are surrounded by too much narrative stagnation to redeem the overall experience. In the end, this is a series defined by missed opportunities. It has a strong thematic foundation and a heartfelt message about love, but it buries that message beneath repetitive storytelling, minimal character interaction, and a plot that struggles to move forward. For viewers seeking meaningful progression, engaging dialogue, or satisfying character growth, this anime will likely feel like a test of patience rather than an emotional journey. I cannot recommend it.
Click an episode to read its synopsis.
A different kind of fantasy, with more drama than adventure. Although the excess of drama is what ultimately took its toll. The first four episodes of this anime are a delight. In the first two, you have the drama of a witch who is poisonous and cannot interact with people. Even so, she is very interested in human culture and wants to learn more about them. Then begins a whole journey to discover the witch's loneliness and how she longs to love and be loved. The whole theme of love is handled excellently. She is a witch who cannot touch anyone else; how do you transmitlove without physical contact? Through magic itself. Only, like everything in the world, there are consequences. This is where decisions are made, and the viewer can feel the real weight of those decisions. A drama about loneliness and optimism that hooks you from the first episode. Episodes 3, 4, and 5 expand the world. It's not just about the drama. But it's about the political and power structures among the dark witches, the white witches, and the kingdom itself. The role of each in protecting the people. How each role allows some to be praised and others discriminated against. It's a world-expansion that works because it proposes interesting things. It reveals a common enemy: "The Ruin" and "The Seeds of Ruin." Up until the middle of the season, the anime had a very clear story to tell and the direction to take it. The problem arises in the second half of the season with the introduction of a male co-protagonist. The theme of loving and being loved becomes a constant, with Lize as the central figure. However, the anime never manages to overcome this hurdle. It becomes very repetitive and redundant. Furthermore, it shifts the focus away from Luna, the main protagonist. In the second half, Luna is completely relegated to a mere secondary character. This is frustrating because it was precisely because of her that the anime was interesting in the first place. Lize hogs so much screen time that instead of empathizing with him, you end up developing a certain level of hatred or rejection. The story stagnates during Lize's arc, which doesn't even conclude at the end of the anime. It's clear the story still had many interesting things to explore with Luna in charge, but it didn't know how to properly introduce Lize. This works completely against it because it only makes you lose interest the more episodes focus on Lize. It's a shame because this anime had everything to shine, but it only used one character to ruin everything that was initially built up.
This anime feels like a case of wasted potential. It starts off strong, with a charming tone and an interesting premise, but it begins to stagnate midway through and only gets worse toward the end. At a certain point, the pacing becomes unbearably slow and the story loses its sense of direction. What should have been meaningful development turns into drawn-out scenes filled with little to no progression. It ends up feeling like constant rambling rather than a narrative that’s actually moving forward. The characters also take a noticeable downturn halfway through. Luna’s awkward, overly meek personality becomes more exhausting than endearing. Claude’s tsundere behavior quickly shiftsfrom amusing to irritating. But the biggest issue is Lize, his repetitive internal monologues become insufferable over time. Ironically, his introduction marks the point where the anime really starts to decline. Visually, the show begins with a charming art style and decent animation, but that quality doesn’t hold. As it goes on, it starts to feel noticeably low-budget and less engaging. One positive I can give is the changing outfits for the main characters each episode, it’s a refreshing detail. That said, the fashion itself isn’t particularly memorable, so it only goes so far. The music is… fine. It’s not bad, but it’s nothing that stands out either. The final episode is somewhat refreshing, but only because the story finally makes actual progress. Unfortunately, that just highlights how stagnant the rest of the series was. A finale shouldn’t feel like the first time something meaningful happens. I’m not exaggerating when I say the pacing is one of the show’s biggest flaws. It’s filled with excessive dialogue and internal monologues that don’t contribute much to the overall story. That’s especially disappointing because this is the kind of series that’s supposed to rely heavily on its narrative and characters yet those are exactly the elements that end up dragging it down. Given how poorly the second half was handled, I don't think this anime will get a second season. Which is unfortunate because it genuinely had the potential to be a charming, story-driven series, it just never lives up to it.
