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12
TV
Finished Airing
Apr 2, 2022 to Jun 18, 2022
Beginning his first year of high school, all Raidou wants is to make friendsâstarting with the cute, tiny, and soft-spoken Reina Aharen, who sits right next to him in class. Unbeknownst to Raidou, Reina shares the same sentiment, but she has a problem. Awkward and timid, Reina is incapable of determining how chummy she has to be when approaching a person. Due to Reina's complete inability to gauge personal space, the two struggle to spark their unlikely friendship, as even the simplest tasks like talking seem impossible for them. But despite the countless yet pointless challenges that hinder the pair, the overly imaginative Raidou will do whatever it takes to befriend the indecipherable Reina. [Written by MAL Rewrite]
8.3/10
Average Review Score
80%
Recommend It
20
Reviews Worldwide
I started watching the series because the main character looks like Kanna, I keep watching it because of Raidouâs antics, and I ended up witnessing an emotionally relatable ride through the personal growth of two characters that I could not but cheer for. During its 12 episodes, Aharen-san Is Indecipherable delivers an honest yet comical representation of awkward socialization, portraying how the flaws and abnormalities outlines the beauty of human relationships. The strength of its routine, the constant usage of popular references, the coherence of its foundation, the texture of the cognitive distortions, the weight of the self-love messages, each element fuses to create ahealthy and positive experience that portrays an engaging journey of honest friendship and relatable small conflicts between a charismatic and unforgettable cast Each episode of the series follows a similar structure, where the viewer assimilates the experiences of Raidou, a socially distant guy whose mission is to connect with someone in High School but overthinks any situation that he is in (Awfully accurate social anxiety btw), and his relationship with Aharen, a timid character that barely expresses herself as she is afraid of being too invasive because of her past experiences. While both are the predominant figures of the series, the anime also tends to switch from Raidouâs perspective to the point of view of different characters that embrace different stages of life or social cliches, like an intensively romantic teacher that gets heated by their relationship, an elementary schoolgirl called Futaba that sees Aharen as her rival, a nervous and awkward childhood friend who stalk Aharen, or apparently standard classmates who portray an ordinary read of their relationship. The attachment to the structure brings one of the strengths of the anime, the story trusts the premise. Aharen as a character is permanently subject to the perspective of each one of the characters, bringing to life the idea of being truly indecipherable to them. Each perspective forms a new source of relatability, a new layer of human irrationality and incomprehension, delineating a diverse empathetic array of emotions and experiences. The dialogue, the behavior, the gestures, everything comes from observing the real-life extension of each character, portraying both the ugly and the desired, creating awkwardness, comfort, and concern, as it can transgress the own viewer experiences. The siblings act like siblings, the friends act like friends, the kids act like kids, Aharen is Aharen, Raidou is Raidou, it is as simple and powerful as that. The outcome of this trust to the premise and the attachment to reality is an experience that has a unique sense of life and personality, a journey through the connection between Aharen and Raidou, where each perspective represents a clear and engaging identity, where the viewer is allowed to do interpretations about the relationships, reflect on the characters decisions and its roots, and even develop a better understanding of themselves. The anime delivers a human mystery that is carefully revealed as the story progresses, it allows surprising turns and healthy inferences, it delivers a human voice that is not trying to escape or excuse the flaws of each character but search the beauty on their core. The beauty of insecurity, the courage of a first step, the love of a let it go. However, the main strength from the anime is how it portrays everything through comedy. One of the potential criticisms that could arise from this anime is that the gags are repetitive, as they follow a transparent pattern for each character. The wrongness of such idea is that it abstracts the details, as the formats are nothing but simple templates that allows the generation of a diverse set of jokes (Like any other comedy, by the way). Indeed, while the patterns are prevalent, the reiteration of them should not be an issue at all, because the comedic blueprints are constantly evolving for the purpose of surprising the viewer with a new form. The comedy never overstays its welcome, it is always striving for new elements that could bring diversity. The main example of such evolution is Raidouâs overthinking. The overthinking normally follows the âRaidou see thing -> Raidou overthinks that thing -> Reality is disappointingâ flow, but the content and the punchline of each inference vary enough to keep it