The Girl Who Leapt Through Time

Hands down the best movie (animated or otherwise) I've seen in at least five years. Although the character art is simple, I love it <i>because</i> it is simple and clean. The backgrounds, environment, and special effects are a different thing entirely. They are rendered in such gloriously realistic detail. The landscapes, the classrooms, the streets -- I have never seen such detail in an animated film. It makes things like Beowulf and Final Fantasy: Advent Children look really silly. The movie also has such beautiful sound. The effects are perfect and clear. This is topped off by one of the mostbeautiful soundtrack and score I've ever heard outside of...well, nothing! The music is so appropriately poignant at times that I almost cried from it, fifteen minutes into the movie. I actually knew, glowing reviews aside, fifteen minutes in, that it was going to be a wonderful film. I mean, if the music can make goosebumps rise on my arms, then it can probably save even a disaster of a film -- which this is certainly not. The ending theme is the most appropriate song ever written for any anime. Ever. Just listening to it makes me go "awwwww" and I really want to find it. I'm making it my mission. It's like a direct line to Makoto's head at the end, and made me cry all over again. I'm really not normally a sap, but I'm very sensitive to music, and this movie's music is just so awesome. Not in a grandiose and sweeping sense, but in a gentler, more subtle way. (In fact, subtle describes this whole movie: subtle but effective.) The characters are also very well-written, complemented by good voice actors. Chiaki's has a tendency to mumble so much, I can barely understand him sometimes, but it actually fits his character well. They're quite convincing as high-schoolers, though, and I love how they were all created so realistically, without following any staple formulae or types. They're all just...normal, even though two of them can do very abnormal things. Though the plot itself is very simple, the way the characters develop throughout the seemingly minor conflicts (and that big, heart-pounding one toward the end) gives the story incredible depth. And when it reached the ending, I didn't want it to end but, at the same time, I felt the ending was perfect. I'm a sucker for this type of ending: very, very hanging. Like most of the novels and movies and anime I like, the movie ends just when another story is about to start -- the rest of Konno Makoto's life. I mean, the movie is set within two or three days, I think, though with the time leaps it may feel like it takes place for a much longer period of time. Those days are when Makoto is merely poised at the threshhold: summer is drawing near, school is almost out, and they have to decide on their majors. Yet what happens in that short time is so profound that I'm sure it will affect the rest of her life. Toki wo Kakeru Shoujo also drives home a message. The line "time waits for no one" is mentioned several times during the course of the film, and by the end it makes sense why the writer chose that line. That there is no time like the present seems like such a cliche, but when we can't leap through time and change events to suit us, the present is all the time we have. We have to cherish each day as it comes and each person as they are, for how do we know that by tomorrow they won't be gone?

Tsutsui Yasutaka is a pretty prolific author. He's known for science fiction works featuring dark humour and satire. His most famous work is probably The Girl Who Leapt Through Time. It was first published in 1967 and has been adapted or given sequels several times for live action dramas, films, a manga and an anime film from our old friends at Madhouse. The anime film is a loose sequel rather than a direct adaptation. The big question, is it any good? Story: Our protagonist, Makoto, is having a bad day. She woke up late. She flunked a quiz. She got into an accident while tryingto cook tempura, another student was tossed into her, sandwiching her between two other students for a while and she heard strange sounds when turning in some questionnaires only to find no one in the next room. Things take their worst turn when her bike's brakes fail and she's tossed in front of an oncoming train. That's when she finds herself back in the past a couple minutes before the accident. Her aunt tells her that it was a time leap, but Makoto doesn't believe such a thing is possible until, after some experimentation, she discovers how it works. She puts on a cricket uniform with celery in the lapel and leaps through time and space in search of adventure. Actually, she uses her new found power to do better on tests, perform better at baseball, have fun and, most importantly, avoid slightly awkward situations. Yeah, our protagonist is neither smart nor creative. At first, she's having a lot of fun but then she learns that her actions are having consequences, as actions are liable to have. Yeah, about half the film is made up of Makoto using her powers to mess around in relatively innocuous ways and the other half is comprised of her trying to fix things that go wrong. Honestly, it's pretty boring. You keep expecting something interesting to happen with it, but it never does. There is one genuinely dramatic moment, but it doesn't even last ten minutes. The main romance is kind of stupid and doesn't make a whole lot of sense given the circumstances presented. Characters: Our cast is bland. Really, really bland. None of them are particularly interesting, but none of them are obnoxious or terrible characters either. There's just nothing that makes them distinguishable from other characters we've seen thousands of times, if not more. Makoto is an idiot who gains a really amazing ability but can't be bothered to think of anything to do with it aside from playing around. Her friends are the generic nice, reliable guy and the generic off-putting guy with a good heart. Then we have all the secondary characters like the supportive friend, the shy girl and so on. Art: The art is really good with nice detailed backgrounds and character designs that, though simple, look good. The time traveling effect is appropriately strange and is also well animated. Sound: The voice acting is competent. None of the actors give really exceptional performances, but none of them do badly either. They all do decently. The music is also okay. It doesn't really stand out in the slightest either positively or negatively. Ho-yay: There is no ho-yay in this. 1/10. Final Thoughts: The Girl who Leapt through time is a hard film to discuss. Not because it's complicated but because it's tedious and generic. It's a story about time travel where the time travel is never used in either an interesting or a creative way. It's like a mystery story where the detective solves minor mysteries that don't really have any impact. Sure, you can do it but you're going to have to have really strong characters to pull it off. Not the rather generic cast you get in this. That being said, there's nothing really wrong with the film. In the end my rating is going to be a 5/10. It's average. If the concept of a girl traveling through time to make her everyday life better appeals to you, check it out. If you want something more compelling out of your time travel stories, stick to Steins;Gate, Back to the Future, The Time Machine, or any number of other stories. Tomorrow, film festival week ends with a look at a certain film involving cyborgs.

