Rin: Daughters of Mnemosyne

“Mnemosyne”, also known as “Mnemosyne: Mnemosyne no Musumetachi”, is a six episode series containing a mix of supernatural, science fiction and horror elements. What will no doubt strike most viewers about this series are its explicit horror and sexually tinted scenes. Considering these horror and sex scenes, as well as the themes behind them, “Menomosyne” is only suitable for mature viewers. Those who do watch will be treated to a dark series that holds some very interesting references and concepts, both apparent from its visuals or integrated in its plot. The series' time frame spans over sixty years, the first episode showing us events that occurin 1990 while the last episode takes place in 2055. Some flashbacks even give us a glimpse of events involving the main characters that took place many centuries ago. The story follows Rin and Mimi, the various people they encounters and the overarching plot around mysterious phenomenon involving Yggdrasil, everything is slowly unravelled piece by piece to come to a conclusion in the final episode. In the beginning of the series, Rin and Mimi run a detective agency, as such the first episodes seem to be more independent mystery tales that reveal little about the girls' true nature and nearly nothing about the overarching plot. Gradually more pieces are added to the puzzle and the whole plot becomes clear during the final episode when its fully explained and the intention of those that were pulling the strings behind the shadows becomes clear. This can make the final revelations a bit of a paradoxical experience for the viewer. On one end, as everything is explained to the audience about the mystic nature of immortals, angels and Yggdrasil, it is rewarding to finally see the bigger picture of the series. On the other end since it was initially so vague that it seemed almost absent during the first episodes, most viewers who have developed a bond with the main heroines are more likely to focus on what becomes of them and may feel more alienated in regards of the overarching plot and its impact on humankind, even though it does involve the main characters. At first glance it may look like the horror and sexual scenes are there just as selling points to brand the series and fit it in the horror or sexually explicit category, an impression that could even be reinforced when one realizes the meaning behind most of this horror and lust towards the latter half of the series. Yet I found they end up giving the series more depth and add weight to its themes of (im)mortality and human desires. Not only do those scenes explicitly reference to psychological themes or hold sociological meaning, they also tell us more about the characters involved, which may cast a more grim light on some but makes them that much more interesting and involving characters. Much like the excessive horror and blood spilling in “Elfen Lied” served another purpose than just showing gore, which became clear as the series progressed and ultimately gave it a deeper meaning, especially for its characters. The cast of “Mnemosyne” is rather small, which makes it easier for us viewers, seeing the limited number of episodes. Most are quite interesting, even when little is known about their pasts, the way they're presented and act shows more intricate and complex characters than the average bland two dimensional characters. Some even offer us quite daring and grim persona. Rin of course gets the most attention and development, while Mimi is an interesting character, she clearly remains a supporting character to Rin. Being immortal, Rin especially seems to almost seek out situations where she will encounter physical harm, her body often suffering atrocious injuries. While Mimi is more reserved towards dangerous situations, like Rin she too is no stranger in seeking out the extremes of physical pleasure, certainly sexual pleasures. In the end it's made apparent that being immortal can also be seen as a curse, cut off from one of the very foundations of what it means to be human, one's mortality and finity, the girls can often only thrive or feel alive by seeking out extreme physical experiences and emotions, be it through suffering or pleasure. Paradoxically, their hearts and spirits are shown to remain as those of every other person, while somewhat desensitised towards certain concepts that normal mortal humans face, they became perhaps even more sensitive to others. When they are finally able to bond