The Elusive Samurai

Abstract art pieces, advanced visual storytelling, inspired direction and enormous creative energy wasn't what I expected going into Elusive Samurai, but here we are. The sheer quality of artistry put on screen here is even more puzzling when taking into account how simple this story is. The whole plot of the anime works only because it was skillfully elevated with great care and passion. First it is important to note that between those amazing highlights there is a whole bunch of normal anime and this normal anime looks great as well. Art Style is of course enjoyed depending on taste, but you can be certain thatthis isn't a generic looking random show, but bright colorful and energetic one. Even the character designs while fitting with the historic period, are often bonkers and enjoyable. There was a lot of effort put into animation from more mundane/comidic moments to epic fights. Those fights are helped by great choreography full of fluid movement and direction. The biggest strength of the Elusive Samurai shows in the fact that where others would have stopped at having great fights Elusive Samurai decides to show in a creative way more about characters. Sometimes a great sense of hearing will be represented by a gorgeous sequence, characters backstory will have a different style representing his feelings, emotions as a whole might be shown visually, a display of overwhelming power will become an otherworldy spiritual experience. With great direction and good focus a sense of disorientation in character will be skillfully portrayed. As I said the whole show isn't like that, but a lot is which is great to witness and used in a way that makes this competent, but simple story much more engaging. Quickly talking about sound, voice acting is very good but ost, while hitting during the highlights, was pretty unnoticeable. An unfortunate detail important to bring up, in the last few episodes the wonderful visual quality decreases drastically. I talk a lot about simplicity because it is true. Motivations are flat and many of the characters feel one note, but that doesn't mean everyone is like this. The whole plot is focused on the asymmetrical conflict of protagonist vs antagonist. Tokiyuki (good guy) has very engaging chellange of turning from a carefree, kind child into a responsible, charismatic leader while Takauji (bad guy) is a great execution of a simple, evil antagonist. His presence, power and attitude make him great to watch and the violence he is capable of give him a scary aura. Lesser antagonists are also mostly fun. Often very over the top, but in one example even given a small arc making me excited for the future of the rest of them. So yes story isn't anything special, but it's competent enough to be made special by the artistry surrounding it. Now time for the bigger problem. This show is a comedy that tries its hand at mixing itself with tragedy and serious violence. Again comedy is subjective (I enjoyed it), but sometimes the jump from funnies to drama felt too jarring, it felt like a less skilled Gintama. Now it wasn't the worst attempt at doing something like that I saw, sometimes they do it well, but for someone unaccustomed to this approach bad mixing of tones can be a deal breaker. Either way be ready for a wacky show that tries to be serious from time to time. To summarize I love abstract art enough to almost disregard all of the flaws in here, maybe despite them you will love it too.

Comedy is purely subjective by its very nature, and different people have their own preferences in regards to what makes them laugh. Some people like gross-out jokes, some people like slapstick, some people like physical comedy a la The Three Stooges or the Marx Brothers, and that's fine. Everyone's preferences for comedy are valid and unique. But one thing that's really important when you're writing comedy at all is not just timing, but making sure it doesn't clash with whatever else its being used for. Unfortunately, there's a lot of series that think shoving comedy into things where it's not needed or warranted will makea series great, but it's really not. Unfortunately, after having watched the anime of The Elusive Samurai, it wound up being one of those series. Good lord, I really wanted to like this series, but it turned out to be such a mess. Based on the manga by Yusei Matsui, the author of Assassination Classroom, The Elusive Samurai centers on 8-year-old Tokiyuki Hojo, the