completely fresh, creating a memorable gag that by just existing delivers something, be it frustration, be it amusement, be it tension. How does the overthinking vary? The overthinking variations come from changing the placement of the joke itself. Sometimes the punch is the thought itself, a conclusion completely derailed from reality that just lead to believe that Raidou should seek a psychiatrist, sometimes the punch is the outcome of a delusion, the reaction of Raidou to the impending reality disappointment, sometimes the punch is a reference, how Raidou use popular fiction to parallelize his fantasies or create a social commentary on credit for apparently no reason, or sometimes the gag is not even a joke, it is just a honest representation of how Raidou cares about Aharen and his friends. The gag itself creates expectations, can Raidou be correct once? How wrong is Raidou in this one? The diversity and similarity allow the comedy to be fantastic, it uses the gags to approach multiple concepts supported by a careful study of the comedic factor of each idea, a fantastic sense of how to build up elements on top of another to create hilarious outcomes and generate iconic gags. How to make a joke about Raidou carrying Aharen funny? Deliver a bunch of frames that represent an absurd extent of Raidouâs extrapolation and put an unexpected moustache on an elderly Aharen. How to make a joke about Raidou being bad at swimming funny? Deliver the most typical technical error of novice swimmers after a juxtaposition to Raidouâs relatable perception of motion. How to make fun of Raidouâs failed youtube channel? Just display a capture of the video statics of Raidouâs past venture to accompany Raidouâs concerns. The anime is overflowing with visual jokes that are both clever and carefully inputted, whether it is to stop a crescendo of absurdity or to play with the expectations of the viewers or illustrate the characters wild imagination. It is smart. If the anime just had the comedy as its main strength, then it would be an excellent anime, but it goes beyond that. As the series progresses through each one of its gags, the characters quirks coherently evolve into their development, defining their own ambitions and insecurities, elaborating a rich characterization that allows both dramatic and hilarious moments to flow without friction. Raidouâs overthinking develops his genuine caring nature and his own anxieties, Aharenâs supposed indecipherability allows herself to express her insecurities naturally, Ooshiroâs protective anxiety develop into a wonderful read of self-esteem issues, Futabaâs childish perception of love and confrontative attitude develop into a character that you cheer for. The peculiarities of each character progressively evolve into an interesting and unique singular entity, it allows the audience to care for the characters beyond their own comedic personality as they are the same person whether it is light-hearted comedy or a serious matter. The consequence of this consistency is that it allows piecing together meaningful messages and themes, themes that could be felt shoehorned if it were not because of its excellence on the characterization department. From helping each other to being able to receive help; from embracing with pride the uniqueness of each one to being able to accept the diversity; from the importance to be confident on our own abilities to the importance of being able to express our own sentiments and concerns. Each character is cleverly attached to the messages that it is trying to portray, it creates a natural path to organize romance, comedy, and a meaningful and positive purpose. There is no need to display bland or uninteresting scenes where they explicitly state the purpose of the situation, instead, it delivers weighty ideas with emotional subtlety by adopting its characteristic identity, and it makes you care for it. Engaging entertainment, the show delivers the relaxing and healing atmosphere while portraying impactful ideas. As it creates meaningful messages and portrays interesting relationships, one of the issues that could emerge from the comedy is a lack of sensibility towards some subject matters. Fantastically enough, that does not happen. A character of this series uses the clothes from his sister, but the series goes out of its way to clarify that it is not an issue and that the joke was just Raidouâs interpretation by adding a cute after credits. Raidouâs get fat, but the joke is not his obesity, it is Aharenâs incapability of telling him that he looks fatter because she was the one who did the overthinking this time. It is sensible and aware of what it is trying to portray, and that is wonderful. While one can criticize the quality of the adaptation, principally by its extensive usage of jarring CGI or its off-model characters, my argument is, who the fuck cares. The anime perfectly captures elements that some other adaptations with extravagant and bombastic animation just canât, it captures the mutual care of Raidou and Aharen, the dramatic twists of Raidou overthinking, the enthusiasm of Aharenâs classmates, the awkwardness of the teachers. The comedic aspect works perfectly because the timing is polished, it is one second about to fall off the cliff and being unfunny, which is the downfall