Black Clover

Black Clover is not for everyone, I’ll admit. It’s the trashiest to mid-tier Shounen series out there that manages to gravitate to a certain group of viewers with its cliches, tropes, and generic power fantasy. It lacks anything substantial or impactful. It doesn’t reinvent the Shounen wheel or elevates it. It’s a lackluster written series that exists purely for entertainment for people like me--who self indulges in battle shounen without a second thought--even if it’s the same type of blueprint that I’ve seen before, but with its own modifications. Thus, I don’t have any hate or resentment directed towards this controversial series. I simply can’t.I’ve been following the series since its inception. I’ve read and re-read its source material and, I can say it does improve--for a Black Clover standard, that is. This series received hate, backlash, and terrible reception since the onset of its TV anime. And to nobody’s surprise, it’s the most hated series of modern Shounen--2014 and onwards, right after the era of the big three. If there’s any advice I can give for people interested in watching this series, it is to go into it for pure entertainment. Be open-minded, have low expectations, ignore the hate, and watch it for yourselves. Black Clover anime started ugly. The pacing, sheer predictability, genericness, and the dreadful usage of Shounen tropes turned off people--understandably so. But for me, I loved it. I loved it not because it was good, but because it was the purest generic anime that was not afraid for what it was. It knows its production was constrained. It knows its plot and characters took “inspiration” from previous works with few tweaks here and there, and most importantly, it knows its target audience. With this, once the show solved its pacing issues, it quickly flew from arc to arc with hype moments after hype moments, and all I did was to turn off my brain and enjoy the shit show. To provide some examples, after the dungeon expedition arc, Asta, Noelle, Yuno, and some other magic knight squad members were summoned for recognition medals. In that banquet, the show introduced more of its supporting casts. It demonstrated its power system, characters’ abilities, showcased some of its societal structure and prejudices, and then jumped straight to the Clover Kingdom’s invasion. Throughout this invasion arc, it entertained me by never letting go of its accelerator. All the Magic Knight captains that were introduced previously got their moments to show off. Whether be their magic or personality, it showed all of it. The show then exploits each of its newly introduced characters to the limit by having them interact and fight alongside each other. The dynamics between characters such as Fuegoleon and Nozel, Asta, Yuno, and Noelle, Yami and Jack, provided the fun. It’s cheap, it’s lazy, but it worked so well for a braindead like me. The other aspect of Black Clover’s storytelling is the seamless transition from an arc to another. If some terrorists brutally wounded a beloved character, the most logical route is for the main casts to go after them. And they do. If the vice-captain of the Golden Dawn is acting out of character, the most logical thinking is to seek out the true identity. And they do. How do they do it? They do it by the classic shounen way: Tournament arc--my favorite aspect of mindless battle shounen. But along the way, the show plants some seeds of suspicion--there’s something more sophisticated with the adversaries that the Clover Kingdom were up against. It’s these careful hints here and there that made the grand finale of Black Clover’s first saga a memorable one. And it is in my humble opinion that the first saga of Black Clover is one of the best of modern shounen. The finale wrapped up every plot point presented up to then, it concluded characters’ development until that point, and it answered every question along the way. Not to mention, the final plot twist was a phenomenon to be held. Yuki Tabata’s writing isn’t anything revolutionary. He takes inspiration and does his own twists. He utilizes whatever skills he has got at his disposal and tells his own story within the Shounen genre’s confinement. And I enjoyed every second of it. I have no regrets. As I aforementioned, Black Clover’s production was severely constrained. From the start, the anime lacked staffing--specifically, key animators and animation directors--and had an unsustainable schedule. Before the first episode of Black Clover even premiered, the Black Clover anime production team was given only 5 months of pre-production, for a long-running battle shounen. To put it into perspective, a 12 episode regular anime usually takes a year of pre-production. Thus, it’s no surprise that the animation in Black Clover declined significantly soon after it began airing. As that happened, it’s also reported that some of the staff working on the anime had gone through physical and mental exhaustion, which they eventually fell ill. Now, why does it matter? Well, it doesn’t--at least from a show’s