Nekopara

Nekopara is a fun and cozy way to spend 24 minutes. Simply put, it’s a very relaxing show with extreme amounts of literal and figurative fluff. Ironically, in contrast to its hentai origins, Nekopara is one of the most wholesome shows I’ve seen. Narratively, there’s not much on the way of plot in this show. It’s very much a “monster” of the week type thing with each episode providing a new challenge or event for the girls to prepare for. These will usually be 90 percent fluff and 10 percent fan service. If you’re looking for a fun and relaxing way to deal with the currentuncertain times and pass time, enjoy CGDCT or cat girls, this is your show. Don’t expect anything groundbreaking or revolutionary, but you will certainly get a laid back and cozy ride. Technically, there’s not much to speak of. This isn’t a battle shonen so there’s no real need for high quality animation. The art, however is extremely well done making the show nice and bright. This adds to that cute feel of the show. In conclusion, Nekopara despite being no masterpiece, was one of my favourite shows of the season and helped me to wind down at the end of the week after class. It was a consistent and fun ride throughout and I look forward to future content. Nekopara gets 8 Nya’s out of 10.

Music and art both are top notch. That's why we had our hopes high. But with every new episode it became more and more clear — Nekopara is hot garbage. Each catgirl gets one comic gag assigned in the beginning of the season, and then writers exploit it repeatedly in almost every episode. Including bringing character up just for a few seconds to show yet another version of the same joke they made in ep1. While each episode has an interesting idea — Cinnamon exploring her breeding desires or Cacao looking for new owners, every single one of them fails both to develop said charactersor move the story. In fact it doesn't move even an inch forward. There's no progression in any way. That's why you can't compare Nekopara to any decent slice-of-life where the overall story still moves: be it school year, visible career changes or something else. If this show were an isekai, it would be "In Another World with My Smartphone". Just appalling in how big of a failure this is.

A question: I'm pretty sure it's established somewhere in the VNs that they're genetically engineered 'cat girls', so why call them 'cats'? Are there actual cats in this world aside from catgirls, or are all cats catgirls now? Yes, I seriously thought about this hypothetical question while watching the show. Story: Within the Minazuki household lives six different catgirls. When the older of the two siblings leaves to start his own patisserie business, the two youngest cats follow their master and appear in boxes as he's moving in while the other four cats and his little sister stay behind in their family home, occasionally coming by totake shifts at the pastry shop. And thus (I guess) starts another chapter of their lives. Aside from the first three episodes which establish a completely new character to the Nekopara series, the anime comprises of only one-off stories that put one or two of the catgirls (who're conveniently put together in pairs) in some kind of situation that serves as the episode's focus, rarely deviating from that single story before the twenty four minutes are up before a different set takes their place in the next episode. As a result, conflicts for the anime typically only exist within the confines of the episode, so there really isn't any overarching things to keep track of. As for the content, the show is (of course) only focused on cat-based stuff. Rather than spending time with Kashou, the cats' male master, practically everything in the series centers around how the cats interact with each other and any relationship changes that might occur as a result of the episode's conflict being resolved. The conflicts themselves though feel very random. One episode can be about something vastly different than another's, and I felt a little thrown off watching at times because one episode can have the girls telling stories in a blackout, and the next has two of them going through a giant, custom-built obstacle course that comes out of nowhere. Despite the surprising amount of variance the episodes have though, Nekopara just feels...boring to watch. Even if the content is different, the general storytelling of the anime is centered solely around the girls acting like cats in every conceivable situation, and hardly anything really changes. Because conflicts are so easily resolved, there's not a lot of actual plot to draw the attention of the viewer, especially since the cute girls are probably the biggest selling point the show has. Without that, there's hardly anything else that can really hook the viewer, which is made especially boorish when the girls can be extremely hit or miss depending on who they are and whether or not they're the focus at the time. As a result, Nekopara's story feels less like a 'story' and more like a collection of memories put together one after another and told through hearsay. The episodic storytelling is by no means bad, but everything about them lacks anything significant to draw in the viewer aside from the girls doing their damndest at being cute, acting cute, and having whatever little powwow at the time to keep the episode moving. The content feels extremely samey, and given how the