Toilet-Bound Hanako-kun

Mind me, this is a biased review, so you may not agree with what rating I gave this. Although, I will talk about why this anime, in my eyes, is a masterpiece, so at least take the time to read it. At first glance, Jibaku Shounen Hanako-kun seems like a normal comedy show, but when I started watching it, I was amazed. It is actually really funny, but it does have a lot of cool character writing as well. When you see the word 'toilet' in the title of an anime you may be inclined to think it's odd, but this is entirely wrong. Story: 'Oh, Hanako's aboy! What a boring plot twist,' is what some people would think. Actually, this isn't a very important factor in the story, but this does affect Hanako and Yashiro's relationship, which I will not talk about here. The story is fantastic, as every episode, you learn more about the seven wonders, the character's personalities, etc. Unfortunately, to say, nearing the end of the 12 episodes, the show fails to give us much more information about Hanako-kun, why he died and other spoilers. Fortunately, though, this isn't a major flaw, and you'll still enjoy the story, up until the very end. Art: Now I think this is a category everyone will agree on. The art was extremely aesthetically pleasing, especially with the way the characters were drawn. Sometimes it looks a bit like manga panels, which I would usually consider bad quality, but it matches the style of this anime perfectly. Another nice addition was the red flowers that appear occasionally on the side, to match the mood. Sound: Every anime has it's own unique sound effects, regardless of whether the anime is good or not. This show's soundtrack gave off a mysterious and sad vibe, which perfectly fits in. The OP was catchy, kind of like a rock song. The ED though was wonderful. There would always be a bittersweet scene at the end of an episode, and the lovely ED would start playing, and it would provide a feeling that doesn't have you screaming for the next episode but looking forward to it. Character: This was the part I was really excited to write, but then I realised it's really hard to discuss characters without giving spoilers. I'll try my hardest. Hanako-kun could be considered sadistic, but he's also kind, which is exactly what I like about him. Some anime have a character who's completely sadistic, which makes them one dimensional. Although not all is revealed about Hanako yet, I believe there may be a second season, so it'll probably be told by then. Yashiro is someone I wouldn't personally be friends with, but I still think she's a well-written character. She represents us as humans. She's desperate to have the status of 'girlfriend', but she doesn't actually truly love the boys she has had crushes on since she doesn't even remember their full names. This sounds like a brat, but she isn't, because she truly works hard to care for people. When she meets Hanako, she does realise some things about love, though. Kou is probably a less detailed character. He doesn't have a particularly obvious personality but we do learn that he ALSO cares for people, so it's nice to know we have three caring main characters. Kou learns about friendship a bit later in the show, and it's pretty sad, as well. Other characters will not be discussed due to spoilers. Enjoyment: From this review, it's easy to tell that I enjoyed this anime a lot. It's obviously not flawless, but I believe that sometimes flaws make an anime more enjoyable, whether that makes sense or not. Overall: I hope Jibaku Shounen Hanako-kun is noticed more, as it's severely under-watched. If you're reading my review and haven't watched it yet, go ahead, I can't guarantee you'll enjoy it as much as I have, but hopefully, this review helped you watch the anime with a hopeful mindset, instead of a negative one, since that ruins the entire anime for me. Thank you for reading!

It’s bold to try and balance tense and dramatic scenes with comedic ones. It could easily backfire and make a show less than engaging. With that said, here we have Jibaku Shounen Hanako-kun, to showcase the worst outcome of this very problem. A perfect example of how not to do tonal shifts. It’s presented as a fun, light-hearted adventure. Yet it also chooses to delve into topics such as loneliness and death. Doing so in a tonally much grimmer and dismal way. That is until it remembers that it set itself up as a comedy first and foremost and throws in some of its titularslapstick humor in the mix for good measure. The humor doesn't serve to build on the characters, it’s there just for the sake of it. It’s this forced humor that pulls one out of any potential engagement, in service of a cheap laugh. And if the show itself treats its heavier subject matters like a joke, then why shouldn't the viewer? It's a shame because the show has some genuinely good qualities to it. The artwork for one is absolutely gorgeous. Beautifully detailed backgrounds filled with a warm color palette emits a feeling of comfort and excitement. The character designs are fun and distinct, and come to life thanks to the voice acting. Whoever decided to let Megumi Ogata voice Hanako deserves a raise. He's a fun character to watch which is amplified immensely by Ogata's acting. The other cast members also delivered a solid performance and seemed to have fun with their roles. Hanako himself was another saving grace that made the show much more watchable. But I grieve over the fact that they only scratched the surface of his character. Giving the show more time to flesh him out could've been very engaging. Sadly a lot of the focus was shifted towards other characters like Nene and Kou instead, who frankly shouldn’t have been main characters at all. Their effect on the story is rather minuscule as Nene's existence revolves around being the person who gets all the exposition dumps, as well as a damsel in distress for white knight Hanako to rescue. Kou's purpose is even smaller as he's often just one of many comic relief characters. They did set a character arc in motion for him which sadly didn't lead anywhere. With this in mind I think that they should've been taken out of the spotlight to instead shine brighter on other characters, like Hanako. The show could've been more focused and serious by doing that which I think would've been beneficial to the show overall. The animation was also a letdown as it’s basically nonexistent most of the time. Still shots take up the majority of each episode, and when it doesn’t it’s quite stiff and lifeless. It doesn’t take away how good the show still looks otherwise, slightly on par with the manga I would presume. I do however think it's unjustified to make an adaptation if the animation is only as good as the comic it’s based on. It’s a shame to see a show with a lot of potential ultimately throw it away when the goal was right open. Nevertheless it did have gorgeous art and solid performances to back it up somewhat, and there were a few jokes that admittedly worked fine. Still, it’s not enough to make this worth recommending. Though it seems to be enjoyed by many despite its shortcomings. So give it a go if you want, but I’d recommend you flush that thought away.

