Yasuke

I’ve said this about LeSean Thomas before, but if you’re so obsessed with identity politics that you insist on building your entire career around blaxploitation, then just make Afro Samurai again. That show is kick-ass, and I’m sure Sam Jackson would not mind the plagiarism one bit. Yasuke is a mess, and while it's definitely not as exhausting as Cannon Busters, I doubt many will be able to call it a good show. I could sit here and expound upon the exact ways in which it’s historically inaccurate—how the real Yasuke wasn’t even a samurai, but rather a mere retainer who Nobunaga kept around as acircus freak who’s dark skin fascinated the culturally isolated (and kinda racist) Japanese who had never seen an African before—but I think we all expected this going in. If the insane, unrestrained visual cacophonies of garish CG and headache inducing visual effects didn’t clue you in, this series doesn’t really seek to be historically accurate with all its crazy magic and mechas, despite the fact its alleged history is really the only excuse it has to exist. But if I just mislead you into thinking it sought to be little more than a bombastic action series, then allow me to clarify. This show does have a plot and does attempt to develop its main character, bringing him into the fold of historical records and introducing him to other badass Japanese historical figures to fight alongside, but it quickly devolves into mindless anime nonsense which throws whatever realism it tried to initially reference out the window with the aforementioned magic and mechas. A premise is still a premise, though, and if you can accept such a premise, you may just find this show and its awesome soundtrack to be pretty sick, even if it’s totally nonsensical and ugly as sin. I mean, there’s nothing wrong with the 2D animation per se, but the 3D compositing makes all the fights utterly hideous, Takeshi Koike’s designs are unrecognizable, and LeSean Thomas himself is still nothing if not an amateur. However, none of this is as much of a turn-off as the pitch itself. Maybe if I could watch Marvel Studio’s Black Panther or Captain Marvel and not feel like I’m being force-fed the sociopolitical worldview of the Disney Company’s board of marketeers, and instead feel empowered by the righteous inclusion on display, then maybe I could get some enjoyment out of Yasuke, but since I cannot do that, I cannot do this. There’s a difference between theming and propagandizing, and I don’t think Director Thomas has figured that out yet. Thank you for reading.

This show feels like a case where nobody told the writers "No!". That isn't always a bad thing, but like everything in life, there needs to be a balance. Yasuke has an interesting premise, but the show doesn't really know what it wants to be, and the back and forth between historical set piece and action fantasy aren't meshed well here. The show introduced itself as a historical set piece in a fictional universe tied to the story of Nobunaga and Yasuke, but that really didn't come into play much the more the story went on. It was more of an excuse to use recognized names fortheir fantasy action series. Another possible detractor is the short run time. With more run time, they could have delved more into the past timeline to flesh out the world and characters, but with as little as we got, it almost seemed unnecessary. Plus, the pacing was erratically fast. With a full cour, the insane whiplash of events could have been mitigated and felt more natural, but how it turned out, it feels like entire plot lines were either skimmed over or completely forgotten about. In the end, I think what the main problem was that the worlds of the historical samurai mixed with the fictional fantasy weren't meshed well. Yeah, the characters needed some more work too, but all of the weird power elements in that dated setting can really take a user out of it. That being said, I enjoyed the show, and the animation and music were pretty good, and I will even look forward to a potential sequel, but I don't think I will re-watch this when I can just re-watch Samurai Champloo and Afro Samurai. More detailed review starts here: The story is interesting, as there is a mysterious samurai who stumbles upon protecting a mysterious girl with strange powers, a very similar premise to Moribito: Guardian of the Spirit (which is a way better show). He needs to protect her from the evil organization/government that want to use her for their own nefarious reason. While it's good in concept, it wasn't executed that well as the point of events that they go through seem to skip from A to Z within an episode. We skip the amazing journey that we could have seen and just see the beginning and the ending, without seeing them bond as much as they could have with a longer run time. The art and sound are pretty good, considering that MAPPA produced it. It looks very stylized and the music generally matches the scenes. It is a little too gory at times, but that is just a personal preference. The characters aren't that great. Besides for Yasuke, the rest of the characters are pretty forgettable. Perhaps with a longer run time, they could have been more developed, but as it was, even Saki wasn't that interesting a character, and the plot is supposed to be based around her. The rest of the side cast have their moments, but none of them feel like real characters with real motivations. Like I said before, the show is enjoyable popcorn entertainment. Just don't try using your brain too much, or else it will detract from the experience. Just enjoy cool stuff being animated and watch samurais fight magic stuff. Overall, I am rating this show an 8. The show is serviceable, which was probably what Netflix was going for when they produced it. It has some issues, but its short run time and slick action should keep you entertained for a quick 2 1/2 hour experience. The show definitely could have been a lot better, which is probably the worst part about it for me, envisioning what it could have been.

