Code Geass: Akito the Exiled - The Brightness Falls

As long as you are willing to embrace something new or unusual with patience and an open mind, Akito the Exiled continues to do a good job at combining a series of small scenes that gradually provide characterization, moments of political intrigue, great mecha action in 3D and various hints about future developments. Story The third chapter gives our current cast of characters the opportunity to relax after previous events and get to know each other a little better. It might seem boring if you're only here for the action and don't have any appreciation for using a little humor as an interlude, but I thinkthis detour was absolutely necessary if you want to understand the narrative structure as a whole. No matter how many complicated personal issues Akito, Leila and the others have to deal with, whether in the past or in the future, they are still human beings at heart. This is a story about people struggling to survive in the middle of a rather bleak part of the world, where democracy is not a guarantee of freedom. That being the case, we can't have them fighting the enemy or each other all the time. Once that is out of the way, we should discuss what is happening on the Euro-Britannian front. Politics and backstabbing take the center stage this time around through internal divisions due to the arrival of Julius Kingsley and Suzaku, along with some setup for over-the-top plans that aren't particularly realistic yet seem oddly fitting for the larger-than-life world of Code Geass. The chapter's single mecha combat sequence also happens here, remaining as exciting as one can expect from this production. In short, this was a transitional period with a turning point that might have interesting consequences for both new and old characters. Character While the size of the cast feels relatively large for the running time and many of them tend to have a low profile, I think we are finally starting to get used to the newcomers. In particular, it's worth mentioning that we learn about Leila's past and why she struggles against the status quo even from within a military organization. This also prompts a certain interaction with Akito that also manages to show his vulnerable side beneath an aloof and occasionally cold exterior. Then we come to the question of Lelouch, or rather the person officially known as Julius Kingsley. It is fair to say he isn't remotely the main focus of the story here, which means his portrayal is less detailed than during the original TV show. He is playing a different role as an envoy from mainland Britannia sent to the European territories who wants the Emperor's wishes to be followed, no matter the cost, in order to quickly conquer the continent. However, beneath all of his bombastic speeches and outright villainy, which is probably still entertaining to watch if you are a fan of Code Geass in one way or another, there are a couple of hints about the true nature of the character that contrast with the superficial simplicity of the individual currently known as Julius. His interaction with Suzaku also matches the state of their dynamic at this point in the original story, though certainly in a less direct manner than usual. In other words, you may need to read between the lines. Another character who gets some much needed time in the spotlight is Shin, the main antagonist of Akito the Exiled. He actually didn't have a lot of opportunities to act before, outside of meeting Akito in battle and previously engaging in murder behind-the-scenes, but now we get to see him as a truly manipulative individual who can be surprisingly dangerous. It is he, not Julius Kingsley, who ends up in control of the situation. This is not a person you want to cross. We also briefly meet a mysterious entity connected to the Geass, who is apparently involved in some sort of conspiracy, but since nothing else has been revealed yet there's no point in worrying about it too soon. I hope this subject receives a proper explanation within the next two chapters. Just as an aside: I found the old ladies at the start of this chapter kind of silly, if you must ask, but not too problematic in the grand scheme of things. Art and Sound As expected, production values remain high quality here. There isn't much to complain about as long as you're not expecting something on the level of the visuals for Gundam Unicorn. It's easily as good or better than the best episodes of the Code Geass television series in terms of quality, with the backgrounds being a lot more detailed now. The music seems to be divisive because of its unique brand of jazz, but I think the chaotic sensation it transmits has a certain charm once you get into the right mood. Enjoyment It's another version of Code Geass with its own brand of storytelling and entertainment. If you want something exactly like the original show, this isn't going to be same. Which makes me happy, since I think we need more variety and less repetition in order to avoid some of the problems with the second season of the previous work (leaving its excellent ending aside). Overall So far, I admit it's taken a while for the audience to warm up to Akito the Exiled and perhaps it will only be fully appreciated when all five chapters can be watched one after the other. Even so, I think it's existence is a valid way to expand the Code Geass universe in a creative manner. I'll continue to look forward to where the rest of the story takes us.

