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13
TV
Finished Airing
Apr 7, 2019 to Jun 30, 2019
Gen Kudou, a koto maker, believes that his delinquent grandson Chika would never understand the profoundness of the traditional musical instrument. In an attempt to make up for his naivety and understand the words of his late grandfather, Chika tries to join the Tokise High School Koto Club. Even though the club is in dire need of members, new club president Takezou Kurata is unwilling to easily accept Chika's application due to his bad reputation. Nonetheless, after seeing Chika's seriousness and enthusiasm, Takezou allows the problem child to join, along with koto prodigy Satowa Houzuki and three of Chika's energetic friends. Kono Oto Tomare! follows the merry band of musicians as they aspire to play at the national competition. [Written by MAL Rewrite]
7.8/10
Average Review Score
80%
Recommend It
20
Reviews Worldwide
Quite literally the dark horse and the best hidden (diamond) gem of the Spring season that not a lot of people are giving it the recognition it severely deserves. In my view it's no AOTS nor a masterpiece, but it's a really satisfying watch. And this journey to stardom isn't quite over yet, as the 2nd cour airing in Fall 2019 will continue this journey of the Tokise High School Koto Club. And the TGI-Saturdays of highly-intensified music marathon is over for this period. Like can you believe that the 2nd cour was planned right when the show just started it's pilot episodes? That's some fiercedetermination right there. But first, a quick background about the Koto, which is the centerpiece of the series. Made in 13 or 17-string variants, the koto is a rendition of the Chinese Guzheng, and is the Land of the Rising Sun's national instrument, having heralded first in China over many centuries. It is a marvellous piece of instrument with sounds unlike any other (the stringed "Angels" harp doesn't even come close). And so far, no music series has so far encased the use of the koto (as much as I've seen anime and read manga for so many years). The story goes of the Tokise High School Koto Club, once a club of mediocrity, and with seniors playing for the fact that the tone doesn't strike as "Aim for Nationals!", the small reminder poster in the tattered practice room. To make matters worse, a second-year by the name of Takezo Kurata, is the ONLY surviving member of the club, with his seniors graduating all at once. Not being outdone, as the new president of the club, he tries to recruit people to continue the tradition of playing the koto, though with that said, Takezo is an amateur player. Not to mention that his cowardly-self also impacts the club, right down to his own brother having to coerce him into determination and courage not to back down, and raise the club's morale he (eventually) did. And then...in comes the school's most notorious person, responsible for in and out-fighting of people, and labelled a delinquent: Chika Kudo. Funnily enough, if you paid attention to the meaning of his name (in Hirakana), his name means ç±, or "love", speculating that his friends call him names for his childish personality. Being a delinquent in his younger years, plus the fact that his grand-dad made Koto instruments for people, IMO the Koto would have saved his younger years (but it wasn't meant to be), but through his harsh lesson to learn and understand to express himself as time passes in this series. But, he's not alone. With his good ol' bud Tetsuki Takaoka, he was the right-hand man and close friend of Chika whenever he couldn't weaver his way out of any trouble, both major and minor. But Takaoka isn't just Chika's advocator. He also helps addresses issues with Takezo on Chika's past, and whilst helping Chika rekindle his grand-dad's pursuit on the Koto and get back in the groove, for replacing his anger management and violence issues. And I say that Takaoka is best support character, really wished we all had a close friend like him in the deepest ranches of the furnace. With the duo set in motion, plus the three followers/stooges (Saneyesu, Sakai and Mizuhara) joining in the venture, there stood a powerful figure, one of the most hardworking but underappreciated figures in the Koto world: Satowa Hozuki. Born a prodigy in a harsh family enviromment that is built upon skill and tone, she was abandoned by her mother and the entire family group and left to her own devices, whilst still maintaining a super-strong calibre that at most times with a very stuck-up attiude (that slowly becomes neutral overtime), takes a very heavy toll on both her physical and mental being. As you can tell, being a prodigy, also meant being a teacher to essentially everyone in the club, since they are learning from scratch. As time passes, she becomes the quintessential member of the club, spurring everyone to do their best... And it would be a BIG sin for me to leave out the truly short but cute and romantic moments between Chika and Hozuki. It's her having a crush on Chika, but at best hiding it from his naivety. I LOVE THESE stress-relieving MOMENTS A LOT. Hiro Kurusu, the classmate of Takezo's class, is what I imagined to be the series' Malty/Bitch. A stuck-up character caught within the "Waves of Desolution", trying to bring down the club with her double personality. Fortunately, Takezo sees through that personality and warns her to give up this thought, while processing the benefits of the club. And the final character, the not-as-hopeful Suzuka Takinami-sensei, the club advisor. Knowing the desolute days where the Koto club would not suffice, he has placed less emphasis and brought more criticism to Takezo. But however, like past experiences, with his facade intact, as he saw the Koto club improve overtime, so does his negative