with someone and feel true emotions such as love, any joyful or painful emotions there seem to be felt even more vivid than for mortal humans. More disturbing in that aspect, no doubt intentional, was the emotional torture executed on some of the characters, showing that physical pain while great and lethal, can still pale in comparison to mental anguish for which no true deliverance exists, especially when there is no deliverance to be found for it by death. Portrayed as a strong female lead, who is not only smart and cunning but has terrific martial art skills, Rin is voiced by Mamiko Noto, whose subdued and soft voice could be seen as ill fitting but actually offers a nice contrast and adds indispensable depth to Rin's character by making her not only appear more serene and experienced, but also gives her the aura of a soothing mother figure. This gives Rin a believable mix of strength and vulnerability, of passion and serenity, of distance and attachment. Mimi's character seems a bit more standard but also turns out to be quite interesting. Mimi's bond to Rin seems to be quite deep and even amorous at the start of the series, but later on those amorous and lustful feelings seem to have given way to a deeper and different attachment. Ultimately Mimi fights to protect and save Rin, the way Rin had once fought to save her. While the bloody horror scenes should still be stomachable by most, the sadism exhibited in some scenes can be stomach churning. Some characters are repeatedly tortured and mutilated in such sadistic ways, it forms a dark and dire sketch of the inhumanity and levels of sadism some can display. It may seem a gratification or even celebration of sadism, inflicting pain and sexual abuse. A theme that was also touched upon in “Higurashi No Koro Ni”. Next to the horror, there are many sexual themes and sexually tinted scenes, from near explicit sex scenes to the mutual effect immortals and angels have on each other. All immortals are women and the only real treat to their immortality are angels, males that posses superhuman strength offset by an extremely short lifespan. Devoid of any logical and normal reasoning, angels act as wild beasts that seek out immortals and devour them. Immortals are vulnerable to angels due to their overwhelming physical reaction to them, when close to one, they become utterly defenceless and lust to be embraced by them. The sexual references are quite obvious, men are referred to as mindless beasts whose power is to subjugate and conquer women, women who regardless of their own powers such as continuing the circle of life, become lustful creatures unable to resist men. Its story also expanding into the future, “Mnemosyne” shows us an interesting view of mankind's future with a contemporary spawned idea of how the digital world permeate and eventually blend in with the real world. Animation by Xebec and Genco throughout all the episodes is good, with most focus on the female characters and the realistic, detailed backgrounds. The difference in care and attention of the animation between different scenes can be apparent sometimes. In some scenes where naked bodies are shown, they are not always drawn that well. Some of the horror scenes that would have been too gory and no longer look convincing enough if directly shown, use clever tricks of shading and suggestion. Overall, the animation of “Mnemosyne” is good, though I did miss a bit of the beautiful animation of Rin and Mimi in the last episode, near the ending sequence, it didn't seem as well cared for as in prior episodes. On many occasions the animation of Rin and Mimi is quite sublime, such as the view of Rin leaning against a stone pillar in the opening sequence. The soundtrack of “Mnemosyne” is fairly good, the hard rock track accompanying the opening sequence immediately sets the trend for the more raunchy and hard hitting horror and sexual parts of the series. The remainder of the soundtrack does a good job at setting the mood and accompanying what happens on screen, though a more eerie soundtrack could have worked just as well but risked making the series a bit too dark. I definitely recommend “Mnemosyne” to those who want to see an engaging story with an interesting lead character and aren't afraid of gore or sexually tinted scenes because regardless of those scenes, they emphasise some of the more interesting themes the series holds. And if you're watching it just for the horror and nudity, you'll no doubt be satisfied as well.