No doubt, the thing that probably caught the eye of many of us towards this show was that art style. It looked unique, stylish and intriguing. That is certainly how I felt when seeing this show. Now an anime or manga would use this as a launch point to get people into your world and story that you are trying to tell. What we get a show that carries that unique art style and expands on it into something I didn’t think I would enjoy this much. Sit back relax, knock on the bathroom door and say “Hanako-san, Hanako-san, are you there?” As I presentto you the anime review for Toilet-Bound Hanako-Kun. Let begin. Story: 7.5/10 Our story begins in Kamome Academy where Nene Yashiro is attempting to summon Hanako-san in order to to grant her a wish despite many trying and failing to summon Hanako-san. However, she manages to successfully summon Hanako-san and wishes Hanako-san to help her with her romantic desires. But, due to some unforeseen circumstances, she is dragged into the world of the supernatural and becomes Hanako-san’s assistant to maintain balance between humans and the apparitions that seem to want to mess with them and disrupt the balance. Out the shows this season that deal with supernatural rumours and apparitions (e.g, In/Spectre and Magia record), Hanako-kun probably does it in the most enjoyable and satisfying way on how to deal with the apparitions and how they came to be. Mainly because the world building is really good. How the apparitions take form, how they get stronger or weaker through word of mouth and how they get easily influenced by humanity. The show does as much showing as it does telling us without relying on over-exposition to explain it to us how world of apparitions work. This is especially true with how the “Seven Wonders,” the head apparitions that have taken a foothold in the school, work and how they get their strength as well as their own world in which they manifest. It’s all genuinely interesting and is presented in a way that is both chilling and charming but never at the same time. Now the show carries plenty of mystery to it with the apparitions, the Seven Wonders and Hanako-san himself. Are they deep mysteries? Not really. They are more or less self contained mysteries, that exist to help with the world building and character depth, which to be fair, does help out the show quite a bit to help give it that depth that it needs, but it doesn’t help develop this one big narrative that this show is trying to develop with the help of its main antagonists. The focus is clearly on the relationship on Yashiro and Hanako-san and how they work together to stop the apparitions from disrupting the balance. Yet it felt like there was some missed potential to make the situation more dire than it seemed because the threat didn’t feel like the a threat as it was treated like a causal, nonchalant problem that they will eventually solve. Characters: 8.5/10 Yashiro is what I would describe as a more capable damsel in distress. While she does rely on Hanako-san help save her from other apparitions since she has no way to defend herself, but she does do things that Hanako-san isn’t capable of doing. So she isn’t entirely useless as she does have her uses to make the partnership between Yashiro and Hanako-san more justifiable. But she does make for a good character due to her innocent and caring personality. Although she is full of herself, it’s nice to see a character like her be not a total airhead which they could have clearly done. Then there is Hanako-san, a mischievous, childish, s**tsterer who loves nothing more than maintaining balance between worlds and constantly teasing Yahsiro. But there is clear chemistry between the two characters in a way that you actually care for them and hope they ship. It is one of the main factors why I like this show as they both bring an emotional factor within all the comedic stuff and of course, due to their chemistry, they do have some of the best comedic moments in the show. Then there is Kou Minamoto, who has his own arc throughout the show. First and foremost though, he is an exorcist, trained to exorcise all apparitions, but he is a novice at it. So when he encounters Hanako-san, he is a bit shell shocked that not all apparitions are evil. Unlike his older brother Teru, Kou becomes more open minded about what is a good apparition and a bad apparition and we see him grow throughout. It’s not deep character growth but it is enough to be noticeable as we see his character understand the world of apparitions through the eyes of an apparition and how his perception of the world of apparitions changes. The last few episodes is where he truly shines as a character and became very likeable in my opinion. Animation: 8/10 Now here is the most interesting part of the show. The animation for Hanako-kun is very unique with its art style and presentation. So first things first, this art style is GOD DAMN GORGEOUS. I love how this show looks because of that unique feel to it to help give this show its own identity. Everything about the art style works as it also enhances the quality of the show very well. It makes the characters very expressive as you can really get a feel for their emotions, it improves the comedic moments and makes the show’s more thrilling moments that more intense. It makes every scene in this series that more engaging because of its more unique look. Is it perfect though? Not really. The actual animation is lacking as it more or less still images and sliding panels but the show presents it in a way where I can overlook that. It’s not a problem that I will knock the show for, but it’s one of the more lacking areas of the show. Sound: 9.5/10 If the