thoughts that subsequently faded away. Not entirely, but surely. To me, this series does a super great and tremendous job at the character development of each and every member related to the Koto Club, be it family members or even rival schools in the Nationals, their quest of overcoming their past identities and forging new links of their own, and it definitely has shown that and more. I can even consider this the "golden (Harry Potter) Snitch" of the series. To the studio responsible, this is like Studio 8-bit's Magnum Opus (which was the Slime Isekai series), to which this is Platinum Vision's Magnum Opus, the flagship series representing the studio's best and talented efforts. Artwork and animations are super detailed thanks to renowned directors Junko Yamanaka and Toshimitsu Kobayashi who did the manga source material justice, and a whole lot more. Some rough details but nothing too off, and the full experience is wholesome. But being a musical series, what is there to say if I didn't "Stop This Sound!" about the music, which is the anchor for the series. And I have to give a shoutout to sound director Hajime Takakuwa. Being the SD for the current Black Clover and classics such as Spice and Wolf, there is no one person perfect for this job as this talented man (albeit with a few mediocre ones). The Koto pieces were truly indistinguishable from the IRL ones (albeit with some differences), and this made all the difference. Not to mention that both the OP and ED are great too. And it's been awhile since I've heard a Shouta Aoi song, and his OP song "Tone" really fits the (literally) tone shift of the series. The ED "Speechless" by Chika's VA Yuuma Uchida is a damn perfect ending, as music renders us "Speechless" at its play, and this is my ED of the season. Plus, spectacular jobs and props to the VAs, marvellous and convincing acting. The only thing I'm sad for is that with the sesasonal battle between this and Shinichi Watanabe's "Carole & Tuesday", I'd wager which series garnered the most attention (and it's an obvious one to boot). Regardless, even if you're NOT an anime fan of the music genre, I highly, HIGHLY recommend that you give this series a second chance to not skimp on it. Because the journey of Takezo, Chika, Hozuki and the others aren't done yet. Because of the split-cour decision (2nd cour in Fall 2019). Because of such an underrated series like this. Because of all the above, no one series is perfect to a T, but watching it makes your time worthwhile. Because I believe (and you should too) that it could be more than this, and expectations run high. More importantly, because being casual is the easiest way to strike a chord, and being comically serious strikes THAT chord into something beautiful. Awaiting Season 2 / 2nd cour in Fall with greatness.
Click an episode to read its synopsis.
Glancing at the promotional poster for âKono Oto Tomare!â had me confused, thatâs because I thought the students were holding bazookaâs. Which could have made sense given the American name, âStop the sound.â Despite my lack of knowledge of the koto, however, I soon realized that splattered body parts would be a rare occurrence. Quite a shame, I know. Musical-centered anime follow a similar framework to sports anime. The participants usually start with mediocre talent and low expectations, but through the power of bullshit (i.e. friendship), they overcome all/most obstacles in pursuit of their goal. Like when the vice principal challengedthe crew to learn the koto in a month and play a song in front of the student body. The subsequent veneration from the student body was a cliched response that has been utilized more times than a crack pipe at Charlie Sheenâs estateâŠor car, or on the set of âTwo and a Half men,â or at Wendyâs as he wears his Burger King crown with glee â âSmoke it your way, bitch!â Manufactured plot points aside, the characters are recycled tropes of the worst kind. Chika (heâs actually a dude â outrĂ©, I know) was the archetypal âtough guyâ with a concealed gentler side. With the wisdoms of his father constantly ringing in his head, and the strengthening bonds of friendship, he blossomed into an amiable companion who supported his fellow koto enthusiasts. Satowa, the resident bitch, deceived the various men in her life to do her bidding. One might liken her to a succubus, but let me assure you, sheâs not putting out. Similar to Chika, her aggressive demeanor cloaks her insecurities and longings to have friends. Both character arcs proceed accordingly, with no meaningful nuance to distinguish itself from its predecessors. Takezo Kurata was an apathetic, meek boy who didnât establish himself as someone worth caring about. His character arc was rather predictable, with a gradual rise in self-confidence as the series progressed toward its finale. The other, initial koto members â Kouta, Saneyasu, Michitaka â were stock characters with no discerning characteristics worth mentioning. Miya Sentarou, a member of a rival koto team, did have a humorous moment when he started âpoweringâ up during a live performance, and reached a state of kaio-ken (or, maybe he was having an aneurysm â tomayto, tomahto). Otherwise, though, Sentarou was rather tropey. An interesting facet about âKono Oto Tomare!â was the lack of koto music. Performances were often cut short or relegated to a considerable amount of internal dialogue/flashbacks from the main characters. Frankly speaking, evading the primary focus of the show for a contrived love story and frequent reminiscing seemed like lazy, bland storytelling. The difficulties of learning a new instrument is fascinating in its own right, without the âaidâ of superfluous, emotional conflicts. Eliminate the soap opera and focus on the trials and tribulations of the learning process.
