Concrete Revolutio

Original anime is quite a rarity these days. Most of the shows that you encounter on a normal seasonal basis are adaptations of manga, LN, or VN, as things really only get an anime when it's really popular. And then you have original anime, where there is no source material and only itself in order to tell the story it wants to tell. So, thanks to Bones, we have Concrete Revolutio. A show that...you know what, fuck it, a single word cannot describe this mess. Story: In a fantasy version of the world, there are beings that live among humans known asSuperhumans. What are superhumans? Well, they don't just include humans with superpowers, they, according to the show's logic, involve things like aliens, witches, yokai, time travelers, cyborgs, androids, what have you. It is here where we follow the story of the Superhuman Bureau, a group of people who work to aid Superhumans and aid them in their plight of need. Concrete...is a special kind of show, and that's meant to be taken however you wish. Following our group of superhumans, every episode of the show follows these characters as they go through a completely different storyline in almost every episode, tackling a different event and problem that has to do with the Superhumans featured in the show. The biggest problem with Concrete as far as story is concerned is that it's very, very, VERY badly paced and structured. Not only does every episode basically start a completely different story, but they go into different periods of time as well. The show bounces back and forth between the present and future (or...past and present; both of them work, really.) without really any warning. In addition, the show just feels like it's rushing itself. The show throws you right into the action and leaves you there to see what's going on as characters shout their definition of justice to their opponent, discuss politics, or what have you. And that brings me to my next point, justice. Concrete tried to make itself into a show that talks about the morality of justice, freedom, and the rights of beings, regardless of what they are. (Just a little side note, the characters in the show even argue what a superhuman even is, with some saying that they're just humans with superpowers, while other's say it's everything NOT human.) As a theme, it's a good one. But as they say, great in theory, messy in practice. The concept of morality in this series is very in your face, as almost every line has to do with the rights or what have you. The problem is, that's all it really is, talk. The characters don't really do anything for this topic, relying solely on the plot to bring them another situation where they state their goals and hopes for the future which really in the end doesn't do the show any justice since it's all talk and no real action. In the end, Concrete is what I would describe as an "incomprehensible piece of crap that doesn't bother to make sense of itself until the VERY LAST EPISODE", and even in the last episode it doesn't make much sense. (And that is my honest opinion.) With its episodic storyline that is so disjointed that not even the 'connecting' parts of the story really connect, as well as a philosophy concept that doesn't get off the ground period, this is a show that I for once, will not be watching the next season of, since there is more for some god unknown reason. Overview: - Disjointed story - Really bad pacing - Concept of 'morality' never gets off the ground - Why is there going to be a second season?! Characters: Characters are also one of my biggest gripes in the series. Not just because they said that ghosts are physical and can apparently shapeshift into animals, objects, or what have you, but because there're just so many of them and none of them are really spectacular. For once, I really can't pin down any of these characters for the sole reason of there's not really anything to say about them. We have the superhuman bureau, and then we have everyone else. As mentioned before, each of these characters in this cast has some sense of morality or view on the existence between superhumans and humans together. As such, there are a lot of sides and a lot of say in the matter, and these characters really just feel like puppets on a stage. I can't even pin the supposed main protagonist Jiro down because on one hand, he wants to protect all superhumans, but at the same time, he fights a lot of them and says he wants to protect the people as well which is rather conflicting. For the most part, the cast of this series features side characters, as they take up the brunt of the showtime. (Another interestingly odd thing.) With every new episode, the show introduces new characters, primarily superhumans, and features them and their plight with every new episode that comes. As a concept, this show wouldn't