The more of these they make, the more I worry about the upcoming R3. *Spoilers for Code Geass: Boukoku no Akito 3- Kagayaku Mono Ten yori Otsu* Akito Movie 3 is stupidity at its finest. The Akito sub-series is already filled to the brim with utterly ridiculous moments in the first two films alone, but this movie takes it up to endearing levels of stupidity, despite what it does to the series' canon and how it makes the whole geass stuff even more convoluted than ever before. People claim that this was the start of the fall of the series when, honestly, it was horrible to beginwith. All of the same problems (except bad CGI because it's improved here) are on full display, like dumb character decisions, poor usage of Geass in terms of justifying it and how it works, edgy writing and MC, and bland characters (though the main protagonists are far less dull here). However, the writer managed to become even dumber than before which is quite an accomplishment, and the pacing really ruins itself. Absolutely nothing makes sense in this movie. Somehow, our military protagonists get financially locked out and unable to get into their military building and then a group of old ladies tries to hustle the group, and then the group works for them for a while. We don't know how we got to this point. We also learn plenty of backstories, like for Akito, Leila, and that one scientist lady who keeps her lover in some kind of stasis in hopes of him recovering, however, each of these backstories is rushed beyond belief, making it hard to process them. The pacing of this movie is terrible because of that; things rarely get to breathe and flesh themselves out properly. We then see Julius, Shin, SpinZaku, and others coming together, and then Julius enacts his fake terrorism plan, and it works. After a game of chess against Shin, we see him flip out after saying "your majesty" because somehow that triggers his actual memories as Lelouch now despite him saying it a lot beforehand. He flips out, passes out, and Shin tells them that he killed him (though he obviously didn't, since if he did, R2 couldn't exist), as well as some stuff shot killing people we never heard of and this Euro-Britannia stuff we never heard of until minutes prior in this film with no explanation of what it is. Then this weird geass lady shows up from the TV somehow to tell Gene Smilas what to do, and we end on a hokey fist fight. What a mess. Things are just thrown in there with no proper explanation and the pacing goes far too fast. It only added more problems to the already broken Akito narrative and has potentially jeopardized the continuity of R2. Aside from boring Akito, the other 4 major protagonists actually get to show off their fun side, even if it makes the rebel trio in particular feel like completely different people if not for their singular trait from before that occasionally appears. Ayano has the biggest personality change, and it all comes out of left field, though for her, it compliments her beauty more. Let it not be said that these three aren't more likable and that they aren't less generic now, because they are. The lightning-fast pacing doesn't let the backstories tell themselves well either, especially for Leila. Plus, the gypsies are annoying and not well written. Now to the other side of this conflict. Julius is pathetic. He's just an arrogant man who goes crazy for the most ludicrous of reasons and is reduced to someone pathetic, almost like a sick parody of the man he was in the TV series. His plan is compared to what the real Lelouch did despite him never doing something like that in the original series, and I can't explain why he is so pathetic about water. Shin is every bit as one-note as ever, but it's interesting to see how the other guys are dicks to him behind his back. We luckily only get to see the badass side of Suzaku and not the abhorrent and hypocritical side of him, but he can't help much. Then we get this hot but disturbingly one-note lady of Geass who we know nothing about, in the second to last scene of the film and apparently we don't see her again in the next one. Just...why? Yet with everything I said, it seems like the movie did learn something, as its visuals are a massive step up from the previous movies. For one, the characters move quite a lot, at least thrice as much as the first two films combined, which shouldn't have been as big a relief as it was. Also, the CGI in the second half of the film has vastly improved, notably in the battle between Suzaku and Shin's forces. Sure, they would look more appropriate in a PS3 video game, but the CGI is far more fitting for a mech given how metallic they all look now, like the kickass Lancelot. Sure, the action directing still needs work, but everything, including the looks and effects of geass, is a major step up from before. Still doesn't beat the original series, but hey, it's still better than what came before, including the CGI in the first half of the film. There's a surprising number of new songs in the first 40 minutes, and they work much better and are more varied than the other ones. Unfortunately, we still have to put up with the other generic tracks and the generic ED, and even the new tracks don't stick out, but there's at least some flavor coming from these new tracks, flavor that actually fits, unlike the flaring trumpets track. It's a step up here as well, and I hope to hear more interesting tracks from this sub-series in the future, especially since it makes the OST actually have its own identity for once instead of just sounding like a lamer version of the main series' OSTs. I wonder why people call this film worse than the other two and the start of Akito's decline. It's not much worse than the awful second film in terms of writing, and there's actually a sense of charm here, even if most of it came from unintentional hilarity. Is it because the first half felt weird and out of place? Perhaps, but it at least had characters actually doing things and actually trying to get more fleshed out. Is it because it's boring? I'd disagree and say that the first film is far more boring, but hey, opinions. However, you can't really say the series is starting to get dumb since it has always made absolutely no sense, especially during the second film. It's just that the ball of suck keeps rolling, even if this time around, it manages to be enjoyably terrible. Plus, the CGI and music improved, and there is actually a lot of character animation. Perhaps an in-depth discussion can lend me some insight, but for now, this is as entertaining as this sub-series has been so far, quality notwithstanding.