In a season as stacked as Winter 26' is, there are bound to be some hidden gems. Champignon Witch is definitely not one of them. Starting with obvious, the animation quality is bad. The entire last section of the last episode is literally a slideshow. I'd say half of any given episode is the viewer looking at a single frame while they wait for something interesting to happen. The character designs do not look good in this series; everything looks like Non-descript whimsical fantasy, the clothes look like they were made by a 43 year old piano teacher for her local middle school's spring musical.There are some creative elements going on with mushrooms and Luna's house, but I give all credit to the original mangaka for thinking somewhat out of the box, and none tho this really bored the production committee. Unlike the last show I completed, KareKano, Champignon Witch is not a show that actually likes being an anime. Everything here feels panel by panel, and there's very little use of creative direction. I guess the OP/ED are okay? But considering you can still see the white outline around Luna, it's not like we're looking at something on the level of Mob Psycho. Music is similarly uninspired and bland, except for the one song that's just the lyrics "Emotional Abuse" repeated over and over. At least Yuki Sakaihara's singing isn't as bad as other singing I've heard this season (My review for Bean Counter will come eventually), but I just feel bad that the guy landed a lead role in a show as bad as this one. The voice cast, in general, is doing their best with what they're given, but it's not nearly enough to save the show. The animation quality is really what kills this show for me, but that doesn't mean there aren't other problems. For one, the pacing is ridiculously slow. I feel like we barely got anywhere in 12 episodes. Champignon Witch also suffers from not really knowing when to start; we don't get to Lize proper until like, halfway into the show, and he's on the damn cover. Episodes feel very meandering, with no real clear goal of where we're going. The characters themselves are not great. I never really bonded or was rooting for anyone. Luna as a protagonist, is not fun to watch, because she very rarely does anything of her own accord. For the most part, the plot happens to her. She has some level of depth w/ her identity as a poison witch longing for love, but it is not executed well. Lize is probably the most standout, as an innocent kid with a secret level of sass, but all of his sass is in his head, so we actually don't get to see him conflicting against the other characters too much. So much of Lize's character happens inside his own head, and if I wanted to hear someone's character reflections, I would read a book, not watch an anime. The overall global conflict is between the white witches, the feds, and the black witches, our guys. We didn't see much of the white witches this season, but the black witches suckeddddddddddd. They got one and a half episodes to themselves, and boy was I not impressed. I have no idea how they've survived as long as they've had, because their way-too-long introduction scenes left me with the impression that they were all nonthreatening morons. My god, I've never seen such a stupid magic council before. The character that pissed me off the most was Claude. I really, really did not like Claude. He's the tsundere jerk, which isn't charming, because the object of his affections and ire is usually Luna, who just lies down and takes it. At least Lize doesn't always take what he says lying down, but again, all of Lize's character is in Lize's head, so it's not like we're seeing much action on that front. This show would be a lot better if its core trio had more of a dynamic besides Claude going "you need to train Lize harder" to Luna. Just as Luna absorbs the poisons of the townsfolk and creates mushrooms, Claude absorbs all the edge from Luna and Lize. Except he can't expel it, so he's just an asshole. Claude is such a dick to everyone that I couldn't get into the trio at all. The mascot characters are there and usually annoying. They have interesting designs, but because this anime hates that it's anime, nothing interesting is done with those designs. I was really looking forward to Champignon Witch, as I've had the manga on my TBR list for a while not. Let me say, after watching this anime, I am in no rush to read the source material.
Champignon no majo is a story about a dark witch that turns poison or negative feelings in this context into shrooms. The more the negativity, the bigger the shroom. I think that the premise of this story is interesting however the execution leaves a lot to be desired. It had so much potential but was ruined by the repetitive dialogue and a stagnancy that I personally have never seen in another anime before. I will start by saying that the first few episodes were introducing us to Luna and her environment and were actually good. But by the time the anime reached the mid to secondhalf, I felt like I was watching nothing in particular. Nothing was moving or developing. It was the same thing every episode with the same monologue by Lize. Concerning the characters themselves: Luna is most of the time silent, only anxious and protective but nothing much is going on with her. Lize starts to be very obnoxious with the same monologue each episode. The crow was even more obnoxious. The others weren't much seen to be talked about. All in all, the characters were stagnant just like the plot. And I find that a waste since the story really had a lot of potential. In the end, I just feel like I watched something and nothing at the same time which left me disappointed!