this is the second time I have watched anime music, this anime is very good by presenting a dramatic storyline and each character has a story behind each of them, I really enjoyed the story from the first episode to the end.every episode has interesting conflicts and is not bored to watch for me.the visuals displayed are very suitable with the conditions that are told and make the audience seem to be fixated on the conflict presented. I'm really waiting for the continuation and this is my recommendation for those of you who want to find anime with dramatic stories and music.
The foundation of school clubs have been an ongoing trend in many anime involving school life. But reality is, you probably havenât heard of koto club being part of a central plot, have you? At first, I came into this show with some cautious optimism. The concept of Kono Oto Tomare itself reminds me of anime like Chihayfuru. That anime became a rare breed that capitalized on a unique competition. Kono Oto Tomare walks a similar path for its first few episodes. Right from the start, we are introduced Takezou Kurata, the president of the koto music club. The timid young man has no strikingly impressivetraits. As the sole member of the Koto club, his love for koto music is evident although itâs hard to make his club into a sensation. The fact is, his club is on the verge of shutting down until Chika Kudo submitted his application to join. The first episode shows a world of difference between two characters â Kurata being the weak character who you may feel sympathetic for and Kudo, the straightforward delinquent-looking guy who isnât afraid to express himself. When you put these two characters together into the same club, what can really go wrong? Voiced by Atsukmi Tanezaki, it doesnât take long for the audience to meet prodigy Satowa Hozuki. Thereâs no doubt about it. She is gifted and is considered a professional player in the world of koto music. Unfortunately, her personality is that of a stuck-up girl with a degree of egotism. On the bright side, she is also a hard worker and is determined to reach her goals. With the Koto club, her goal may have a ray of hope. Something to pay careful attention to in the show is her slow yet progressing character growth. As she grows to understand its club members, she also begins to trust in others more. The first season doesnât fully explore this so youâll have to be more patient. It was announced that the show would be split into 2 cours, with the second half to air in Fall 2019. To be honest, this should make it obvious as the first 13 episodes aims get viewers comfortable enough to understand the story. The main goal of the koto music club is to reach the nationals. This goal is shared between all of its members and becomes their endgame. The real question is how far they can reach that goal, or if at all. Throughout the story, itâs evident that some of its members need more training and a lot of room for improvement. The trio of Sakai Michitaka, Mizuhara Kouta, and Takaoka Tetsuki is a very obvious example. In fact, the first few episodes shows Satowa showing disappointment at the state of the club. As their mentor, thereâs no doubt that she wants them to succeed with her but itâs a difficult task. A part of the show consists of showcasing their hard work and proving the world what they are capable of as a club together. Individually, each character has their personal traits that adds a bit of flavor to the growing roster. And of course, school life often deals with drama. When we are introduced to Hiro Kurusu, she shows a cunning side to her character with hidden motives. In fact, this show seems to dance around drama at the early stages. Satowaâs personality is like a fuse to a fire when she sometimes clashes with Kudo. In the meantime, Kudo isnât afraid to back down because of his own thick personality. When you see the two together in early stages of the show, itâs like the two are at a mental wargame. I honestly feel sorry for Kurata since he wasnât equipped to deal with this. Although as time passes on, Kurata also begins to grow out of his shell since his days of being bullied. Using its visual language for communication, Kono Oto Tomare does a surprisingly wonderful job at expressing itself. The anime knows what it wants to be â a mixture of school life, drama, competition, and growth. Thereâs an evident of character youth in this show with its castsâ personalities. Beyond that, the technical style of animation production is probably one of the weaker sides. Character designs arenât very eye catching except when the show gets into the mood for competition. It shine best during windows of moments that showcases the art of koto music. Sometimes, you may be awed by Satowaâs character design if you have a thing for long black haired beauties. And even as a show with heavy doses of drama, thereâs room for comedy. Character expressions draw on the humorous effects of interactions. But at the end of the day, itâs not really that funny. This is a world where koto music is more than just an art. Itâs a way of showing talent to the world while understanding the true meaning of koto music. Anime viewers who are new to the showâs ideas should be prepared for dramatic ride. You wonât need a bucket for tears but do be prepared to be cast into a world where sounds is a way of life.