of plenty comedy adaptations, but it just performs spectacularly in that regard. The romantic aspect evokes a strong aura and sensibility, obviously attributable to the great characterization, but also to how it gives itself the time to fully capture the tension and importance of the moment, the gestures of the hands, the head movements, the voice pauses, they are just enough to convey the intended idea and capture the viewer. Could it be better? Of course, but I honestly prefer having an extremely horrendous Pokemon-like battle that captures the point of the joke and develop the FEAR reference instead of having a full-blown action scene that just completely ignore the purpose of the scene and just ends up being praised by redditors and easily impressionable people. Aharen looks Futaba for 3 seconds, tilts her head to look Raidou for 3 seconds, then watches the floor for 3 seconds in dismay, to then get embarrassed by an elementary schoolgirl observation, that tells a fucking lot without any sort of ridiculous paraphernalia, get real people. Aharen-san is then just a fantastic experience with a lovely and refreshing thematic approach to romance and friendship between flawed and socially awkward characters. The comedy works perfectly if you let yourself flow with it, as there is care of each meaningful detail, and the series follows strong necessity to display the facets of cognitive distortions. The anime doesnât derail into fantasy and search the beauty on its own cores, and as such, is able to create meaningful relationships with characters that will grow on the viewer over time. It is extremely funny, convey relevant and captivating messages, it is a unique voice, it surprises you, the romance is cute, and it has a golden retriever that retrieve things, what else do you need? âEven if we ended up in different classes, there are all kind of people. Not just in the school, but in the world. A lot of good people. People you can get to know. Iâm sure of itâ
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This is easily one of the funniest anime I have come across in a while. It is a little funny that I like this so much because I wasn't the biggest fan of the series when I first picked it up. Something about watching this made me realise just how great Aharen-san wa Hakarenai is. It's a gag comedy about two strange people doing strange things in the most normal way (there are other strange people too). It's hilarious. The number of times this anime can create a scenario for the main two and elevate it into surrealism is seemingly neverending. I do find myself laughingat a lot of things, but Aharen-san is a little different, with it being able to make me laugh more than other comedies have made me do so. The contrast between everyday life and just downright nonsense is not to be underestimated. Like, who the hell thinks doing a spider-man in the corner of the classroom is a good idea? But it is funny because no one seems to give one, as well as it being in the array of choices for these two. But wouldn't you know? They are strange people in gag humour. Lol⊠I'd imagine people would be *very* quick to point out how this is generic or some "criticism" like that. I'd argue that is not (entirely) the case with Aharen-san. Sure, the usual plots used in episodic anime do find their way to the anime, but it's not like Aharen-san then became devoid of what makes it good in the first place. It just uses its skill to create something with a touch of itself. So even if it did indeed lack plot originality, the quality of this show is simply amazing anyway and it still feels like you are watching Aharen-san wa Hakarenai instead of some rip-off of a 2015 school comedy or whatever. The main two are something that I like quite a bit too. The relationship doesn't have a bias on one of the two, you know the one, the whole "everyone cares about her more than him" sometimes vice versa, or in other words, one character being more interesting/important than the other. We have Aharen, the one with terrible distance comprehension, and Raidou, the one who overthinks literally anything beyond belief. The chemistry between them just goes through the roof. In addition to making everything, they do way funnier and more enjoyable than the norm. It's a relationship that makes sense, one that you want to see bloom into something more meaningful and more wholesome because these two are simply meant for each other. Who doesn't like sweet stuff like that? A little on the side characters, whilst the attention isn't focused on them, I did find it that they are respectable people too. For example, Ishikawa and Satou behave like genuine people in this moderately strange world, to the funniest of the lot Toubaru-sensei (bless her) who, well, does the most amazing gags. So hey, there's more to love here. I don't really have much else to say honestly, I've said everything that needed to be said. The story of this whole thing is just well⊠everyday life, an absurd one at that. This is easily the best thing in the season of Spring 2022 too, so another good feat to point out if you want to go and watch this. It's nice to see this get a pretty good adaptation too although I guess everyone anticipated this would happen soon with other similar titles getting the anime spotlight.