youngest prince of the Hojo clan, living his carefree life in Kamakura of the 1300s. He shows little regard for the serious responsibilities that come with his eventually succeeding his father as the next shogun, which is typical for a child of his age. Instead of dedicating himself to rigorous training in swordsmanship or archery, Tokiyuki excels in the art of evasion, skillfully dodging his advisors and discovering perfect hiding spots. However, his peaceful existence is shattered when a sudden coup brutally wipes out his clan, moreso when it turns out a retainer that he adored, Takauji Ashikaga, was the one who spearheaded the massacre. Overwhelmed with guilt for being the sole survivor, Tokiyuki contemplates joining his family in death, but his fate takes an abrupt turn when the enigmatic priest Yorishige Suwa suddenly shoves him onto a battlefield. Yorishige, who prophesizes that Tokiyuki will one day become a great hero, leaves the boy with no choice but to navigate his way out of the hands of enemy soldiers. As Tokiyuki struggles to survive against these foes, he finds a new thrill in raising the stakes of his usual hide-and-seek games. With a renewed sense of purpose and the promise of powerful allies from Yorishige, Tokiyuki vows to avenge his family—not through his capability to fight, but through his extraordinary talent for running away. Now, I haven't read or seen Assassination Classroom, manga or anime, so I'm not familiar with Yusei Matsui's brand of comedy. But after seeing the anime for The Elusive Samurai, I've come to the conclusion that...his brand of comedy just isn't for me. But I don't want to be a negative nancy, so for the sake of wanting to be fair, I'm going to talk about the good things the anime has to offer, and there are quite a few things it has going for it. For one, CloverWorks really went all out in the animation department here. Not just in things like character motion, backgrounds, and the costumes, but for using all sorts of experimental animation techniques in a variety of different ways, reveling in being as weird and surreal as possible when it feels its necessary. The Elusive Samurai is at its best when it lets its animation staff completely let loose and experiment, whether it be with intentional rough-shod pencil sketches, Renaissance-style water colors, or psychedelic acid trips filled to the brim with color, symbolism, and crazy imagery straight out of Belladonna of Sadness. I'll give CloverWorks this, they mostly made Elusive Samurai look awesome. I say mostly because it does cut quite a few corners from time to time, with the most egregious offenses being awful CGI models of characters, whether they be riding horses or just...turning to look behind themselves. Like...what? Why even do that? At least Atri: My Dear Moments limited CGI-modeled characters to when they're far into the background. The CGI almost borders on Tsuki ga Kirei levels of obnoxious and in your face. And for the most part, I liked some of the characters. Tokiyuki is a fun lead character who does grow over the course of these twelve episodes and makes full use of his skillset without the series ever making him come off as overpowered. He's not physically strong, but the skills he does learn manage to compensate for his lack of strength, giving the battles more of a tense edge to them, and he manages to have enough personality to be endearing and fun to follow. Alright, this is the part where I have to be honest and say...other than Tokiyuki and Fubuki, none of the other characters are given this same treatment. All the other characters, even the ones in the main ensemble, don't really have much to them except their mission to protect and help Tokiyuki. Kojiro gets some development outside of being just one of Tokiyuki's retainers, but that only happens in the final episode, meaning it's far too late for it to really have any real impact. I'll go into more about other characters in a bit, but I will say this: I fucking hate Genba. He's God awful, but more than that is what the show does with him. No, show, I do not need to see a ten-year-old child not only being drunk off his ass, but sexually assaulting every girl he sees, have the whole thing be played for wacky anime comedy, and have that very same episode end on a close-up of his comically censored genitals. This also extends to the villains, who I really couldn't bring myself to give two shits about because all of them are just generic