be too bad with its episodic format, but because it's structured in the way it is, a lot of the motivation that the side characters have with each passing episode doesn't always make complete sense, and the reasoning why they do stuff is either unknown or is told in a confusing manner so much so that I question what their plan was from the very beginning. (They have a kid agitate the monster he was trying to say was a good guy, before promptly crying because it went on a rampage and he felt sad. Where is the logic in that?!) Overview: + Devotion to side cast - One note cast. (Everyone's pretty one-note) - Character motivation is confusing Art: Produced by Studio Bones, Concrete bears a very different style of animation contrary to anime in general. Hosting a very bright and vibrant color scheme reminiscent to comic books and what have you, the artstyle for Concrete is very flashy and incredibly vibrant. It was done in a way that was actually really appealing to the eye since it reflected the fantastical world that they were trying to portray and it fit with that aspect of the show. In addition, the art is very fluent. There really aren't any bumps with it, as the entirety of the show is well made, showcasing all of the superhuman powers, the crazy tech, and out of this world stuff that just looks fun to watch. Overview: + Great and unique artstyle Sound: Sound is also an aesthetic to the series that I cannot deny has decent qualities to it. The OP of the series is this loud and blaring rock song that gives you this rush and excitement to it. It's what I think of as a good song and it's memorable because of its uniqueness. The ED on the other hand is a bit of an odd choice. Similar to its respective OP, the song is a rock song, being very heavy in electric guitar, however it has this trippy feel to it that feels like you're on acid or having some drug trip while listening to it. And when you have those visuals in the ED as well...oh boy, that's quite the LSD nightmare. Overview: + Great and memorable OP +/- LSD ED. (Its like a drug trip...) Personal Enjoyment: Concrete is just that, concrete. Watching this show felt like being slammed in the face repeatedly by a slab of concrete. They're both painful to experience and for the most part you don't know why it's happening. As such, this show for me was quite the rage-inducer. Normally, whenever I review anime, I always watch future seasons in order to keep consistency. For this show however, that will not be the case, as the sheer amount of fucks I don't give for this horribly written piece of crap is not enough to constitute me to watch any more. Did I like this anime? No. What didn't I like about this anime? Everything. Everything except the art and the OP is something I both despise and resent. Would I recommend this anime? Even though I hate it...personally, I wouldn't recommend it. The show itself is a fusion of the random storytelling (like FLCL) in conjunction with a theme that made the show try to take itself more seriously than it ever could've. As such, I can't even recommend this show as a time waster since it tries to take itself very seriously without the show really doing anything to build onto that theme aside from introducing new characters with different points of view. I'll say this though; Bones, you have failed me.

Looking for a show about heroes fighting bad guys to save the world? Or maybe something really flamboyant with all type of gags? Perhaps interested in a series with all kinds of supernatural beings thrown into a big chunk of story all packaged ready to open? Concrete Revolutio might be your answer. At its core, the series is a wild ride with everything it tries. And given what it delivered, this show is quite a bit of fun. A few things to know. Concrete Revolutio is an original series and not based on any work. The show is produced by Bones and directed by Seiji Mizushima,who is known for directing Full Metal Alchemist. Furthermore, we got Shou Aikawa who’ve worked on other Bones’ shows like Rahxephon. That alone should spark some interest. For an original show, the series is inspired by some unoriginal ideas like superheroes. It’s just like the premise says: a series where supernatural beings becomes part of human society and where superheroes has to deal with them. The core part of the characters are part of a group known as the Superhuman Bureau, an organization formed by heroes who wants to save the world. Think of it like the Justice League and you’ll get the picture. But rather than Superman, we got a character named Jiro as the main protagonist. Alongside him there’s also others like magical girl Hino, expert tracker Emi Kino, a kid named Fuurouta who can transform into a wild beast, among others. The idea is that these group of heroes has gathered together to save the world without