[Note: This review assumes you have seen at least the original Eureka Seven TV anime. As such, there will be spoilers for it within this review.] Well, Studio Bones is at it again! Out of all the original series they make (and theyâve made plenty) Eureka Seven seems to be a favorite to many. But to be fair, why wouldnât it be? The original 2005 series is a stone cold classic, with its arresting visuals, compelling lead romance, and just a grand adventurous tone through and through. Iâll make it no secret that I love it dearly, and its been my favorite anime for nearly 6years now. It just does so much wonderful that I canât help but wear a smile anytime I rewatch it.
Unfortunately, with that much praise comes bank to be made on it. And with that bank comes Bones trying to make the magic strike once again. Their first attempt, Pocketful of Rainbows, was an alternate take on the series featuring some reused footage and had some interesting ideas going for it. It was never going to live up to the original, but for what it was it was harmless. The same cannot be said for their next attempt: the infamous Eureka Seven AO. Truth be told, I havenât seen it myself. But everything Iâve heard makes it seem like seeing it would be the last thing any fan of the original would want. AO was pretty much the lowest point in the series, and many just thought it was done after such a botched follow up.
Perhaps trying to wash away AOâs taint, Bones is taking the old horse out for another try. The Hi Evolution trilogy was announced last year, with the original staff and cast from both languages returning. With the first installment releasing last year in Japan, nerves have never been more on edge. Fans waiting with baited breath to see if they shit the bed once again. And from the first screening at Otakon last summer, reception was...mixed at best. Much of anitwitter was ablaze, claiming that the bed was indeed shat in; some going so far as to say that it was just as bad, if not worse than AO. But with its American release finally here, it must be asked: do those claims ring true? Is Hi Evolution 1 just another blemish on the original? Is it truly worse than AO? To answer this, I must put aside my biased love towards the original series. And now I can say with confidence that this new film is, surprisingly, really damn great. Though truthfully not for everyone.
The overall plot of the film can be broken down into two parts: the first is the story of the Summer of Love. That often talked about but never shown event is finally shown in full glory, as is the story of the man who saved the world, Adroc Thurston. The second part shifts the focus onto the familiar face of Renton Thurston, as he reflects on his past experiences with both Eureka and his adoptive parents, Charles and Ray. For in this continuity, Renton was adopted by the Beams right after his father vanished, and so itâs from them he runs away from to follow Eureka.
Letâs get the obvious praise out of the way: The Summer of Love section is amazing. The first 20-25 minutes is basically one big action scene, and it is jam packed with awesomeness. Weâve got Scub antibodies blasting away at KLF units. Weâve go lasers and missiles flying sky high and exploding into big beautiful bursts of color. Weâve even got a giant missile that transforms into the equivalent of a rave party; god almighty, it is amazing. But it doesnât stop there, weâve got plenty of great character moments to boot. Itâs great to see Charles and Ray again, and they get a bulk of the early action in the scene. Holland and Dewey actually looking out for and calling each other âbrotherâ is something i never knew I wanted, and it's amazing. Itâs impossible to watch it without feeling pumped up.
Whatâs more, they actually manage to one-up the original series by actually giving Adroc some character. In the series, he was dead by then, and more acted as a symbol for many of the characters. Here, heâs given some depth and itâs quite well done. The film portrays Adroc as a man who genuinely wants to help the world. Someone who is desperate to stop a doomsday plan he created, and laments all the pain caused by his actions. It really succeeds at humanizing him, making him more than just the legendary figure of the original show. All those elements makes his sacrifice all the more powerful in a truly beautiful sequence. The entire Summer of Love was just one big lump of fanservice to the original show, meant to please the fans in every possible way, and it unquestionably succeeded. And then the rest of the film happened and things got more complicated.