Nekopara VNs pan out, a part of me wishes the story went a little beyond just having the cute catgirls do cute things. Characters: I want to get Kashou Minazuki out of the way first because this man barely does fucking anything. Despite being the player character that every girl in the series supposedly fawns over, he not only gets barely any screentime, but also has no real purpose in the plot aside from being the establishing point since his confections shop is one of the key settings in the series. Like I get it, he's a blank slate to project onto, but come on, put a little effort into making him something other than a plank of wood that occasionally does something. But of course the main stars of the series are the six catgirls: Chocola, Vanilla, Cinnamon, Maple, Azuki, and Coconut. Based on six different breeds of cat, each of these six girls bear a different archetype which range from the Kuudere, to the dumb one, to the incredibly horny one. Despite the show putting as much effort as it could to develop and show off each one, each of the six girls feel incredibly one-note, which serves well to make each one recognizable and add more to the 'cute girls doing cute things' storytelling, but little else beyond that. Each girl only has a small handful of different things or character moments that they're capable of doing, which ultimately makes them really static characters if not barely impactful beyond the initial splash. Sure it's kind of fun to see what Azuki and Coconut are fighting over this time, but I can only see Cinnamon getting horny over something random so many times before it gets stale. Minazuki Shigure serves as the second master to the catgirls as well as Kashou's younger sister of unknown age. (Yes, it's canon that she doesn't have a confirmed age.) Despite having something of an established brother complex, the show really makes it seem like this is her cat harem, which in my headcanon is both amusing and terrifying. A lot of the show features Shigure instead of her brother in coincidence with the catgirls, which really only exemplify how much she loves (and creeps on) the catgirls that live with her since that's the primary character trait that's being showed off. It's definitely an...interesting character trait, but that's about all the show really has for her. Finally is Cacao, the an anime exclusive character who is a kitten that serves as the seventh catgirl of the family. And she doesn't really do anything. She's silent for a great majority of the series, making her appearances more like a puzzle for the other girls to figure out. Which makes her a character of little consequence. Beyond the first three episodes which establish her as a new part of the family, Cacao is mostly just...there, participating only occasionally in the series and serving as a mouthpiece for things in the Nekopara universe to get explained to since she doesn't really know anything about being a 'catgirl' as weird as that sounds. And aside from liking dried fish and generally wants to participate in things with the other girls, there's not much else to say about her. Aesthetics: Felix Film being responsible for animating the kickstarted Nekopara OVA that got mixed reception coming back to do a full cour adaptation is definitely not something I expected but hey, at least this time it looks pretty good, right? The art of Nekopara 2020 is one of the things I praise about the show because it's surprisingly good. The characters look pretty good even when compared to the L2D/VN counterparts, and the consistency of the art genuinely surprised me because I did not expect this show to have actually good art. This alongside with the light color scheme and the detailed frilliness of the girls' various outfits and uniforms really had me take a step back and actually think, "Wow this looks pretty good." Admittedly seeing basically human women/girls on all fours hissing at each other like cats or curling their hands like paws to make a 'nyan' pose definitely made me feel a little uneasy because people don't normally do that, even to be cute, but hey, it makes sense for the context of the show. And to keep up with the theming, both the OP and ED of the anime keep up the cute exterior this series has by having the seiyuus of the girls sing them with happy, bubbly instrumentals going on in the background. "Shiny Happy Days" being the OP is sung by all six of the girls alternating with an upbeat, bubbly tone, whereas the ED, "Hidamari no Kaori", is sung only by Chocola and Vanilla's voice actors in a slower ballad reminiscent of falling asleep since the two girls do sleep in the same bed. My one qualm with the sound however is actually the voice actors. Compared to the kickstarted OVA, the entire cast of Nekopara 2020 is voiced by different people. Although I don't know the reason why Nekopara got an 'anime adaptation' after the OVA's reception, I'd imagine the best way to make one would be to use the original voice cast, so I'm a little confused why this isn't the case. Final Thoughts: Considering the source material for this show involves a series of visual novels that have a dedicated slider in the settings to adjust how much boob bounce the girls have whenever their L2D models are moving on-screen, I was not expecting this show to be serious or outstanding in the slightest, and was prepared for whatever ridiculousness was going to come my way. I did not expect this show to be