Romance between two kuuderes spliced with deadpan British-style humour. Itâs eye-rollingly common for slice-of-life/comedy titles featuring a guy MC and at least one girl to get piled on by toxic rom-com audience for the sin of âlacking progressâ regardless of how irrelevant and non-existent the romance aspect is in that particular series (e.g. Dagashi Kashi, Komi-san, Nozaki-kun). Aharen-san seemingly comes as an answer to such sentiment. The entire content of the show from its first to its last second is absolutely nothing but a progressing romantic relationship. The caveat is, it's not an anime rom-com kind of progress, but rather a real-life-romance kind of progress, muchto the bafflement and dismay of the rom-com crowd. A guy and a girl meet in a formal setting and strike up a conversation, then they talk some more, then they start hanging out together in their free time. Eventually, they introduce each other to their friends, and then - to their families. Over time, they progress to being a bigger and bigger part of each otherâs lives, becoming closer and closer emotionally, until a realization comes that they live rent-free in each otherâs heads, so they formally state their feelings to each other and inform their social circle that they are an item. Which isnât treated as a âmission accomplishedâ moment like in a typical anime rom-com, the only thing that changes is now they are a tad more open in showing their physical and emotional affection, and also they start considering their long-term future plans with being together in mind. As most people outside of their momâs basement normally do. This is what Aharen-san portrays. One of the most important aspects of a real committed relationship, by the way, is communication - and the show shines in driving this point home. The full title is âAharen-san Is Indecipherable,â the fact is, both leads are eccentric âindecipherableâ weirdos with a tendency to jump to conclusions. Dozens upon dozens of misunderstandings arise throughout the course of the story - and they all get solved within minutes by talking things out like normal human persons do. Another rarity in the realm of anime romances. Speaking of, the male lead has an outstandingly unique personality, and *his* antics are the main driving force of the seriesâ plot and comedy, in contrast with a typical rom-com template of a blank straight man reacting to the quirkiness of a female lead. The comedy of the show, as mentioned above, is of the distinctive British sitcom variety. Weird people being weird while other weird people refuse to acknowledge anything weird is going on because they donât want to make a scene. I can easily imagine seeing Simon Peggâs and Edgar Wrightâs names in the credits. Again, itâs almost the exact opposite of the usual boke-tsukkomi, where exasperated calling out of the weirdness is the whole point. As a source manga reader, I can tell that the adaptation does everything right - streamlines the early parts of the story to give it a more deliberate direction that matches later developments, connects isolated chapters to frame them as a continuous narrative, casts all the right VAs for the roles, goes for a tonally perfect for the intended atmosphere visual/audio design, and ends the season on a right story beat. Also, this show features the second-best dog in all of anime (the best one is Dog from Aho Girl). Also, it makes fidget spinners look cool. 10/10 for an objectively perfect rom-com.
Aharen san is a strange anime, When I talked to my friends many of who have seen more anime than me, half of them really hate this anime, and the other half love this anime. As for me, I personally did enjoy watching this anime, it's nothing new, a semi-slice of life combined with a gag manga type of show full of pop culture references! The anime has more references to other pop culture and JOJO (obviously.) than I have seen in a long time, they are hard to spot but always random and funny af if you can spot them we got Ooshiro spoderman , Aharenhairstyle of Shinobu, Jousuke, Katzosky kicks Aharen, Gojira, Beyblade, Aharen Arale from DB universe and many more! The central part of the show is Straight face / absurd comedy, you know the chunnibyou kind, Raidou has the wildest of fantasies and sometimes they turn out to be true! Aharen and Radiou do some wild shit and/or Radiou has the weirdest and the most insane premonitions. It will either make you cringe hard or do a Mutley laugh, there is no in between, the comedy is very very subjective and if it doesnt click for you, Iâd suggest dropping it. Me, personally? I do Laugh out loud at fart sounds so well, I am pretty easy to please. Review time *clap clap* Story (6/10) It's a gag manga, most of the plot is straight-up ripping off the most recent trends xD, Be it Beyblade, Fidget spinners, Rap battles, Demon slayer, JOJO, spiderman, etc. There isn't to find in terms of the story that can be found here and it isn't A CGDCT either. There are hints of romance and a bit of a serious arc towards the end (which wraps up rather quickly and is quite wholesome and realistic). Characters (7/10) Obviously the main part of any gag manga but in This case, it is a hard topic to elaborate on so ill just make it as simple as possible. The characters will either be a 0 to 2 /10 or 8 to 10 /10 depending on the person and their sense of humor, this is very subjective, for me they are quite fun and a 7/10 but if you find yourself not being able to enjoy the characters this show is gonna be a hard sell. Sound and VA (7/10) The general OSt is standard and forgettable. The op and ED are pretty incredible however but the art in them is rather weak. Art and animation (6/10) Standard Loli with standard straight man is what it feels like at first, but there are some good scenes where you can see the animators clearly having fun with their characters. A bit of CG that looks awkward here and there. Give the first few a shot! If you enjoy them it'll be a great ride, if not consider dropping the show because what follows is just more of the same.