“The gift of life is a fleeting precious thing. It is not something to be toyed with." - Asogi Rin Sex, violence & alcohol. These three things are some of the most prominent in Mnemosyne, and while it may not be as gory as say, Elfen Lied, this series isn’t for the faint of heart. Originally I went into this thinking it was mostly consisted of copious amounts of torture scenes, gore, and sex scenes, but I was pleasantly surprised when it turned out to be so much more than that. Story: (8 / 10) Mnemosyne follows the lives of two immortal private detectives, Asogi Rin and Mimi,as they take on various assignments. The series actually span several decades (around 60 years, or so), with each episode skipping quite a few years. Because of this, we see the world and the characters in it change as time goes on, while Rin and Mimi stay the same. The consulting agency at which the two main characters work at make for “monster of the week”-type episodes, with seemingly unrelated events. However, as the story goes on, we see how it all fits together, and as we learn more about Apos’ (the main antagonist) true motives, we uncover more answers about immortality and the “non-mortal world”. At first you will encounter so many unanswered questions that it may seem confusing or intimidating to continue watching, but as the episode goes on, the writers do a good job of explaining most things, however not without leaving you with more questions. This element of mystery and never really knowing what’s really going on, or what’s going to happen next will keep you on the edge of your seat throughout the entire series. Art: (9 / 10) The very first thing you’ll see is the opening sequence, which to be honest isn’t anything all that great. It’s more or less your standard “character montage”, with some pretty weird stuff and some fanservice thrown into the mix. Already in the first scene you’ll see one of the characters wearing nothing but an unbuttoned shirt, while running across a rooftop. This sort of “fanservice” is present throughout the entire series, but because of the way it is done, it never feels as if it’s forced, or takes away from what’s actually happening. There’ll be a lot of times where the characters are naked, whether it be during a fight scene or during one of the many sex scenes. Yes, there are actual sex scenes in Mnemosyne, something you don’t see in a lot of anime (though here it’s 90% lesbian sex). Ofcourse there are some scenes where the characters might be perverted just for the sake of being perverted, but most of the time it all fits in rather well with what’s actually happening, and it doesn’t take away from the experience at all. As for the rest of the art, it’s rather well done, actually. I liked the character designs (especially the choice of physically portraying Mimi as a teenager), and the changes made to the characters as the years passed were nice, as they’d really show that the characters do age, but you were still able to tell who was who. The overall aesthetics are also well done, and somewhat change throughout the episodes, but nothing really major (though I suppose architecture don’t change that much in 60 years). However, once again you can see that this is a totally different time than the previous episode, and how civilization has advanced. The animations were fluid, and there was not a moment where I felt like it seemed “stale”. Sound: (8 / 10) One of the first things I noticed when I started watching (and it didn’t take me very long) was Kugimiya Rie as the voice of Mimi. Having only heard her voice characters who are a lot more aggressive (and overall very tsundere), Mimi was quite a nice “change of pace” so to speak. While she’s not very aggressive, she has a more “childlike” voice than Rin does, and this fits very well with her character design. The rest of the voice actors did an overall good job, and there wasn’t really someone who stood out as “that character with the lame voice acting”. The opening theme, “Alsatia”, and the ending theme, “Cause Disarray”, are both performed by Galneryus, and since they’re both very much done in the same “style”, it makes them sound very similar. I can’t say I really liked these songs at first, but near the end of the series I’d gotten used to them, and I guess this is very much a preferential thing. The soundtrack was often rather “calm”, or had a very casual feel to it, which was quite the interesting contrast to the themes shown in the series. This didn’t feel like a bad thing, though, and I quite enjoyed the music. One small problem I had with it, however, was that the background music pretty much stays the same for the majority of the series, and I feel like it would’ve been nice if it had changed as the years passed. Characters: (9 / 10) The characters are obviously a big part of this series. The two main characters (and their dog) stay the same throughout the series, as everyone else ages. This does not only apply to appearances, but there isn’t really much development for most of the series regarding these two characters. Instead, the show focus more on the backstory, giving us flashbacks now and then, revealing small parts of their past. I thought this was interesting, since the immortals would’ve probably lived for a very long time, and it could be fun to see their past experiences (unfortunately, not much is revealed about their past lives, aside from the parts important to the plot). Every episode (more or less) introduces a couple new characters to the cast. These characters are usually pretty young when they’re first introduced, meaning they stay around for a an episode or two. Because of the short amount of time these characters are given (as opposed to Mimi & Rin), it’s important to make them as interesting as you can with the given time. I felt like the writers did a good job with this, as there were times when I’d certainly “feel” for the characters. All in all, the characters are quite varying, and they’re all rather likeable and interesting, and without this aspect I feel the show would’ve been much worse. Enjoyment: (9 / 10) I thoroughly enjoyed Mnemosyne, and was pleasantly surprised when it turned out to be such a more interesting anime than just “a bunch of sex and violence” (even if those things are certainly present). Though once again, I’d not recommend this show if you’re susceptible to gore or overall nudity... Pros: + Interesting storytelling “mechanics” (having the story span decades). + Several twists and events to keep you interested. + Good art and animation. + Makes use of fanservice, as opposed to just “having it there”. + Soundtrack makes for a nice contrast to the visuals. + Interesting character cast. ----------------------- Cons: - Too many unanswered questions at once may leave you very confused. - Opening and ending themes have a very specific “style” to them, may not be for everyone. - Soundtrack doesn’t change all too much with the time skips. - The levels of violence and nudity may turn you away if you’re not prepared.