See, the controversial reception this film has doesnât come from the story being told. No, it comes from the way that it was told. Hi Evolution 1 takes a decidedly non linear approach to telling Rentonâs tale. Signaled by the words âPlay Backâ and âPlay Forwardâ, the film leaps throughout parts of Renton leaving the Gekko and his reunion with his adoptive parents. Fans of the original series will recognize these events, in particular Rentonâs encounter with the Vodarac girl and his specific reason from running away in the first place. Many have complained that this style of storytelling was too confusing and hard to follow, but for me it wasnât so. Everything followed a thematic throughline about Rentonâs maturation, and it didnât hop along too large of time gaps. Plus, if youâve seen the original show, you should know where these events line up time wise. The criticism perhaps comes from how unexpected it was, which while certainly true proved to shake up the original version of these stories.
To be frank, the film basically requires you to be familiar with the original series. It doesnât really touch on Rentonâs life aboard the Gekko, nor his relationship with Eureka; instead assuming you already know about everything Renton went through and giving the new information needed for this trilogy. Some may be aghast at those changes, and while I sympathize, I must also disagree. Had the film gone over that material it wouldâve basically been the same as in the original series. Then you wouldâve had people complaining about how the film retreaded too much of the same stuff. Some may certainly argue that reusing moments from the series in the first place was a mistake, and while that may have merit, the way they went about telling it was the most interesting approach.
Some will also be disappointed to know that the focus is kept primarily on Renton. In fact, the film kind of turns into a character study of him, squaring in on his reasons for running away and his own problems with relating to Eureka. The elements explored are similar to the ones from the TV series, but they are different. Most notably, it is much harsher on Renton. This section of the original show was a dark time for him, and this film carries that over very well, and then some. It explores how, while he genuinely wants to be a good person, itâs difficult for him to understand what people really want. This was lightly touched on in the series, but here itâs put more front and center as the big character hurdle Renton has to overcome. Itâs no coincidence also that the scenes taken are the ones that most strongly reflect that theme.
His encounter with the Vodarac girl proved to be the key example of that hurdle in the original series, and itâs just as much here, but different in a subtle way. In the original, after Renton is brought back to the Swan, Charles comforts him by saying that he doesnât begrudge his actions; that what he did was âthe right thing to do as a humanâ, but that they didnât know if the girl really wanted what Renton thought she did. In Hi-Evolution, while Charles still sympathises with Renton, heâs fairly more harsher on him: saying instead that Renton did what he truly thought was right, but that there was no way he could have known if it was for the best. Itâs a subtle change, but Hi-Evolutionâs version call Rentonâs actions into question more and is shown to have a bigger impact on him. And while we donât see much of her interactions with Renton here, Eureka is shown to be different as well. Sheâs a lot colder emotionally than she was initially at this point, and her conversation with Renton before he runs away shows that as well. She, too, was more willing to draw attention to Rentonâs actions, and the repercussions they had. As such, in the same way that Adrocâs sacrifice is strengthened by his characterization, so too is Rentonâs when he once more leaves Charles and Ray. The production name of this film was âRenton Sevenâ, and that is undoubtedly what this feels like; a story about Renton, his maturation, and where he will go from here.
If I had to point to the films largest shortcomings, it would be its attempt at trying to appeal to newcomers. Text appears often that is meant to explain certain elements that may be unfamiliar to newcomers. Some are actually quite helpful and interesting, such as one explaining the Trapar Waves and the military connections of the characters. Often, however, itâs just running down information that is somewhat unnecessary, and often actually spoil some parts of the series. If they wanted to get newcomers in, they shouldnât have revealed Eurekaâs identity as a human form Corallian, for instance. In fact, I get the feeling that even the writers were aware of the issues with the constant text, and actually played them for laughs in some cases. Thereâs a text line about helmet wearing rules in Bellforest, and even one explaining what tacos are. Still, the text is somewhat easy to phase out of your mind. But it was a mistake to try to appeal to newcomers in a film like this. This is a film for fans, first and foremost, and we already know most of this stuff.