Saturday morning cartoon villains who you'll only remember because of one exaggerated character trait they have and nothing else. The only, and I do mean ONLY, villain in this series that is given even a sliver of nuance and humanity is Sadamune, but that only happens near the end of the show, and after that he just disappears. All the other villains in this show don't do anything except be out for Tokiyuki's blood or scream maniacally for the sake of forcing unneeded comedy. Speaking of unneeded comedy...you know what? It's time I rip this band-aid off, because I cannot hold back any longer. I want to like Elusive Samurai as a show. I really do. But I'll be honest, watching this was a total chore, mainly because of it's biggest flaws: Both its comedy and its constant use of tonal whiplash. Actually, I'm going to highlight a specific scene in episode 2 which I feel encapsulates everything wrong with the anime as a whole: When Tokiyuki returns to his home, seeing it in ruins, he falls to his knees and openly cries, mourning the loss of his family, friends, and clan at the hands of Ashikaga. It's a moment of vulnerability for him, and Tokiyuki needed to grieve in order to process what had happen to him. The scene should have remained somber...but in the VERY NEXT SECOND, the mood and tone are completely and utterly ruined by a shot of Yorishige Suwa shoving his creepy as fuck smily face in Tokiyuki's line of sight and scaring the bejeezes out of him, complete with exaggerated anime faces on both characters. Basically, not only is The Elusive Samurai's approach to comedy cringy as all hell in that it relies way too much on constant yelling, exaggerated gags, and one-note fourth wall jokes, the show constantly shoehorns it throughout its entire run, especially in scenes where it's not only completely unneeded, but actively clashes with what's going on on screen! Like...do we really need some dude screaming like a banshee as a child's family gets horrifically murdered around him?! This show seems to have no concept of how to balance both its dramatic and comedic moments properly, or is convinced the material won't be able to stand on its own without constant comedic exaggeration amped up to eleven 24/7. I know other series had problems with balancing drama and humor sometimes, Demon Slayer being one such show thanks to Zenitsu, but I've never seen it be so obnoxiously omnipresent as it is in Elusive Samurai. And unfortunately, from what I've heard about the manga, this is a feature, not a bug, so it's here to stay. Uuuuugh. And a lot of the unnecessary comedy is perpetuated by Suwa, the vehicle through which Yusei Matsui espouses all of his weird comedy bullshit. Yeah, not gonna mince words, Suwa pretty much breaks the show for me (Though less so than Genba). Every single time his comically exaggerated creepy as fuck smily face gets plastered on the screen, either the mood or tone gets completely shot to hell and back. I actually think the show works better when he's being a more serious mentor rather than the unhinged banshee fourth wall espousing comedy vehicle the show clearly wants him to be. He's basically the Zenitsu of Elusive Samurai, only his presence is constant and we're expected to just find his antics funny even though they're clearly not. It doesn't help that his so-called powers seem less like actual abilities and more like excuses for him to break the fourth wall and throw in modern or pop culture references that are completely out of place in a show like Elusive Samurai. Seriously, this show thinks its funny when it's just...not, and before you come at me with all your "Oh, you must not like fun!" accusations, I don't hate fun. But I don't like it when a piece of media tries to shoehorn unneeded, unfunny comedy in places where it clearly has no business being, case in point the aforementioned scene in episode 2 which should have been just somber and sad. The Elusive Samurai does have the makings of a good show, and even with its animation hang-ups, it's clear the staff who worked on this show put a lot of hard work into it. I just wish that same passion and versatility was applied to everything else, and if I'm being honest, the anime has put me off of reading the manga. The less I have to put up with Suwa and Genba, the happier I'll be. If you like Elusive Samurai, cool, more power to you. Feel free to enjoy it if you're into Yusei Matsui's brand of comedy. It's not my cup of tea, and that's okay.