Violence, sex, and torture. That's what Mnemosyne is about. It favors style over substance, and shock value over both. For those of you seeking bloody fighting and lesbian sex scenes: rejoice! Mnemosyne: Daughters of Mnemosyne delivers both. For those seeking a well told story along with the fulfillment of these more primal desires: don't get your hopes up. The protagonist of the story, Rin, runs a consulting agency with her partner (insert double entendre) Mimi. Rin is the cool and collected field agent, while Mimi is the playful flirtatious girl who helps out by being a computer hacker. Through the course of the series, there area number of other important characters they meet and work with that you won't be able to keep track of because after the second episode the show tends to skips years or decades between each. While it is somewhat interesting to see the progression of technology across decades, it serves little purpose except to allow certain characters to age and have children in a show with limited run time. Unfortunately, this means the viewers have little time to get attached to a character before they are killed off, so we can't empathize with Rin and Mimi's loss. Did I mention that Rin and Mimi are immortal? Well they are, and they don't age, so they will remain hot and young so we aren't grossed out when they have lots of lesbian sex (often with other immortal lesbians). There is an overarching plot to the story, but it is presented only very gradually until the final episode suddenly springs the whole thing at us. In the meanwhile, Rin and Mimi, sometimes with the help of other people they know whom we can't remember if they have been introduced, solve puzzling cases that are obtuse even in their resolution. Not that the final outcome of the individual cases matter at all to the larger picture, since the tangential link between them tends to be the involvement of a particular family (genetic, not criminal), and that another immortal often appears in order to kill Rin for reasons that are never explained, although there are repeated mentions of someone named Apos who seems to be manipulating something and being cruel and sadistic about it. Visually, the series is very dark, probably to convey the omnipresent brooding and ominous atmosphere of the series. For an OVA from 2008, the animation and art is good but unspectacular. Voice acting is generally well done, and the opening and closing are appropriately gritty, if not particularly memorable. Interestingly, while Mnemosyne is a reference to the mythological Greek river of memory, the impetus behind the story is Yggdrasil, which is the world tree from Norse mythology.