Well, it's starting to get worse. Maybe i'm just a little burned out when it comes to the Code Geass franchise by now, but this wasn't exactly great. Mind you, none of the previous movies were, but still, the 3rd installment is the worst so far. However, i am almost done with all of it, so i am going to pull through now, my mind is set, so let's talk about what i didn't like and what i liked about the third Akito the exiled movie. Story: It starts stupid. Like, really, really dumb. Our heroes are broke, cause some idiot in the european armywants to get back at leila and then they get scammed into working for a bunch of old gypsys. Now the question i asked myself the whole time is: Why are they doing that? Just tell them off, don't do...that. Hell, they literally molest both Ayano and Ryo. Yeah, those are our heroic soldiers, what a great statement for the protagonists. At least Akito doesn't participate in all of the madness, but he still gets dressed up and follows their orders. Again, why? Clumsy Leila is kinda cute, but that's such a cliche by now, the sheltered rich girl. The rest of the movie is a subplot handling Lelouch and Suzaku and our main antogonist, Shin. That was okay, everything involving Lelouch is always an upgrade. That's really it though, there is some Geass-stuff as well, but this is all we get. I am not satisfied with that, especially since i don't even like the resolution so far to Lelouchs story. This can only be a 4, no matter how hard i try to find something redeeming. Art: Nothing new here. I got my Lancelot fight (superhuman Suzaku still makes no sense, but whatever, anime) and that was pretty good. The fanservice is getting really overboard, maybe someone can explain to me why Ayano pulls the zipper of her already revealing, skintight suit to to her belly-button. That wasn't a negative point though, quite the opposite, heh. Sound: More of the same, however! I will add one point for lelouchs voice, what a great man. Character: Lelouch and Suzaku, even some C.C. That's it, moving on. Nah, just kidding, but those three certainly help. In setting up the antagonist for example, that one is actually threatening and absolutely ruthless, i guess that's what you want from a villain. Well, a motive would be nice too, but that's probably coming up. I hope so. To the protagonists, i can once again only talk about the attractive females. Do you see what that implies? That they are boring, really, especially Akito. He's Sasuke, that's all he is, it's lame. So i just stare at their bodies and these movies are very generous with showing them, so it all works out. Not really, it could be better, but then again Lelouch. I´ll keep the seven. Enjoyment: The start made me a little angry, other then that, i enjoyed it as much as the previous movies. But the beginning annoyed me so much, that it costs two points for this category. So what can i say at the end? Something clever? Hah, no, you're wrong here if this is what you seek. I still want to see the remaining two movies, but i start to think that there will never be any satisfying resolution. So i watch it for the booties. I don't, i'm not that much of a degenerate. Ugh, what is happening to these reviews, i need a timeout. Only two more...only two more. And then we'll see what's next. Something really good would be nice, i just want to fanboy all over a show, that could be fun. But we will see.