government recognition. Their purpose seems to be the generic moral of “doing the right thing”. The series also invests a lot of time in the group dealing with some interpersonal issues. As a member of the group, Jiro makes his intentions pretty well known. With his trademark violet hair and an indifferent personality, he’s a man to keep an eye on. The rest of the cast is less noticeable although their diverse range of personalities can be entertaining to watch. Unfortunately, there’s not really a whole lot of characterization focused on them individually. Rather, it approaches the group with more of what they do rather than the reasons of them doing what they want. In terms of episode structure, prepare for a lot of confusion in the first few episodes. Any viewer watching this may have to re-watch a few of the scenes to get a better understanding. Almost every episode has a rather absurd start with a frenzy fashion. You’ll probably get used to it after a while but don’t get caught off guard if it feel like the show dropped you in the middle of the story. Taking a closer glance though, the series focuses on a variety of ideas that extends from historical context such as World Wars to immorality. The timeline of the story is also hard to piece together at first but later does get clearer as each progressing episode. What’s most interesting about the show is how much fun it seems to have with itself. Most superheroes shows these days are mostly about the good guys vs. bad guys and saving the world. Concrete Revolutio goes a little bit beyond that and shows how heroes approaches their problems. Not every episode is structured like this though and some can give the repetitive with the ‘villain of the week’ feeling. But in retrospect, it still retains a sense of fun as it blends between fictional storytelling and entertainment. Superhuman Bureau also battles a variety of strange beings throughout the series. From oversized Transformers to King Kong like behemoths, it’s actually quite colorful. There’s also secret organizations with their own agenda while we sometimes see the Bureau’s group battle their own personal demons. The show doesn’t offer a central antagonist (The ‘Big Bad’) so it’s more about fighting the good fight and making a difference. Unfortunately, some of these antagonists lacks a decent personality and can feel pretty stereotypical. The battles and resolutions are also fairly predictable so you may get bored from time to time. I can also fairly safe to say that Jiro is a character that is hard to get attached to. I find it difficult to relate to him or understand his character especially later on with his identity issue. Not that it’s holding the show back but Jiro may be a hit or miss character for most fans. Just as the show it is, Concrete Revolutio may not be suitable for everyone. The art can easily be described as being colorful. It’s saturated all over the setting with its buildings, characters, and supernatural beings. The action itself is also quite stylistic with a gag approach while also translating into some fast paced battle choreography. It’s not hard to keep up but the momentum of the action can be quite swift if you don’t pay close attention. There’s also various transformations that while gimmicky can be amusing to watch because of the physical changes of the characters. Despite this, most of the main characters looks normal in their base form. On the other hand, we got monsters with their otherworldly designs and some that follows a suit of evolution with their revamped body structures. Fan service also exists although not really explicit at all except a few skin here and there. By all terms, it’s actually quite unique for a show about superheroes. It’s one of my favorite OP songs for this Fall season. From upbeat tones to its catchy lyrics, the theme song takes a dive into colorful choreography. There’s also showcases of the main characters in noticeable moments although most of it is overshadowed by the colors. The OST is less noticeable although makes the series credible during action scenes. However, I have to give some credit for the character expressions to bring out a good amount of comedy for the series. This is coordinated in conjunction with the character voice tones. And because of that, it makes the show quite fun to watch as it adds both thrilling excitement and laughs. It’s not a masterpiece but Concrete Revolutio is definitely a show to look out for. You don’t have to enjoy superheroes themed series to like this. Nor do you have to examine it like some detective story. With everything it has to offer, the show is quite a bit of fun. From superhero fighting to morality context, it’s a series that knows what to do with its seemingly oversaturated amount of ideas. At least take a look at it and see what these heroes do for a living.