Yasuke is an odd mixed bag. On the one hand, there are several likable aspects about the characters and the audiovisuals, making the show at least somewhat entertaining, On the other, it’s kind of a dumb, heavy-handed, rushed mess. LeSean Thomas’ 2nd anime showed some promise on the outset, taking on the story of the first black samurai, all while being led by a black director and having music by several black musicians such as Thundercat and Flying Lotus. However, it feels like there were compromises made to fit this into 6 episodes while introducing very weird elements that weren’t once featured in the marketingof this show. Let’s start with the positives and work our way down. The music by Flying Lotus is a fun blend of traditional Japanese, Nu jazz and neo-soul, and hip hop production. Essentially, it’s a fun, slick good time and like you took one of his albums and set it in the late 1500s. It isn’t “You’re Dead” levels of greatness but it’s a rock solid OST. The OP, done by Flying Lotus and featuring Thundercat for vocals, is a solid, traditional-sounding track, though their previous anime song, “Unrequited Love” from a far worse Netflix show (Carole & Tuesday) was probably better. The ED features Niki Ronda and is a tender, melodic piece akin to Samurai Champloo’s ED. All in all, Flying Lotus did a bang-up job as expected. Visually speaking, the show is kind of nice but has some issues. The art direction is particularly striking at points, especially in the latter half of the show when things get weird. There are several moments where, long with the music and the events unfolding, the show starts feeling like a psychedelic hip-hop record, and it looks mesmerizing. The one AMV-esque sequence the show has in episode 3 is particularly evocative. Director LeSean Thomas knew exactly what kind of eye-popping aesthetic he wanted to go for, and Junichi Higashi was definitely the right art director for the job. The fight scenes also showcase some solid animation by the staff working at Studio MAPPA. There are several clean cuts and filthy sword fights that get downright brutal. Takeshi Koike’s character designs also had a fair amount of detail put into them that stayed pretty consistent, even during the battles. Thankfully, they never resorted to using CG for whenever samurai warriors such as Yasuke were clad in their armor. Unfortunately, the same cannot be said for most of the mechs in the show. The CGI for the mechs is honestly terrible. They don’t fit well with the show’s aesthetic or world (more on that later) and the frame rate becomes absolutely jittery when they’re around. The first scene of the anime is by far the worst in this regard, as there are even some 2D elements that crumble during it. However, there are other moments where this is the case. Still, all that aside, the anime has fairly solid production values, and you can tell they wanted to do something interesting with the show’s aesthetic. As an action spectacle, the show’s pretty decent. However, the writing is...a bit of a subpar mixed bag. Yasuke himself is a decent main character. He’s a somewhat depressed man haunted by the past, the war his people lost, and the deaths of those closest to him decades after the end of Nobunaga’s campaign came to a violent end. He’s long past the point of needing to prove himself worthy as the first black samurai --a slave turned warrior-- as the flashbacks showed that militaristic rise. His characterization isn’t anything groundbreaking or especially compelling, but it gets the job done well enough, and his badassery and reactions to those around him make him likable enough to watch. The kid characters range from annoying to tolerable, with the show’s deuteragonist, Saki, going from an ill girl with uncontrollable powers to a bit of a snarky kid with some spunk. She and Yasuke make for an ok duo, though it never feels like they have to struggle to rely on each other, as the show kind of just brushes past any kind of event or point that could make for a reasonable character arc. Some of the side characters are pretty alright, namely the mercenaries initially hired to capture Saki. They have a decent dynamic to them, as they can barely tolerate each other, much less the person who hired them, but are able to get along just enough to bicker constantly without it detracting from them in any way. They even have some solid rapport with Yasuke. This is especially the case for