quality standpoint. But then I don’t want to clown on Black Clover’s animation either because of this information. I know the animation and art are inconsistent; the consensus is that Black Clover’s animation is inconsistent. It can be mindblowing for a single episode, and then for the next 10 to 20 episodes can range from unbearable to mediocracy. I can list every single flaw of Black Clover’s art and animation, but then that would be repetitive since I’m sure those aspects have been talked about over the years. Lastly, I’m fine with it. I’m okay with its inconsistency in art and animation because I love this series. I grew up with it, I enjoyed it, and I’m willing to forgive its flaws. If you have read this far, I just want to thank you for taking your time. Score: 5/10

This is the first time that I'll be reviewing a long-running series, so spare the pardon if there's any for pleasantries. But without further ado..."Please marry me, Sister Lily! I won't give up until I've hit my limits!" "If you flip the 10, it becomes a 01!" - Some Jerk a.k.a remember how Black Clover was despised by everyone? Black Clover is one of the many myriad of Shonen shows that Weekly Shonen Jump has been banking on imitating the success Shueisha once had since the diminishing of the Big 3 (One Piece, Bleach, Naruto), alongside many other WSJ titles that have constantly received headlines for breakingsales and adaptations that make up the modern age of the anime landscape. Unfortunately, at a time when the Big 3 were all but fizzled out of the community's eyes, there was but one mangaka amongst the many other Shonen authors who were trying to get the attention of Weekly Shonen Jump to have their works publicized...his name is Yuki Tabata. Being a sophomore into the manga industry, his first work of the short-lived and then cancelled 3-volume long Hungry Joker was not received well, and if you know anything about the intense competition of Weekly Shonen Jump: "If your manga doesn't sell well, we will take it off indefinitely without trial. We have more titles that we are ever ready to sink our time and resources into promoting new material and publicity to the large population who are always ever hungry for more." OK, shame on you for the first try. But take a look at his second work...and yet it still doesn't sell when this came out in early 2015 when it was serialized in WSJ. But Shueisha at least had a good idea that while this work started off being blantantly and averagely similar to the Big 3 in terms of the story and plot, and so they released the first volume thereafter in June of the same year. And to say the rest is history is an understatement, because even in the Oricon charts, Yuki Tabata just couldn't do enough to maintain the growing popularity of his work, only selling within the Top 25 and not even cracking the Top 10, even after the anime adaptation came out (at least for the 1st year running). It's only through the sheer talent of director Tatsuya Yoshihara and his production team at Studio Pierrot that would propel this "then infamous, now famous" work into the greatest of great oblivion with the passing of time, that Yuki Tabata finally can breathe a heavy sigh and continue developing Black Clover into one of the many modern Shonen juggernauts that we know today, selling from the thousands to the millions. I'm not gonna say that what Yuki Tabata did here was plentiful, the story plot was rife of a roller-coaster ride of the usual Shonen tropes and cliches that quickly garnered attention as one of the worst series to be published and then through Studio Pierrot's infamous low-budget visuals, another strike as one of the worst modern Shonen shows that aired back in 2017. Heck, I probably would not want to include what Black Clover is all about, you can refer to the MAL synopsis or even Wikipedia to read it. In a nutshell, think of the Big 3 and the main MC's aspiration of "I want to be <fill in the blanks of the usual Shonen archetype>", add in a fellow rival, and there you have it. It feels just as awful as any kind of minimalistic story from the start, and the usual shenangians from some heavy power fantasy action to the occasional comedy that just doesn't feel as cohesive, and that's not to mention the immense boredom that quickly sets in if you're not the type to stick around for just "one more chapter". Not gonna lie, the first thing that everyone will remember is the crudely annoying MC that is Asta, especially in particular towards newbie VA Gakuto Kajiwara at the time when he first debuted with Asta. Try to compare the criticisms from Day 1 of the anime to now, and most people will say: "I still remember the days when people hated his voice days after his debut on Black Clover. Although I also wasn't very fond of it too, I found it very funny later, gotta love him and his voice acting now." or "I used to think that he (Gakuto Kajiwara) did a bad job with Asta...I take back what I said. His voice matches Asta completely and it's not bad at all, I've gotten used to it overtime." We've come a long