*Kan sits down with the male lead to talk about this show* Me: OK, So Raido, tell me what your show is all about. Raido: Domo (Hello), I'm Raido Matsuboshi, and this is the rom-com story (well, mostly SoL chill comedy) about me and my aloof classmate that is Reina Aharen. The things she does can set me overthinking about 1001 scenarios, from something as simple as sleep to even animals, in the most extreme of ways. Examples like: Why is she sleeping in class, did she get a scuffle with the Yakuza at night, only to reach home so late that she couldn't get a wink?Or why is she always ordering her pet dog around, did she develop personalities overnight so that she can be like a blatant master torturing her own servant? Also Raido: Oh, Aharen has a big family to take care of, so much so that she couldn't sleep at home. And she's teaching her pet dog to obey simple commands. I see. Me: Ooh, I see. *Showing the Resting Bitch Face* It's this blatant, unassuming comedy and humour that makes mangaka Asato Mizu's 2nd anime adaptation through Aharen-san wa Hakarenai a.k.a Aharen Is Indecipherable (or Unfathomable, rather) really enjoyable, and for a very good reason. Asato Mizu is not just your typical author as he/she has no less than 15 series to the name, albeit only some that are worth mentioning like the 2014's Doujinshi âRec and 2011's manga Denki-gai no Honya-san (which already had an anime adaptation in 2014). If anything, Asato Mizu is the epitome of this quote: "Don't judge a book by its cover", something which've been refined since âRec, and it has worked well for this prolific author enough to use this quote as the core workaround of this manga, especially between the characters since this is a character-driven show. Communication Disorder: It's a condition where a person has problems communicating with other people. This person is an example of someone with such a condition. An important thing to remember is: just because the person has problems communicating, doesn't mean that person doesn't want to communicate with others. Wait, wait, wait, CHOTTO MATTE KUDASAI, why in the hell is Komi-san's driven dialogue here in Aharen-san wa Hakarenai??? The reality is very simple: Raido is like Tadano, starting off his first year in high school, but unlike the latter with his averageness that doesn't concern anyone, Raido possesses a naturally unfriendly face (or as the modern day culture calls it: RBF or Resting Bitch Face, which this unironically cracks me up, no shit xD), so much so that its hard to get to know him as a fellow classmate. Reina Aharen, on the other hand, she is similarly like Komi to the fact that she doesn't know how to communicate (initially), but at least she is aware of her surroundings to help Raido understand her intentions, which as I've already mentioned at the beginning of the review: tell Raido 1001 things and he'll still be overthinking about the possible scenarios which frame Aharen as anything and everything but herself. I sometimes wonder if this ongoing gag will get old pretty fast, but nope, Raido is always adapting to the situations that he is in every step of the way with Aharen, that this gag evolved to actual jokes and plays that are just plain ridiculous to watch, sometimes evolving to hilarious scenarios with things that have cemented themselves in pop culture a.k.a the fidget spinner (clearly shown in the ED) and Pokemon GO! (which is period accurate to the manga's release in early 2017). And this redonculous premise is what actually helps Aharen to propel the fact that while "comedy is subjective", it can be fun too, and this show embraced all of that and more, AND I LOVE IT. Shirorin! Not to be outdone, what's the main cast of characters without the supporting characters. And let's start off with Aharen's childhood friend, the inadvertently huge-sized Mitsuki Oshiro who's tall, nervous, a crybaby and has androphobia (fear of men). Despite her nervous nature and with the stalker obsession of protecting Aharen from