Elusive Samurai has solid production values, exciting animation, and coloring at times—in fact, pretty often. Certain scenes remind me of a lavishly animated late 1990s or early 2000s OVA, acting as something like this generation's Hakkenden but with less artistry and a shonen rather than seinen mentality. There's plenty of corner cutting, however, whether it's the use of eye-poking CGI for characters, a slew of stills with motion lines or shaking, or Dezaki-styled "postcard memories" inserts. Nonetheless, the animation is only exciting at a few points, mostly in the first half and a handful of fights later on. Though it's mostly a pretty standard shonenin tone, certain scenes have an arthouse flair, pairing well with the emotions expressed. They especially do a great job of capturing the exhilaration of combat, as the main weaves around arrows and flips past swishing swords, or the backgrounds come alive in an abstract rush of color as he acrobatically makes his way to his destination. The art is usually vivid, sans the occasionally murky surroundings or a shoddy drawing here and there. The character designs for the little tots and cackling villains are distinct, and there's occasionally some decent action. The comedy is mostly obnoxious or plays upon awkward shotacon pandering that is the sanitized otaku equivalent of a white van with no windows and heaps of free candy or lost puppies. The scene where the MC meets the priest (uh oh) on the tree is one of the shrillest, loudest scenes in anime—a truly impressive feat! There's no way one can take this seriously in the beginning, for even when the tears rain down from the MC's googly eyes, and he has lost hope because his clan has been massacred, they pull the same slapstick comedy routine with absurd faces, bulging eyeballs about to pop a la Graves' disease, and the unbearable screeching of ten year olds and shining manchildren! I'd honestly say it's on par with the tone-deaf comedy of Demon Slayer; poking fun at tragedy and drama dynamics can work well, but the humor is usually oozing with unwanted tropey animeisms that are forced into the script as part of the shonen model rather than meshing well. Fortunately, the series becomes lighthearted and whimsical instead of playing it up as a hammy dark drama, and even the oftentimes gruesome blood sprays and gore explode into cartoonish chaos, so the tonal clashes aren't too pronounced, and the humor does mellow overtime. While the concept is acceptable for a story, the execution is less than stellar, and the themes, script, story, and characters are where this series is weakest, flailing like cement clown shoes into Japan's deepest lake. There's your typical quick introduction to a samurai clan, followed by rivers of blood, and finally a bunch of pint-sized heroes rising up to lead an army and save the day. The story meanders around without aim, gradually introduces the bloated cast of thin characters who barely register as archetypes, and shows their special abilities and potential, which means a touch of espionage, a big battle or two with cavalry and soldiers, numerous solo battles, and a whole lot of slinking off into the night with their tails between their legs. The MC lacks proficient combat skills, but he can run away like a champ, while finding many opportunities to lecture adults and inculcate them in the art of retreat. By shonen standards, he's serviceable, foregoing the blockheaded idealism or obliviousness of plenty of others. His traumatic past informs his thought process, and his capabilities grant him with a balanced set of strengths and weaknesses, resulting in more tension and growth than the most bargain bin of shonen. The rest of the characters are basic, and when the MC remarked that he didn't know who Shizuku was because she seemed so mysterious and steeped in the arcane, it reminded me that I could say the same about even the simple Jacks of the cast, most of whom I can't remember the name of. The villains, though similarly lacking nuance, are a bit more entertaining, as they're often sadistic dirtbags, like the traitorous uncle who split too fast, or the eye-bulging archer Sadamune, or even the monkish samurai with literal ants in his pants who has a rare character arc. It could have been a 4-5 in the middle to late portion of the series, but it's so mediocre as it goes on and has a bland final arc, lacking the polish and thrill of the visual elements in the earlier portion of the series. There's not much else to say. It's just a dull shonen with a sloppy-taco story and plain-riceball characters. There are bursts of stylistic excess, but they aren't impressive enough to maintain much interest for those who have seen the most celebrated visual works in anime, which is a huge problem because that's the only thing this show has going for it.

Loved the blend of low-brow comedy and High Art. Art style was such a feast to see - so experimental, beautiful fights scenes, so bloody, and such unique art style - tongue -in-cheek and gruesome and beautiful!!! Animators really had fun with it. On the plot front, the emphasis on turning failures into strengths or being strategic with your strengths is such an exciting concept for shonen. And so much mentorship!!!! My heart is so warm but also the brain is buzzing - I wanna channel Fubuki lol. Also great insight on samurai pride of that era and the birth of subversive technique and ninjas. Notto mention love the ongoing bit that Yorushige can see so far into the future he knows what’s up in the 21st century lol. We really ate well with this one - can’t wait for season 2.