Concrete Revolutio was the one show this season I wasn’t expecting to be as good as it was. This series was a pleasant surprise of Fall 2015. And as it has already been stated, the MAL average here is far underrated. This is definitely not a show you should judge based on first looks. The artwork is fitting for the superhero theme of the show. In fact, the backgrounds are colored in by tiny dots, almost as if it were printed out from an actual superhero comic book. Other background elements are drawn with very basic shapes and colored solid, also as if it came froma comic book. Also, the first thing that hits you when you watch this anime is the color. The colors are very bold, and pop, and are flamboyant, if not *fabulous.* Where else are you going to find a main male MC with hot pink hair that swoops? And for a contrast, the psychedelic animation for the ED is pretty trippy; don’t skip it. I must give a 10/10 to the artwork. Bones brought in a new, daring style to the medium, and I love it. However, the playful artwork cannot be taken at face-value. There’s so much more to Concrete Revolutio than what you first see on the surface. The story is about the Superhuman Bureau, which protects and regulates superhumans. This includes eliminating potentially dangerous superhumans. However, you cannot take the “superhero” theme at face-value either. This is NOT your average cookie-cutter superhero show. One thing that is important to note is that the plot uses timeskips to connect certain points together while leaving events in between secret. It’s not difficult to keep track of since the screen shows you what year it is. Scenes that happen in year 42 deal with cases that the Superhuman Bureau is currently working on. At some time during each episode, the scene will skip ahead to year 47. Here it seems like our hot pink MC, Jiro, is on the run from his own organization, but we don’t know why. Watch each episode to find out more as the plot thickens. This is very much more of an “action mystery” rather than your typical shounen. As we watch, we learn that each of the main characters have their own secrets and motives, and the lines between good, evil, and justice begin to blur. Some fight for justice, some fight for peace, and some fight for freedom. Humans, superhumans, ghosts, beasts, witches, demons, aliens... what's the difference between these groups and why are they treated differently? Are any of them innately evil? Does the peace of one group inhibit the freedom and justice of another? I think that's all I should say for now. The best thing I can compare this to is Darker than Black. At first, the series is largely episodic with their own individual mysteries, but each episode digs a little more into the main plot. Then everything begins to tie together as we learn more about the main characters towards the end. However, this season is largely a setup for season 2, it seems. Anyway, this isn't something you will regret watching if you give it a fair chance and don't judge too early. Enjoy the ride~

I'm not going to deny that there was once a time when I liked Baccano and Durarara. After all, I watched them during a time in my life when the only anime I was familiar with were harem romance shit and I still thought Guy Ritchie and the first Iron Man movie was cool. Over time though, I've fallen out with them harder than people who once thought Clannad was a masterpiece of making you cry now see the show. There's only so long you can enjoy anime and other visual mediums for its quirkiness and being "better than the pack" before you start cravingsomething that's actually good on its own terms, and Narita (along with the rest of the light novel author pack) lack that entirely what with his inability to write anything but energy that isn't being applied to anything useful. It's like watching Pulp Fiction if it only came prepared with one pistol rather than the truck-worthy supply Tarantino uses to elevate himself above his friends. In that regard, I'd like to thank Bones for creating an anime that actually does the whole time-jumping/multiple character/energetic presentation well, because it actually applies that presentation to something with some actual fucking substance rather than try to make said presentation "the" substance. And since we're at it, why don't I thank Bones for a lot of other things too? Like making a superhero anime that actually utilizes the concept of being a superhero. Making an anime that doesn't rely on nostalgia as its only draw. And most of all, making an anime that doesn't suck, something the studio hasn't done in years. Not even going to be shy about it: Concrete Revolutio is not only my favorite anime of 2015, but one of the best anime I've seen in a long time. It has its lame moments, but the overall package was strong enough to turn the show into an Undertale-style hit that grabbed the attention of quite a few big names. Gen Urobuchi and that guy who handled the writing for Gurren Lagann and Kill la Kill are both attached to its upcoming sequel, with the latter acting as a third main writer because apparently two people and a few guest writers aren't enough to tell the story Bones wants. Whether or not this will benefit the show's writing or turn it into a "too many cooks" situation, I don't know. But those names will get more people watching the thing than this dinky review can even hope to match, and that's a good thing as far as I'm concerned. Whilst it starts off weak due to a premiere that felt like an hour-long episode crammed into 22 minutes, Concrete Revolutio quickly rises