way, friends. To see a rookie VA on his first debut getting flamed for all the wrong reasons, to now seeing the light that no one can replace Gakuto Fujiwara for the long-term investment. Overtime, we get to see the extensive character cast of Black Clover, and I'm still going to rely on my gut feelings here: each and everyone of them feels like cardboard cut-outs that are worth surmising to invoke the feelings of just blantantly plagarizing from other Weekly Shonen Jump works, and that's where Yuki Tabata can be faulted with trying to make do of the cliches and tropes of the Shonen genre that worked well at the time. The problem is with his way of execution of character traits that we've seen way too often to try lifting inspirations from one source to another, so much so that it becomes overbearing and full of cringe. Let's say Asta's rival Yuno. He's a skilled Wind Magic user, blessed by the gods to have magnificent power for OP prodigy powers, and as indicated by the magic books known as Grimoires: he's the four-lead clover magic user. Now tell me if any of those traits are lifted whether in and out of context of similar characters you might have seen throughout your read list of Shonen lookalikes. But as further evidenced, it's with the passing of time that helps distinguish each and every character to their types and whatnot, giving us the audience enough time to digest about what makes them tick and work, and appreciate them for their presence to the different progressing story arcs of the main series. You know me, I'm very critical when it comes to studio productions, and Studio Pierrot to me, stands as one of the worst studios to ever exist, even if they adapt works that often lose out on the quality of the source materials that fans so desired to see on the small screen. Black Clover is no different with the stigma that Pierrot productions tend to have, and for 1001 good reasons. But once again, like I've said at the beginning, it's thanks to director Tatsuya Yoshihara for helming this long-running project that has seen its fair shares of highs and lows. Black Clover might've started on the wrong foot for being the similar case towards Studio Deen at being decades-old studios with variable quality, for the test of time stands between the production staff team to stand in the gap and make their efforts worth it, and the payoff was certainly worth it in the long-run that was only destined to run for the full length of a year, that subsequently got lengthened and amounted to 3.5 years worth of time that increased the hype with some episodes having the Asta trademark of "I will hit my limits!" that expressively shared the experience of sticking in the long-run. AND BOY, DO THOSE EPISODES DELIVER with at best 9-turned-10/10 ratings that even trended on Twitter. YES, Black Clover IS BIG in both Japan and the West, and with Crunchyroll being the biggest benefactor that this show has garnered the No. 1 top spot in 80+ countries, you can't certainly lie at where Black Clover is now with the insane popularity. To that I say, great job Pierrot for making me love a show that I now endear as one of the many Shonen long-running series that I can recommend. Even the music can't be understated. For as many as 13 sets of OSTs within the 3.5 year long run of Black Clover, we've definitely heard some "diamond in the rough" gems that we've gotten used to overtime, with many songs that really stick out to be the series' representatives when it comes to recognizing that it originated from Black Clover. Sound director Hajime Takakuwa certainly did wonders at what he does best, but for this one I have to give props to the many artists that have contributed cult-classic songs, from the OPs: Kankaku Piero's "Haruka Mirai" to Vickeblanca's hit songs "Black Rover" and "Black Catcher", and EDs: Itowokashi's "Aoi Honoo" to Faky's "four". These are just some of my top favourite songs from Black Clover, but there's just too many to list them, because most of them are bangers in their own right (with some just being decent at best). Like what @Goober-fish has said: "Whatever the case may be, Black Clover is my ultimate guilty pleasure and I wave that 10 with pride." And I reverse the words of some jerk that said the sentence at the beginning: "If you flip the 01, it becomes a 10!" Black Clover may have started with being a score of 01, but looking at it now, it's definitely worthy of the 10 score in every possible way: the story that got better overtime with the characters, the insane Pierrot animation quality and right down to the fantastic OSTs that we are graced with to our pairs of eyes and ears. Never have I thought that I will return from a hatred of a stigma to loving them for Shonen shows, and even if I or you have never watched the Big 3 before, Black Clover is EASILY the best recommended entry show for anyone wanting to dive into Shonen shows...that's if you can last all 170 episodes in one go. Thanks Black Clover, now it's no longer just a guilty pleasure, and I'm an addition to wearing that 10 with pride.