animation enhances the show, then the ost compliments it with tracks that sound haunting and tracks that sound sweet and light hearted. It definitely adds to the mood with violins, pianos and a bit of the banjo to give that youkai feel to it. It gives that extra sense of immersion to it to get you engrossed into what you are watching. Definitely a high point in the show. Then there is the opening which I absolutely love. Titled, "No.7" by Jibaku Shounen Band, this really embraces quirky, supernatural side of the show while maintaining the style and presentation of the show’s animation style. I also love as it slightly sounds angrier as it goes on as you hear the vocals and instruments sounding heavier as it goes on as we get closer to the chorus. Definitely one of the best openings this season. The ending, "Tiny Light" by Akari Kitou is very symbolic with Yashiro walking among the living and Hanako-san walking along the world of the dead and supernatural until they meet each other. It’s nothing remotelty complex but it is clever with how some characters are related to the world of the supernatural and is showcased here. Definitely a good ED. Conclusion You should never judge a show by how it looks and judge it as a whole. Because it’s not just that art style that makes this show enjoyable, it’s how the world is structured and how our characters interact with it and each other. This revelation as it were, lead me to the conclusion that Toilet-bound Hanako-kun is a great supernatural show with plenty of thrills, comedic edge and heart that made me want to continue watching this show throughout. It was much better than I thought it was going to be and the animation was only an enhancer for what we were shown as a whole. It doesn’t rely on over-exposition (unlike In/Spectre) or background knowledge of the franchise to make sense of it (unlike Magia record). So yeah, if you haven’t watched this series already, WATCH IT. My personal enjoyment: 9/10 Overall score: 8.5/10 Recommendation: Watch it

I've noticed that those who read the manga before the show tend to have a more critical outlook on this anime's shortcomings. No spoilers here, though. I'm glad Lerche did take the time to be as faithful as possible in adapting the unique art style and visuals, though at the cost many have pointed out, animation. The main thing about this anime is that the adaptation is a play by play high-budget animatic of the manga. A good adaptation should add onto the original, but it follows it to a T; there's no new shots, no new content to really balance out what was removed andmake the anime worthwhile over the source material. It's like it was terrified of making adaptive choices other than rearranging several arcs. Speaking of the cut arcs, it's something many manga readers have been harping about. Some choices are necessary occasionally and all you can do is trust Lerche to consider the new story layout, but it removes a lot of the nuance the manga did have in handling its character development and story arcs. To name a few: - Young Exorcist is an important arc. Without it in its natural place, Kou's development gets axed, Teru no longer has plot relevance nor is he ambiguously scary or morally gray, and Hanako seems invincible, cutting down everything in his way with one slash of his knife. - Little Mermaid arc is less important and ended up added in later, but as a natural consequence of this: - Tsukasa's introduction, with something removed as a direct tie-in to the Little Mermaid, does not have the baseball-bat-to-the-stomach feel it did in the manga. It was really the best way possible to introduce right off the bat so many things about how scary his character can be. - Without going into details, the ambiguity and buildup surrounding Mitsuba's character is lost since Hell of Mirrors was rearranged to be much, much sooner. But between the lack of animation and cut story arcs, one of main things that didn't sit right with me just comes to the pacing itself. Hanako is a dialogue heavy show, so for the characters to just be standing in place and occasionally panning to an environmental shot while nothing's really going on on-screen half the time... felt very, very slow paced, almost a drag to get through. It also creates a freezer burn effect, however, because the story pacing nearly felt breakneck as it like they were rushing to get to revealing Mitsuba and Tsukasa as fast as possible, at the cost of others' development. It feels a bit like Lerche wasn't confident in the show doing well and sought to cram in important parts without the proper buildup necessary that made these reveals so impactful in the manga. Voice acting is fitting, sound is nice and atmospheric. Only one OST used for scene transitions is particularly memorable, but that's about standard for anime. I've read a few comments stating episode 12 didn't feel like much of a ending, and that's because it wasn't; there was only about one place to end off naturally, but it wasn't possible since the Clock Keepers arc was moved to a potential season 2. I really appreciate the exposure Hanako has received in being brought to a wide audience, but it all feels a bit rushed. Though considering the pandemic going on right now, I'm well aware we're lucky to be receiving something like this. Jibaku Shounen Hanako-kun is one of my favorite mangas of all time, and I do wish for it to be treated with the care it deserves. Perhaps we'll be getting more quality in the inevitable next season? I do wonder if I would have fallen in love with it the same way if I hadn't read the manga first. It's just one of those scenarios where if you have the patience to sit down and read the manga, just do it.