**SPOILER FREE REVIEW** Don’t be fooled by the relatively average score that I have given it; “Rin: Daughters of Mnemosyne” (or “Mnemosyne: Mnemosyne no Musumi-tachi”) is ANYTHING but an average, run-of-the-mill anime. This is a disturbing, startling, adult-only watch complete with regular intervals of rape, torture, nudity, and symbolic themes that only people familiar with Greek Mythology would understand. However, DoM is advertised as far more than just a show that throws blood and sex around willy-nilly to pander to the audience; it claims that every torture scene, every rape scene, and every nudity scene serves an actual purpose. Supposedly, these themes are not contrived andserve as a legitimately vital element to the narrative. Now, whether that advertisement is true or not, that’s another matter entirely. So: Is this tale of immortals and angels just a cheap, mindless, pandering piece of trash that’s only good for shock value, or is it a well-written and well-thought out masterpiece that is drastically underrated? The truth, in my opinion, is somewhere in between. Synopsis: Rin Asogi is an immortal private detective with a thirst for, *cough, “water”, and a talent for attracting things that cause her tremendous amounts of pain and suffering. The series follows Rin over the course of sixty-five years as well as the nightmarish events that she gets herself involved in as she tries to discover the truth behind her own immortality. The mastermind behind her tortured existence is a being known as Apos, an eternal being obsessed with sacrificing Rin to Yggdrasil (the tree of all life). Rin is no stranger to the realm of the dead, but if Apos has his way, her next visit could be her last. This is an anime that I have very mixed feelings about. When the show decides to focus on the lives of Rin and her partner Mimi and their work as private investigators trying to unravel the mystery of their own immortality, the show works very well as an adult supernatural-detective thriller. The unique presentation of the anime does wonders for its pacing as there are only six total episodes, each one twice as long as a normal episode. Every episode is followed by a large time skip; a plot element that also works in the show’s favor. While the environment, the people, and the technology around our main characters change drastically, Rin and Mimi always stay the same. This is a very nice technique that puts the character’s immortality in perspective; there is no denying that there is some very nice writing going on in this series. The show presents us with an intriguing mystery and slowly unravels it overtime, just like a good mystery anime should. These parts of the show are definitely where it shines the brightest. Unfortunately, for every element that DoM does well, it also does an element wrong. Very wrong. In this case, I am referring to the way that this show handles its more mature themes. I’m no prude who automatically looks down on any overtly sexual content in an anime, but some of DoM’s “mature” plot elements are just plain silly and childish. For example, without spoiling too much, consider how immortal women act whenever an angel is nearby; who thought that turning the immortals into horny sex-dolls with no willpower was a good idea? The whole “bang-me then kill-me thing” is just too ridiculous to be taken seriously; it doesn’t serve the narrative and kills the tone of the show. There is simply no reason for this plot element to exist, and it is not the only thing out of place. Virtually everything in this show based around Yggdrasil (google it) is just poorly executed, overly complicated, and unnecessarily sexual. The fact that it’s full of mythological allusions does nothing to change to the fact that it is poorly written and rushed at times; the backstory and actual function of some of the supernatural elements aren’t explained very well and minor plotholes exist throughout. In the end, what we end up with is a very mixed package. Sometimes the plot works, sometimes it doesn’t. All in all, it’s decent and certainly unique compared to what anime are normally about. The characters are also a mixed bag. The protagonists, Rin and Mimi, are definitely the two best characters. Rin, particularly, is the complete package; she has legitimate/complex motivations, a distinct personality, and receives development. Mimi doesn’t receive the same development that Rin does, but she is also multi-faceted. The viewers get a very good sense of the bond that these two have with each other and their chemistry is very apparent; the protagonists are definitely the highlight of the show. The antagonists on the other hand, are unimpressive to say the least. Apos has no motivations what so ever and the motives behind pretty much everything that he or his underlings do can be chalked up “because I’m evil! Mwhahahah!” We are simply never given a substantial reason for anything he does, and when we are, it doesn’t make a whole lot of sense. The side characters are an interesting case because we actually get to see them age throughout the series. Their relationships with Rin and Mimi are some of the strong points of the show because the audience gets to see these characters (who the girls have grown attached to) get older and older until they eventually die. This helps the burden of immortality hit home with the viewers. Despite the lack of any complex antagonistic force, the characters of DoM is where the anime strives the most. In conclusion, Rin: Daughters of Mnemosyne has some great ideas, but it loses sight of them because it is trying too hard to be mature. If it had dropped the whole idea of angels and the idea of adding in Apos as a horribly confused villain (as well as the copious sexual situations that go along with it), this could have been a damn good show. Unfortunately, it ends up coming across as too inconsistent and a bit incoherent. If you are in the mood for something drastically different from the norm, then I guess DoM isn’t a bad watch. However, I wouldn’t go out of my way to recommend it nor would I suggest that you get your hopes up; it’s simply a decent change-of-pace anime at best.