scythe girl Ishikawa and the mech, Haruto. Sadly, it takes until episode 5 for their names to be revealed in the show proper for some reason, and by then, people start dropping like flies They’re at least better than the incredibly bland villains, like the corrupt Catholic priest, the xenophobic rival samurai turned evil general who wants to adhere to the old ways where women and slaves weren’t allowed to be warriors, or the final boss. They’re as threadbare as most of the Dororo antagonists. Speaking of threadbare, the show ultimately becomes a case of “strong man takes the kid with crazy powers to a school so they can defeat an ancient evil”. It’s a pretty weak and rushed example of that kind of narrative, too. No time is ever spent training or even really letting the narrative or characters breathe. The show just goes from point to point. Sometimes, it feels like there are episodes that could have been split in two and just have fake endings as a result. Probably the worst example is in episode 5 where the aforementioned hired mercs come back and one of them is piloting a giant mech suit. Where did they get it? God knows. Why did they decide to join the fights of the last two episodes? Because they were asked to...offscreen. Speaking of the mechs, despite the talking robot being probably the best character in the show, Yasuke’s sci-fi elements feel kind of tacked on. The mechs in this show are just tossed in here during the late 1500s with absolutely no explanation. There is a giant amalgamation of armor made from evil spiritual magic, but that’s the closest we have to an explanation on how...anything works! There are no mechanical facilities shown in this time period, so how and why do mechs exist in this universe? If you’re going to introduce sci-fi elements into your historical time piece series, you should at least offer s o m e t h i n g so the viewer isn’t just questioning the integrity of the setting. Even the weird, nebulous magic stuff has spirituality to fall back on as an explanation, even if the powers become absolutely ridiculous, tank the frame rate on occasion, and lead to probably one of the most groan-worthy resurrection scenes this side of Sonic 06. Much like Carole & Tuesday, this feels like another Netflix title that just throws in sci-fi elements haphazardly into a bare setting. When there are other rushed elements and weird holes in the script, the last thing we need is for the setting to crumble like this once you think about it for even one second. This is probably yet another case of a relatively forgettable Netflix original having striking audiovisuals, but not much in the way of good writing. It's a shame the show turned out kind of mediocre when you consider that if the show gave itself another episode or two so it could have some time to breathe and explain certain things, Yasuke could have been a good action spectacle where the heavy-handed writing doesn’t get in the way of anything. The show definitely commentates on tradition, and the mix of xenophobia and racism of 1500s Japan in a way that validates its black characters without feeling especially self-aggrandizing. However, it really needed a tighter script as what we have here is kind of rough and mediocre, with a cool aesthetic and likable elements to keep it afloat. Anime featuring black creators and musicians is certainly welcome, and we definitely need more shows like this. For what it’s worth, Yasuke is still a decent time thanks to its audiovisuals and the relatively likeable characters. Still, hopefully, the next project LeSean Thomas works on ends up being more polished than this.

What I wanted was a story about the first black samurai. What did I get? A story about the first black samurai, and robots. The second I saw a robot my interest was lost almost instantaneously. I was very excited about this show at first, seeing that LaKeith Stanfield was voicing Yasuke in the english dub. Unfortunately, not even he could save the the unoriginal story that is drowned even worse by the addition of robots that 100 percent should not have been there. The premise was protecting a girl with mysterious powers from evil people who want to harness her power for evil. Thisis a drawn out subject matter and it shows as we had a happy ending with hardly any development for who Yasuke is or how he fits into this world where apparently robots are roaming feudal Japan. Would not recommend this show.