Raido for fear of contaminating her pure soul (like many other childhood friends do...in anime, that is), Mitsuki's a warm-loving and trustful friend that is able to confide in Aharen when she is down. But I'd say that she works really well on the basis that when Raido and Aharen are doing things together, her stalker senses are up to 100. Yet another childhood friends duo of Ishikawa and Hanako Sato, they haven't been around with the main character cast much, but one could speculate that they would be a couple, or at best a ship anyways. On the topic of Aharen's family however, everyone looked exactly the same as her, so much that the genetics are truly one-of-a-kind. The eldest in the family that is Reina, the youngest brother Ren and the middle sister Eru, everyone in the Aharen family is such a delight, but the one thing in common is not to infuriate the sisters when they have a knife in their hands, they can do harmful things out of jealousy (at least on Eru's case). But, BUT, if there's one set of characters I WOULD LOVE to have more of them, it's gotta be the homeroom teachers, mainly Aharen and Reina's teacher Toubaru "Momo"-sensei and Miyahira-sensei. These pair of teachers can be a subvert comedy gag on their very own, as Tobaru-sensei is even more wilder than Raido by fantasizing countless lovey-dovey delusions between Raido and Aharen in the most esteemed fashion possible, and losing countless heaps of blood from the resistance to wholesomeness. Also, Tobaru-sensei voiced by HanaKana just puts the icing on the cake much more worthwhile to display Death by Esteem. ESTEEMED, ESTEEMDER, ESTEEMDEST! Shirorin! The relatively new director Tomoe Makino only has Spring 2020's Kitsutsuki Tanteidokoro and this year's Netflix ONA Kotarou wa Hitorigurashi a.k.a Kotaro Lives Alone to his name. So, being an inexperienced director, they had to call someone for help, and that person is chief director Yasutaka Yamamoto (famous for 2013's Mondaiji-tachi ga Isekai kara Kuru Sou Desu yo?). He is a very versatile director who's been directing lots of shows that showcased different degrees of genres, and it definitely ain't a surprise that he directed the anime adaptation of the infamous adult visual novel Nekopara at studio Felix Film (which only started producing Nekopara content to begin with years before the 2020 anime). And I'd suppose that if not for Yasutaka Yamamoto, Aharen wouldn't be adapted as great as Asato Mizu's manga made it out to be, and it's an enjoyable feat through and through that's a blast to watch with the chill vibes. Really bright and colourful visuals with soft animation that still punches to the gut, also in a chill way that's easy on the eyes that makes Felix Film's production values really well done, considering that the main producer is the Chinese anime conglomerate licensor Bilibili, which means that this is a Chinese-Japanese production mix. Shirorin! The chill vibes don't stop there, as the music is thoroughly the same as well. TrySail and HaKoniwalily's OP/ED OST is also enjoyable to listen to, as do the peppy BGM that makes Aharen sound like a jokester syndrome prank of a show that's playing with the audience of its gag contraptions. It's lighthearted and doesn't grate on your ears much, while maintaining the subtlety that this is SoL at its best and most calm. Shirorin! It's safe to say that while Aharen-san wa Hakarenai is marketed as a rom-com of all things, it also isn't really one per se, as the comedy is more straight-laced and the SoL vibes are pretty much strewn all over the place to make this a cute and wholesome show. And no doubt that Aharen soothes the soul as you start the weekend to a relaxing gaze, just wanting to watch more seasonal mainstream anime that anyone and everyone can just pick up and watch, and not have anything to complain about. There has been too much action lately, why not try something more chill instead? To that I say: Aharen has got you covered, and this is comedy at its finest. Shirorin!