as boring as it was. I even got tired of watching Cinnamon, my favorite of the six cats, because almost all of her scenes just ended up with her becoming horny without anything else of note. Because everything was side stories, it felt like the show was more like a slideshow that was showing off the girls rather than being any kind of faithful adaptation to the source material. (Which I guess is what they tried to do with the OVA, and failed.) The 'cute girls doing cute things' subgenre of slice of life is so oversaturated with so many different shows that almost nothing about this show stood out aside from the notoriety that the name 'Nekopara' has curried over years within the anime community. Sure the girls were cute, yes there was a plot during each episode, and Cacao did spice things up a bit by being a completely new character with potential, but all of that is meaningless when the show is nothing but an endless cycle of 'cute'. I'm sure there're many people who enjoy this kind of mindless cuteness, but for me, it never felt like the cuteness had a purpose. It was the default tone and mode that this series had and that alone made watching it feel like a slog then a brand of cute that had some substance behind it. Had the show given us some more substantial story arcs aside from just doing side story after side story, then maybe things could've been different. But as it stands, the show is so mindless in being this cute cat creation that I find it hard pressed to define it as anything aside from that. Admittedly it does that well, but the show has nothing else going for it. As such, my recommendation really goes out for fans of the series, especially those who're REALLY hardcore fans since this is the group that I think would get a kick out of this adaptation the most. For the casual viewer, there's not really anything I can see is worth the time since the brand of 'catgirls' being the show's main characters are about the only thing that gives the show any sense of unique qualities. Without that, the anime ends up feeling like a cute girls doing cute things show, and I think we've gotten to a point where we have more than enough of those in the world.

“It's not my responsibility to be beautiful. I'm not alive for that purpose. My existence is not about how desirable you find me.” – Warsan Shire, and also nobody in Nekopara Every few years, we get an anime that is truly a masterpiece: a work that excels in every area to create something that not only entertains greatly, but explores themes so deep that they leave a lasting impression on those who watched them and on the way that anime and the world moves forward in the future. These anime are indeed rare – we are lucky to get one in a year, but by somemiracle, we managed to get two such anime in a single season. It’s hard to imagine a better way to begin the decade than with these two series. One of these is, of course, Interspecies Reviewers, and the other is the anime that we will be talking about today: Nekopara. Many great stories focus on dystopias: from worlds that are blatantly dystopian such as Orwell’s 1984, to ones that are more morally grey, and could even be perceived by some as utopian, like Psycho-Pass. What’s so special about Nekopara is how it manages to be both of these simultaneously, giving it a lot to say about the implications of our own desires as well as the fact that we live in a society, and the direction that that society might be headed in. The first deceptively genius thing about Nekopara is its name, a combination of “neko” (the Japanese word for “cat”), and “para”, the start of the word “paradise”. Or, at least, that’s what the name seems to be, but there’s more to this series than meets the eye. There are many other words that begin with “para”: “paranoia”, “parabola”, “paraphilia”, “paradox”, etc. Which one of these words “para” represents is hotly debated amongst scholars (my money’s on “paraphilia”), but it sure as hell ain’t “paradise”… at least not for everyone involved. Sure, it may be appear to be a paradise at first glance: who wouldn’t want to be surrounded by a bunch of really cute and attractive cat girls who cater to your every need? But this perspective doesn’t consider life for said cat girls. Now, a more conventional dystopian horror would probably present the oppressed class as struggling and visibly tormented by their unjust position as slaves and sentient pets within this society, but instead we are shown something far, far more terrifying: they are totally complicit in and content with their oppression (apart from one character, who’s tail is truly the most haunting of all, but we’ll get to her later). The world of Nekopara has managed to successfully convince the cat girls that they don’t deserve basic human rights: that they are less than human, that they are better off living to serve their masters, that they must never go outside without their master unless they wear their bells. And they never once question these ideas. Nekopara isn’t just about how society oppresses us, but also how we allow it to continue to do so, and that is something truly bone-chilling. But it’s more than merely our complacency in our own oppression that’s being challenged by Nekopara, but also the fact that we may actually be idolising this sort of oppression when put upon others for our own benefit. After all, the series masquerades as a paradise for the viewer to self-insert themselves into, enjoying owning a bunch of cat girl pet slave waifu things, whose sole existence is to serve and please them. This series makes the viewer think: “Would I have been in favour of the subjugation of women and people of colour if I was born a century or two earlier? Am I in favour of the ways in which minority groups remain oppressed today?”