above the rest of the superpower pack by assuring us that it's going to take its premise seriously and not use it a vehicle for throwaway gags and beautifully animated yet incredibly empty fight scenes that will always prove Zack Snyder right about Marvel's movies. Similar to how Haibane Renmei stood out from the rest of the "slice-of-life centered on cute girls" pack due to its religious bent, Concrete Revolutio is jam-packed with all manners of political metaphors surrounding Japan's history to accompany the adventures of an organization of super humans centered on a young man named Jiro, the only dude I know who can make pink hair cool. Whilst seemingly just another cool boy who leads his team to victory, it's revealed very early on that five years into the future, Jiro would betray his organization in order to help out super humans on their own terms and much of the show's momentum is carried by learning why he did so, whilst exploring its world through various episodic plots centered on other super powered people who have their own vision of justice in regards to the happenings caused by the time period. Admittedly, I'm not too familiar with the history portrayed in this show and I'm not gonna bother looking them up since so many other people have written about the connections better than I ever will, but I do know that the story's melding of politics and superhero is not dissimilar to Watchmen - which the creators have admitted to wanting to make a Japanese version of. And Watchmen was a great book that Concrete Revolutio borrows from correctly. It has the same time-jumping mechanics and conflicts caused by ultimately good intentioned superheroes as a result of the atrocities committed by our government along with foreign ones (particularly America in CR's case because that's whom anime always goes after when they need a country to oppose. You know, at least Geass went after the UK in its story) that you're nevertheless not supposed to root for because they're fucking psychos whose plans aren't even guaranteed to succeed. The final bad guy in particular is basically Zero from Code Geass - right down to the costume and his way of thinking - if the show portrayed his morality as a reasonable alternative that we nevertheless want no part of rather than the ultimately right choice that R2 ended up doing. Nevertheless, Concrete Revolutio not only gets what makes its predecessor work, it knows it shouldn't outright copy it and does its own thing where, without spoiling anything in particular, Ozymandias doesn't win. Obviously there are more differences to Watchmen than just that, but if I listed all of them, this review would be over 5000 words long. But let's focus on the characters since the story itself is best experienced by going into it with as little information as possible even if you can still enjoy it greatly despite that. Most of the interesting aspects are given to Jiro and episodic characters like Earth-chan, whilst the more recurring characters are generally there to serve the plot as needed with the occasional moment in the sun as long as it adds to the story. We don't even learn anything about Kikko - the character we're supposedly meant to project ourselves onto given how she's the naive newcomer - until the final arc, and when we do, it doesn't really have much bearing on what's going on besides giving her an unexpected darker side in order to make sure she isn't left behind by the other more complex characters. They're not boring given how they all clearly have their own baggage which the show exploits from time to time, as well as the existence of that one really boring sixth episode that took the focus away from them and suffered massively for it. Nevertheless, I can't really picture watching an OVA of them slacking off the same way I can for Noragami. And for the record, thank fucking christ that there are no slack-off scenes or character relaxation moments in this show, unless you count that scene where Kikko whines to Fuurouta about her crush on Jiro being spoiled by him living with a fox lady. There's nothing wrong with them in-between big moments, but too many anime - and Durarara in particular - overdo the breaks to the point that they're pretty much the animated series equivalent of an employee who's paid on the hour but never does any actual work. Concrete Revolutio never separates the characters from the story, keeping everything nice and tight even when it leads to some spotty plotting, and trusts the audience to figure out for themselves what timeline we're supposed to be looking at. It never bothers to hold their hand, but it's not inaccessible. You just have to pay attention and accept that you're not going to get the bigger picture on your first go. Concrete Revolutio is a heavy show that demands a lot from its audience whilst juggling many different viewpoints in a narrative that's all about how there's no winning side when it comes to crimes committed by our government. It refuses to make things simple, because it can't afford to be simple in regards to issues that professionals haven't been able to figure out for years. It'll take the time to show the consequences no matter what side you're on, but it doesn't have answers. Nobody has answers, and if they do, they're not going to express it through a cartoon on public television. All anime like Concrete Revolutio can do is keep raising awareness until someone someday figures out the best way forward. And when you express that agenda through usage of a world where every kind of super powered being imaginable exists, even better.