Whereas I had watched the movie because of its high recommendations, I was disappointed to find out that Toki wo Kakeru Shoujo is very lacking in many regards, in my opinion. The story wasn't very new (character finds out can travel back or forth in time, uses it, abuses it, and learns - the end), but I did enjoy the approach taken by <i>this</i> particular anime. Featuring some interesting plot developments and approaches to how the time travel was "invoked," it did feel fairly fresh. However, other than that, most of the development in the film was mainly comic relief and I didn't feel like Igot much from the story. What truly disappointed me most about the story, however, was its ending. The plot twist which was introduced also introduced with it a myriad of plot holes and inconsistencies which I felt very letdown by because of the earlier lack of them. Additionally, the ending just did not suit me and the way the conclusion of the story changed the main character seemed fairly ... hollow. I won't say anything else other than that, but for those who have seen this movie: I didn't really understand the sudden hollowness we find from Chiaki's character at the end of the movie. His motivation to return to the future was very foolish, in my opinion, and lacked any true explanation for it. What was he going back to if he was losing what seemed to be something extremely precious in the present? I felt his going back was simply a badly used plot device to "change" the main character and their coming together would have achieved that same sort of thing much better. I suppose you can make your own conclusions about that. Continuing on, I felt that whereas the story seemed somewhat mediocre, the art in this movie was pretty special. Featuring what seems to be simple character work, yet extremely detailed environments, you begin to feel sort of immersed into the characters because of discerning features, particularly of their personality, rather than by simply their appearances alone. I actually felt the artwork was very easy to watch and very crisp and clear. The sound utilized in this movie was pretty good. Character sounds were clear and distinct and there weren't any parts of the movie where I felt that the music interfered, but neither were there any parts where I felt the opposite. In respect to the characters, I believe that they were very fleshed out in general and that all of the facets we see of them were very intriguing. However, the character development is what made me decrease this score so. I felt that the development that was apparently supposed to be experienced by Makoto was badly done, and that the conclusion failed to really deliver to me the realism or achievement that was done on her and her character's behalf. Overall, I enjoyed the first hour or so of this movie immensely because of its fresh and interesting approach and delivery. The last bit, however, disappointed me and made the story and everything else feel... incomplete and not satisfying.

I found no problem with the movie at all, other than the melodramatic overstated mood they went with for the ending considering the natural and low-key presentation they used for most of the running time, although at least they left the science fiction concepts as a subtle wink and kept it as just a medium to the true story of character interaction. It’s amazing how entertaining and delightful the overall product was, and with my words here I am doing no justice to the real feeling behind my statement but want to avoid needless hyperboles and keep this the more down-to-earth I can for now.Safely can be said that as a whole, be it for artistic attributes, good story telling or the really lovable protagonist and those charismatic personages surrounding her, this is seriously one of the most enjoyable films in recent years, animated or not. As a “time-traveling” tale the script does has it share of faults but even so I can’t find any as idiotic as what we could already see in “Back to the Future 2”, which even when finding itself in the middle of such paradoxes managed to keep itself a classic thanks to the fact that it can be resumed as juvenile yet somewhat meaningful fun from beginning to end, and by the finale the point of the plot wasn’t really to develop the whole physical mechanics of moving in a temporal plane but rather how such an ability, in a metaphorical sense, affects the life of a young girl, who is by the way one of the most wonderfully done and likeable female teenagers in the medium. Interesting was also to see how the directorial maturity of Hosoda is much more firm now, the melancholic stylishness is still here but for some reason with a major focus when compared to his still brilliant Digimon movies. He remains both trendy and lyrical but perhaps now he turns out even more restrained and introspectively social than before, probably a reflection of the natural movement beyond Tai and his pubescent friends, or the Superflat Monogram girl, towards a state that borders adulthood. Besides Hosoda’s firm commandment the other incredibly remarkable technical aspect was the graphical design, which turns up as pure urban magic achieved through visuals, a thoroughly endearing representation of youthfulness, with simplistic and amazingly humane movement that retains a cartoon-like expressiveness that helps it in going beyond the representation of reality and achieving much more aliveness through un-noticeable and at the same time deeply underlying exaggeration. The team went with a very modern interpretation of what “old-school” signifies and they did a brilliant job at that approach. As a whole TokiKake is as a film unpretentious and sincere, eradiating enchantment in every minute it is shown on the screen. Besides, even if you can’t empathically sympathize with the characters you can’t deny their charisma, the entirely believable naturality of the presence they represent as individuals. Go watch this now, at worse you'll be entertained.