Black Clover has probably had the best and most significant turnaround in quality of any anime series I’ve seen so far, and it surely deserves all the praise and hype that it gets now as it trends worldwide more often than not, earning itself (in my book) the title of being a quality shounen series. I think we can all agree that Black Clover started off quite poorly. Bad voice acting, bad animation, it was just overall shit. Having started later throughout the series’s release (around episode 120), I decided to stick around in the promise of it improving thanks to word of mouth by fansof the series, and it paid off. Little by little, episode after episode, I began to notice that more quality and care was being put into each episode. I began to enjoy this series more and more until I was up to date, going all the way up to the final episode, becoming one of my most anticipated series currently airing, alongside with One Piece and a few other seasonals. Instead of writing 5 or 6 bullshit paragraphs to fill up space and to seem sophisticated and bash on about the series’s bad points, I’ll sum things up with a list of pros and cons, and it’ll be up to you whether you’ll heed my wisdom and watch the show. Pros: - All the openings are 10/10 bangers - There are loads of hype fight scenes with excellent animation to match - Some of the villains and protagonists are excellently written, fleshed out & compelling - The power scale is balanced well and the characters progress smoothly as the series progresses - Most members in the Black Bulls get a dedicated arc to flesh their characters out - All the climactic fight scenes are hype as fuck (kept me glued to the screen) - Not much fan service pushed in our faces like other shounen series, with exception of a couple of juicy scenes/ending card sprinkled in - Yami Sukehiro Cons: - Asta’s yelling (though it stops around episode 15 or so) - Poor animation (until after the first main arc, also due to being a weekly series) - Some of the smaller villains are just pointless and badly written - Most of the characters are your standard character tropes - Not much relationship development as some of the characters are thick as lead or too tsundere and are afraid of rejection - 17 filler episodes, though considered low for a long running shounen series - The anime catching up to the manga and having to slow down by introducing an anime canon training arc (before the time skip occurs) - The smaller character arcs go by too quickly I could’ve added the point of it being “clichéd”, but that is a superficial argument that could be said about every and any shounen/action series you can think of. Although it’s sad to see this show end for now, which is sorely needed as the manga needs to get far ahead, I hope this break will prove beneficial for future adaptations of this series if they decide to go with seasonal releases. I’m hoping the series will continue to work it’s magic (pun intended), as you cannot deny the wild success and popularity that it has endured up until now. Black Clover is a solid 8/10.

Black Clover has received tons of hate and criticism, so my role here is to make it clear; why someone should go for it or ignore it. Of course, there are many flaws, but it is undeniable that some things were handled well for a battle shounen anime. Starting as an adventure of two brothers who dive into the world of magic, Black Clover introduces us to a world full of colour, battles and a big number of characters. But aside from that, Tabata Yuuki tries to deliver political and moral messages in his own way. The main arcs revolve around pacifism, trust, hope and positiveenergy; the villains are the complete opposite, thus the protagonists will either end up changing their mind or destroying them. In addition, the hierarchy and political systems are interesting in this one; the satirical presentation of the kingdom’s king, the arrogance of higher-ups and the – unfair – rankings and labels of the Magic Knight squads. One of the biggest minuses is the power system, how the main characters suddenly gain unreal power and defeat their villains. But the battles are mostly used as fan service and the result includes a moral message that watchers do not care about, and it is not their fault. Although there might be good meaning behind all the fights, it is not easily spotted. The main reason people like me do not like Black Clover as a whole (don’t get me wrong, some parts are likable), is the ridiculously repetitive comedy, which is not even funny to begin with. Many characters are mostly used for comedic purposes and have their own comedic patterns, and this approach ruins the character part too in this show - even if there are a few exceptions and some good character backstories (Zora, William and some more). And it is not surprising that everyone has heard negative comments about Asta and some main characters, because their repetitive behaviour may end up irritating. In terms of Black Clover comedy, there’s also Petit Clover, which is the short chibi scene at the end of each episode. Fans of chibi anime may check Mugyutto Black Clover too, a short ONA with a good opening song…and nothing more. The animation is nothing special, but it is colourful and leads to an enjoyable experience. The kingdom’s medieval setting, the different forms of magic and the squad colour patterns are the pros, while the lack of details and spectacular animation are the cons. Mixed feelings on voice acting too, since there were amazing performances and awful ones too. Some of the most noteworthy ones are Suwabe Junichi’s as Yami and Koyama Rikiya’s as Dante. Soundtrack for dessert, because my words about it can only be sweet. Starting with an amazing combination of OP and ED - kankakupiero’s Haruka Mirai and ITOWOKASHI’S Aoi Honoo – Black Clover never disappointed us with its exceptional opening and ending songs. Many of them are listed on youtube playlists, even by people who have never watched the anime. The battle OST is decent, and the only soundtrack that is poor is the goofy / comedic one, but I don’t take it into consideration since, like I said, the comedic scenes in Black Clover are bad. To sum up, as far as I’m concerned Black Clover has definitely not been a bad experience overall, but not a good one either. Sometimes it was fun, though the writing and execution lacked a lot and could have done much better. If you ask me if Black Clover is one of the worst shounen anime like many people say, though, I would reply that I’ve seen much worse, and this is the main reason I wrote this review. Any questions and discussion topics will be gladly accepted, feel free to text me. Thank you for reading!