I usually don't write reviews (this is my first one actually), but after seeing this anime I couldn't help the urge to do it because I felt that more people should consider giving it a try. I feel that when seeing "Kono Oto Tomare!" for the first time, some might be turned off by the fact that it's in the music genre. I myself am not a big fan of these kinds of anime, but "Kono Oto Tomare!" really surprised me by just how much I ended up liking it to the point where I started reading the manga just because I couldn't get enoughof it. Iâll do my best to keep the spoilers to a minimum in this review. Story: The story revolves around a high school's koto club that's about to disband and is in dire need of new members. That's where a large portion of the cast decide to step in and join the club and, together, the members all aim to reach nationals. The story is similar to a lot of sports anime in the sense that the club isn't all that perfect at first and through hard work and failure, they rise and get to where they want to be. The element of romance is also evidently a big part of the story and a lot of tension and drama is created between the characters for this purpose. And while at this time, neither of the couples actually get together, it is their interactions and their struggles in first, trying to admit their feelings to themselves, and second, in trying to keep them in check so as to not get in the way of their club activities, that really pave the path for the romance to shine. The romance aspect is, all in all, pretty sweet and I very much enjoyed seeing the relationships between the characters develop. There is also a lot of drama involved in this anime which might put some people off, but personally, I thought it was something that added to the plot and helped both the characters and the plot progress in a positive way. The inclusion of koto as the instrument of choice was also very refreshing, especially since I believe itâs an instrument that not too many people outside of Japan are familiar with. Art: The art is well done and nice to look at. The way they chose to animate and show the movement of hands while playing the instruments was quite welcome and pleasing to look at. Thankfully, they opted not to use CGI for animating the scenes where koto is being played and that's something I'm grateful for. The art seems to have done a very good job at translating the manga into anime format and jumping from one medium to the other isnât hindered by the difference in art style. Sound: As this anime belongs to the music genre, the sound becomes increasingly important and I think they did a great job of delivering songs that are an absolute treat to listen to. The opening is very good and I still listen to it after having finished the anime. The ending is also enjoyable. However, where I think the sound shines the most is during scenes where the characters are playing the koto. Each and every song can simply be described as mesmerizing. It really makes you appreciate the unique and beautiful sounds that a koto can produce. "Kuon" was a song that really resonated with me in the anime. It's as if you can feel the emotion put into every sound. What's interesting is that the people who were tasked with playing the koto music in the anime were actually not that experienced in playing the instrument and ended up having to learn it, just like some of the characters in the show. Character: I think one of the most important aspects of this show, and this style of anime in general, is the characters. Their interactions and struggles are what make the viewer more engaged in the story and more willing to see the characters succeed. They did a very good job in making every character interesting and thus making the viewer actually care about them. Throughout the whole story (this includes beyond the first season of the anime) each character from the club, and even from rival schools, gets a certain amount of time dedicated to fleshing them out, whether that be through providing backstories for them or through making them face a series of conflicts in the present timeline. The focus I would say is very much on creating stronger bonds between the characters in the club through these conflicts. The fact that each character feels very different from the other makes it possible to relate to at least one of them during the course of the story. As I mentioned previously, elements of romance also play a big part in the story and, at least to me, they don't really feel forced, but rather flow quite nicely with the tone of the story. They really make you root for the characters to get together, though they never actually go as far as kissing or anything like that (perhaps in the future though *wink wink*). Enjoyment: I have to say I really enjoyed the time I spent with this anime. It succeeded in evoking an emotional response from me and I think that's part of what makes an anime worth watching. If you feel nothing when viewing an anime, then I think that takes away from the overall enjoyment. Many of us tend to forget that the biggest reason to watch anime is for the sake of enjoying what we're watching. This very enjoyment sometimes even helps us look past some of the minor flaws that every anime undoubtedly has and thus I believe it is the most important factor to consider when deciding to watch something like "Kono Oto Tomare!". Overall: All in all, I think "Kono Oto Tomare!" is an anime worth watching through at least once as it is very enjoyable and I'm sure many will have a great time experiencing it. It's worth saying that while I do praise this anime quite a bit, it definitely isn't for everyone. If you're looking for cutting-edge action or heart-pounding dramatic moments then I don't think you'll find what you're searching for here. However, if you're looking to enjoy a story that builds its foundation on music and character interacions, then I doubt you'll be disappointed. Watching the first 2-3 episodes will pretty much give you a feel for the tone and direction of this anime so I would suggest trying out the first few eps before you decide on whether you'll like it or not.