Graveyard Kitaro

The concept of Youkai has stood the test of time for hundreds of years, and whether or not they truly exist has been a thought pondered throughout its history. However, knowing the truth about their existence isn’t as important when Youkai have undoubtedly played an influential role in Japanese art, history, culture, and identity. Youkai can be found everywhere in modern art, especially being referenced or playing huge roles in video games and anime. The modern revitalisation of Youkai can be traced back to the heavily influential manga Gegege no Kitarou by Shigeru Mizuki, which popularised Youkai culture in the mainstream in the 1960s. Gegegeno Kitarou’s idea of Youkai was that of creatures who had stories to be told, creatures that needed to be understood. Kitarou, the main character of the series, made it his mission to allow Youkai and humans to live in harmony. He wants to befriend both sides in the hopes that youkai and humans can understand each other. The themes and ideas represented in Gegege no Kitarou were undoubtedly incredibly influential, with anime like Natsume Yuujinchou and even Youkai Watch sharing a lot of common themes with Kitarou. Hakaba Kitarou represents almost none of these ideas. In fact, this series is almost the complete opposite of everything Gegege no Kitarou and its subsequent influences stood for. It’s actually impressive how different Hakaba is from its counterpart. So, the question now is: just what exactly is Hakaba Kitarou? Not to be confused with the renaming of the Weekly Shounen Magazine version of Hakaba Kitarou, which changed to Gegege no Kitarou in 1967, Hakaba Kitarou’s anime adapts the stories told in the Kashi-hon release of Hakaba Kitarou in 1959. This version of the story is much more gruesome and cynical than its counterpart, and this is seen most clearly in its characters. Hakaba’s take on the character of Kitarou is that of a self-fulfilling asshole, only seeking to perform actions that benefit himself and no one else. This is reflected in the episodes where Kitarou straight-up curses other humans, something you never see his future counterpart do. But, to give him credit where credit is deserved, Kitarou specifically curses those who are greedy and cause harm to others. But still, Kitarou doesn’t seek to unite Youkai and humans; on the contrary, he seems to have fun seeing humans being tormented. Throughout the anime, Kitarou seems to take a backseat, not really intervening with the Youaki or humans. This is an interesting difference from Gegege, since Kitarou in the main series acts as a hero who’s there to save the day. While there are moments where Kitarou’s humanity is shown, like in the Neko Musume story, Kitarou never shows any sign of alignment. He’s neither good nor bad, creating this moral ambiguity that the viewer can never be certain about. Hakaba isn’t afraid to show death in the most gruesome of ways possible, with many of its characters dying a horrible, and I mean horrible, death. There’s even a character who is a clone of Kitarou who just randomly dies one episode and never shows up again, which I found to be rather humorous looking back. This grim and macabre portrayal of death is one with very little subtlety, often used as the answer to greed and corruption within its world. My problem with this is the lack of substance to convey any other interesting ideas or messages. Hakaba Kitarou has very little value for human life, so much so that it is in complete opposition to the themes of Gegege no Kitarou. However, this is only a personal complaint, since this portrayal of death is certainly an aesthetic choice in conjunction with the anime as a whole. One thing you may immediately notice upon watching Hakaba Kitarou is that its art style is awfully familiar. Takashi Kurahashi, the art director of Mononoke, also played the role of the art director of Hakaba Kitarou. Many of Mononoke’s visual sensibilities can be found within Hakaba with the choice of colouring, shading, and texture of the drawings, as well as general shot composition with a focus on still wide angles that help create an eerie atmosphere during certain scenes. The sound design is also particularly noticeable, with a focus on the use of classical Japanese instruments and sound effects to assist with the overall eerie atmosphere. Hakaba Kitarou consistently has an unsettling aura to it, one that is only matched by the likes of Mononoke. It helps that the entire aesthetic style of Hakaba complements the overall atmosphere and pacing in a way that is incredibly unique to itself. If the sound of macabre themes and gruesome portrayals of death all wrapped within a creepy and atmospheric art style sounds interesting to you, then I highly recommend giving Hakaba Kitarou a watch. While it may be a huge departure from Gegege no Kitarou, and by huge, I mean a complete 180, Hakaba Kitarou is a great little series separate from the main decade-long anime franchise and provides an interesting insight into what Kitarou could’ve been.

Those who are frequent with Japanese Occultism must know about Kitarou and Nurarhiyon because they have been famous for their anime adaptation. And those who love to dwell in Japanese Ghost stories must have heard of or watched Ge Ge Ge no Kitarou (Spooky Kitarou) in their life. So what is different between Hakaba Kitarou (Graveyard Kitarou)- HK for short - and Ge Ge Ge no Kitarou (Spooky Kitarou) - GKfor short? Well, GK has been serialized and reanimated from the 1960s till 2018 almost 5 to 6 times and every time it has been about the haunting ghosts creating problems for normal humans andKitarou will save the day by purging these 'Bad Ghost or Demon, Obāke. But what about HK? Well, it's a new concept by Shigeru Mizuki sensei, the mangaka of these anime's manga, who crafted a new Kitarou who is not your hero but the Ghost Child. Watching GK, I have always wondered... There are ghosts in this anime but why is it not 'Spooky' as the title suggests? Umm... It is for children who got scared easily by any horror tale or story. GK is like the friendly Ghost stories that any grandparents would like to tell their grandchildren. But HK is not like that because it redefines the Kitarou from his horrified beginning from his birth and how this newborn child with the blood of Ancient Ghost Descendant or Clan will bring some spooky phenomenon to this world. For the story, I would like to give it - an 8, because it distinctly differs from the GK, and though some of the stories like Horror ride of the broken rail car, or Johnny the Vampire have been adapted from original work they hold their uniqueness in the retelling of the story and somewhat gloomy environment. For art, I should've given 9 but 8 would be sufficient. To talk about art, I have watched the black and white version of the 1960s up to the vibrant colorful version of 2007, each adaptation has brought its individualism but what is most amazing about HK is that it doesn't follow the old pattern but it brings out the very eerieness in the background of the very story. The darkened screen with less vibrant but effectively dense colors gives HK its very own horror surroundings. Sound... Well, it is 8 for me, again! Background music or Soundtrack gives you the spookiness of its own. You know, you're watching a horror anime but is it horror anime if there is no eerie sound of screeching door or heavy wind? HK gives you that pleasure. Character.... I'll say 9!! Why? Because I liked it that much! By omitting the original group of Kitarou's team members like Ittan Mommen and 3 more ghosts, this anime didn't lack any proficiency. But it did include Nezumi Ōtoko and somewhat Neko Onna in their sense. Without Nezumi Ōtoko there will never be anime comedy in Kitarou. And this Child Kitarou was like the Kitarou you'll never imagine because he's selfish, non-reliable and a problem child and that makes the difference. Enjoyment? Well, I enjoyed it very much that's why it's 8 from me, and you know why is that, right? Overall it stands at 8. Well, nobody is perfect but still, it's worth a try to give a modern adaptation a chance because you don't know how different may your perspective may change... Please give it a try...