In terms of visuals, the film devilers in a way you may not expect. Obviously, the Summer of Love is the high point: itâs a delectable smorgasbord of mecha action, gorgeous shot composition, and is a true sight to behold. Itâs probably some of the best giant robot footage put to the big screen, and among the best Bones has produced. But after that, the film heavily uses footage from the original series during Rentonâs portion of the film. Many have criticized this as a lazy move, and while new footage wouldâve been amazing, its use is actually kind of smart. Using it during the primarily flashback-centered part of the movie is thematically appropriate; just as Renton remembers whatâs happened to him, we too remember seeing these events from the original. But they didnât just slap the old animation on and call it a day; theyâve actually cleaned it up quite a bit. Subtle changes to the line work, new background elements, even redrawing some scenes for a greater effect. What was once the Ray=Out magazine is now a governmental propaganda magazine, Hardfloor album covers are seen on Charlesâ wall. My favorite would be a certain character appearing to have a vastly different role here, even if she doesnât appear physically. It succeeds in giving off a surreal vibe; a feeling that what your watching is Eureka Seven, but is still different from the original. Admittedly, the aspect ratio change during this part is annoying, but itâs a minor detail for me at least.
Naoki Sato returns to the score, and itâs as great as ever. The film doesnât rely too heavily on his original pieces from the TV series (I think they use one song from it and thatâs it). Highlights include pretty much the entire Summer of Love sequence; that booming orchestral score is just eargasmic (is that a word? I hope so). In a surprising move, german trance musicians Hardfloor composed a song for this: Acperience 7. Playing during the Summer of Love, itâs a techno feast for the ears, and a straight up banging tune to boot. Considering that Hardfloorâs âAcperienceâ song was used as the title for a number of the TV shows episodes, itâs very fitting. Additionally, the ending song, Hiroya Ozakiâs âGlory Daysâ, is a phenomenal piece that really captures the feeling of the series.
As for the VA work, I watched the english dub. Somehow, Funimation managed to pull off the impossible and got the entire original cast back. Equally amazing is that they slip back into their roles without much of a hitch. Itâs great to here all these voices again, especially Patrick Seitz and Melissa Fahn as Charles and Ray. Hell, they even got Deweyâs VA back, and he does great too. The big new addition is Fred Tatasciore as Adroc, and while I was surprised when they first announced him, within the first few lines he sold me completely. He captures all the pain and anguish Adroc goes through while also never seeming too overdramatic. In short, heâs exactly how you imagined the character sounding, and is probably the best performance in the whole film. If I had to critique the acting, it would mostly revolve around Renton. Not that itâs a bad performance; itâs quite a solid one on the whole. Itâs just that Renton sounds...different. Johnny Yong Bosch still voices him, but either he canât pull off the same voice as the original or the dub decided to tone down the pitch he originally used. Regardless, itâs still the same Renton voice underneath, and you get used to it quickly. Either way, itâs a stellar dub all around.
Of course, this is only part 1. The film ended with a preview for Hi-Evolution 2 which looked so insane and crazy that it made me even more hyped for it. It would seem that this series is going to be one giant, big tribute to everything Eureka Seven. If so, than this film can only be truly judged as part of one whole entity that is the Hi Evolution trilogy. Even those who disliked this film, from what Iâve seen, expressed interest in the sequel, curious as to where this is all heading. And thatâs really what this film was: a giant piece of set up for the sequels. But rather than have it just be that, the crew at Bones decided to make it something truly memorable and different, yet still feel like Eureka Seven.
I can, of course, see why many would dislike this film. But the claim that this is worse than AO is just nonsense; at least this is set in an alternate universe and doesnât screw up the original shows plot. Hi-Evolution 1 ended up being an interesting and very well done jumping off point for things yet to come. It succeeds in reminding you of what the feeling of Eureka Seven is, while also providing enough changes to keep you interested. At the very least, the Summer of Love part is worth seeing, but I enjoyed the rest of the film just as much. I know Iâll be there for everything to happen in part 2, but until then, all we can do is wait for that day, that most glorious of days, to arrive.
To be Continued...