. While cat girls serve as a useful metaphor for many oppressed minorities, such as people of colour, the LGBTQ+ community, or weeaboos, they are also of literal significance. If our society has the same view of cat girls that Nekopara does, then we may ourselves become such a society once Elon Musk has successfully created genetically engineered cat girls. In fact, how excited people are for the scientific research being conducted into the field of genetically engineered cat girls is quite concerning: what will be their fate? Our society could easily become the dystopia presented to us in Nekopara. We may look back on this anime much like how we look back on Serial Experiments Lain today: more relevant many years into the future than when it came out. Indeed, Nekopara is a truly visionary work, and the scariest part is that we won’t even realise that we’re in a dystopia – most of the population will think that this is just the natural order of things, ignorant to anything other than the status quo. “But what about the based, woke and red-pilled individuals who see the true horror of their society?” I hear you ask. “Surely they’ll be able to save everyone from this hellhole, right?”. I wish that were the case, but the most terrifying thing of all about Nekopara is the way in which it shoots this sentiment down multiple times throughout its story through the use of the character Cacao, the only character we see in the series who doesn’t see the oppression of cat girls as a good thing. Perhaps the most important thing about Cacao is how difficult it is for her to speak: this represents how society denies those who go against it of a voice: you can’t spread your ideas or influence change; you will just be silenced. But it’s not just that she can’t communicate properly: she can’t escape either. At the start of the series, she is a stray cat, this being her attempt at self-actualisation: to become something other than a lesser being who lives solely to serve her master. But she is found by Chocola and taken in by this horrifying system. Each time she tries to escape, which the other characters interpret as her merely “getting lost” (because who could possibly want a life other than to fulfil their natural role within the hierarchy?), she is found once again. The message of the series is clear: there is no escape from society. No matter what we do, we live in a society. And what could possibly be more of a depressing realisation than that? Story: 10 – The genius thing about the story of Nekopara is just how naturally it integrates these oppressive structures into its world-building. Layered with metaphor and meaning in every shot and every line of dialogue, this is truly one of the most masterfully crafted stories in the history of not just anime, not just television, but in all of storytelling throughout all of time. Character: 10 – The characters of Nekopara are some of the most hauntingly realistic characters in anime. The way each of them has developed their own unique psychological coping mechanisms to delude them into being content with their unjust society is handled in a way that seems to have been brought about by the propaganda that the society has fed them. We see this process gradually happening to Cacao, one of the most tragic and sympathetic characters I’ve ever seen, as she loses her independence to become yet another slave to her “goshujin-sama”. Art/Animation: 10 – Nekopara’s visuals expertly convey the fetishization of the cat girls, which is a significant part of what leads to their dehumanization. The way it presents them as being incredibly cute both serves to help us see what the humans of the society see of them, as well as giving us increased sympathy to their plights, even as they themselves remain unaware of them. Sound: 10 – The voice acting complements the character designs of the cat girls in adding to their fetishization, while also being far enough from anything you would hear in real life that it feels like something’s… wrong here. This is an important part of leading the viewer to the conclusion that society isn’t supposed to be this way. The background music that plays mostly consists of the same track playing over and over again as it becomes increasingly grating, fitting the mood of the series perfectly. The track might seem nice at first, but it quickly becomes something that sounds far more sinister and unpleasant. Enjoyment: 10 – I was hooked. Each week, I was so excited to watch the next episode and find out which elements of the world and character psychology would be explored next, and it’s been a long time since an anime has made me think this deeply or filled me with this much existential dread. In conclusion, Nekopara is one of the greatest pieces of cautionary fiction that has ever been conceived. It may not be for everyone, as it may cause you to slump into a two-week-long depression, and it certainly isn’t an easy watch, but if you want to experience some of the greatest political and philosophical epiphanies of your life, then Nekopara is absolutely a must watch.